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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • #631
    1stshow70878
    Joined:
    Other Jewel

    Daverock, of course I too went straight to the Red Rocks shows upon first listen before hearing the rest of the box. After getting to all of them I was calling 7-3-78 St. Paul the hidden gem. That must have been a peak period for them. The energy is there. Almost swaggering I'd say, like they need a pack of cigarettes rolled into the sleeve of their t-shirt.
    Cheers

  • #632
    daverock
    Joined:
    Me too

    I also played Omaha 7/5/77 after reading Oroboros's post. The first set, last night-excellent - Jerry's guitar sounds as cool and clear as the driven snow. Own up time....for the last couple of years, when I have played shows from this 78 box, I have played the first one 7/1, missed out the next two and gone on to the two Red Rocks shows. I have no idea what put me off Omaha in the past - makes me wonder what other unidentified jewels I have here.

    Exile - I was unfairly dismissive of Black and Blue, too. It's a very entertaining album - I didn't like funk or disco in the 70's, but that's no excuse now. I wasn't keen at all when it came out-Spring 1976, I believe. With Mick Taylor gone, "Fool To Cry" issued as a single and punk waiting in the wings, The Stones, along with most of the great bands from 1965-1975 suddenly seemed a bit passe. I bought the first Ramones album in Summer 1976-that was the sound of the times for me. 40 odd years later... Black and Blue is still on my playlist, and I no longer even have that Ramones album.
    I saw The Stones at Knebworth in 76 - and I have the programme here-nothing to do with music, but it's curious how The Stones and their fans were presented. In the article on The Stones, it states, "Young boys eagerly flocked the Mary Quant make up department in Harrods trendy Way-In shop on Saturday afternoon.The disco pumped out "Hey Negrita" as the boys applied eye liner and lipstick to gaunt virginal faces." I don't think so. I was 19 then, and the article seemed to show how out of touch The Stones had become at that time, with my generation.
    They also apparently had a food stand where you could buy a portion of chicken curry for 0.55p. This in the middle of the hottest heat wave for decades.

  • #633
    JimInMD
    Joined:
    Omaha

    That Estimated > Eyes is outstanding. That Eyes of the World has always been a go to post hiatus Eyes.. it's outstanding. I've always been big on that box. 7/1 never circulated and is outstanding, the first Red Rocks shows did circulate and are well.. not to overuse the term but outstanding. A great moment in GD history perfectly preserved for us to enjoy. Aptly timed as we are entering a holiday weekend and the box centers around the Fourth of July.

    Outstanding

  • #634
    Charlie3
    Joined:
    Omaha

    Been looking at that July 1978 box when picking some dead to listen to lately, but keep getting sidetracked by a different choice, but Oroboros' post about the virtues of the July 5, 1978 Omaha show prompted me to give it a listen today. Currently on Wharf Rat. I always liked that show, and the recording is excellent. I imagine it was exponentially cooler to be there in person at the time. The artwork on that one is probably about my favorite from that box as well, and I liked all the art from that box, a lot.

  • #635
    Exile On Main St.
    Joined:
    Stones

    Hey guys, I lurk more than anything but I saw some Stones talk and I agree with Dave Rock. It's Only Rock 'n Roll is an underrated album. The thing with it in my opinion, is that the songs are either dynamite (like the opening song fictional drummer) or B side material. The other problem is a couple of the songs suffer from Led Zeppelin IV / Dark Side of the Moon syndrome, meaning they've been played on the radio so much that they've lost a little luster (title track and Ain't Too Proud to Beg). I think these songs are pretty high quality once you're sitting back giving them your full attention (In their order of appearance on the LP).

