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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • #1151
    DeadVikes
    Joined:
    Plangent

    First time used was the Winterland 73 Box.

    FW was a multi track release.

  • #1152
    That Mike
    Joined:
    MoFi/RVG

    I also have some of the RVG jazz releases in my collection, and I have always found the sound first rate, and you raise a good point Charlie - Van Gelder both engineered the original recording, as well as the RVG remastering.

    I have only limited MoFi (Mobile Fidelity) in my CD collection, as I don’t collect vinyl, such as a Burrito album or two, and some non-music releases from The Firesign Theatre, so I can’t say definitively they sound “better”, and if the vinyl is vastly superior, but based on this disclosure of digital copying by the company, I’d have to say they have somewhat “exaggerated” the fidelity quality. I noticed yesterday they were re-releasing some Eagles albums under the MoFi label on CD, at an extremely premium price, ie - two and half times the regular price of the “regular” CD. Will it sound two and half times “better”? Hmmm.

    Buyer beware. And with vinyl, I would be extremely wary.

  • #1153
    icecrmcnkd
    Joined:
    Analog and Digital

    Just so happens that last night I listened for the first time to Little Feat 9-19-74 Electrif Lycanthrope vinyl, with the signal running out the turntable’s USB cable, into a Mac, and then digitally recorded by Audacity. The signal then went out a USB port and into a Cambridge Audio DAC Magic 100 (digital to analog converter) and then to a Cambridge Audio AXR100 receiver.
    So, went vinyl>analog>digital>analog and it sounded great.
    I digitize all my vinyl as I listen to it and wil eventually (when I learn how to use the software) process the files and export as 24/96 FLAC for use on music players. My vinyl will thus be ‘portable’.

    I only started buying vinyl when 2-27-69 was released (now have 2/28 and 3/1 too). These all say Plangent Process on them whereas the FW69 Box does not (I don’t have the physical CD’s but was told that the Box does not say Plangent) which would imply that the reels were re-digitized using Plangent (assuming that a tape player device like shown on the Plangent website was used, rather than just taking the digital files from 2005 and processing them in some way).

    Some vinyl, like 5-8-77, just sound like the CD was copied to vinyl.
    But 11-10-67 sounds better on vinyl than CD to me.
    I didn’t buy the Lyceum vinyl box but often try to get the RSD releases. Vinyl takes up a lot of space and I’m rethinking whether I should keep buying vinyl. But, I’m already contemplating getting Waiting For Columbus on vinyl, since I’m going to get the CD Box.

    I’ve been upgrading my stereo system to Cambridge Audio as my Onkyo stuff stops working. Two years ago my Onkyo receiver died and I replaced it with an AXR100. The sound quality improvement was instantly noticeable.
    Over the last several months my Onkyo 6-disc CD changer has been having dropouts, but when I rewind and play the same part there wouldn’t be a dropout, so the CD wasn’t defective. Bought a laser cleaner but that didn’t fix the problem, so I started looking at a new player.

    Decided to get the DAC Magic 100 first since I put all my CD’s in ALAC format and onto microSDXC cards for use on portable music players. One of my players that I use with the stereo, iBasso DX120, has a port and cable for connection to a DAC where the DX120 acts as a transport (reads the digital file and transports the 1’s and 0’s to the DAC). The sound quality improvement with the DAC was instantly noticeable, so totally worth the investment.

    My Onkyo 6-disc changer has 2 digital out ports, so I was able to simultaneously connect it directly to the AXR100 receiver, and connect it to the DAC which then connects to the AXR100 with analog stereo cables. By switching the source buttons on the AXR100 I could hear the CD that was playing through 2 different pathways and the DAC Magic source definitely sounded better.

    The AXR100 has gone up $200 since I bought mine 2 years ago, so started thinking that if I wait until my Onkyo 6-disc changer dies, I might pay more for a replacement CD player than if I buy one now. So I bought a Cambridge Audio AXC35 CD player and, again, there was a noticeable improvement in sound quality (worth it to give up the convenience of a 6-disc changer). I run the CD player directly to the receiver with analog stereo cables but it is also possible to run a digital connection to the DAC. Both ways sound excellent.

