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    One more Saturday night at Winterland! Yes, we're back to home base for DAVE'S PICKS VOLUME 42, the complete show from Winterland, San Francisco, 2/23/74. The one that featured the earliest amalgamation of what would soon become the Wall of Sound, the one that is so "loud, clear, and defined," it's been ripe for release for quite some time and we're glad it's finally getting its due.

    First set or second, there are no wrong answers here. From the unique show opener of Chuck Berry's "Around And Around" and an incredible "Here Comes Sunshine" that would then disappear for 18 years, to a medley of WAKE OF THE FLOOD tracks - "Row Jimmy," "Weather Report Suite," and "Stella Blue" - cementing their status in the canon and an unstoppable hour through the classic 1973-1974 Dead that is “He’s Gone”>“Truckin’”>“Drums”>“The Other One”>“Eyes Of The World,” it's all exceptionally hot.

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 42: WINTERLAND, SAN FRANCISCO, 2/23/74 was recorded by Kidd Candelario and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • proudfoot
    Joined:
    Phish

    Hampton Comes Alive's
    Weekapaug Groove

    High energy, bitches

  • Vguy72
    Joined:
    Phish Lore....

    ....I really don't know where to start regarding the lore, but it gets deep. But, I do know where to start regarding getting into them. A Live One or New Years '95. Check em out. I'll refund your time somehow if you don't get IT. And we all know what IT is.
    King Gizzard are pretty cool. They can't be pigeonholed into a certain category, and I can appreciate that. So many awesome sounds. Reminds me a little of The Flaming Lips. A little.

  • proudfoot
    Joined:
    Crow told me

    Zappa?

    Start with "we're only in it for the money"

    I like a lot of his stuff, but therez plenty of meh, in my opinionionionionionion

  • That Mike
    Joined:
    Crow

    I totally agree with you on Phish. Don’t know where to start on their library, and I haven’t been able to connect with much I listened to. Zappa, I have just never much cared for, but I respect folks like his body of work.
    PS - Grant Green was a fine guitarist, and a big influence on Walter Becker - the similarity in their tone and touch is incredible!

  • Crow Told Me
    Joined:
    Bug!

    That video with Trey and the little girl.

    You know, we humans might be capable of every sort of atrocity, and we might leave the Earth to a smoking cinder by the time we extinct ourselves (along with half the life on our planet), but we had our moments, didn't we? There were times when we came together to sing songs and dance and love each other and created beauty just for joy of it. Maybe that's enough? Maybe it doesn't matter (anyway).

    That video made my day. Almost makes me want to check out Phish, which, sad to say, I've never really done.

    Ever been kind of afraid to dive into a band or a musician, because you know that have such a deep catalogue and so many obsessive fans and so much lore? I know people who feel like that about the Dead. I kinda feel that way about Zappa: know lots of good people who love him, obsess over him, have to have every scrap of music they can get. And it kinda scares me off. Like, where would I begin? Where would it end?

    Glad to see King Gizz get some love. Those guys are just ridiculously prolific, and they love to confound all notions of musical genre, so they're had to pin down, but when they're in garage psych mode (as they usually are live) I really like them. Check out I'm in Your Mind Fuzz or maybe Polygondawandaland if you're curious. Or better yet Live in San Francisco.

    Last five:

    GOGD: DiP 31
    Miles Davis: Filles de Kilimanjaro
    Charles Mingus: Mingus Dynasty
    Ty Segall: Freedom's Goblin
    Grant Green: Grant's First Stand

  • PT Barnum
    Joined:
    Robert Hunter

    birthday anniversary yesterday. Sure wish him and Jerry were still around.

