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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • #41
    Cousins Of The…
    Joined:
    MSG box

    Going through the box one more time; listening to 9/21/82, what really bugs me is that the Charlie Miller on the archive sounds better in general, more crisp; box version almost sounds like some noise reduction was applied. Anyone else??

  • #42
    dmcvt
    Joined:
    Eleven list, MSG UV art, Hornsby Intersections

    Always appreciate hints to favorites/bests lists, was on a Viola Lee Blues quest a while back mice elf. Knowing at least one or two of my Dead loving friends would pick up the MSG big box and facing serious media overload/storage conditions, went for the 3CD package, am happy to have just it. Did stream much of the other shows before decision. Also thought the advance promo artwork at announcement was weird, now seeing part of it on the 3CD, also get it. Would suggest if any of y'all have a black light, check it out, those are florescent inks. Full disclosure, I held on to almost all my lighting effects from back in the day, makes me laugh still, thinking of UV posters and painted basement or attic hang outs. Recently picked up yet unheard Bruce Hornsby's Intersections, very nice extended foray into nooks and crannies of his great talent.

  • #43
    JoeyMC
    Joined:
    The Eleven

    Thank you for your list.

  • #44
    daverock
    Joined:
    RIP Robert Gordon

    Amen, Cousins. "The Humbler" and "The Real Humbler", with Danny Gatton, are two are my favourite rock n' roll albums. Robert Gordon was also a pretty good writer on Southern rock n' roll/blues/soul. Three on my book shelf are "It Came From Memphis", "Respect Your Self-Stax Records and The Soul Explosion" and "I Can't be Satisfied-the Life and Times of Muddy Waters"
    Alvar - great post on "The Eleven"-cheers. I always think of "classic rock" as being a bit of a negative description though - an attempt to make rock music socially acceptable. It always seems to be attached to very successful bands at the very point that they have lost their edge. Music your dad would like. Or your kids, come to that. Not a description that fits Eleven era Dead exactly.

    Last 5 - none of which are socially acceptable. Hopefully
    Nasty Rockabilly Volume 1. Various
    Dust On The Nettles cd 3 Various
    Live at The Venue, London 4/19/80 The Cramps
    Chasin' The Bird cd 1 Charlie Parker
    Complete Motown Singles 1966 cd 2 Various ( damn. It's still really good though)

  • #45
    JimInMD
    Joined:
    Re: VGuy / Phil and Horns

    I'd bet a buffalo nickel they play Viola Lee Blues. That song lends itself well to a full brass sound.

    So Vegas odds we see a Viola over the weekend.

    For what it's worth, the horns player Phil had for the first three nights was fantastic. An Energizer Bunny if I've ever seen one. Karl Denson. Check this guy out, he's the real deal.. funk and jazz, a perfect fit.

  • #46
    JimInMD
    Joined:
    Re: Alverhonso

    I finally got through the whole MSG box and gave a few shows a second listen. I enjoyed it and am glad I have it but it's just not the strongest box set they've ever put out. I think deadtony had one of the better one liners on the MSG thread, suffice for a review.. "Love me some dirty 80s." Pretty much sums it up.

    I would consider getting the stand alone show (3/9/81) if the cost of the box and space issues are driving your decision. It's probably the strongest performance of the bunch and I think it sounds the best of what is in the box. Down and dirty Grateful Dead, Cliffs notes edition. You would be missing the pretty tripped out wild colored box art, but... that's all flare and flash, albiet trippy flare and flash.

    Just something to consider.

    Back to whatever it was you were doing or listening to, screwing up or making just exactly perfect.

  • #47
    alvarhanso
    Joined:
    Re: Elevens Journey and Umphrey's

    On UM, I've seen them about a dozen times over the last 20 years, mainly when they've been on a co-bill. They are incredibly proficient musicians, they kill killer covers, and take adventurous chances improvisationally. However, I don't really gel with them, never have. Too much prog in the jam for my tastes. Phish has prog out the wazoo, but they incoporate so much more groove.

