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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • 1stshow70878
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    Other Jewel

    Daverock, of course I too went straight to the Red Rocks shows upon first listen before hearing the rest of the box. After getting to all of them I was calling 7-3-78 St. Paul the hidden gem. That must have been a peak period for them. The energy is there. Almost swaggering I'd say, like they need a pack of cigarettes rolled into the sleeve of their t-shirt.
    Cheers

  • daverock
    Joined:
    Me too

    I also played Omaha 7/5/77 after reading Oroboros's post. The first set, last night-excellent - Jerry's guitar sounds as cool and clear as the driven snow. Own up time....for the last couple of years, when I have played shows from this 78 box, I have played the first one 7/1, missed out the next two and gone on to the two Red Rocks shows. I have no idea what put me off Omaha in the past - makes me wonder what other unidentified jewels I have here.

    Exile - I was unfairly dismissive of Black and Blue, too. It's a very entertaining album - I didn't like funk or disco in the 70's, but that's no excuse now. I wasn't keen at all when it came out-Spring 1976, I believe. With Mick Taylor gone, "Fool To Cry" issued as a single and punk waiting in the wings, The Stones, along with most of the great bands from 1965-1975 suddenly seemed a bit passe. I bought the first Ramones album in Summer 1976-that was the sound of the times for me. 40 odd years later... Black and Blue is still on my playlist, and I no longer even have that Ramones album.
    I saw The Stones at Knebworth in 76 - and I have the programme here-nothing to do with music, but it's curious how The Stones and their fans were presented. In the article on The Stones, it states, "Young boys eagerly flocked the Mary Quant make up department in Harrods trendy Way-In shop on Saturday afternoon.The disco pumped out "Hey Negrita" as the boys applied eye liner and lipstick to gaunt virginal faces." I don't think so. I was 19 then, and the article seemed to show how out of touch The Stones had become at that time, with my generation.
    They also apparently had a food stand where you could buy a portion of chicken curry for 0.55p. This in the middle of the hottest heat wave for decades.

  • JimInMD
    Joined:
    Omaha

    That Estimated > Eyes is outstanding. That Eyes of the World has always been a go to post hiatus Eyes.. it's outstanding. I've always been big on that box. 7/1 never circulated and is outstanding, the first Red Rocks shows did circulate and are well.. not to overuse the term but outstanding. A great moment in GD history perfectly preserved for us to enjoy. Aptly timed as we are entering a holiday weekend and the box centers around the Fourth of July.

    Outstanding

  • Charlie3
    Joined:
    Omaha

    Been looking at that July 1978 box when picking some dead to listen to lately, but keep getting sidetracked by a different choice, but Oroboros' post about the virtues of the July 5, 1978 Omaha show prompted me to give it a listen today. Currently on Wharf Rat. I always liked that show, and the recording is excellent. I imagine it was exponentially cooler to be there in person at the time. The artwork on that one is probably about my favorite from that box as well, and I liked all the art from that box, a lot.

  • Exile On Main St.
    Joined:
    Stones

    Hey guys, I lurk more than anything but I saw some Stones talk and I agree with Dave Rock. It's Only Rock 'n Roll is an underrated album. The thing with it in my opinion, is that the songs are either dynamite (like the opening song fictional drummer) or B side material. The other problem is a couple of the songs suffer from Led Zeppelin IV / Dark Side of the Moon syndrome, meaning they've been played on the radio so much that they've lost a little luster (title track and Ain't Too Proud to Beg). I think these songs are pretty high quality once you're sitting back giving them your full attention (In their order of appearance on the LP).

