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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • #901
    hendrixfreak
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    Good call, Vguy

    Hilarious, though, that my rant ran hundreds of words and ya provide a four-word counter-example! Good for you, catching the affordable shows. This year I'm down to two concerts, duly reported here (TTB, Raitt).

    Oro -- my theory is that there are a lot of people out there, young and old enough to know better, who are living on serious credit card debt. Not to do the older generation thing, but growing up, I recall two times my family ate out at a restaurant. I didn't get a car til I was 30 (used Subaru). Blah blah. I think this happens with each successive generation ("Kids these days!"), but somewhere along the line I suspected it was hollow. I mean, 20-somethings out at nice restaurants? In Silicon Valley, I get it. South Denver?? WTH?

    No complaints here. My folks raised me to not want anything (more than one more Dead show), so my material needs are books and CDs. If you knew me, you'd know I don't spend on clothing, for instance. I'd prefer money serve as the backstop to anxiety over making it in modern society. (Food, taxes, medicine, home and truck repairs.) And I do have sympathy for kids growing up now, with the commercial pressures, social media, and phones that actually siphon money from your pocket without going anywhere. And I see too many people glued to their freakin' phones. Sure is a handy device, but talk about shrinking your world and being on a short leash.

    No wonder I still love gobbling shrooms and trekking off-trail in the backcountry. Now THAT'S got value, at least for my soul, which requires fairly frequent nourishment. But then, probably everyone here knows that...

  • #902
    PT Barnum
    Joined:
    Gone are the days....

    So many topics but first comment has to be about ticket prices and the good old days of concerts costing anywhere from 5 to 6 bucks up to 10 or 12. We used to go to a concert every weekend or every other weekend. I have a box full of ticket stubs to prove it. There were so many great bands back then you could catch a different act like that. Robin Trower one weekend, Foghat the next, then Yes and then Pink Floyd, all for 10 bucks of less. That's how it was. Last show was Bobby and the Wolf bros, tickets 100 bucks for back rows.

  • #903
    estimated-eyes
    Joined:
    concert prices

    Forgive me if I have already written about the topic of concert ticket prices. It all goes back to the Eagles "Hell Freezes Over" tour. Up to that point, I was buying tickets to big acts like the Rolling Stones, Eric Clapton, Grateful Dead for under $30. Then that tour happened, offering 'golden circle' tickets. Bands like the Rolling Stones saw that and starting cashing in on the Bridges to Babylon tour with fan pre-sales through credit card companies, higher ticket prices, etc... And it continues unabated today. To paraphrase the Big Lebowski, F the Eagles, man.

    For Dead and Company at Wrigley Field this year, we bought $40 tix in the upper box on the day of the show. We could have had 'pit' at $200+ or front row on the field at $190+, direct from TMaster (not resale). I suspected that the scalpers did not quite know how post-covid ticket sales were going to go yet. We were quite content with the $40 upper box-- good sound and all good people up there. For the Tedeschi Trucks Band/Los Lobos show in Aurora, $59 GA for everyone. That is probably the best bargain I have had for a concert in 20+ years.

    There is something wrong with society, really. We are willing to pay hundreds of dollars for tickets to a sports event, concert or something (2-3 hours of entertainment) with top athletes making hundreds of millions of dollars. But underpaid teachers have to buy classroom supplies out of their own pockets and poor kids getting in trouble for not paying their lunch cards. We really need to rethink our priorities as a society. OK, off my soapbox.

  • #904
    Vguy72
    Joined:
    MMJ tix were $70....

    ....just sayin'....aand I definitely don't go to fast food restaurants or Subways when I visit here. Green sauce allll day (and night).

  • #905
    proudfoot
    Joined:
    Concert expensiveness

    Phuhq dat

    Phuhq DAT

  • #906
    billy the kiddd
    Joined:
    Frosted / The Charles Ford Band

    Frosted, The Charles Ford Band has always been one Of my favorites. They used to play at De Anza College in a place called the Cellar, it's now the De Anza bookstore. Mark Ford has always been one of my favorite harmonica players. They used to live in various houses here in Cupertino, along with the great harmonica player Gary Smith and other blues musicians.