  • Oroborous
    Joined:
    Re: misc

    MIKE: just some self deprecating humor there, the best kind!
    Funny I don’t recall 2001 so much, but have cool memories of 1996. Had just move here that winter and we’re watching up in the hills at one of my cousins west of Boulder so we had to go back down and through Boulder on our way home at the time east of town. Even at that late hour there were nuts partying in the streets, people were driving around hoking horns in the middle of the night, it’s was wild and such a good feeling to finally be a “winner” after all the frustrating Buffalo years. If they can pull it off Friday, gonna be a big pa-teh in the city fo sho! Not so sure about the state, these folks aren’t quite the Hockey fans we are. Now I don’t get out much but I haven’t seen or heard anyone out here in the boonies talking about it which is sad.
    But hey, don’t cha know I’ll be ready!

    ISTSHOW: I read about that show, the bad ole daze of Colorado concerts. Heard/read about the crazy Folsom field shows BITD too. Must of been a gas! My first stadium show was quite the eye opener for a 15 year old: Bob Welch, Pablo Cruise, Foreigner, and Fleetwood Mac at the Ralph.I can still picture Stevie and Lindsey Glaring at each other as they sang and LB breaking strings he was playing so hard during Go Your Own Way, like they fully meant it lol. Great R&R!
    My Biggest crowd/Concert was Woodstock 94, surreal how many people were there!

    DAVEROCK: generally two kinds of loud: dbs, and ear damage due to sustained distortion and/or shitty sound.
    You can cause hearing damage often accompanied by ringing/not being able to hear temporarily at low DB if the sound is distorted. Sustained exposure to things like power tools etc can cause permanent hearing damage much more easily than just loud dbs if the sound is clean. This is science not opinion. Plenty of Dan Healy on this out there.
    I owned some of the same equipment and worked for a band that had a smaller version of the wall, so can attest that though the music is often not too loud (you can talk to your buddy etc) normally, but during peaks in the music things can get very loud, and because it’s so clean you don’t realize it like Simon said. I’ve had stereos like that too.
    But as good as the wall was, I’ve read every member of the team has stated over the years that the Meyers PA that they used in the late 80s etc could get way louder and was cleaner than the wall due to technological advances, including scale as it was now more practical to have increased and improved amps, speakers etc than the wall, and that it could sound better! Yes the wall was awesome, but it’s more about the historic significance about the innovation of what and when they created all this new tech, and the myth that has been built around it. I’ve experienced the Meyers PA hundreds of times where it WAS so loud but clean that you couldn’t easily hear your buddy, but didn’t realize it until you tried! Of course this can present a different and perhaps more dangerous hearing situation as you could actually do permanent damage and not even know it until it’s too late! The Meyers system had that potential but luckily Healy and co knew better.

    Most of the “rock” bands I saw had horrible sound because it was too distorted AND too damn loud. Saw The Who the day after those poor folks died in Cincinnati in December 79 and they had what I believe, but didn’t know of at the time, was a Meyers PA, but it was being used improperly and was ridiculously loud and shrill (all high end etc).
    It literally made the concert hard to enjoy!
    Yes, yet another one of the many unknown but awesome things the Dead did: basically invent good concert sound reinforcement that has changed the entire industry!

  • 1stshow70878
    Joined:
    Motown

    Integral to the transition from pop from the Brill building to soul and rock & roll of the 60s. Still some of my favorite hits. Stevie Wonder a great example of that transitional period.
    The Way You Do The Things You Do and How Sweet It Is - JGB staples.
    Remembering my older sister and friends perfecting their dance moves to Motown on the big mono system Dad built. The Alligator dance craze where one dives head first to the floor in a push-up move. Quite athletic and the girls made the floor shake doing that one.
    Glad you're digging it DR!
    Cheers

  • daverock
    Joined:
    Wall of Sound - Simonrob. Motown

    Sounds as though it was superb, and very conducive to the music being played. Provided not too many people took the option of talking to their mates, of course. As you probably know, with Sabbath, Purple and their ilk, not only couldn't you hear your mates in the hall-you couldn't hear them on the bus on the way home either.