    If You Can't Rock Me
    Ain't Too Proud to Beg
    It's Only Rock 'n Roll (But I Like It)
    Till the Next Goodbye
    Time Waits for No One

    Dance Little Sister

    The first 5 songs are all of side one and are solid. It's Only Rock 'n Roll has "Start Me Up" hit quality. Time Waits For No One makes us realize that Mick Taylor should have had at least one or two tracks on every album to stretch out like he does on this one and Can't You Hear Me Knockin' from Sticky Fingers. Missed opportunity. The thing with these songs is you may think of hearing Dance Little Sister on the radio and thought, meh, average song. Until you really listen to everything going on with the guitars. Keith Richards bass chops on If You Can't Rock Me are cool. Till the Next Time is on par in my mind with Wild Horses and Angie, but again, missed opportunity in that Taylor could have been used to play an electric solo or something, similar to Wild Horses. The remaining songs on the record don't do it for me. Luxury is borderline, but leans too far into funk. Fingerprint File is way too far into funk and not that great a song for me. If You Really Want to Be My Friend and Short and Curlies should have been put in the can for later. Between Goats Head Soup and It's Only Rock 'n Roll, I think there's a great album in there.

    Black and Blue had some great songs with Hand of Fate and Crazy Mama. I think Hand of Fate was as good as 70s rockers got, with very few exceptions.

    Not much to say that hasn't been said about Dave's 43. I would never complain for this type of release.

  • PT Barnum
    Joined:
    reading these posts

    you guys are so cool. Love this forum

  • Charlie3
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    Or...

    ...It's like buying a book from the bookstore and then realizing the pages are all put together out of order, and there are pages from another book mixed in. And when you go back and say, hey, bookseller, they put the pages of the book in the wrong order, and there are pages from another book mixed in. And he says, don't worry, you can rip them all out and put the book back together in whatever order you want.

  • Crow Told Me
    Joined:
    It’s Like When Someone Says ‘Plate of Shrimp’

    The other day I ordered a burger with fries. Instead, they brought me fries with a burger. So I complained. But dude, the burger guy said, you can eat them in whatever order you want. Mmfff, I said, eating my fries and burger.

    Received my shipping notice today for the TTB’s “I am the Moon” vinyl set. Because today is the release date. What a concept! You release the record on the release date! Genius! I just want to note that, when you bought the 4-lp set, they promised to provide a digital download of each separate album as each of the four parts of this project was released. And then they actually did! On the actual release dates! And the files actually worked! Amazing! And now they shipped vinyl on the release date. It’s so weird.

    A lot of people don't realize what's really going on. They view life as a bunch of unconnected incidents and things. They don't realize that there's this, like, lattice of coincidence that lays on top of everything. Like the other other day I’m eating a plate of shrimp and listening to Electric on the Eel for the first time in years. And so were you.

    Last five:

    JGB: Electric on the Eel (discs 1 and 6)
    Derek & the Dominos: Layla
    Bill Evans: The Hilversum Concert
    Christian McBride: At the Village Vanguard
    Stones: El Mocambo

  • Oroboros
    Joined:
    Greetings my brothers/others

    All is well in the middle of the country and I couldn't agree more with this esteemed group's statements on current and past musical topics.

    Phil and Friends has consistently displayed such exploratory and jamtasic shows which makes them a 'must see.' I recently attended another Wilco concert prior to that show and the inclusion of Jeff Tweedy and Nels Cline in the friends in Chicago reflect excellent choices. Nels has sat in with P & F on multiple occasions and Wilco has covered the Dead on a variety of occasions including Bobby sitting in for Dark Star, Ripple, etc. I regretted that Phil got Covid and couldn't headline with String Cheese Incident's recent Red Rocks shows, but Billy Strings was a welcome replacement and we in the audience had a wonderful time. Still I long to see Phil play again and hope to have another chance soon. The SCI 'dead set' with Billy was a delight and I saw Billy rev up with the Cheese as they took on many of our favorite Dead tunes that evening. And I am quite relieved that Phil has fully recovered from the Covid and is back playing live.

    Besides attending the Wilco and SCI shows, I have also loved recent concerts with the Infamous Stringdusters, Joe Russo's Almost Dead, the Jayhawks, Railroad Earth, Yonder Mountain, Mollie Tuttle, Sierra Hull, and several years ago was quite taken by previously mentioned Larkin Poe (opened for Elvis Costello). Such terrific music touring again and I'm very grateful to be able to make the journey (pun intended).