    If You Can't Rock Me
    Ain't Too Proud to Beg
    It's Only Rock 'n Roll (But I Like It)
    Till the Next Goodbye
    Time Waits for No One

    Dance Little Sister

    The first 5 songs are all of side one and are solid. It's Only Rock 'n Roll has "Start Me Up" hit quality. Time Waits For No One makes us realize that Mick Taylor should have had at least one or two tracks on every album to stretch out like he does on this one and Can't You Hear Me Knockin' from Sticky Fingers. Missed opportunity. The thing with these songs is you may think of hearing Dance Little Sister on the radio and thought, meh, average song. Until you really listen to everything going on with the guitars. Keith Richards bass chops on If You Can't Rock Me are cool. Till the Next Time is on par in my mind with Wild Horses and Angie, but again, missed opportunity in that Taylor could have been used to play an electric solo or something, similar to Wild Horses. The remaining songs on the record don't do it for me. Luxury is borderline, but leans too far into funk. Fingerprint File is way too far into funk and not that great a song for me. If You Really Want to Be My Friend and Short and Curlies should have been put in the can for later. Between Goats Head Soup and It's Only Rock 'n Roll, I think there's a great album in there.

    Black and Blue had some great songs with Hand of Fate and Crazy Mama. I think Hand of Fate was as good as 70s rockers got, with very few exceptions.

    Not much to say that hasn't been said about Dave's 43. I would never complain for this type of release.

  • #636
    PT Barnum
    Joined:
    reading these posts

    you guys are so cool. Love this forum

  • #637
    Charlie3
    Joined:
    Or...

    ...It's like buying a book from the bookstore and then realizing the pages are all put together out of order, and there are pages from another book mixed in. And when you go back and say, hey, bookseller, they put the pages of the book in the wrong order, and there are pages from another book mixed in. And he says, don't worry, you can rip them all out and put the book back together in whatever order you want.

  • #638
    Crow Told Me
    Joined:
    It’s Like When Someone Says ‘Plate of Shrimp’

    The other day I ordered a burger with fries. Instead, they brought me fries with a burger. So I complained. But dude, the burger guy said, you can eat them in whatever order you want. Mmfff, I said, eating my fries and burger.

    Received my shipping notice today for the TTB’s “I am the Moon” vinyl set. Because today is the release date. What a concept! You release the record on the release date! Genius! I just want to note that, when you bought the 4-lp set, they promised to provide a digital download of each separate album as each of the four parts of this project was released. And then they actually did! On the actual release dates! And the files actually worked! Amazing! And now they shipped vinyl on the release date. It’s so weird.

    A lot of people don't realize what's really going on. They view life as a bunch of unconnected incidents and things. They don't realize that there's this, like, lattice of coincidence that lays on top of everything. Like the other other day I’m eating a plate of shrimp and listening to Electric on the Eel for the first time in years. And so were you.

    Last five:

    JGB: Electric on the Eel (discs 1 and 6)
    Derek & the Dominos: Layla
    Bill Evans: The Hilversum Concert
    Christian McBride: At the Village Vanguard
    Stones: El Mocambo

  • #639
    Oroboros
    Joined:
    Greetings my brothers/others

    All is well in the middle of the country and I couldn't agree more with this esteemed group's statements on current and past musical topics.

    Phil and Friends has consistently displayed such exploratory and jamtasic shows which makes them a 'must see.' I recently attended another Wilco concert prior to that show and the inclusion of Jeff Tweedy and Nels Cline in the friends in Chicago reflect excellent choices. Nels has sat in with P & F on multiple occasions and Wilco has covered the Dead on a variety of occasions including Bobby sitting in for Dark Star, Ripple, etc. I regretted that Phil got Covid and couldn't headline with String Cheese Incident's recent Red Rocks shows, but Billy Strings was a welcome replacement and we in the audience had a wonderful time. Still I long to see Phil play again and hope to have another chance soon. The SCI 'dead set' with Billy was a delight and I saw Billy rev up with the Cheese as they took on many of our favorite Dead tunes that evening. And I am quite relieved that Phil has fully recovered from the Covid and is back playing live.

    Besides attending the Wilco and SCI shows, I have also loved recent concerts with the Infamous Stringdusters, Joe Russo's Almost Dead, the Jayhawks, Railroad Earth, Yonder Mountain, Mollie Tuttle, Sierra Hull, and several years ago was quite taken by previously mentioned Larkin Poe (opened for Elvis Costello). Such terrific music touring again and I'm very grateful to be able to make the journey (pun intended).

    However, given this thread on DP 43, to get back on how this Dave's Pick is stellar and echo others sentiments how the primal Dead are such an unmitigated treat. This is a special release and deserving of frequent rotation.