    As side trip, I am getting a bit lost in the world of 1960s Motown at the moment, which I have never listened to before. I bought the Complete Singles 1967 box a while back, to go with the "Detroit 67 The Year That Changed Soul" book by Stuart Cosgrove that I was reading. So good, I decided to get the 1965 box. Then the 1963 one. And now the much coveted 1966 box arrived this morning. Great, great singles. Once I get the 1964 one-and maybe the 1968 one - I will call it quits.

  • 1stshow70878
    Joined:
    48 Years Ago Today

    My first big outdoor show. Sun Day #1 on 6-23-74 with ABB, Marshall Tucker, Steve Miler, Elvin Bishop, and Wet Willie at Mile High Stadium. And the ABB set had a Whipping Post!
    All in their prime, albeit lacking Duane. May still stand as the biggest crowd at a show I attended. Second largest was likely the Hard Rain tour at Ft. Collins Hughes Stadium the next summer. Dylan and The Beach Boys. Weird bill but a fantastic show. I don't even come close to some of you guys! Like Monterey Pop, Englishtown, etc. but a good time was had by all despite the warm beer.
    Cheers

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3 years 6 months

One more Saturday night at Winterland! Yes, we're back to home base for DAVE'S PICKS VOLUME 42, the complete show from Winterland, San Francisco, 2/23/74. The one that featured the earliest amalgamation of what would soon become the Wall of Sound, the one that is so "loud, clear, and defined," it's been ripe for release for quite some time and we're glad it's finally getting its due.

First set or second, there are no wrong answers here. From the unique show opener of Chuck Berry's "Around And Around" and an incredible "Here Comes Sunshine" that would then disappear for 18 years, to a medley of WAKE OF THE FLOOD tracks - "Row Jimmy," "Weather Report Suite," and "Stella Blue" - cementing their status in the canon and an unstoppable hour through the classic 1973-1974 Dead that is “He’s Gone”>“Truckin’”>“Drums”>“The Other One”>“Eyes Of The World,” it's all exceptionally hot.

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 42: WINTERLAND, SAN FRANCISCO, 2/23/74 was recorded by Kidd Candelario and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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17 years 2 months
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Ordered already !!!

Awesome, I’ve been asking for 3-9-81 for years. Hope all the shows get Plangentized.

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14 years
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Ordered mine before breakfast! I know everyone isn't into the 80's. Personally I like all the years. Like the St. Louis box, it will be interesting to note changes from year to year, although they may not be as pronounced as the Louis box.

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4 years 3 months

In reply to by nitecat

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One of the FIRST shows on cassette I ever got.

Well done, PTB. Well done.

:)))

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2 years 11 months
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I havn't bought it yet, but it looks like a good one. The Dead played great in those years. I'll buy it eventually, I don't believe it will sell out that fast.

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7 years 3 months
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Sounds like an oxymoron to me, but who cares!! It’s primal 1969, JUST before 1970, which we ALL(well, almost all) have been clamoring for!! I simply CANNOT WAIT to unwrap this and push play!!

Thanks Dave, Music is the Best!!

Why bother considering yourself a Deadhead in the first place? Labels are for jerks. As has been said-music is the best - not all the crap that goes with it.

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16 years 4 months
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Hey rockers,

I am a major deadhead. Saw shows in the 1981-1983 era. That was then, this is now. The new box does NOTHING for me. So what does that make me? LOL! If others like it, great!

Me, I'm saving my $$$ for next years Banana Box Box Set: Fillmore West February 1970 complete.

Do I have 1968-1972 blinders on? You bet. No apologies, no explanations........

And for all you Pigpen/Lovelight haters out there, remember this: No Pigpen, no Grateful Dead.

Rock on,

Doc
Bee to the blossom, moth to the flame; Each to his passion; what's in a name?

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2 years 11 months
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38 years ago today I was at the Greek Theatre to see the Dead. I don't remember much about the show because 7/13/84 was what 1984 was all about. Doc, that Fillmore West box sounds fantastic, I believe your right, next year is the year it happens.