    However, given this thread on DP 43, to get back on how this Dave's Pick is stellar and echo others sentiments how the primal Dead are such an unmitigated treat. This is a special release and deserving of frequent rotation.

    And should any of you be inspired by the break-neck speed and turn on a dime of the early Grateful Dead, please consider attending a Joe Russo's Almost Dead show. Yes, Oro (my brother from another mother) those two Vail JRAD shows, along with the JRAD show at Red Rocks were stellar. These guys have the stamina and pace of the early Grateful Dead but along with the Dead's entire song catalogue. Simply remarkable jamming, truly exploratory, and much more in the vein of P & F as opposed to the D & C. JRAD is energy personified and each band member is truly infused with amazing grasp of these wonderful songs along with a jazz mentality and interplay.

    To add to the dialogue regarding 'rain stories' from concerts (discussed earlier in this thread), I got one to share. I recall back in 1978 when the Grateful Dead played at the Omaha Civic Auditorium in July. The venue was about half full (4,000?) but everyone was chomping at the bit as we had not seen the Dead in Nebraska since early in the early 70's. I took my Nak 550 into the venue and there was no hassle getting in the deck in this time, but remember this was before the days of 'taper's sections.'

    Out in the hallway, the Hell's Angels wandered about sporting full colors and big grins. They may have been transporting 'party favors' and decided to take in a show, or perhaps road tripping with the band? Although I did not see them at the subsequent Red Rocks shows. Anyway, I headed down to the floor to set up my Nak in front of the sound board. When I was getting everything ready, I saw this guy with a great rig setting up. Luckily this kind stranger (I have since discovered he was famous taper Bob Wagner) let me patch out of the back of his Sony, which was terrific as he had a tall (8 ft?) stand to get will above the crowd noise. We were about 15 to 20 feet in FOB. So Garcia treats us to a blistering Sugaree opener, the kind that drove the crowd wild. His leads mounted into a wave that crests, recedes, regroups, and roars back with such power and delight that adds to the synergistic effect causing our frenzied response as his rolling/soaring guitar work lift and subside within the band.

    Then BIODTL, TLEO, and then Bob took the spotlight with a "Look's Like Rain." About half way through the son, I suddenly noticed something shimmering in the air between the band and me. I thought "what a fantastic light show! Or have I shifted into 5th gear just a little earlier than I scheduled?" I staggered towards that visual disturbance in front of me to investigate. The crowd was dancing madly in the middle of the floor as a waterfall played over them. The waterfall was about 25 feet in circumference. I put my hand into the water...hand out, no rain, hand in, pouring rain.. I jumped into the waterfall drenching us all in the middle of the Civic auditorium. Then stepped out and there was none. I shook my head and then dove back into the deluge and danced through LLR and next came Direworlf and a delightful All Over Now, with Keith and Donna simply killing it. Candyman, Lazy >Supplication and Bobby informed "we are going to take a short break" (ha, it was never a short break!)

    I staggered back to reload a new tape (remember cassettes?) and I looked for some validation of my experience. I asked my friends if I was not in fact 'soaking wet' as I patted my wet t-shirt? And they grinned knowingly and affirmed that , yes, in fact I was 'all wet."

    Then this unique show continued (nice indoor water feature, boys!) with a killer second set, complete with a transportive Estimated>Eyes>Wharf Rat>Truckin'>Iko Iko > Around and Around.

    As I left the auditorium I noticed the water standing on the ground outside, a summer storm? Hey was this just a case of a leaking roof? Or did the Dead actually conjure up the forces of nature as they were so prone to do?

    Next to travel to their/my maiden Red Rocks shows. Would Phil bombs create reverse gravity and make us float up into the air? What do they have up their collective sleeves for us next (ah-oooo, Werewolves of London, ah-ooo)?

    Those were the daze.....

    Zen saying "teachers open the door, you must enter by yourself."

  • That Mike
    Joined:
    Philco Are Only Rock & Roll (And We Like It)

    Jim - You bring up a good point that Phil is well into his 80s, yet is still bringing it with such new creations as Philco. I think he personifies that well worn axiom “Find something you love to do and you’ll never have to work a day in your life.”