    Which brings me back to that Eleven search. That song is more like classical rock, since it's years before people thought of labeling prog as such, and Phil was classically trained along with that avant garde training. There's the weird waltzing rhythm, the dynamic ebbs and flows, and Jerry ripping a composed piece with increasing ferocity, all while Phil goes from rapid-fire eighth notes to huge counterpoint chords, and Mickey has the time of his life. A request had been made for where that list stood, a nice weekend up to Quebec put off an answer til now, but it also gave me a chance to relisten to a couple, which changed things a bit:
    1 2/28/69 mainly ahead of the pack for the few minutes of Phil and Jerry bobbing and weaving around each other, for some of it by themselves very quietly, and this one is nearly flawless.
    2 1/2/70 DaP 30 this one surprised me, did not recall it being this good. Of course, this is an A++ Dark Star sequence at that show anyway, but this is a really hot Eleven.
    3 3/2/69 going into it, thought this would be easily the best based on previous listens where I was blown away, mainly by Phil's ability to improvise in 11 the way he does in this one that he doesn't do the rest of the Fillmore West run. Yet I still liked the FE one from 10 months later slightly better.
    4 3/1/69 being the third best version of the Eleven out of four in four nights isn't that bad. Still well executed and a rousing version. I've long felt this show's wad was shot with That's It For The Other One opening, but it's still great primal Dead.
    5 12/11/69 DaP Bonus Disc 2014 very nice, tight version that goes ridiculously into an early Cumberland Blues.
    6 11/8/69 DiP 16 this show was just ridiculous, especially that dream continuous second set.
    7 2/27/69 the Dark Star is on Live/Dead, but they skipped this Eleven because it's shaky from a few guys at a couple different spots. Phil is all over it, and the jam is great because Jerry gets over his initial stumbles and makes up for it with some fiery work. But since my goal was a really great version that is also nailed, I knocked it down a bit. Which leads to my last eighth note on The Eleven
    8 11/2/69 DaP 43 the big thing that throws me on this one is the drum break by Mickey and re-entry bomb by Phil being uncharacteristically off. Some others aren't so smooth either, this one maybe was the most awkward. It's a small thing, but this guy is definitely going to be more impressed by one where they nail that bomb like the Fillmore West Run where they played it each night, and had it DOWN. But I do love this last Dave's Picks Dark Star sequence. The Dark Star, St Stephen are A+, The Eleven an A-, but that oh so deft segue into Death Don't Have No Mercy, maybe the best one I've heard (happy for suggestions to knock it from that personal perch), is just fantastic.

    Sorry for the lengthy diversion. Dave's 44 looks promising. MSG not sounding so promising. If it's around in six months, I'll probably bite the bullet then. Dave's 2023 subs are right around the corner, that's the best hundred bucks I spend every year.

    ETA: I unfortunately had to limit my choices to what I had on USB drives in my car, just moved a couple weeks ago, and the computer is still in a box, so the Download Series and other versions from 1968-69 weren't readily available. Dick's Picks 26 has 2 versions! I will need to set up that very computer for the creation of the disc, so may give them a spin whenever I get around to that :)

  • #48
    Cousins Of The…
    Joined:
    RIP Robert Gordon

    Great rock and roll singer, always with a killer band(L!nk Wray, Chris Spedding, Danny Gatton)

    Had to add "!" in Mr. Wray's first name...Dead.net barked.

    Last 5:

    Robert Gordon Are You Gonna' Be the One
    Weyes Blood Titanic Rising
    Beach Boys Live 1968 (8 soundboards in 1 box set)
    GD 3-10-81 (Bob MIA in the mix - almost sounds like JGB at times)
    Cactus Blossoms One Day

  • #49
    Vguy72
    Joined:
    Phil Lesh & Friends next weekend....

    ....will be joined by the horn section of the Trey Anastasio Band. Very cool.