I certainly don't hate Pigpen, but I don't think everything he did was wonderful. Lovelight would have been great to me without the raps. Longer than 15 minutes and it over stayed it's welcome for me . Hard To Handle, on the other hand, was invariably great - all groove and no nonsense.

it’s not hate vs love, it’s pure and simple burnout!
I’ve been listening to too much Dead for over 45 years!
Some things I used to love I now have to be in the mood for. It’s that simple.
I won’t list the main culprits Randy cause I’m sure it will incite a shit wind we don’t want or need to blow!
But, for instance, I’d probably be good if I never heard another me & my uncle again lol, but that doesn’t mean that on the right occasion it won’t get me grooving. So it’s not so much the song as it is I’ve just heard it too much (besides the Dead I used to play it in a band EVERY NIGHT, sometimes twice!, for many years).
I’m with Daverock about Dark Star vs LL. Since DS is often more modal and or free form, thus not so repetitive etc, versus LL is basically a blues pattern that they improvise over, it’s just naturally more repetitive. And I love Pig, but his shtick too can be very repetitive and thus get old. Plus I’m not 16 anymore so it doesn’t resonate quite as much. Like it was mind blowing the first times on my teenage peanut brain, but now…
Thus, to me, after all these years, it can sometimes get very tedious listening to something that long and repetitive.
To be clear, this does not mean I don’t like it, I’m just burned out on it, big difference.
And like any song, “Sometimes you get shown the light…”
I only bring this up because I feel like there’s a good contingent out there that feels the same, or not?
And I think sometimes here, like the rest of the world, things just get to damn binary.
I mean we’re all supposed to be DHs on the same team loving the same band. Of course everyone is entitled to their opinions etc, it’s just sometimes the tone used is a bummer.
I liked how Doc gave his strong opinion, but without insulting anyone. It can be done.
But, as stated, that’s just what moi thinks, so probably meaningless lol.
Be Kind! Ain’t no time to hate.

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9 years 1 month
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It's ok to love things others don't, and it's ok to not like things others love. That's the benefit of being free to be you, you can dig what you want and disregard the rest.

As far as dead burnout, if you listen long enough to anything it can get old and stale. Not to mention, there is a ton of great stuff out there that you will miss if you listen to nothing but dead. When I feel like listening to the dead, I dive in and groove, and when I don't, there are hundreds of other choices on the shelf. I do know from past experience, that just because a release doesn't really strike me as fantastic when it is announced, it doesn't mean I won't jones hard for it later if I pass on picking it up, so it's easier to just get nearly everything they release as I rarely have a case of buyers' remorse, but I have had to pay a premium to pick up stuff I passed on when it was first released.

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7 years 3 months
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…Between Love And Hate, so sayeth the song of that title. I get burned out on bands repeatedly. That’s why I love having a super varied music collection. Burned out on A?? I think I’ll play B, G, or X. I’m seriously impressed at how much Dead some of you folks listen to, I just thrive on variety. So to each their own, that’s why they make chocolate AND vanilla!!

I won’t disparage anyone’s tastes or bands they like/love. I don’t have time for that. And like DAVEROCK says, why do I have to put a label on it?? I play it, love it, and then play something else. The Dead happen to be one of my favorite bands, who I happen to own hundreds of releases by, But damn, I need so much more. Having said that, I am SUPER stoked for #43!!

Music just happens to be the Best!!

The latter is overrated, the former is precious. Life may be sweeter for this, I don't know...

I do know one thing, we need less hate and more love. Be yourselves but don't get sucked towards the hate magnet. That's about as GD and I can write.

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5 years 1 month
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So I know this is off topic ;D but regarding Dave's Picks... Dave- I'm ever-grateful to get to hear this music but can you PLEASE give us the shows as they were performed instead of mixing them together (#43 is an especially jumbled mess).