    DaveRock - I personally always loved the subtle guitar work on “Fingerprint File” from IORR. Mick Taylor should never have left the Stones, they were a much better band with him (with due respect to Ronnie). Last week, I re-watched their “bootleg” release from the Marquee Club in 1971 - now THAT was THE best Stones lineup.

    Blues For Allah - what an excellent choice. Some really jazzy passages throughout that entire release.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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and I'm glad that ebay profiters are not buying all the Dave's up so that they can sell them for double the cost on ebay. What, in my opinion, is bad is that ebay used to be like an online garage sale, a place where anyone, and I mean anyone, could go and sell some things and make a few extra bucks on the side and get rid of some stuff that they did not want anymore. Now, that simple practice is being closely regulated by the federal government.
Now I know that a five year old may not know that having the federal government regulating everything is a bad thing, but you would think that if one is reading these posts, they would know that most people don't want the federal government in their business.
So if someone gets to make a buck without paying taxes on that perceived profit, as a working schmuck as someone put it, they would be against it? wow
What's next? perceived profit made from garage sales? so much for free enterprise
This is so wrong it's not funny, the rich pay nothing in taxes, avoid as much as they can, and yet, the federal government goes after free enterprise and profit off of anyone's old stuff that they might sell on ebay.
Now do you see how this might be conceived as a move in the wrong direction?
I'm the tax man
yeah, yeah, I'm the tax man
don't ask me what I want it for
if you don't want to pay some more

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Glad to see it, despite avaricious secondary sellers, we are the market for Rhino/WMG. It's a matter of when not if, a 60s box might have been pushed further off if this did not sell out quickly. I grew up with a lot of music around, all early dead vinyl, starting 1967, in the library a few feet away. This first era will always be most sweet spot. This release whets our appetite for more, it is there. From Dave's seasides, the next box is known within and the one after is on a short list if not in early production, let it be 60s. We are truly fortunate to have such a treasure trove between commercial releases and the various archives. Will a 60s box sell better now or years from now when more of us dinosaurs are deaf or passed.

Nick1234, I love it. The hottest point of the year in the hottest year and you are talkin' scotch, a winter tipple for me. Would never challenge anything on that list, Islay-centric though it be, other than to add a few. How amazing is it that some of the best Islay is made within a mile of so of each other in the SW, Laphroaig, Lagavulin and Ardbeg. One could walk between them easily, but maybe not for long. I have not sampled the two newest producers but have been fortunate to sip a couple of rare Port Ellens. The only distillery on Jura next door makes an excellent one when aged. Jura is where the deer way outnumber the locals and George Orwell wrote 1984. The Lagavulin Offerman tempted me, ageing in Guinness casks sounded a bit weird but its quite good. Also Laphroaig Cairdeas, Glenmorangie Nectar d'Or and Aberlour A'bunadh.

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Turns out I hear folks quoting Anthony Hopkins from Legends of the Fall regularly;)

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Aberlour A'bunadh is something special but the days when it was £25 a bottle are long gone. Yes, I tend towards Islay and Highland whiskies, Speyside doesn't normally do it for me. I had a couple of bottles of 13 year old cask strength Caol Ila from Cask 88 last Christmas and ooh that was good. I'm also an appalling tea snob.

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I bet they put together two shows from Owsley's banana boxes, 1968 or 1969, and if you don't subscribe you will only get one show. I better subscribe next year.

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10 years 2 months

In reply to by billy the kiddd

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BTK - yes, that's the risk in not subscribing - the off chance that they do something like that ! Buying all the dodgy ones so you don't miss the one good disc.

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15 years 10 months
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I am a little late chiming in on this pick, but this is outstanding. I was fully expecting another 83 or 84 show and to be getting two full 1969 shows! I cannot wait to hear these shows.

Vguy, Hendrix Freak, Crow, I am hitting the TTB and Los Lobos show in Aurora, IL next week-- I will let you know how it goes, but I expect it to be a stellar show. This will be the first show I hit with my wife since Steely Dan in 2009, while also meeting my best bud from WI and his wife. I am really looking forward to it. Thoughts on the TTB releases "I Am the Moon?" I find much of it a bit down for my tastes, but that closing track from the first part-- Pacquio-- is a fantastic Allman-style jam.