  • #907
    Oroborous
    Joined:
    Greed fest etc

    Yeah, how do kids pay for all this expensive crap?
    Concert tix at hundreds of dollars, phones that cost over a grand, new cars while their just teenagers, tattoos, designer this and that, yet the seemingly majority don’t work? (I’m talking a statistical significant number, not you, based mostly on observations while still slaving away, of the young people I come across. Now I have met some recently that not only work, their more polite and balanced then we were BITD, which is refreshing and gives hope).
    My point is not to bash anyone except the greed heads that think everyone’s a damn millionaire so it’s ok to be greedy!
    Maybe that’s it: our culture now requires that you act or live like a millionaire even though you don’t deserve it!
    Ok, rant over, “release the shit winds Randy”

  • #908
    frosted
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    New Mexico and Berkeley

    Vguy, I'm with your vibe there on New Mexico. They don't call it the Land of Enchantment for nothing, and that word captures it about as well as anything. New Mexican food is my favorite variety of Mexican food in the US too - especially what I've had in Santa Fe and Taos. Posole (vegetarian for me), Blue Corn stuff, and Sopapillas, all pretty unique items, mmm. Here's a description I just saw of New Mexican food when I was doing a search to help my aging brain remember what Sopapillas were called -

    New Mexican food mashes up Native American, Spanish, Mexican, French, Italian, Portuguese, and Southern culinary influences.

    billy the kidd - I've been to all the different locations of Freight and Salvage over the years. Most recently, at the larger new one, just before Covid shutdowns, saw Arlo Guthrie on his Alice's Restaurant reunion tour (yeah he played the whole thing and it was hilarious and mesmerizing) and Bireli Lagrene (Few words can describe his greatness. He must be from another planet comes to mind.) at a Django festival there.

    I presume you went to the former Larry Blake's near the UCB campus back in the day too. Two of the best I saw there were Robben Ford with his family's Charles Ford Band playing their brand of blues, and Amos Garrett (the guitarists' guitarist), both in the mid to late 1980s. Very small, smoky back then but entirely intimate setting. Sometimes I miss those days.

  • #909
    That Mike
    Joined:
    HendrixFreak- You Are Absolutely Right

    You are Dead-on in your assessment. I have many old concert stubs from way back. I paid $60 this week for so-so seats at a local venue to see Emmylou Harris, but by no means was that the top price; I looked at some stubs I have from the same venue from 1975ish - one example was Santana/Peter Frampton as opener $8 (Great seats, too). It always left you money for “carry in” refreshments, food and beer with the crew after, and money for the subway to get home. Now, if you are lucky, you park for $20 near a venue, and if it is “Game Day” or “Show Pricing”, it can be double that, and you haven’t even set foot inside to see the show/game yet.

    John Lennon was on to something in 1963 when he told an audience “For our last number I’d like to ask your help. Would the people in the cheaper seats clap your hands? And the rest of you, if you’ll just rattle your jewelry.”

  • #910
    hendrixfreak
    Joined:
    You said it, That Mike...

    In the "old days" you got in line for tickets, most often GA, most often $5 to $10, then day of show you got in line early and dashed in to a show to secure center/up front seats, throw down a blanket and party til showtime. (And during and after, to be honest..)

    Now bands want an annual subscription for decent pre-sale tickets. Then there's a general sale. The company here known as AXS "sells out" its tickets, but keeps some back for re-sale at "demand pricing." So a pair of Bonnie Raitt tickets a week before the show at Red Rocks was listed at $2000. Then the re-sellers besides AXS get into the act and sell tickets that they don't reveal where the seats are. Not going there.

    A few years back, the Wall Street Journal showed a graph of how sports and entertainment ticket costs soared far above inflation as "modern America" (an oxymoron if I ever uttered one) clutched desperately at distractions from the ever-tightening vise of whatever the hell you call this place anymore. (Not bitter, just angry....)

    So, yeah, the days when we hitchhiked 200 miles in a t-shirt and jeans with a $5.50 ticket and a sheet of blotter in our pockets is 50 years in the past. (And probably should be...) I'm dedicated to hitting Red Rocks until at least 2024 (that'll be 50 years at the Rocks), but the only bands now worth seeing (for me) are Tedeschi-Trucks and Bonnie Raitt and both strive to make their tickets affordable at $65 to $100. Otherwise, the era of big shows and big $$ are long over and physically (dammit) I can't spend a day hanging out for good GA seats. Besides, most of the up-front rows are reserved at top dollar prices.

    So, we tend to go for the occasional theater show or the bars with good local bands.