Thank you.

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9 years 1 month
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I also would prefer releases have the show in original sequence, with any bonus content at one end or the other of the main show of the release rather than interspersed throughout. I'd rather pay for an extra disc to keep the sequence intact, rather than to chop it up to fit on three discs. I suspect that this may be the minority view based on past discussions about bonus content and out of sequence songs.

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9 years 9 months
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Realizing just now that the illustrious VGuy waltzed right past me last night in row 22 at Red Rocks!

I appreciated his "Make America Grateful Again" t-shirt at the time, he must not have seen my House of Guitars tee or I know he would have stopped for a fist bump!

Next I get to stroll down to the mailbox to pick up DP 43 (no shipping notice, but I got the heads up from my account with USPS- pro tip).

Let the good times roll! And now back to your regularly scheduled Gathering Flowers For The Master's Bouquet...

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5 years 1 month
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So I've got Your Picks Vol. 43 in my hands and CD player. Cool music.... BUT...

I ask you, sir--is this how YOU listen to these shows? The first 9 songs of 11/2/69, then the 5 songs from 12/26/69, then 4 songs from 11/2, then 11 songs from 12/26??

If yes, then I don't feel you really appreciate the experience of live Dead--how each show is a unique event and piece of musical art, how each show has a rhythm and a story all its own. (This is WHY so many of us spend thousands of dollars buying these very shows on CD when we are content with just getting the best studio releases from other artists we love.)

If this is NOT how you would listen to these shows, and you do enjoy and appreciate listening to a show as it was performed, then you are not really respecting the rest of us who want to listen to the shows in that way but don't have the privilege of access to GD's vaults.

You make great choices of shows-- just let us listen to them as Jerry intended please. It's doable. Every single box set release does it.

Thanks!

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9 years 3 months
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I’m really enjoying this release, some new songs for me…Seasons of my Heart and Gathering Flowers…Plus two more Dark Stars, Yum.
Nice archival newspaper clips about Live Dead.
The sound is great too, big thanks to Owsley for our now-future enjoyment.

Also if coupled with Dave’s Picks 6 we have11/2, 12/20, 12/21, 12/26 1969 and 2/2 1970.
For the song/show playing sequence I’ll quote Jerry from the 11/2 show:-) “this evening is fraught with difficulties, absolutely fraught with difficulties”

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4 years 3 months

In reply to by Willysin4wd

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What do these have in common?

Led Zeppelin
Pink Floyd
Moody Blues
Rolling Stones
King Crimson
Motorhead
Sex Pistols
Sweet
ELP
ELO
The Who

Identify the commonality in these artists and you win!

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4 years 3 months

In reply to by proudfoot

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The builders of my townhouse made a slanted roof with planters.

The bar holding them in place at the angle should be held by 10 bolts.

How many bolts did they actually install?

Six.

That leads to pains in the tookess, people.

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6 years 2 months
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I can't believe people are griping about the song order. There is no reason to waste space on another CD, just to have the songs in order. Add another disc and then a contingency will complain there is only a half hour of music on one CD, and they want bonus tracks. Or that Dark Star / St Stephen / The Eleven was divided over two discs. While cost may be no problem for you, it is for others. Go buy a CD changer and program the tracks in the correct order.

To say Lemieux is disrectful to the fans for this is a gross stretch of reality. It is because he respects rhe fans that he did this. It is easy to see he loves the fans and is eager to get great music to us. And you insult him. That us the problem with your post. Yes you are entitled to your opinion. No you are not entitled to throw accusations and make people feel bad. You owe an apology.

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17 years 5 months
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Who hears repeated dropouts on vocals in this #42 set especially disc 2? (see reports of such on-line elsewhere)?

Seem to be a characteristic of 1974 shows. But the funny thing is...it's never Donna who seems to be dropped out. You would think they might wipe some of her triumphant screams off the end of the Playing jams. Blame it on the reels.

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