  • #50
    PeteH
    Joined:
    Umphreys

    Hey Vguy this is a band you want to see. They rock! I've seen them about 30 times and am never disappointed. They are a true jam band with most songs in the 12 to 20 minute range. Their collaborative and improvisational skills are awesome. Very talented. I've seen many many shows/bands over the years and they rank right up there with the Dead in how much fun and enjoyment I've had at their shows.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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17 years 5 months

Submitted by Vguy72 on Fri, 08/19/2022 - 13:45

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....hit the nail on the pervebial head. Yes. You have posted that before, and you are not wrong.
Drove past Kit Carson Park just now. Stage is up. And the weather is just exactly perfect. Looking good. Tie-dyes are starting to appear and the pretty ladies (that's for you Hendrixfreak) 😉
Gates open at 5. I imagine there is a tight noise ordinance and curfew time. The park is smack dab in the middle of residences. Visited the park several times as a kid. The fact they have concerts here now is cool af. Legal state to boot. Yee-haw.

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Submitted by frosted on Fri, 08/19/2022 - 13:56

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Yup, I've seen Robben Ford with a number of different bands, also at places like Yoshi's and the Concord Pavilion. Always great.

Only seen him that one time with the Charles Ford Band. Mark really could wail on that harp as you said, and his other brother Pat on drums seemed like the rock of the band. Have several of their albums, mostly live shows. They cooked, and Robben sure is a captivating guitarist. He played jazz with Miles Davis and on some of Joni Mitchell's old stuff, but I thought his heart was really mostly in the blues.

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Submitted by That Mike on Fri, 08/19/2022 - 14:05

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Nothing but nothing beats a great concert at an outdoor venue with decent sound on a warm summer evening! Sheer magic. And yes, the women…. VGuy, soak it all in.

Estimated Eyes - I too agree, and as my daughter in law works as a nurse, I would throw health care professionals in that same group you described. We certainly do have our priorities skewed. Good post!

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Submitted by billy the kiddd on Fri, 08/19/2022 - 14:54

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Robben Ford also played with George Harrison, Phil Lesh, and of course my favorite, the great Charlie Musslewhite .

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Submitted by Oroborous on Fri, 08/19/2022 - 17:42

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Once again HF: couldn’t have said it better, great post!
Im with PT and Estimated Eyes too. Teachers, Health Care etc, all the actual important jobs make relative shite!

Have Fun Vguy!

Glad to see Nappy up and around!

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11 years 11 months

Submitted by nappyrags on Fri, 08/19/2022 - 21:46

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I saw Robben a bunch in the early 70's, usually backing up Jimmy Witherspoon at the Ash Grove...earlier this week was the 53rd anniversary of seeing Blind Faith, Free & Delaney, Bonnie & Friends at The Forum which of course was a whole $5.50 a ticket...of course minimum wage then was $1.65 an hour...

A new sourced sbd popped up this week over at lossless legs, from the Boston Tea Party...

Grateful Dead
Monday, December 29, 1969
The Boston Tea Party
Boston, MA

Source: Previously uncirculated SBD Vault Reel > Cassette > DAT source from Anon

Speed/pitch adjusted by Jason Chastain
Mastering by Jim Blackwood, Jamie Waddell, and Steve Gravel
Track, FLAC, and pack by Steve Gravel

Originally aired on Dead Legs - Program #20 (date 2022-03-13) - "
Originally shared in August 2022

16 Bit 44.1 kHz FLAC Level 8

Set 1
01 - Cold Rain and Snow (fades in)
02 - Mama Tried (cuts in)
03 - tuning
04 - Black Peter
05 - Easy Wind
06 - Me and My Uncle >
07 - China Cat Sunflower >
08 - I Know You Rider >
09 - High Time
10 - Hard to Handle
11 - Mason's Children

Set 2
12 - Cumberland Blues (cuts in)
13 - Casey Jones
14 - Good Lovin' >
15 - Drums >
16 - Jam >
17 - Good Lovin'
18 - Dancin' in the Streets
19 - Dire Wolf
20 - Saint Stephen >
21 - Not Fade Away

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17 years 5 months

Submitted by Vguy72 on Fri, 08/19/2022 - 23:41

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....go see them if you can.
Very impressive 👏. The way they used their lights to take advantage of the surrounding trees was awesome.

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Submitted by billy the kiddd on Sat, 08/20/2022 - 15:12

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39 years ago today, I was at the the Frost Ampitheatre along with other cool people who post here on the forum, for a great time with the Good Ole Grateful Dead. I guess they won't be releasing any shows from the Frost or Greek any time soon , since they released this box set from Madison Square Garden..