    All this may be the "way of the world," but as El Presidente of Get-Off-My-Lawn Enterprises, I don't have to like it. Besides, I gotta retire and ya can't do that catching 25+ big shows a year as in the past.

    Rant not over! But yeah, kids coming up see only highly manufactured entertainment at ridiculous prices if they can even swing it. And a lot of the pop tours are crap anyway.

    I think I need to take a walk outside now.......... Then back to DaP 43.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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Submitted by dmcvt on Thu, 07/28/2022 - 15:03

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hands down, no question, in person: the final song for Dear Jerry at Jerryweather Post Pavilion back in May 2015. Just about everyone who performed that night came back on stage for that finale.

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Submitted by That Mike on Thu, 07/28/2022 - 15:31

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So is this why Joni appeared at Newport, to hawk her new box set? Hmmmm…

Favourite Ripple - just a remarkable piece of writing (tip of the cap to Robert Hunter) and playing. A song anyone, even a Non-DH, could love. If you can’t get with Ripple, check your pulse.

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Submitted by Deadicated on Thu, 07/28/2022 - 15:39

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1st Derek connection was in a place so small I could have reached out and tuned his e-string. I thought, "not bad for a young man!" This was Dec. 2000. My next appreciation came in 2016 at NOLA Jazzfest. Sonny Landreth, Gary Clark, Jr. and then TTB. I became very emotional during MIH. Next time I saw them was in Nashville, back in St. Louis, Nashville, and so on, but my youngest daughter and I met Derek and Susan outside the Robbie in Little Rock. It was a great show, but they'd played Austin the night before and, upon listening, I have no idea how they could have played as strongly as they did in Ar.
Anyhow, they treated us to a few from the first few albums - Don't Let Me Slide, Do I Look Worried and Until You Remember - the horns intro on the latter gets me every time (back in NOLA). Then a pair from Crescent and a pair from Ascension. And then seven members left the stage to the two drummers, keys and bass and Derek, for Pasaquan. My Dead center, few rows back, balcony seat was paid for here. Darn, that was something!
The second set brought members from Gabe's and Lobo's band for a good number of the tunes. They did Get Out My Life Woman with 15 people on stage - whoa! - but I think maybe a better choice would have been Down In the Flood. Space Captain left us in a jaunty way as we left my fave venue in St. Louis - 50 years ago our heroes played the same stage. It really is a cool place!!!

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Submitted by Cousins Of The… on Thu, 07/28/2022 - 17:16

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I'm with Billy TK on this!
I'll go one step further and say most of the songs on American Beauty are the definitive versions, with the exception of Truckin' and Sugar Magnolia, my opinion of course. Ripple, Box of Rain and Brokedown Palace are just exactly perfect. My wife doesn't like the Dead, but she really likes these three for their soulfulness and perfect harmonies.

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13 years 10 months

Submitted by pattymelt on Thu, 07/28/2022 - 20:12

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i wish they would release a 1990 MSG box set

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3 years 11 months

Submitted by Crow Told Me on Thu, 07/28/2022 - 22:38

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Hey VGuy, looking forward to seeing you (and Nappy and Hendrixfreak, hopefully) at Red Rocks! Sent a pm, maybe it didn't go through, so I'll just post here: I'll be tailgating with the wife and some friends outside the venue on Saturday, hope we can hook up then? I'll be the tall geeky white dude with long gray hair, probably wearing a Giants cap and an ABB shirt. Hope to see you cats!

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14 years 9 months

Submitted by bolo24 on Fri, 07/29/2022 - 01:48

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I'll be there. If you're going also, be sure to look me up and say, "Howdy," or maybe hoist a cold one with me.

I've shared so much about my personal life on these pages that I should be easily recognizable among the masses.

Cheers!

to flight attendant: “I’ll take 2 beers and a triple scotch”
FA: “but sir..”
Vguy: DOCTORS ORDERS, NOW!”

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Submitted by hendrixfreak on Fri, 07/29/2022 - 07:13

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I'm attending TTB on Saturday, 10th row center, with my illustrious cousin, the Great Fredini.

Between bands I'll be on the stairs, audience left, at or near a drink emporium. Nappy has my mobile #. I'll be carrying or wearing a Hamms beer hat. Heh heh heh...

Would enjoy meeting up.