    So, equipment does matter. I’m very pleased with Cambridge Audio and the slightly higher price over brands like Onkyo, Sony, etc is worth it.
    I’ve heard and read that early CD’s often sounded worse than cassettes because the record companies would half-ass the digital mastering. So digital got a bad reputation. Also, DAC’s matter and cheap CD players probably have a cheap DAC. Phones have cheap DAC’s too.
    The Normanized CD’s that we are getting now sound spectacular, and yet they sound even better with my new stereo set up.

  • #1154
    Charlie3
    Joined:
    RVG

    Interesting post on the analog v digital sound debate. I have a few of the Rudy Van Gelder Edition jazz releases and the sound is consistently excellent. Since he is responsible for both the initial recording and the digital remastering, the sound quality of the recording is pretty much entirely attributable to his skill at both stages of the process, so pretty interesting to see his take on the debate. When I am browsing for new jazz to pick up, it always makes me take notice if I see that something is an RVG Edition.

  • #1155
    That Mike
    Joined:
    Analog vs Digital/Vinyl vs CD

    I’m no longer a vinyl buyer for various reasons, but I know a number of posters here are. An interesting article in the Washington Post entitled “How a Phoenix record store owner set the audiophile world on fire/ MoFi Records claimed its expensive reissues were purely analog reproductions. It had been deceiving its customer base for years.” some may find interesting, how basically a label that prides itself as issuing direct from Masters (at a premium price) have actually been using Digital mastering. Deceptive. I personally have thought the new wave of vinyl is an overpriced racket, and this plays into that.

    As I’m by no means an expert I’ll let the jazz engineer giant Rudy Van Gelder speak to it: “From 1999, he remastered the analog Blue Note recordings he made several decades earlier into 24-bit digital recordings in its RVG Edition series.[15] He was positive about the switch from analog to digital technology. He told Audio magazine in 1995:
    The biggest distorter is the LP itself. I've made thousands of LP masters. I used to make 17 a day, with two lathes going simultaneously, and I'm glad to see the LP go. As far as I'm concerned, good riddance. It was a constant battle to try to make that music sound the way it should. It was never any good. And if people don't like what they hear in digital, they should blame the engineer who did it. Blame the mastering house. Blame the mixing engineer. That's why some digital recordings sound terrible, and I'm not denying that they do, but don't blame the medium.”

  • #1156
    proudfoot
    Joined:
    Rotund Americans

    We eat a loooooot of high fat, refined food.

    Yesterdays dinner: takeout fried chicken tenders with mac and cheese on the side.

    I have lost about 17 pounds over the past year, but still eat a lot of chunk fare.

    Look at pix of people in the 1930s and 40s, 50s, even 60s. Slender.

    Then came the 70s and the weight was piling on.

    Oh yes, lots of sedentary time in front of screens, too.

    It beats starvation, I will say that.

    I think I'll go for a walk

  • #1157
    daverock
    Joined:
    Its not just him

    I was surprised at how rotund most Americans were when I went. I believe they watch a lot of telly. Or whatever's taken the place of telly.

  • #1158
    simonrob
    Joined:
    Feat!

    Just finished listening to the last disc of the "Waiting for Columbus" 8 CD box. The original album is well burned into the brain of every Feat fan, but the 3 live shows (Manchester UK, The Rainbow, London and Lisner Auditorium, Washington) that are added to this release are all really good and varied enough to warrant release. I can highly recommend this to any fence-sitters. There is so much energy in the performances and the band are really tight. They played 4 nights at The Rainbow and I was fortunate enough to have been present at one of them. I don't remember which one, but it wasn't the show where Mick Taylor put in an appearance and it wasn't the below par show where Lowell George and Paul Barrère were suffering hangovers so there is a 50% chance that it was the show in this box that I witnessed. That show will always be right up there amongst the best shows I ever saw. I was surprised at how rotund Lowell George was at that time, but he could still tear it up.

  • #1159
    carlo13
    Joined:
    Ferret face

    Frank burns was such a great, and annoying character. Hot lips told burns she would tell Donald about burns including his butt along with hers, and ferret face mocks loudly "I'll tell Donald, I'll tell Donald."

  • #1160
    Vguy72
    Joined:
    Dammit!....