I look back at the west coast shows 35-40 years ago with fond memories and envy ... what a blast we had all those years ago. Regarding the music, I am SURE they could get a Greek Theater release out of those particular years!! We'll just have to wait a bit longer, I suppose. Meanwhile, we're coming up on the 40 year anniversary of the US Festival show!! "Breakfast in Bed with the Grateful Dead"! Now THAT was fun, if not just a little strange!

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Submitted by billy the kiddd on Sun, 08/21/2022 - 07:21

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Topchinacat, I didn't make it to see the Dead at the U.S. Festival. but I've listened to the tape and they play a great show. We went an saw the Dead on 8/28/82 at the Oregon County Fairgrounds, about 1 week before the U.S. Festival. When we were driving down to Ventura in July to see the Dead, Steve Wozniak drove by us, I'lll bet he was going down to start setting up the U.S. Festival.

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10 years 9 months

Submitted by hendrixfreak on Sun, 08/21/2022 - 07:32

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Is someone suggesting that I actually enjoy interacting with the beautiful women who attend those giant music parties we call "concerts"? (For those of you who enjoy technical language, it's called "chasing tail.")

I'm shocked, I tell you. SHOCKED!

I don't know where anyone -- particularly someone who will not be named (Pssst! It's Vguy...) -- got that idea.

I don't believe that for one minute. Although it's true...

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11 years 10 months

Submitted by nappyrags on Sun, 08/21/2022 - 08:47

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Last night at The Greek in Berkeley David Hidalgo played Jerry's Alligator Strat AND wore a Black Tee to boot...Susan also played it during the TTB set...great sound on the stream...listened on my headphones as the Mrs. watched The Dodgers pummel the Marlins....

I remember the show well...Winwood & Clapton tearing it up on guitar for "Had To Cry Today" and of course "In The Presence Of The Lord"...Winwood held his own just as he would do later in 2009 on their tour...also for the BF show in '69 I went with a bunch of folk who hadn't dosed yet...we chganged that and it was a very interesting ride home

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17 years 6 months

Submitted by Oroborous on Sun, 08/21/2022 - 11:11

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Ha, every time I think of HF that JoannJett song starts playing in my head ; )

NAPPY: can’t imagine how cool that must of been, so, yeah, what HAVEN’T you seen lol

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Submitted by Vguy72 on Sun, 08/21/2022 - 11:15

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....I'm a Marlins fan. Yeah, we got pummeled. Just landed in Vegas. Vacation is over after tomorrow. Bummer. All good things must pass I guess.
Pee. Ess. I just love beautiful people. I lean towards the beautiful women as well. Especially when they're dancing. Guilty as charged.

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10 years 4 months

Submitted by KeithFan2112 on Sun, 08/21/2022 - 16:27

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It's been some time since I listened to this version. Guilty of overlooking the song in general. Is there a better one in the 70s? Did it even peak before the hiatus? This is embarrassing, but at this point I'd rather just ask for directions than try to figure out the best versions myself.

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13 years 5 months

Submitted by JimInMD on Sun, 08/21/2022 - 18:23

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Every time I listen to this song, I like it more.. and this has been true since the first time I listened to it.

There are songs that sounded great early but then stuttered, songs that took a long time to find their legs and song that somehow sounded great each and every year they were performed. Stella Blue is one of those songs.

There have been a few times when reflecting and I put something on, when I am in deep mood to begin with, and Stella Blue almost brought me to tears. It's one of the more powerful songs in their canon.

Edit: Bobby sings this song now.. but I think it's a song better suited for Oteil. So I googled it and there is a beautiful version of Oteil singing this.. just him and his bass guitar. I was right, this is better suited for Oteil.

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Submitted by billy the kiddd on Sun, 08/21/2022 - 21:31

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I was at both 10/21/78 & 7/13/76, both great shows, both great Stella Blues. I wish they would release 7/13/76. 10/21/78 is partially released, I wish they would release that whole Oct 78 run at Winterland.