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In reply to by estimated-eyes

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....I personally think it's outstanding and looking forward to my first pilgrimage to Red Rocks.

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"A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault."

Both of these soundboards have been available on archive.org for many years. So what is Dave talking about, saying the boxes were sealed and undisturbed for decades? Are Bear's tapes an alternative source from the circulating recordings? I guess that isn't something the label wouldn't want him to mention here or in the video.

Anyway, here's hoping those boxes contain soundboards from July 1970 Fillmore East and November 1970 Capitol Theater. Of course there's no way, but one can dream.

Thanks for the Gram tips! I already have "LIVE AT THE AVALON BALLROOM 1969, but was not aware of Desolate Angels live. Just ordered it, looking forward to more Emmy Lou harmonies.

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In reply to by Pigpen Lives

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I also noticed these shows circulate in good quality.. I assume we can think Senor Latvala for that. As for anything after Feb 1970, New Orleans.. unless it was performed in California, Bear would not have been there to hit record as the long arm of the law revoked his travel privileges. This continued until they began recording in earnest again in 71 with just a few exceptions, mostly in New York where the house made their own tapes.

...but I like the way think.

Dodgy shows? Sacrilege. :D

One edit, Unless I am missing something, the setlists or CD song list has not been disclosed, which does give some hope that there is some uncirculated material here. Probably nothing, but well, we can hope!

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The Dead played a number of shows in California in 1970, that look like they would make killer releases. They did runs at the Fillmore West,, Family Dog and the Euphoria Ballroom , hopefully they are all in that banana box of Owsleys.

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In reply to by billy the kiddd

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Bear was not arrested again until July 15 at his home in Oakland between the two Euphoria shows. So those June FW shows could be in those banana boxes. I'm curious?

Anyone know how Bear was able to record the February FE shows? His bail was revoked in NOLA, so he would have had to been released. So was he arrested again in July for being in NYC in February?
It gets quite confusing

I am Grateful.

Sam

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54 years ago on July 18th 1968, Anthem of the Sun was released. Anthem of the Sun & Workingman's Dead, my two favorite Grateful Dead albums. I love the expanded version of Anthem, with the Alligator from the Shrine Auditorium included.

...and without realising it's birthday, Anthem was the last album I played about three hours ago. I agree - it's an incredible album. Best psychedelic album to come out of the States. Or anywhere probably.

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I love love love Anthem. One of the top 3-4 GD albums ever, IMO, and certainly one of the trippiest.

That's when they were really on the cutting edge, making a record that didn't sound like ANYthing ANYbody had ever done before. This is an album for heads, and a giant "FU" to the record company, which wanted short marketable tracks they could get on the radio, not side-long psychedelic suites that were "mixed for the hallucinations," as Garcia said. I've never gotten tired of it. In fact I've been listening to it a lot in recent months, trying to put together a longish essay about it. No idea where I might publish such a thing, maybe just put it on the web somewhere, I guess. I'll let yall know if I do.

Last five:

Herbie Hancock: Crossings (unbelievably and extremely psychedelic record from HH's incredible and incredibly under-rated Mwandishi band)

TTB: Ascension (second installment of their four-part I Am The Moon project, and like the first, it's solid from front to back with a couple instant classics, can't wait to hear this stuff live very soon.)

GOGD: Road Trips Vol 3 No 3 (Pulled this one out because I couldn't stand the anticipation waiting for DaP 43, and I realized this was pretty similar, from a couple months later, with opening acoustic sets, the Live/Dead suite, lotsa Pig. It's fucking great, obviously.)

King Crimson: Washington 2021 (been binging on KC lately, the latest incarnation is just so good live)

Art Blakey and the Jazz Messengers: Mosiac (one of their very best Blue Notes, Freddie Hubbard is on fucking fire)

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In reply to by Crow Told Me

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A good documentary about making those albums.
I got it on DVD a while back for dirt cheap.