    ....still. I could see Hawkeye saying that.
    Animal House is also great.
    "Was it over when the Germans bombed Pearl Harbor? Hell no!"
    One of my favorite M.A.S.H scenes is when Trapper and Hawkeye dig a huge hole outside the Swamp when Burns is still sleeping then fill it with water and sound an air raid siren.
    I hope I don't need to tell you what happens next.
    Edit. I just got a notification from Netflix that The Sandman is up and running. A great DC/Vertigo comic series born by Neil Gaiman that I never thought would be translated to the screen. I have 14 comic book long boxes from my comic book collecting daze. To quote Flounder, "This is gonna be great!" I hope you're right Flounder.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

I just pulled up the Los Lobos setlists Hendrix and those were two hot Lobos sets you all caught, too. NFA-Bertha to close night one and then a Mas y Mas jam with Trucks and company after a cover of Don't Keep Me Wonderin'! Plus an early Wicked Rain! And that is the opening act to be followed by scorching TTB sets. Lucky group.

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Submitted by PT Barnum on Mon, 08/01/2022 - 11:58

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Happy birthday Jer, miss your smile.
On a different note, just read Joe Walsh will reunite the James Gang for a show this November for VetsAid2022. Dubbed "The Last Ride" this is to be The Gang's last show. Tickets this Friday.

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Submitted by nitecat on Mon, 08/01/2022 - 12:10

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I gotta say, this 77 release is one hot show! I've been playing it over and over for the week. Awesome Surguree!

I too and awaiting the new Dave's with bated breath. Will check the mailbox soon.

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Submitted by kenny on Mon, 08/01/2022 - 12:41

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Number 215 has landed!!

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14 years 1 month

Submitted by nitecat on Mon, 08/01/2022 - 13:19

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As if dead.net forums weren't enough, now there's "discord"?

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4 years 7 months

Submitted by jp1119 on Mon, 08/01/2022 - 14:34

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Clearly we are all test participants in a new GD time warp LSD experiment.
Minutes ago, I received my DaP 43 shipping notice via email … and I picked up my copy 6 hours ago in my mailbox.
The next phase of this experiment will include (hopefully) receiving orders in our mailboxes even BEFORE we order them.
There is nothing routine about a GD recording or their online music ordering process.
Thanks Dave L and co…the music is great!

Don’t panic people.
For the last 2-3 years I’ve generally received DaP’s on Monday/Tuesday after release day, but would get the tracking number email a week before release day. But then tracking would say ‘no info’ for several days, then the DaP would start moving, and then I would get it.
This one still showed up right after release day, but I didn’t have any tracking info. And although I wondered where it was, I also wasn’t tortured by watching the tracking and seeing lack of movement.
So hopefully everyone gets theirs soon.

Sounds good so far, and a nice gift to open on Jerry’s bday.
Thanks Dave/Rhino and crew, and Owsley!

————-
Per the description for this release:

Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes
————

So, the Sonic Journals are in the Vault, and yes, it is possible for Rhino to release the GD recordings.
I wonder if they have, and preserved, HendrixFreak’s adopted reel(s).
(I don’t remember what show he adopted).

My only Jerry bday show was 8-1-94.
Thanks for the floor seats GDTS!
The Jam out of Space and into Watchtower was pretty cool and had grate lights.

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Submitted by Gratefulhan on Mon, 08/01/2022 - 18:31

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I too have experienced the shipping notice/postal time warp. My DaP 43 arrived today. I have not yet received a shipping notice email. It was a nice surprise to come home and find it in my mailbox. I am ripping the CDs to my computer as I type this. I am looking forward to this listening to this one. I have short road trip tomorrow as I am heading out from the Burg' to Blossom to see Phish. So this will be playing on my drive to and from the venue.

Once again I have to salute Dave L. and the crew for this release and for the MSG Box set. We are really getting a nice variety of GD from different eras.

made its way here this morning. fastest delivery after an official release date in years. seems like they all went out at same time rather than in small batches sent over a week or more. a double dose of Dark Stars? Yes please! thanks to everybody who made this possible. we are so lucky.

speaking of lucky. wish I could have been there with the Red Rocks crew. pure myth time to see that level show in that crazy beautiful setting.

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Submitted by simonrob on Tue, 08/02/2022 - 00:09

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I have just received a shipping notification email for #43. Such mails seem to be rare so I may print it, frame it and hang it on the wall. But then again...