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Submitted by That Mike on Fri, 07/29/2022 - 07:55

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Last 5 are on the periphery of the Grateful Dead:
Mickey Hart - Mystery Box
(A very underrated album)
Bob Weir & Wolf Bros - Live In Colorado

Melvin Seals - Melting Pot

Nicky Hopkins - The Tin Man Was A Dreamer
(Poor health and bad habits took this studio master far too soon)

Robert Hunter - Box of Rain
(I think this is his best album, and I somehow got my hands on the accompanying book by the same name of his master lyrics. Next to maybe Bob Dylan, no one could turn a phrase like Robert Hunter)

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Submitted by Strang3stofplaces on Fri, 07/29/2022 - 08:13

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Looks like this Dave's is released on the same day as the Europe 72 stuff, so if anyone is wondering why they never got a shipping notification, it is probably backed up a little bit. I'm just as impatient as the rest of you, but nothing left to do..

5 months since they offered the lyceum box set 9 months since the dave's subscription was issued IMHO there is no excuse for being this scattered and F'd up. I suggest that the website crashed the other day and they obviously had to recover from a backup since there are all sorts of items that sold out long ago back on the website. Regardless they should be communicating with the people that have purchased these and at the very least the downloads should be working, they are not. Finally they just don't answer because they already have our money. Most retailers will not charge you for anything preorder until they have it and it is ready to go out.

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Submitted by Vguy72 on Fri, 07/29/2022 - 09:17

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....I made it! Feel better with my feet on the ground. Now time to check out some dispensaries.
I love Hart's Mystery Box.
Btw Google Las Vegas monsoon. Holy shit it was intense.
Lightning struck a light pole not two streets over from my house. Casinos flooded. Rolling thunder indeed.

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Submitted by Oroborous on Fri, 07/29/2022 - 09:21

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Hope you guys have a great time and good shows! Welcome to Colorado!
Wish I was going! But for various reasons I cannot : (
Ce la vie, sigh…

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Submitted by Oroborous on Fri, 07/29/2022 - 09:24

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Curious how/if y’all like that live Wolfies?
From what I’ve seen of them, not sure how much I’d spin it, but feel like I should get it since I missed going in my backyard..

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Submitted by That Mike on Fri, 07/29/2022 - 09:43

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Rolling Thunder, indeed! Did your plane take off in that deluge of rain??

My father used to fly a fair bit for his job, and his rule was always to sit at the back of the plane, and in his wry way, he explained he did that, because he “…never heard of a plane backing in to a mountain…”.

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Submitted by Colin Gould on Fri, 07/29/2022 - 09:52

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Both sets have arrived on the day of issue. Of course, as they aren’t limited sets I didn’t order them from dead.net. No news on DaP #43 yet. I hope to get a chance to play the new arrivals over the next few days and compare them to previous versions.

I should get the Joni ‘Asylum albums’ box and ‘Time Fades Away’ on the same day late in September as the NY release date has slipped back from mid-August.

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15 years 8 months

Submitted by estimated-eyes on Fri, 07/29/2022 - 10:25

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Have fun at Red Rocks all of you. That show the other night in Aurora still has me abuzz-- especially regarding the Pasaquan. Easily the highlight of the show for me. When I think about that amazing jam, I think that listening to Derek Trucks play so beautifully on a track like that with the smaller band would be the akin to the 2022 version of seeing Jerry blazing a great 'Beautiful Jam' or 'Mind Left Body Jam' during a fall 1972 Dark Star-- but for 15 to 20 minutes. Or Duane Allman on Mountain Jam. Just a gorgeous theme to play around with. I hope they keep it in the repertoire for the long haul.

As Spacebrother said, TTB may hold Trucks back a bit from exploring fully-- Pasaquan lets him loose. Do not go for a beer or to the bathroom when everyone leaves the stage but DT, drummers, keys and bass. A great jam is forthcoming.

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Submitted by hendrixfreak on Fri, 07/29/2022 - 11:00

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My two favorite bands in the world, on the same bill? Yes, we will enjoy.

As for leaving our seats while Derek is on stage: are you mad? a) we're professionals, b) what the !@#$%&*^%???

I too caught Derek many times with his DTB, yes, in tiny places like the Gothic Theater from the lip of the stage, and no, I don't hear the TTB holding him back, but I've only seen TTB 8-9 times, once with 800 people, otherwise nearly every Rocks show they played. (Not to mention ~10 ABB shows with Derek.) So maybe I'm clueless...