Anthem was the first GD CD I bought, but had to make a tape copy on a friend’s stereo so that I could listen to it in my car tape deck. It’s my favorite ‘studio’ album, followed by Blues For Allah, which happens to be the second GD CD I bought.

Ok Gnarlywood, let’s get those DaP43’s shipping….

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In reply to by SAMTHARDMAN

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I'll try looking into that. By May, when they were back in NY. .the May 15th Road Trips was recorded by Bob Mathews.

Dicks Picks 4, Valentines day was essentially 2 weeks after the New Orleans bust and Bear did record that. He also recorded the tracks on Dave's Picks vol 5 from Feb 2, 1970. But those are the last shows he recorded outside California that year so far as I can tell. It's possible he had not gone to court or had any formal travel declarations placed on him by then. I'm not sure. ..but after 2/14/70.. that was it outside CA until his release from prison.

So sad.. but that's a piece of history and man are we lucky he decided to record the band in as high fidelity as he could with the equipment he was able to cobble together at the time.

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First time I heard it was new years 82-83 on the Rose Parade route. I loved it immediately.

Ship of Fools was in a dream last night, so I listened to Mars Hotel today while doing some paperwork. A tasty little sucker, I tell ya.

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Jim,

I have been thinking about that all day. After his arrest, he surely new he might be incarcerated or put under home state arrest. What incredible forsight to encourage Pigpen (and Pig to agree) to play the accoustic numbers alone, and then with Jer and Bobby on those Valentine week shows. In my opinion, that February FE 70' run was the Dead at it's very best; probably, only equaled by the 69' FW shows. However, the FW shows were done to produce a live album (live/Dead) and the setlist varied little as perfection was attempted to be obtained. I think the 69' FW run is analogous to playing at a symphony and the Feb. 70' FE shows are more like performing in the most kick ass roadhouse! We are blessed!

Sam

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I can remember taking mushrooms once, about 1978, and going into Oldham, to see two bands-Here and Now supported by The Fall. The atmosphere in the club didn't seem quite right though, so I decided to walk round town for a bit. Then I set off on the 7 mile walk home, with my thumb out, to hitch a ride. After a while, a small car pulled up with an extremely jolly vicar sitting inside it. He gave me a lift home while asking me questions about whether I believed in God or not.
Back home, my parents were both asleep, so I put on Anthem and listened on my headphones. At the climactic moment of Jerry's solo on side two, the needle got stuck in the groove and the same phrase kept going round and round. Strange what you remember.

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I came home from a Grateful Dead show in December of 1979, at the Oakland Auditorium ; I went to bed and put on Anthem of the Sun with head phones, and as it was playing , I heard the color purple. Daverock, that is a very funny story, I can just see you driving along with that religious man, trying to keep it together when he started yaking about God.

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In reply to by Oroborous

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Hilarious! But I prefer Sgt Schultz’s creed about seeing nothing!!!

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Had longer commutes this week, so quite a bit of listening got done, today I did the bonus disc 7/29-30/66 that was part of the 50th anniversary edition of Grateful Dead, and they were playing fast versions of those songs, as well as the really obscure stuff I wish they'd force Bob, Bill, and Phil to listen to at some point, and maybe revive Cardboard Cowboy. Bob's guitar totally absent from the mix, but surprisingly good bass in parts. Pig's organ overshadows all. And not necessarily in a good way, though he's not that bad at all. Viola Lee was pretty good, It's All Over Now, Baby Blue may be my favorite part of the shows.

Listening to Golden Road on the album, I wonder how it wasn't a Touch of Grey type hit in 1967. Seems like it fits in enough, but is also ahead of its time enough that it would have pushed things a bit further. Jerry's solo and tone rival anything Messrs. Beck, Page, Clapton, and Hendrix had put down on their respective first albums. I skipped most of the rest for Phil's 1971 mix of Anthem. New Potato is cued up on deck for the next journey.

Gonna line up the 1969 official releases for my next bit to get ready for late '69 Dead coming down the pike. And 2 Dark Stars, taboot, taboot!