UPS tracking shows that it was received in Fontana, CA on 7/26 and it departed the international carrier facility on 8/1. It has also shown up in Asendia's tracking system.

Everything seems to be going fairly quickly apart from sending the shipping confirmation email. Normally the shipping confirmation email arrives before the package reaches Fontana.

Edit: Less than 2 hours after receiving the shipping confirmation email I received a second, almost identical shipping confirmation email. The tracking numbers are identical but in the second mail the quantity shipped is shown as 0 so I'm not expecting to receive two copies.

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Submitted by deadmike on Tue, 08/02/2022 - 01:56

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I have this morning recieved not one and not two but FIVE shipping notices! But only one notice with a promise of an actual copy of DP43. :-O

No shipping info yet though ... ;-)

Micke Östlund,
Växjö, Sweden

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Submitted by simonrob on Tue, 08/02/2022 - 02:04

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I have just received my third shipping confirmation mail. Still lagging behind DeadMike, but maybe I'll beat him to 10!

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Submitted by docmarty on Tue, 08/02/2022 - 02:53

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Today I have, so far, received 4 emails from Dead.net store confirming despatch of DP43 to uk. I wonder if I'll get 4 copies?????

Just looked and seen others with even more!!!!!

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Submitted by deadmike on Tue, 08/02/2022 - 03:51

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I am up to SEVEN e-mails so far ... but now I know the package was recieved for processing in Fontana, CA on July 27th. :-)

Micke Östlund,
Växjö, Sweden

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Submitted by KeithFan2112 on Tue, 08/02/2022 - 04:20

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It's as if Dave thought he heard someone question whether they were scraping the bottom of the Vault. "This should allay any concerns".

Hendrixfreak I can't even imagine seeing that '73 show on Jerry's Birthday (or the two before it for that matter). Was the sound kick-ass in those days? I've always wondered what the fan experience was pre-wall of sound. Sometimes you hear the band asking the crowd if it's loud enough. But I digress. Yeah, I'm pretty sure I read 8/1/73 was the last show with a Strat. Whether it was the Nash / Alligator Strat or the Veneta brown sunburst is anyone's guess.

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Submitted by simonrob on Tue, 08/02/2022 - 04:27

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When I got my 5th shipping mail I thought I had caught up with you, but now I see that you are still ahead with 7. 😂

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Submitted by That Mike on Tue, 08/02/2022 - 04:59

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Thank you Mo for your belief in Rock & Roll as an art form, and for giving voice to scores of ground breaking acts (ex - Jimi Hendrix), and for believing in the Grateful Dead, when the corporate accountants said to cut them loose.
It’s not often you give light to record executives, but Mo Ostin is worthy of the shout out.
RIP

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Submitted by JoeyMC on Tue, 08/02/2022 - 05:11

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I recieved #24,015 on Monday without any shipping notification at all. I guess two days late isn't so bad, I'd love it one arrived on time though...

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Submitted by mato1949 on Tue, 08/02/2022 - 05:23

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August 2, I have not as yet received Davis picks 43 any reason for the delay no shipping notice either

So today I know Dave's 43 will finally land here in NYC why? because I have informed delivery with USPS I saw it 2 days ago for the first time, this morning out for delivery great. Stay with me here, just about 3 minutes ago I received a shipping notice from Dead.net telling me my order is on the way yet when I hit tracking it can't find it as if it had not been sent yet. On 7-20-22 the dead.net site was hacked or had a catastrophic crash, that is why if you look at the site you see all sorts of past items miraculously have reappeared! The resident computer geniuses obviously don't want to say this. What the hell would it take to tell everyone you have had some issues and to bear with us? Unless of course peoples data has been breached. What is it dead.net(actually warner entertainment) just to be clear? Customers deserve an explanation. That is the least you could do.

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Submitted by topchinacat on Tue, 08/02/2022 - 06:09

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No shipping notices, it arrived 3 days ago .... have been sampling bits and pieces with headphones .... I am absolutely blown away by the sound quality .... so very crisp and clear. This is a true gem and I can't thank Dave enough for making it happen.