    And should any of you be inspired by the break-neck speed and turn on a dime of the early Grateful Dead, please consider attending a Joe Russo's Almost Dead show. Yes, Oro (my brother from another mother) those two Vail JRAD shows, along with the JRAD show at Red Rocks were stellar. These guys have the stamina and pace of the early Grateful Dead but along with the Dead's entire song catalogue. Simply remarkable jamming, truly exploratory, and much more in the vein of P & F as opposed to the D & C. JRAD is energy personified and each band member is truly infused with amazing grasp of these wonderful songs along with a jazz mentality and interplay.

    To add to the dialogue regarding 'rain stories' from concerts (discussed earlier in this thread), I got one to share. I recall back in 1978 when the Grateful Dead played at the Omaha Civic Auditorium in July. The venue was about half full (4,000?) but everyone was chomping at the bit as we had not seen the Dead in Nebraska since early in the early 70's. I took my Nak 550 into the venue and there was no hassle getting in the deck in this time, but remember this was before the days of 'taper's sections.'

    Out in the hallway, the Hell's Angels wandered about sporting full colors and big grins. They may have been transporting 'party favors' and decided to take in a show, or perhaps road tripping with the band? Although I did not see them at the subsequent Red Rocks shows. Anyway, I headed down to the floor to set up my Nak in front of the sound board. When I was getting everything ready, I saw this guy with a great rig setting up. Luckily this kind stranger (I have since discovered he was famous taper Bob Wagner) let me patch out of the back of his Sony, which was terrific as he had a tall (8 ft?) stand to get will above the crowd noise. We were about 15 to 20 feet in FOB. So Garcia treats us to a blistering Sugaree opener, the kind that drove the crowd wild. His leads mounted into a wave that crests, recedes, regroups, and roars back with such power and delight that adds to the synergistic effect causing our frenzied response as his rolling/soaring guitar work lift and subside within the band.

    Then BIODTL, TLEO, and then Bob took the spotlight with a "Look's Like Rain." About half way through the son, I suddenly noticed something shimmering in the air between the band and me. I thought "what a fantastic light show! Or have I shifted into 5th gear just a little earlier than I scheduled?" I staggered towards that visual disturbance in front of me to investigate. The crowd was dancing madly in the middle of the floor as a waterfall played over them. The waterfall was about 25 feet in circumference. I put my hand into the water...hand out, no rain, hand in, pouring rain.. I jumped into the waterfall drenching us all in the middle of the Civic auditorium. Then stepped out and there was none. I shook my head and then dove back into the deluge and danced through LLR and next came Direworlf and a delightful All Over Now, with Keith and Donna simply killing it. Candyman, Lazy >Supplication and Bobby informed "we are going to take a short break" (ha, it was never a short break!)

    I staggered back to reload a new tape (remember cassettes?) and I looked for some validation of my experience. I asked my friends if I was not in fact 'soaking wet' as I patted my wet t-shirt? And they grinned knowingly and affirmed that , yes, in fact I was 'all wet."

    Then this unique show continued (nice indoor water feature, boys!) with a killer second set, complete with a transportive Estimated>Eyes>Wharf Rat>Truckin'>Iko Iko > Around and Around.

    As I left the auditorium I noticed the water standing on the ground outside, a summer storm? Hey was this just a case of a leaking roof? Or did the Dead actually conjure up the forces of nature as they were so prone to do?

    Next to travel to their/my maiden Red Rocks shows. Would Phil bombs create reverse gravity and make us float up into the air? What do they have up their collective sleeves for us next (ah-oooo, Werewolves of London, ah-ooo)?

    Those were the daze.....

    Zen saying "teachers open the door, you must enter by yourself."

  • #640
    That Mike
    Joined:
    Philco Are Only Rock & Roll (And We Like It)

    Jim - You bring up a good point that Phil is well into his 80s, yet is still bringing it with such new creations as Philco. I think he personifies that well worn axiom “Find something you love to do and you’ll never have to work a day in your life.”

    DaveRock - I personally always loved the subtle guitar work on “Fingerprint File” from IORR. Mick Taylor should never have left the Stones, they were a much better band with him (with due respect to Ronnie). Last week, I re-watched their “bootleg” release from the Marquee Club in 1971 - now THAT was THE best Stones lineup.