....Brent's last show was on this date. Keith Godchaux died on this date. My son was born on this date.
Ups and downs.

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In reply to by Vguy72

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Have a lil' snack
Go to Seattle Art Fair
Captain Beefheart followed by Anthem of the Sun on headphones

:)))

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I love Garcia's lead out of Alligator, ("First there is a Mountain"), it never fails.

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In reply to by billy the kiddd

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I dig that

Something new popped up as I was walking along

Fire in the City
John Hendricks with the Warlocks as backing band
I had no idea it exists

Wow

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In reply to by billy the kiddd

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That is miraculous - the highlight of the album for me. Also maybe the best example of the two drummers playing together at their primal peak. The sound of colours exploding.

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I believe it was released as part of the Golden Road Box Set, I could be wrong, I'm prety sure Rhino released it on something. My brother has the 45 of it.

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Wondering if you cats are making TTB next weekend and, if so, whether you have a spare tic for either night or both.

Everyone else: sorry to be blatantly ticket-mongering on our forum, but I gotta do what I gotta do.

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Okay now I'll be adding Anthem of the Sun to the vinyl stack I'll be listening to tonight. Playlist, in no particular order, looks like this so far:

Donald Fagan - The Nightfly
Iron & Wine/Calexico - Years to Burn
Talking Heads - Speaking in Tongues
Men at Work- Business as Usual (pulled from the basement this afternoon a freshly cleaned)
Grateful Dead - Anthem of the Sun

That should do it!

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I'm really glad they released the original 68 mix on the 50th anniversary version. I gave that a recent listen.

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I always thought the original mix of both Anthem and Aoxomoxoa , were way better then the remixed versions. Never cared for the remixed versions, compared to the original versions.

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I haven't been around here in quite awhile. Nice to see all these familiar names, and arguments :)

This pandemic made me really sick of internetting for awhile there. Mrs Deadguy seems content playing Words With Friends and watching dogs do funny things for hours on end. I guess I needed something more.

I've spent a lot of time organizing my digital music library. Instead of just one giant directory of Artists and Albums, I've got it all grouped into genre's, sub-genre's, playlists. I've got a folder called "Stuff I dont know what to do with yet." I've got another called "Stuff I can probably delete when this hard drive fills up."

I've been branching out a little more with my listening. I probably listen to 1 or 2 Dead shows a week now, down from 3-5 at my pre COVID peak. Been getting more into the " jamgrass" scene . . . Billy Strings, Greensky Bluegrass, Yonder Mountain String Band. And lots of jazz, as always. My local Jazz Festival was back this year after being virtual only last year and canceled outright in 2020. OhMyGawd that was just my soul needed. I'm still a little sketchy about seeing shows indoors, but I'm trying to maximize the outdoor events while I can.

Last 5 -- Dead Edition
5) 5/25/72
4) 5/26/72

I always like to play the "follow the calendar" game with my Dead shows, and with all the hype I decided to go with only E72 shows between April 7 and May 26. Which bled over well into June because why not?

3) 6-14-91 View From the Vault II DVD version
Mrs Deadguy went out of town for a night with her Mom amd sister. I took FULL advantage of the situation. ;) Work the next day SUCKED

4) 7-12-87 Giants Stadium Box
TBH I thought this one was kind of meh. The 89 and 91 sets are way better.

5) 7-19-74 Daves Picks 17.
This was the first Daves Picks I ever got. I dont think I'd listened it since back when it was new. It still rocks. The closing sequence, from He's Gone until the end . . . WOW. Maybe the best jam sequence ever without a Dark Star or Other One.

Last 5 - Not Dead Edition
5) Christina Vale - Make Myself Me Again
Ms. Vale is a really good bluesy-folksy singer-songwriter- slide player from Nashville. I found her on Bandcamp. The title track is my daily mantra for 2022.

4) Bubblemath -- Edit Peptide.
Another Bandcamp discovery. These guys are wild. Thet call it "math rock". Its like prog rock, sorta, but goofy and self-consciously ironic like early Phish. Cool stuff.