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Submitted by hendrixfreak on Tue, 08/02/2022 - 06:48

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I don't know if they nicknamed the system they hauled around in 1973, but it might have been better than the Wall, at least for vocals. It's not as if they had a crappy system, then the Wall became the standard for one year. The '73 systems ... you can hear it on the tapes of the outdoor shows: loud, clear, easy on the ears.

I got both my copies of DP43 on Saturday and Monday I got an email that they were on their way. It's almost like the early tapes that circulated: there was always some glitch on the tape. Always.

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Submitted by musicnow on Tue, 08/02/2022 - 08:32

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Mine like many came today in NC without notice. Holy crap this sounds GRATE! Luckily I have the day off and can just "melt into a dream".

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10 years 2 months

Submitted by 1stshow70878 on Tue, 08/02/2022 - 08:39

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DaP43 arrived in Western CO yesterday afternoon with no notice.
Shipping notice for Lyceum 4-CD in yesterday's email, due Wed.
No complaints here.
Cheers

Edit: The trend is consistent anyway, just got my ship notice for 43 a minute ago. Got here a day ago.

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Submitted by Gary Farseer on Tue, 08/02/2022 - 09:48

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Received shipping notice at 9am this morning and received 2 hour later. Now that is USPS at work.

Of course, means their tracking network needs a lot of work.

Worked my way thru the Fillmore West box over the last 2 weekends to get my ears ready.

Forgot how great that box is. Have not listened to the box since I added a sub woofer almost 3 years ago. Man does the sub woofer change the entire dynamics of the box. The 16 track with Bob and Betty, and the alchemy of Bear's mind regarding sound really stand out.

Hope these can reproduce the sound stage as well as the fillmore west, but have not researched these tapes yet. Have some other Bear thought later.

G

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Submitted by bigbrownie on Tue, 08/02/2022 - 11:24

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Yeah...Just got my shipping notice, but Dave's 43 arrived last Saturday.

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Submitted by Born Cross Eye… on Tue, 08/02/2022 - 12:17

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Some of the sweetest psychedelic music ever played and recorded. A total trip even 53 years later. Thank you Dave Lemieux and crew and especially Andrew & Rebecca Kelly.

"How sweet it is!" - Jackie Gleason

I didn't get my shipping notice, yet. Ha! Ha! Ha!

I just checked my email - yes, it is "on the way."
Love, Peace, and Happiness to ALL!

"still waiting
I I I'm stiiill waiting"

Hey today is 2 years as "Proudfoot"

While I wait...

Some of 30 Trips
10 27 90 meh
10 whatever 91 mmmm....no
92 show zzzzzzzz
6 24 85 yeeeesssss. Nice n lively

Summer 85 box in 2023 Dave!!!

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Submitted by dmcvt on Tue, 08/02/2022 - 15:26

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Shipping notice arrived three hours later. Celebrated Jerry yesterday with a deep dose of the June76 box. A phoenix that, we hardly knew if/when/how they would come back after extended hiatus. Listening to second #43 disc now, zowie, been waiting a long long time for this sweet old stuff. Nice to know so many of us will be sharing this music over these next dog days of August. Thanks to all at OSF/dead.net/Rhino/WMG who made this happen. I should be able to stop asking about a 60s box for a few weeks.

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Submitted by SPACEBROTHER on Tue, 08/02/2022 - 15:33

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Mine arrived yesterday. Listened to the first disc so far. Amazing how great this sounds for being such an old recording. Bear had his system down. Much respect to his foundation for taking the extra care to pass along the original engineers wishes. These Sonic Journals are truly special.

I love that these past couple of years Dave has been hitting such a wide variety of these pieces of history.

Maybe close out the year with 9/26/91 or a December 90 offering. It would be cool to show a little love for the Vince era with and or without Bruce after 43 of these releases.

Currently the 8-CD Waiting For Columbus Box is listed at the Rhino store as “not currently available”.

I didn’t think/realize that it was limited edition.
Or did the whole Rhino website get hacked so bad that nothing is working?

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15 years 1 month

Submitted by dissident1980 on Tue, 08/02/2022 - 17:42

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Astonishingly good ... epic release overall

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Submitted by Vguy72 on Tue, 08/02/2022 - 19:04

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....I couldn't have said it better myself as I sit on my porch waiting for my sonic journal. Like Homer dancing for his pink sprinkled donut.
I'm telling you people. That trip to Red Rocks changed my attitude and focus. Magical place.
Major edit.....RIP Vin Scully. The best baseball announcer ever. F**K

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9 years 2 months

Submitted by Charlie3 on Tue, 08/02/2022 - 22:15

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Excellent, said while rubbing my hands together like Mr. Burns.