    Blues For Allah - what an excellent choice. Some really jazzy passages throughout that entire release.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

I just pulled up the Los Lobos setlists Hendrix and those were two hot Lobos sets you all caught, too. NFA-Bertha to close night one and then a Mas y Mas jam with Trucks and company after a cover of Don't Keep Me Wonderin'! Plus an early Wicked Rain! And that is the opening act to be followed by scorching TTB sets. Lucky group.

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Submitted by PT Barnum on Mon, 08/01/2022 - 11:58

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Happy birthday Jer, miss your smile.
On a different note, just read Joe Walsh will reunite the James Gang for a show this November for VetsAid2022. Dubbed "The Last Ride" this is to be The Gang's last show. Tickets this Friday.

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Submitted by nitecat on Mon, 08/01/2022 - 12:10

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I gotta say, this 77 release is one hot show! I've been playing it over and over for the week. Awesome Surguree!

I too and awaiting the new Dave's with bated breath. Will check the mailbox soon.

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Submitted by kenny on Mon, 08/01/2022 - 12:41

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Number 215 has landed!!

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Submitted by nitecat on Mon, 08/01/2022 - 13:19

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As if dead.net forums weren't enough, now there's "discord"?

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4 years 6 months

Submitted by jp1119 on Mon, 08/01/2022 - 14:34

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Clearly we are all test participants in a new GD time warp LSD experiment.
Minutes ago, I received my DaP 43 shipping notice via email … and I picked up my copy 6 hours ago in my mailbox.
The next phase of this experiment will include (hopefully) receiving orders in our mailboxes even BEFORE we order them.
There is nothing routine about a GD recording or their online music ordering process.
Thanks Dave L and co…the music is great!

Don’t panic people.
For the last 2-3 years I’ve generally received DaP’s on Monday/Tuesday after release day, but would get the tracking number email a week before release day. But then tracking would say ‘no info’ for several days, then the DaP would start moving, and then I would get it.
This one still showed up right after release day, but I didn’t have any tracking info. And although I wondered where it was, I also wasn’t tortured by watching the tracking and seeing lack of movement.
So hopefully everyone gets theirs soon.

Sounds good so far, and a nice gift to open on Jerry’s bday.
Thanks Dave/Rhino and crew, and Owsley!

————-
Per the description for this release:

Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes
————

So, the Sonic Journals are in the Vault, and yes, it is possible for Rhino to release the GD recordings.
I wonder if they have, and preserved, HendrixFreak’s adopted reel(s).
(I don’t remember what show he adopted).

My only Jerry bday show was 8-1-94.
Thanks for the floor seats GDTS!
The Jam out of Space and into Watchtower was pretty cool and had grate lights.

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Submitted by Gratefulhan on Mon, 08/01/2022 - 18:31

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I too have experienced the shipping notice/postal time warp. My DaP 43 arrived today. I have not yet received a shipping notice email. It was a nice surprise to come home and find it in my mailbox. I am ripping the CDs to my computer as I type this. I am looking forward to this listening to this one. I have short road trip tomorrow as I am heading out from the Burg' to Blossom to see Phish. So this will be playing on my drive to and from the venue.

Once again I have to salute Dave L. and the crew for this release and for the MSG Box set. We are really getting a nice variety of GD from different eras.

made its way here this morning. fastest delivery after an official release date in years. seems like they all went out at same time rather than in small batches sent over a week or more. a double dose of Dark Stars? Yes please! thanks to everybody who made this possible. we are so lucky.

speaking of lucky. wish I could have been there with the Red Rocks crew. pure myth time to see that level show in that crazy beautiful setting.

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Submitted by simonrob on Tue, 08/02/2022 - 00:09

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I have just received a shipping notification email for #43. Such mails seem to be rare so I may print it, frame it and hang it on the wall. But then again...

UPS tracking shows that it was received in Fontana, CA on 7/26 and it departed the international carrier facility on 8/1. It has also shown up in Asendia's tracking system.

Everything seems to be going fairly quickly apart from sending the shipping confirmation email. Normally the shipping confirmation email arrives before the package reaches Fontana.