3) Sun Ra - Ellingtonia Vol. 1. A comp of Sun Ra performing Ellington tunes. Which is sort of like Jim Morrison singing Beatles songs. Good stuff but some of the recordings are a little rough. If only Bear could have hooked up with Sun Ra at some point.

2) Dire Wolves -- Grow Towards The Light.
Dead adjacent psychedelic folk replete with medieval style chanting. Very cool, and HIGH-ly recommended for my Dead Head compadres.

1) Elvin Jones -- The Complete Blue Note Recordings.
This has been pumping through the ole headphones since I started writing this post. Top tier Blue Note from the best jazz drummer ever.

This new Dave's Pick looks friggin awesome.

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. . . is included on "Birth Of The Dead" (The Hendricks Sessions), and on "Complete Studio Rarities 1965-1987". Yup! That's Jerry!

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Looked up the show that one of this week's Tapers section highlights.
10-3-80 Third set electric.
Haven't done the research but 15 acoustic sets in that Warfield run
and all I have is the For The Faithful and Reckoning releases.
Must have missed the RSD Warfield LPs.
Seems like there is a lot of acoustic still unreleased?
Or are there Dick's and Dave's that cover this territory?
Cheers

Edit: Check out Gregor's story about passing out literal pounds of weed at the Folsum '72 show just posted today. Priceless and legendary!

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That Grow Towards the Light album by Dire Wolves is fantastic. I picked that up a couple years ago just on the basis that I dug the trippy album cover, really paid off, cool trippy jams from start to finish.

Last few Grateful Dead -
Shakedown Street - that album always does it for me, just has a fun, summer vibe to it in my mind.
Dave's Picks 28 - June 17, 1976
Dave's Picks 2014 Bonus Disc, 12/11/69 - still my favorite bonus disc

Last 5 everything else
Tame Impala - Lonerism, an album so nice I listened twice. The track Mind Mischief in particular does it for me, the official video available on utoob has a cool trippy video to go along with it.
Black Angels - Phosphene Dream, that album really hits the spot sometimes.
Chuck Berry - Definitive Collection, can't go wrong with an hour or so of Chuck, tunes Nadine and Maybellene always do it for me.
King Gizzard & the Lizard Wizard - Quarters, some cool psychedelic stuff, picked it up recently.
Funkadelic - Maggot Brain, cool album with 10 minutes of auditory bliss provided by Eddie Hazel on the title track.

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Unfortunately, a lot of those Warfield 80 tapes were apparently erased,or taped.over.

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35 years ago today ( not to long ago) I was up in Oakland, to see the Dead & Dylan put on a great show. The Dead really tore it
up, I believe the show has been released on dvd. I had never seen
Dylan before, so that was really cool. Of course the highlight of the night, was when Garcia sat down at the pedal steel and backed Dylan on "I'll be your Baby Tonight". , that alone was worth the price of admission.

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I have a hard time believing they would erase or tape over the master tapes; if true, what were they thinking??
For years, there were rumors that the Beach Boys' Smile sessions were taped over, which turned out to be untrue.

Last 5:
Budgie: Never Turn Your Back on a Friend
Budgie: In for the Kill!
Budgie: Bandolier
Judy Henske & Jerry Yester: Farewell Aldebaran
Flying Burrito Bros: Flying Burrito Brothers 1971 LP

Like many others, I can't wait for this release...but how long will it be before another 68-70 is issued? We now know you have the tapes Dave L. & TPTB...don't make us start rumors of a 'Banana Box Conspiracy' lol.

Last listens:

1. Art Blakey & The Jazz Messengers - Moanin'
2. Joni Mitchell - Hissing Of Summer Lawns
3. Joni Mitchell - Hejira
4. Joni Mitchell - Don Juan's Reckless Daughter
5. Poco - Pickin' Up The Pieces
6. Poco - 2nd S/T
7. Poco - Deliverin'
8. Trio Of Doom - S/T. John McLaughlin, Jaco Pastorius & Tony Williams...what couldn't they have done?

Hope all are well.

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