This whole release is good, but disc 3 is stellar. Dig that both Dark Stars have a bit of the Soulful Strut interlude. It starts about the 23 minute mark and ends just before the 26 minute mark in the Dark Star on the Family Dog 11-2-69 show. On the Dark Star from the 12-26-69 show it starts at just before the 16 minute mark and mostly ends at about 19 minutes. If you don't know what I mean, check utoob for the instrumental tune Soulful Strut by Young-Holt Unlimited from 1968, beautiful song, covered on several Dark Stars and I think a couple of Dancing in the Street as well, I think the version on the 1970 show from the 30 Trips Box has it. The "jam" after the Dark Star from Dicks Picks 2 from 10-31-1971 is the closest to a straight up cover of the original song. I don't hear Tighten Up by Archie Bell and the Drells, that has a different sound and lacks the gorgeous melody of Soulful Strut.

Really dig that New Speedway Boogie too. More please.

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Submitted by billy the kiddd on Tue, 08/02/2022 - 22:28

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A real legend. I used to listen to him on KFI from L A broadcast the Dodger games back in the early 60s, it would come in later at night in the Bay Area.

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Submitted by msmiranda on Wed, 08/03/2022 - 00:23

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Today DP 43 #20707 and #20708 arrived in my mailbox. I've ordered two copies the last couple of years to have extras to trade for releases I've missed. This is the first time I've gotten consecutive numbers.

Started spinning the first disc after they were downloaded. Very impressed. Pig was an amazing soul.

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17 years 5 months

Submitted by Vguy72 on Wed, 08/03/2022 - 07:19

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....my Dave's has been out for delivery since yesterday afternoon! 🥳
(edit for sarcasm).

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10 years 6 months

Submitted by JeffSmith on Wed, 08/03/2022 - 07:32

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(Tracks in the order they were performed)

11/2/69 FAMILY DOG AT THE GREAT HIGHWAY, SAN FRANCISCO

Cold Rain And Snow 6:19
In The Midnight Hour 8:23
Seasons Of My Heart 4:32
Mama Tried 2:55
Next Time You See Me 4:51
Good Lovin' 9:23
Big Boss Man 6:59
Casey Jones 4:39
Dancing In The Street 9:06
Dark Star > 30:32
St. Stephen > 9:43
The Eleven > 8:59
Death Don't Have No Mercy 11:47

12/26/69 MCFARLIN AUDITORIUM, SMU, DALLAS*

The Monkey And The Engineer 2:41
Little Sadie 3:57
Long Black Limousine 6:09
I've Been All Around This World 5:03
Gathering Flowers For The Master's Bouquet 3:10
Black Peter 11:05
Uncle John's Band 6:32
Casey Jones 5:12
Hard To Handle 4:54
*
China Cat Sunflower> 5:55
I Know You Rider> 5:26
High Time 8:04
Me And My Uncle 4:14
Dark Star 24:52
New Speedway Boogie 5:36
Turn On Your Lovelight 14:54

* The Dallas "Cold Rain And Snow" is missing from Dave's 43 due to space limitations. Hopefully to be released on an upcoming Dave's Picks as filler.

STILL MISS YOU JERRY!

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Submitted by PT Barnum on Wed, 08/03/2022 - 07:41

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and just lovely that we get it during the Days Between, thanks everyone involved with this very special release. 69 was indeed a very magical year.
8-3-69 check this one out too, David LaFlamme on Violin and Charles Lloyd on Sax, another gr8 Dark Star.
"Shall we go, you and I...."

PTB: thanks for reminding us, among a number of 60s shows, that one is a special stand out for the eventual 60s box. Love to see others thoughts on which shows should be short listed for a 60s box. Give the people what they want! We might treat the "primal" dead concept as almost anything up to and including 1969, when things began transition that summer, cowboy tunes in, Jerry's down with lap steel etc. #43 shows this transition well, cover does justice too, LiveDead girl dancing with skeletal cowboy, Gibson SG crossnecked with an acoustic.

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