Edit: Less than 2 hours after receiving the shipping confirmation email I received a second, almost identical shipping confirmation email. The tracking numbers are identical but in the second mail the quantity shipped is shown as 0 so I'm not expecting to receive two copies.

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Submitted by deadmike on Tue, 08/02/2022 - 01:56

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I have this morning recieved not one and not two but FIVE shipping notices! But only one notice with a promise of an actual copy of DP43. :-O

No shipping info yet though ... ;-)

Micke Östlund,
Växjö, Sweden

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Submitted by simonrob on Tue, 08/02/2022 - 02:04

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I have just received my third shipping confirmation mail. Still lagging behind DeadMike, but maybe I'll beat him to 10!

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Submitted by docmarty on Tue, 08/02/2022 - 02:53

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Today I have, so far, received 4 emails from Dead.net store confirming despatch of DP43 to uk. I wonder if I'll get 4 copies?????

Just looked and seen others with even more!!!!!

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Submitted by deadmike on Tue, 08/02/2022 - 03:51

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I am up to SEVEN e-mails so far ... but now I know the package was recieved for processing in Fontana, CA on July 27th. :-)

Micke Östlund,
Växjö, Sweden

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Submitted by KeithFan2112 on Tue, 08/02/2022 - 04:20

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It's as if Dave thought he heard someone question whether they were scraping the bottom of the Vault. "This should allay any concerns".

Hendrixfreak I can't even imagine seeing that '73 show on Jerry's Birthday (or the two before it for that matter). Was the sound kick-ass in those days? I've always wondered what the fan experience was pre-wall of sound. Sometimes you hear the band asking the crowd if it's loud enough. But I digress. Yeah, I'm pretty sure I read 8/1/73 was the last show with a Strat. Whether it was the Nash / Alligator Strat or the Veneta brown sunburst is anyone's guess.

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Submitted by simonrob on Tue, 08/02/2022 - 04:27

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When I got my 5th shipping mail I thought I had caught up with you, but now I see that you are still ahead with 7. 😂

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Submitted by That Mike on Tue, 08/02/2022 - 04:59

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Thank you Mo for your belief in Rock & Roll as an art form, and for giving voice to scores of ground breaking acts (ex - Jimi Hendrix), and for believing in the Grateful Dead, when the corporate accountants said to cut them loose.
It’s not often you give light to record executives, but Mo Ostin is worthy of the shout out.
RIP

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Submitted by JoeyMC on Tue, 08/02/2022 - 05:11

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I recieved #24,015 on Monday without any shipping notification at all. I guess two days late isn't so bad, I'd love it one arrived on time though...

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Submitted by mato1949 on Tue, 08/02/2022 - 05:23

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August 2, I have not as yet received Davis picks 43 any reason for the delay no shipping notice either

So today I know Dave's 43 will finally land here in NYC why? because I have informed delivery with USPS I saw it 2 days ago for the first time, this morning out for delivery great. Stay with me here, just about 3 minutes ago I received a shipping notice from Dead.net telling me my order is on the way yet when I hit tracking it can't find it as if it had not been sent yet. On 7-20-22 the dead.net site was hacked or had a catastrophic crash, that is why if you look at the site you see all sorts of past items miraculously have reappeared! The resident computer geniuses obviously don't want to say this. What the hell would it take to tell everyone you have had some issues and to bear with us? Unless of course peoples data has been breached. What is it dead.net(actually warner entertainment) just to be clear? Customers deserve an explanation. That is the least you could do.

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Submitted by topchinacat on Tue, 08/02/2022 - 06:09

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No shipping notices, it arrived 3 days ago .... have been sampling bits and pieces with headphones .... I am absolutely blown away by the sound quality .... so very crisp and clear. This is a true gem and I can't thank Dave enough for making it happen.

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10 years 8 months

Submitted by hendrixfreak on Tue, 08/02/2022 - 06:48

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I don't know if they nicknamed the system they hauled around in 1973, but it might have been better than the Wall, at least for vocals. It's not as if they had a crappy system, then the Wall became the standard for one year. The '73 systems ... you can hear it on the tapes of the outdoor shows: loud, clear, easy on the ears.