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Submitted by billy the kiddd on Sun, 08/21/2022 - 21:49

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39 years ago today,( along with a lot of other great people who post here on this forum) I was at the Frost Ampitheatre for another great show with the Good Ole Grateful Dead . The first 2 songs were Cassady & Dire Wolf, what a great show. I saw some great shows in 1983, Ventura, Santa Cruz County Fairgrounds, Marin Civic Center. My favorite show of the year was 12/28/83 at the S.F Civic, still one of my favorite Dead shows, it also had a nice Stella Blue.

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10 years 3 months

Submitted by daverock on Mon, 08/22/2022 - 04:05

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Beautiful version of this at The Orpheum 7/18/76 too. Maybe my favourite 1976 show, as it goes.
BTK - I would also like to see that October 78 run come out as a box. It must have been great seeing the band so often. To me, for the most part, they have been a band I've listened to at home, on my tod.

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10 years 4 months

Submitted by KeithFan2112 on Mon, 08/22/2022 - 04:41

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Proudfoot, Daverock, Jim - thank you for the insight. Jim, it's partially why I posted - I was listening to Colgate and it just moved the heck out of me, and it was like I "got it" for the first time. There was a sound in there I've never heard a guitar make (I think it was Bobby). Well...always another door in the Dead world. Some days I long to to have have seen and followed them in the 60s and 70s, just to have experienced it all as it was happening. But there is also something to having gotten on the bus late and having this huge library of material to indulge in. I guess all one could do in those days was scrape up the cash to follow them.

I put them all in a folder and started thus morning with another run of Colgate, and am now on Road Trips '78 from the Winterland run. I cobbled together a SBD folder of this run a few years ago. The audio quality varies I recall. Would also like to have it released under the Full Norman moniker. The Orpheum might be my favorite '76 release after Cow Palace. That mix is something special, with Jerry and Keith coming in loud and clear, and Keith playing pretty much piano only, which is to my liking.

8/28/82 is a great show ... I've had that tape for 40 years... wish I'd been there! I too was at the all the 83 NYE shows ... what a fun time! Also usually hit the Ventura shows too .... pretty nice venue, only an hour or so from LA. I'm no festival historian, but the US Festival was other-worldly ... so many acts, so many vendors, so many people. And since it was 2 days, many were there overnight (vendors & campers) so it was a wild scene at least until dawn!!

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16 years 8 months

Submitted by wadeocu on Mon, 08/22/2022 - 10:10

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Hear me now, believe me later:

3/21/94 has a really great performance of Stella Blue

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4 years 2 months

Submitted by Crow Told Me on Mon, 08/22/2022 - 10:23

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Very cool that David Hidalgo and Susan Tedeschi both played Jerry’s Alligator Saturday in Berkeley. The Lobos even broke out “West LA Fadeway” and “Not Fade Away”. Another epic show. Going to see TTB again in Sacramento tomorrow. A very very very slight possibility we might hustle up to Bend (love that town anyway) but more likely Sac is the last tour stop for us. Till next year.

In other old news, DaP 43 is the proverbial bee's knees. Can’t add much to what’s already been said. First disc scared me a little, because the guitars are waaaay out of tune for the first couple songs, surprised there hasn’t been more chatter on that. But things get a lot better from there. Nice Good Lovin: Phil was just so energetic and creative during this period. And of course the acoustic is wonderful to have. And as everyone has said, the 11/2/69 Dark Star sequence is what’s generally known as The Really Good Shit. As good as that Dark Star is, I think the 12/26 is even better.

Has Dave been on a roll, or what? I almost got off the subscription bus after last year, which included two ‘80s shows that didn’t float my boat. But man, everything from #40 on has been outstanding.

Last five:

Neil Young: Noise & Flowers (don’t sleep on this one!)
JGB: Run for the Roses
TTB: The Fall
Roy Hargrove: The Vibe
Kamasi Washington: Heaven & Earth

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10 years 4 months

Submitted by KeithFan2112 on Mon, 08/22/2022 - 10:48

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Wadeocu - in the spirit of THE Bruce Dickinson, that 3/21/94 Stella had some serious cowbell. Great collage of Jerry /Dead pics on the YouTube presentation of it. Jerry's voice sounds great, I wasn't expecting that.