Oro-man: sorry you won't make it this weekend. Plan on another such show and we'll meet up. My niece's birthday is Saturday and I had to apologize for missing her dinner because "Tedeschi-Trucks Band is at Red Rocks." I got a totally blank look, but was forgiven because I made it sound like Jesus was back in town......

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Submitted by adedhed68 on Fri, 07/29/2022 - 11:11

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I saw on another forum that 2 people randomly received DaP43 today without any notifications. Look in your mailboxes !!

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10 years

Submitted by 1stshow70878 on Fri, 07/29/2022 - 11:14

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'Nuff said.
Maybe I can have that dream I had again and see you there.
Life gets in the way when you least expect it.
My 65th tomorrow so I got that goin' for me.
Never expected to get this far!
Cheers Red Rockers!

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17 years 2 months

Submitted by Vguy72 on Fri, 07/29/2022 - 11:35

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....no. It had cleared out by this morning.
I intentionally went to bed early so I could get a few more hours of sleep to be at the airport by 4:30. Monsoon woke me up, so those plans were dashed. I'm a little tired, but I'll make it through. Couple hour nap at the hotel upcoming.
Edit. Holy Potholes Batman! Denver roads need some work.

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17 years 3 months

Submitted by Slow Dog Noodle on Fri, 07/29/2022 - 12:48

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Maybe by some cosmic recompense for having to wade through pages and pages of international shipping gripes over on the MSG box set page, some forces saw fit to drop #17,103/25,000 at my door in Uptown, Chicago.

Can't wait to dig into these shows. The setlist is pretty cut up between the shows, but that's no problem for the contemporary listener. The material is all here, plus a few extra goodies - a couple of pics I haven't seen before that are pretty good. Who expected Abe Lincoln to make his Dave's Picks debut in the dog days of 2022? Enjoy this one when you get it, and someone tap me on the shoulder when its safe to pick my head up over in that MSG slag heap.

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Submitted by jjc on Fri, 07/29/2022 - 13:15

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no tracking emails random #43 showing up. On 7-20 the dead site was fubar for about an hour or more I suspect they got hacked and are not disclosing that.

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14 years 7 months

Submitted by Deadheadbrewer on Fri, 07/29/2022 - 13:48

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Rhino has a new remaster of "Waiting For Columbus" out today, which includes complete copies of the three concerts that the original release was culled from! Yay, Rhino!

Be kind, rewind.

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4 years 1 month

Submitted by proudfoot on Fri, 07/29/2022 - 14:09

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George Clinton and P-Funk at the zoo's meadow.

GGRREEAATT SSHHOOWW

if TTB is half as lively, I am sure I will like them.

It is a shame that the people that are now running the show, no longer care about the people that are paying them! I thought this CD was due out today! It hasn't shipped yet and they are not talking! That is no way to treat the people that are the bills! When I preorder something, I expect to receive it on the day it comes out, like we use to! Now, they can't even be bothered to let you know what is going on. If you continue to treat your long term supporters this way, we will stop!

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Submitted by larryguate on Fri, 07/29/2022 - 16:42

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Got mine today with no email at all! Good stuff!

Hundreds of dead net regulars busted at Red Rocks. Dead net is not sure if it can continue and/or if it makes to keep maintain the site as it's user base is currently in locked up.

_______________

Oh wait.. weed is legal in Co. Nevermind.. as you were.

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10 years 6 months

Submitted by hendrixfreak on Fri, 07/29/2022 - 20:14

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Not gonna spill the beans because I'm too lazy to regurgitate the info. But this is gonna be one sweet mutha, at least according to the variety and two Dark Stars I see. Plus, my man Pigpen has I think six classics in the mix. Right there, I'm a freakin' cheerleader.

Okay, gents, gotta get my beauty rest before tomorrow night's rilly big shew at RR....

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12 years 10 months

Submitted by PatagonianFox on Sat, 07/30/2022 - 02:45

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This may very well be the worst Grateful Dead cover of all time.

———

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9 years 10 months

Submitted by That Mike on Sat, 07/30/2022 - 08:17

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(Head pops up!) Did you say six - Six!! - Pigpen classics?? Do tell.

And yea, the cover art on DaP 43 is ho hum, but classic cover art seems to be a dying art. The “worst” Dead cover art!? That might be a stretch, as I think “Ready or Not” holds that notoriety. Barf making.