I got both my copies of DP43 on Saturday and Monday I got an email that they were on their way. It's almost like the early tapes that circulated: there was always some glitch on the tape. Always.

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Submitted by musicnow on Tue, 08/02/2022 - 08:32

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Mine like many came today in NC without notice. Holy crap this sounds GRATE! Luckily I have the day off and can just "melt into a dream".

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10 years 1 month

Submitted by 1stshow70878 on Tue, 08/02/2022 - 08:39

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DaP43 arrived in Western CO yesterday afternoon with no notice.
Shipping notice for Lyceum 4-CD in yesterday's email, due Wed.
No complaints here.
Cheers

Edit: The trend is consistent anyway, just got my ship notice for 43 a minute ago. Got here a day ago.

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Submitted by Gary Farseer on Tue, 08/02/2022 - 09:48

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Received shipping notice at 9am this morning and received 2 hour later. Now that is USPS at work.

Of course, means their tracking network needs a lot of work.

Worked my way thru the Fillmore West box over the last 2 weekends to get my ears ready.

Forgot how great that box is. Have not listened to the box since I added a sub woofer almost 3 years ago. Man does the sub woofer change the entire dynamics of the box. The 16 track with Bob and Betty, and the alchemy of Bear's mind regarding sound really stand out.

Hope these can reproduce the sound stage as well as the fillmore west, but have not researched these tapes yet. Have some other Bear thought later.

G

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Submitted by bigbrownie on Tue, 08/02/2022 - 11:24

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Yeah...Just got my shipping notice, but Dave's 43 arrived last Saturday.

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Submitted by Born Cross Eye… on Tue, 08/02/2022 - 12:17

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Some of the sweetest psychedelic music ever played and recorded. A total trip even 53 years later. Thank you Dave Lemieux and crew and especially Andrew & Rebecca Kelly.

"How sweet it is!" - Jackie Gleason

I didn't get my shipping notice, yet. Ha! Ha! Ha!

I just checked my email - yes, it is "on the way."
Love, Peace, and Happiness to ALL!

"still waiting
I I I'm stiiill waiting"

Hey today is 2 years as "Proudfoot"

While I wait...

Some of 30 Trips
10 27 90 meh
10 whatever 91 mmmm....no
92 show zzzzzzzz
6 24 85 yeeeesssss. Nice n lively

Summer 85 box in 2023 Dave!!!

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11 years 7 months

Submitted by dmcvt on Tue, 08/02/2022 - 15:26

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Shipping notice arrived three hours later. Celebrated Jerry yesterday with a deep dose of the June76 box. A phoenix that, we hardly knew if/when/how they would come back after extended hiatus. Listening to second #43 disc now, zowie, been waiting a long long time for this sweet old stuff. Nice to know so many of us will be sharing this music over these next dog days of August. Thanks to all at OSF/dead.net/Rhino/WMG who made this happen. I should be able to stop asking about a 60s box for a few weeks.

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17 years 5 months

Submitted by SPACEBROTHER on Tue, 08/02/2022 - 15:33

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Mine arrived yesterday. Listened to the first disc so far. Amazing how great this sounds for being such an old recording. Bear had his system down. Much respect to his foundation for taking the extra care to pass along the original engineers wishes. These Sonic Journals are truly special.

I love that these past couple of years Dave has been hitting such a wide variety of these pieces of history.

Maybe close out the year with 9/26/91 or a December 90 offering. It would be cool to show a little love for the Vince era with and or without Bruce after 43 of these releases.

Currently the 8-CD Waiting For Columbus Box is listed at the Rhino store as “not currently available”.

I didn’t think/realize that it was limited edition.
Or did the whole Rhino website get hacked so bad that nothing is working?

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17 years 4 months

Submitted by Vguy72 on Tue, 08/02/2022 - 19:04

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....I couldn't have said it better myself as I sit on my porch waiting for my sonic journal. Like Homer dancing for his pink sprinkled donut.
I'm telling you people. That trip to Red Rocks changed my attitude and focus. Magical place.
Major edit.....RIP Vin Scully. The best baseball announcer ever. F**K

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9 years 1 month

Submitted by Charlie3 on Tue, 08/02/2022 - 22:15

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Excellent, said while rubbing my hands together like Mr. Burns.