I see what you guys mean about the Road Trips '78 version. Heck of a time for an AUD patch. That tops the dreaded guitar dropout in the opening Cumberland Blues from 3/28/73, right as Jerry is sinking his teeth into one of the hottest solos I've heard on that song.

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17 years 5 months

Submitted by Vguy72 on Mon, 08/22/2022 - 21:48

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.....seriously though. Revisiting Daves #43. No Cumberland, but I'll let it slide. Awesome stuff. Def top 3 Daves.
I love how they brought Cumberland back in '89-'90 as a pre-drumz second set offering. Also awesome.
And Susan & David taking Alligator for a stroll. Awesomeness × infinity.
Youtoob Los Lobos Berkeley. You will not be sorry.
P.S. my aunt in Taos has a tabby cat named Stella. The more you know.
Shes a good mouser.
Same aunt won a blue ribbon at the Taos County Fair for her sugar cookies. She gave me some along with two jars of jam. I told her, "Bobbie, I don't think that will pass the airport check".
Shes like, "Well if you don't try, you'll never know".
Unfortunately, I was right, but they let the cookies through. Yum.

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17 years 6 months

Submitted by Oroboros on Tue, 08/23/2022 - 07:23

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Your post tickled a synapse of my first show in Des Moines (6/16/1974) when Keith was on the grand piano for 3 sets that fabled afternoon with the wall of sound! So thanks for that...

The significance of what it was like when we joined with the Dead at those shows, their pouring out this unfathomable energy in that specific moment and we in the audience rising in response with our collective surge pushing energy back to the Dead, which then propelled them into greater heights of aural adventure. You know how the Grateful Dead would get that 'dragon' off the ground, and into flight, which levitated us all in their tow/draft. We were part of that remarkable brew of music + visuals + adventure + magic = alchemy.

Then as we could watch/listen, with our mouths agape, as each member of the band would tease, improvise, call and response, cascading leads ('catch me if you can'), shimmering rhythm guitar, bass runs and 'bombs' that changed the atmospheric pressure!), intricate keyboard interplay, and that primal percussion them mutating into evermore complex and compelling syncopation, urging and propelling the band further... and the bard's lyrics, that poetry, those revelations, ....that song.... and we would roar and exhort the Dead and pour that fervor into our tribal stomp and collective howl.

And then suddenly the moment slows and extends and everything becomes quite still and his voice implores "nothing you can hold... for very long... stella blue" and we all stumble out into that crystalline cool evening. Our faces alternating from sad eyes, to wide grins, then our heads shaking, alternating between satiation or longing for even more.

Or perhaps disbelief? Did they do it again?

Or were they really here at all?

Everybody's dancing......

Keithfan, I appreciate the memory evoked.

I don't post a lot, but lurk about.

Zen saying "Teachers open the door, but you must enter by yourself."

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17 years 6 months

Submitted by Oroboros on Tue, 08/23/2022 - 07:25

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to your regularly scheduled programming

Tim

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12 years 2 months

Submitted by Angry Jack Straw on Tue, 08/23/2022 - 07:53

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Are you a writer either by trade or hobby? Study literature and/or composition at some point?

You do good with words.

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17 years 6 months

Submitted by Oroboros on Tue, 08/23/2022 - 08:29

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I'm an avid reader and observer, but enjoy telling a story or two.

The Grateful Dead have been an essential (and welcome) part of my journey, so many of my stories are about the band, those shows attended, the inspired trips, along with related adventures.

Zen saying “The Truth is realized in an instant; the Act is practiced step by step.”

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10 years 3 months

Submitted by 1stshow70878 on Tue, 08/23/2022 - 11:10

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Or were they playing one of the newly released Fender Custom Shop models?
Just saw it in email from Garcia Newsletter. Honoring Jerry's 80th.
Said to have all the mods Alembic put in Jerry's.
They had it in hand when doing the research and found it was a 1955,
not 1957 as previously thought.
Didn't know Graham Nash had given it to Jerry originally.
Wonder how much they are? Jerry's is obviously priceless!
Cheers

Edit: $20K built to order, limited to 100 units. Parish helped them.