Two of my all time favourite cover arts were the first “It’s A Beautiful Day” album, and Quicksilver’s “Happy Trails”. Like Max Parrish artwork, dreamlike, from another time.

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Submitted by 1stshow70878 on Sat, 07/30/2022 - 08:25

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Yes but still illegal out in public and in city parks, which Red Rocks used to be a Denver park system property. Not sure if that's still true. But that said you had to be trying pretty hard to get busted there unless you were gatecrashing at the Jethro Tull show that ended rock at The Rocks amidst teargas. Always a safe haven for heads. Be careful in the parking lots though.
On Tommy Two Tone: My buddy got punked by coworkers who left him a message to call "Janny" at 867-5309 back when that was a hit. He figured it out when he reread the message to "Tommy" when he goes by Tom. There was no answer. Great tune though! One hit wonder?
Cheers and give us a review when you've come back to earth Vguy.

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3 years 11 months

Submitted by Crow Told Me on Sat, 07/30/2022 - 08:55

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Wait, I thought weed was legal here? WTF, Colorado?

But checking the website, marijuana is on the list of "prohibited items" at Red Rocks? (My wife keeps going around going "red rooocks red roooocks" like "redrum" in The Shining, Which is cracking me up but also kind of creeping me out. I need to get her to stop.) I'm thinking we'll chance it anyway. I think we'll be in the Upper South parking lot before, if anybody wants to stop by, Row 52 (yeah, I know, wish it was closer) center at the show.

Surprised people are already worried about shipping for the new DaP. Didn't it just get released yesterday? Let's be realistic. Generally my DaPs arrive 7-10 days after the release date. (And I live in Cali, which seems like would be faster shipping, it never is.) Relax, my friends. It'll get there.

Wonder why they never posted a track list for this one? I suppose we all know pretty much what a track list from this period is going to look like, but still. If anybody who knows can post it here, that'd be appreciated.

OK. I gotta get some coffee, some ice, beer, sandwhichs, get on over there.

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Submitted by Dennis on Sat, 07/30/2022 - 09:30

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My buddy sent me this in an email today,,, thought some might enjoy reading it....