This whole release is good, but disc 3 is stellar. Dig that both Dark Stars have a bit of the Soulful Strut interlude. It starts about the 23 minute mark and ends just before the 26 minute mark in the Dark Star on the Family Dog 11-2-69 show. On the Dark Star from the 12-26-69 show it starts at just before the 16 minute mark and mostly ends at about 19 minutes. If you don't know what I mean, check utoob for the instrumental tune Soulful Strut by Young-Holt Unlimited from 1968, beautiful song, covered on several Dark Stars and I think a couple of Dancing in the Street as well, I think the version on the 1970 show from the 30 Trips Box has it. The "jam" after the Dark Star from Dicks Picks 2 from 10-31-1971 is the closest to a straight up cover of the original song. I don't hear Tighten Up by Archie Bell and the Drells, that has a different sound and lacks the gorgeous melody of Soulful Strut.

Really dig that New Speedway Boogie too. More please.

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2 years 11 months

Submitted by billy the kiddd on Tue, 08/02/2022 - 22:28

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A real legend. I used to listen to him on KFI from L A broadcast the Dodger games back in the early 60s, it would come in later at night in the Bay Area.

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Submitted by msmiranda on Wed, 08/03/2022 - 00:23

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Today DP 43 #20707 and #20708 arrived in my mailbox. I've ordered two copies the last couple of years to have extras to trade for releases I've missed. This is the first time I've gotten consecutive numbers.

Started spinning the first disc after they were downloaded. Very impressed. Pig was an amazing soul.

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17 years 4 months

Submitted by Vguy72 on Wed, 08/03/2022 - 07:19

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....my Dave's has been out for delivery since yesterday afternoon! 🥳
(edit for sarcasm).

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10 years 4 months

Submitted by JeffSmith on Wed, 08/03/2022 - 07:32

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(Tracks in the order they were performed)

11/2/69 FAMILY DOG AT THE GREAT HIGHWAY, SAN FRANCISCO

Cold Rain And Snow 6:19
In The Midnight Hour 8:23
Seasons Of My Heart 4:32
Mama Tried 2:55
Next Time You See Me 4:51
Good Lovin' 9:23
Big Boss Man 6:59
Casey Jones 4:39
Dancing In The Street 9:06
Dark Star > 30:32
St. Stephen > 9:43
The Eleven > 8:59
Death Don't Have No Mercy 11:47

12/26/69 MCFARLIN AUDITORIUM, SMU, DALLAS*

The Monkey And The Engineer 2:41
Little Sadie 3:57
Long Black Limousine 6:09
I've Been All Around This World 5:03
Gathering Flowers For The Master's Bouquet 3:10
Black Peter 11:05
Uncle John's Band 6:32
Casey Jones 5:12
Hard To Handle 4:54
*
China Cat Sunflower> 5:55
I Know You Rider> 5:26
High Time 8:04
Me And My Uncle 4:14
Dark Star 24:52
New Speedway Boogie 5:36
Turn On Your Lovelight 14:54

* The Dallas "Cold Rain And Snow" is missing from Dave's 43 due to space limitations. Hopefully to be released on an upcoming Dave's Picks as filler.

STILL MISS YOU JERRY!

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14 years 11 months

Submitted by PT Barnum on Wed, 08/03/2022 - 07:41

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and just lovely that we get it during the Days Between, thanks everyone involved with this very special release. 69 was indeed a very magical year.
8-3-69 check this one out too, David LaFlamme on Violin and Charles Lloyd on Sax, another gr8 Dark Star.
"Shall we go, you and I...."

PTB: thanks for reminding us, among a number of 60s shows, that one is a special stand out for the eventual 60s box. Love to see others thoughts on which shows should be short listed for a 60s box. Give the people what they want! We might treat the "primal" dead concept as almost anything up to and including 1969, when things began transition that summer, cowboy tunes in, Jerry's down with lap steel etc. #43 shows this transition well, cover does justice too, LiveDead girl dancing with skeletal cowboy, Gibson SG crossnecked with an acoustic.

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