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7 years 4 months

Submitted by Mr. Ones on Tue, 08/23/2022 - 13:28

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I knew we had 2, with the letter U being the difference. But one joined June 4th, 2013-the other June 19th, 2013. Huh.
What are the odds??
Could it be the same guy, just punking us?? Nahhhh, I doubt it.

I can't get enough of Dave's 43 at the moment, but I am personally looking forward to Vol. 7 of the Miles Davis Bootleg Series-Due Sept. 16th. Outtakes from his last 2 albums for Columbia, and a contemporaneous Live show, much for me to get excited about. Before we know it, we'll be talking about Early Bird orders for the 2023 Subscription.

Life is good, Music is the Best!!

Good to see you’re still around.

For those who don’t remember him, he has a good story about a ceramic dragon he made.

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3 years 1 month

Submitted by billy the kiddd on Tue, 08/23/2022 - 21:05

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Great version of Easy Wind, my brother and I were watching the TV broadcast of the Dead's New Years Eve show live, on channel 9 at my parents house on 12/31/70,, as we all celebrated New Years Eve. It would be nice if a video of this show could be released.

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15 years

Submitted by PT Barnum on Wed, 08/24/2022 - 05:30

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hey mate, good to see you back. Long time, no see, short time for you and me.

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15 years 11 months

Submitted by estimated-eyes on Wed, 08/24/2022 - 08:13

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Los Lobos and Tedeschi Trucks were playing Jerry's original Alligator, not one of the new Fender replicas. There is a great video on Los Lobos Facebook page of them backstage with the fellow who purchased it at auction. The owner tells them the story of the auction. All of Los Lobos interact with the guitar (some play it briefly) and then Derek Trucks walks in and sits down with it to play. The owner tells them this guitar should be played and anytime you are in the Bay Area, let me know and I am there with the guitar. Next shot is Hidalgo walking to the stage with it. Great stuff and so happy to see that instrument played again!

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3 years 1 month

Submitted by billy the kiddd on Wed, 08/24/2022 - 14:16

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54 years ago today, I was not at the Shrine Exposition Hall, but I sure wish I had been. This is such a killer release, one can only hope that they release 8/23/68.

late to this convo - gorgeous and soulful versions from all eras

as to lesser known, one favorite is from Park City 8/20/87. Fine fine fine show from that inter-mountain tour.

great to see you hear again Oroboros . thanks so much for the stories.

as to Alligator, my firmly held belief is that not only is Jerry happy to see Alligator played, Alligator is also happy to be played. That TTB and Lobos show sounds like a fantastic and excellent dream.

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Submitted by proudfoot on Wed, 08/24/2022 - 16:33

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Alligator guitar

Which one is that? I suppose I could look it up

Oh, that one! Cool.

Also, just gotta say:

No band will ever replace the GD as my all time #1 band

2nd or 3rd to me is Led Zeppelin. I have been on a LZ binge recently and wow. I REALLY like and get off on their stuff.

Enjoying disc 2 of the dvd set released from 2003. Nice n loud.

GD #1
LZ #2
Motorhead #3

My thoughts.

....as my favorite band either.
#2 Phish
#3 Pink Floyd
#4 The Beatles
From #5 on, it changes weekly.
This week, it's Larkin Poe. It was My Morning Jacket the week before, then it was Tedeschi Trucks Band. Week before that it was Ween. Week before that it was The Flaming Lips. Week before that it was Iron Maiden. Week before that it was Los Lobos.
I imagine TTB will get back to that #5 at some point. Good to hear from you Oroboros. Not to be confused with the other awesome Oroborous. You two should do a meet up lol.
Music is the best and heals the soul.
Last Five. Larkin Poe. With Dave's 43 Dallas as the 3rd listen.
Shipping notice for my I Am The Moon set and poster received!
Went and saw the DragonBall movie last night. Good stuff. Any anime fans out there in dead.net land?
Also, they are re-releasing Jaws in the theaters labor day weekend. In IMAX!
Edit. Went and got my eye prescription checked the other day. No-line bi focals here I come! It was eventual I guess.

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