THE LAST WALTZ BLUES JAM
by Bob Margolin
The more blues-driven musicians commandeered the instruments at the jam, and played some old favorite songs together, mostly Robert Johnson’s. This sounds like a common scene at open-mic jams at blues clubs, where more experienced blues players sometimes conspire to sit in together. It happened at about 7 am, the morning after The Band’s Last Waltz concert on Thanksgiving, 1976. The Band had hired the entire Miyako Hotel in San Francisco to accommodate their guests. The banquet room which had been used for rehearsal before the show was now the party room, and musicians had been jamming in random combinations since after the concert, many hours before. But unlike your local blues jam, every blues player that morning was a Rock Star.
Except me. I was there with Muddy Waters. who was invited to perform two songs at The Last Waltz. Muddy had recorded his Grammy-winning “Woodstock Album” the year before with Levon Helm and Garth Hudson from The Band, but The Band itself was an unknown quantity to him. He brought Pinetop Perkins and me from his own band to accompany him along with The Band and Paul Butterfield on harp, so that he would have something familiar to play with. Muddy also felt I was good at explaining what he wanted onstage to musicians he hadn’t worked with, though 25 years later, I still find myself wishing I knew more about what Muddy wanted.
Muddy, Pinetop, and I checked into the hotel the day before the show and went to the restaurant. I saw a few familiar faces from the Rock World, and some came over to say hello and pay respects to Muddy.
That night, Pinetop, Muddy, and I were scheduled to rehearse our songs for the show. I didn’t realize that some of those blues-oriented rock stars must have been in the room to watch Muddy.
The next night, at the concert, Muddy, Pinetop, and I waited backstage to perform. Pinetop told me he heard one of The Beatles was there, not realizing that Ringo was sitting right next to him. Born in 1913, Pinetop knew as much about The Beatles as I know about The Backstreet Boys. Joni Mitchell, looking impossibly beautiful, introduced herself to Muddy. He didn’t know who she was, and just saw her as a young pretty woman. He flirted but she didn’t respond.
I’m told that there was a backstage cocaine room, with a glass table and a “sniff-sniff” tape playing, but I never saw it. I did, however, see through Rolling Stone Ron Wood’s nearly-transparent prominent proboscis in profile. In the “green room,” Neil Young passed me a joint, smiling, “We’re all old hippies here.” Though I was 27, something about “old hippies” resonated with me for the future. Young was older than me by a few years and even had a couple of gray hairs then, but I remember thinking that nobody in that room was old yet except for Muddy and Pinetop. Now, I’m certainly an old hippie, though Pinetop, going strong at 88, is neither. As for Neil Young, film of his performance revealed a white rock up his nose, which was edited out frame-by-frame for the movie.
California Governor Jerry Brown popped in and invited Bob Dylan to get together with him sometime. Dylan, relaxed and outgoing until The Governor arrived, instantly turned sullen and distracted, barely nodding without looking at Brown. The uncomfortable Governor soon left, and Dylan laughed just before he was out of earshot and reverted to his friendlier mode. Something is happening here, but I don’t know what it is.
When it was our turn to play, Muddy and Pinetop sang the light, swinging “Caledonia” as they had for “The Woodstock Album.” In hindsight, I think Muddy could have presented himself more strongly with a deep slow blues like “Long Distance Call” which would feature his almighty slide guitar. But nobody could argue with his second song choice — “Mannish Boy” was always a show-stopper. It was preserved in full in The Last Waltz movie, which was released in ‘78. Harp player tip: Muddy loved the way Butterfield played on that song, setting up a warble that “holds my voice up” rather than just playing the song’s signature lick.
Fatefully, only one camera was operating during our song, zooming on Muddy, but not changing angle. Standing close to Muddy, I was in every frame. Pinetop, at the piano way off to the side, unfortunately was never seen in the film. But as Muddy hollers “I’m a MAN” and we shout “Yeah” to answer, as we always did in that song, you can hear Pinetop also yelling, “Wahoo!” — which is a line from a politically incorrect joke that Pine had heard on the road, and was fond of telling over and over in 1976.
Now, whenever The Last Waltz movie is shown on TV, a few people at my gigs tell me, “I saw you on TV!” and how I looked — happy or mad or scared or bored. I think they just project how they would feel. I was simply concentrating on playing, and particularly enjoying Muddy’s powerful shouting, Butterfield’s warbling-tension harp, Levon’s deep groove, and Robbie Robertson’s fiery guitar fills.
Eric Clapton followed us, and as he began his first solo, his guitar strap unfastened, and he nearly dropped his Stratocaster. In the movie, his lips distinctly mouth, “Fuck!” and as he refastens the strap, Robbie picks up the solo and runs away with it.
Muddy and Pinetop went right to their rooms after our set, but I went down to jam back at the hotel after the concert. This is where I realized that some of those blues-oriented rock stars had watched me rehearsing with Muddy and been impressed that I was playing Old School Chicago Blues in his road band and helping to arrange the songs for our performance. I also had a very cool blues guitar with me — my late-’50s Gibson ES-150 arch-top, which I also cradle on the cover of my latest album, “Hold Me To It.” Bob Dylan approached me and said he hoped we’d get to jam together. Then he disappeared. I did play “Hideaway” and some slow blues with Eric Clapton, whom I met that night. Dr. John sat at the piano for hours, and played along with everyone. My piano-playin’ sister Sherry, who lived nearby and was hanging out, sat near him, eyes glued to his funky fingers.
Around dawn, I put my old guitar back in its case, and started to leave. Bob Dylan caught me in the hall and said, “I thought we were going to jam…” I decided to stay awake a little longer. We had Dr. John on piano, Ron Wood on bass, Levon on drums, Butterfield on harp, and Clapton, Dylan, and myself playing guitars. There were no vocal microphones, and we all played softly enough to hear Dylan sing “Kind Hearted Woman” and a few other well-known blues songs. His trademark vocal eccentricities sounded outlandish in the blues, but he did make them his own. Generally, the blues we played that morning were not remarkable, but I was honored to be jamming with these fine musicians, and I realize that they belong to the same “club” as you do — deep blues lovers.
Recently, I read Levon Helm’s inside story of The Last Waltz in his autobiography, “This Wheel’s On Fire” (recommended!). I was shocked to find that because of time and budget constraints and Band politics, Muddy was nearly bumped from the show. Levon fought bitterly behind the scenes and prevailed to not only keep Muddy in but to indulge him with me and Pinetop too. We were treated as honored guests at The Last Waltz and I enjoyed the once-in-a-lifetime jam afterwards, but Levon never told us about making a stand for us. He just made us welcome. Ultimately, this gracious, classy, and tough gentleman was responsible for my good time there.

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Submitted by Vguy72 on Sat, 07/30/2022 - 10:00

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....I'll try. Let me get the bad out of the way. Lots and lots of stairs.
Now for the good. One of the best food courts I've seen. They serve basically everything. And if you are near the top like I was, the constant smell of food pours down over you.
If there was a police presence, they must be undercover, because I didn't see any.
The sound there is top shelf. Wow. Towards the end of the show, the wind picked up and started bouncing the sound around the huge rocks and sounded even more amazing! (I was under the influence of psilocybin, so I may be compromised regarding that, but I don't think so).
Getting around is easy. Getting in and out was easy. This place has it all.
Now TTB. I literally cried a couple of times during the show. They are tight AF and brought it hard for 2+ hrs. When Susan really starts preaching, you better shut up and listen because she's got something to tell you. Members of Los Lobos came on and sat in for a couple of songs and that's some dream come true shit. At least to me.
I have GA tix so a shout out to my neighbors Jessica and Ross and Susan and Alan for waving me over when I reached upper GA and yelled out if anyone had room by them for one person. You people were the best.
I walked back to my car and drove to my hotel in stunned disbelief and didn't say a word.
Didn't see anyone being busted for anything and pot smoke was definitely evident in the air. Crowd was chill. How can you not be at a place like that!!!
I regret taking so long to finally visit the hollowed ground that is RR, but better late than never.
You all have a great Saturday.
I'll be wearing my Make America Grateful Again tee and my American Beauty brown bolt/roses cap tonight btw. Tall white dude with a white beard and glasses with a constant smile on my face. Can't miss me lol!

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Submitted by That Mike on Sat, 07/30/2022 - 10:22

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VGuy - RR sounds amazing, and I’ll bet the band was fantastic! I just received Part 3 - The Fall yesterday, so after I finish this interminable Honey Do List, I’ll break it out. Glad you enjoyed the show.

Dennis - Enjoyed reading the Last Waltz story, my favourite concert movie. When it was released in 1978, I knew I had to see the film, as I saw The Band on that, their last tour. Considering they got their start in Toronto, I thought it shitty the film got only limited release here at the time, but since I was in university then, I saw it repeatedly, even matinees, at a theatre no longer standing that was a block from where the Band (nee The Hawks) used to play at a long defunct club called Le Coq D’Or back in the early 60s with Ronnie Hawkins, and where Dylan came to hear them play. The rest was history. Great story, and Muddy’s performance was a highlight.

to chill while I get new tires.

I give my name

I sit down 10 feet away to wait and play the electronic crack game (phone ya know)

10 seconds later some dude in line tells me my drink is ready

Barista says she called my name

She must have whispered it

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Submitted by hendrixfreak on Sat, 07/30/2022 - 11:00

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I'll hold or wear my Hamms beer hat, blue short sleeve shirt with very thin vertical stripes, gray pants, sandals, Fu Manchu with beard, short dirty blond/gray hair, goofy grin...

I'm having trouble with my ankle, so I'm not climbing to the top in search of you, but maybe halfway between my Row 10 and your GA section up top. I told Nappyrags I'd be on the outside stairs, Row 10, between bands -- especially after Gabe Dixon but well before Los Lobos hits the stage.

Try to come down for a brief hang. I'll have treats for ya! If I can make 2023 and 2024 shows, I'll have put in 50 years at the Rocks. Fortunately, not making little ones out of big ones, if you know your prison lore....

HF

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Submitted by bigbrownie on Sat, 07/30/2022 - 11:00

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...but #23818 has arrived in sunny Southern California. Now if only that Little Feat box from Rhino would get its butt over here.

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Submitted by Deadheadbrewer on Sat, 07/30/2022 - 11:37

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No notice, just a delivery a few minutes ago.

I've told this to you all a million times, but a group in the Twin Cities has been recreating The Last Waltz on stage once per year for about 15 years. It's a very cool event.

Be kind, rewind.

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Submitted by wilfredtjones on Sat, 07/30/2022 - 11:54

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Me likey. Her wrists are both rotated so one cannot see her thumbs. So, anatomically correct methinks. A humanoid, too. Pairs well with a skeleton. LOW 17K's here. Wish I could say the same about my 04 Honda :-)

Worst cover. hmmm I won't go there...

Play Dead all! Happy weekend!

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