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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • #631
    1stshow70878
    Joined:
    Other Jewel

    Daverock, of course I too went straight to the Red Rocks shows upon first listen before hearing the rest of the box. After getting to all of them I was calling 7-3-78 St. Paul the hidden gem. That must have been a peak period for them. The energy is there. Almost swaggering I'd say, like they need a pack of cigarettes rolled into the sleeve of their t-shirt.
    Cheers

  • #632
    daverock
    Joined:
    Me too

    I also played Omaha 7/5/77 after reading Oroboros's post. The first set, last night-excellent - Jerry's guitar sounds as cool and clear as the driven snow. Own up time....for the last couple of years, when I have played shows from this 78 box, I have played the first one 7/1, missed out the next two and gone on to the two Red Rocks shows. I have no idea what put me off Omaha in the past - makes me wonder what other unidentified jewels I have here.

    Exile - I was unfairly dismissive of Black and Blue, too. It's a very entertaining album - I didn't like funk or disco in the 70's, but that's no excuse now. I wasn't keen at all when it came out-Spring 1976, I believe. With Mick Taylor gone, "Fool To Cry" issued as a single and punk waiting in the wings, The Stones, along with most of the great bands from 1965-1975 suddenly seemed a bit passe. I bought the first Ramones album in Summer 1976-that was the sound of the times for me. 40 odd years later... Black and Blue is still on my playlist, and I no longer even have that Ramones album.
    I saw The Stones at Knebworth in 76 - and I have the programme here-nothing to do with music, but it's curious how The Stones and their fans were presented. In the article on The Stones, it states, "Young boys eagerly flocked the Mary Quant make up department in Harrods trendy Way-In shop on Saturday afternoon.The disco pumped out "Hey Negrita" as the boys applied eye liner and lipstick to gaunt virginal faces." I don't think so. I was 19 then, and the article seemed to show how out of touch The Stones had become at that time, with my generation.
    They also apparently had a food stand where you could buy a portion of chicken curry for 0.55p. This in the middle of the hottest heat wave for decades.

  • #633
    JimInMD
    Joined:
    Omaha

    That Estimated > Eyes is outstanding. That Eyes of the World has always been a go to post hiatus Eyes.. it's outstanding. I've always been big on that box. 7/1 never circulated and is outstanding, the first Red Rocks shows did circulate and are well.. not to overuse the term but outstanding. A great moment in GD history perfectly preserved for us to enjoy. Aptly timed as we are entering a holiday weekend and the box centers around the Fourth of July.

    Outstanding

  • #634
    Charlie3
    Joined:
    Omaha

    Been looking at that July 1978 box when picking some dead to listen to lately, but keep getting sidetracked by a different choice, but Oroboros' post about the virtues of the July 5, 1978 Omaha show prompted me to give it a listen today. Currently on Wharf Rat. I always liked that show, and the recording is excellent. I imagine it was exponentially cooler to be there in person at the time. The artwork on that one is probably about my favorite from that box as well, and I liked all the art from that box, a lot.

  • #635
    Exile On Main St.
    Joined:
    Stones

    Hey guys, I lurk more than anything but I saw some Stones talk and I agree with Dave Rock. It's Only Rock 'n Roll is an underrated album. The thing with it in my opinion, is that the songs are either dynamite (like the opening song fictional drummer) or B side material. The other problem is a couple of the songs suffer from Led Zeppelin IV / Dark Side of the Moon syndrome, meaning they've been played on the radio so much that they've lost a little luster (title track and Ain't Too Proud to Beg). I think these songs are pretty high quality once you're sitting back giving them your full attention (In their order of appearance on the LP).

    If You Can't Rock Me
    Ain't Too Proud to Beg
    It's Only Rock 'n Roll (But I Like It)
    Till the Next Goodbye
    Time Waits for No One

    Dance Little Sister

    The first 5 songs are all of side one and are solid. It's Only Rock 'n Roll has "Start Me Up" hit quality. Time Waits For No One makes us realize that Mick Taylor should have had at least one or two tracks on every album to stretch out like he does on this one and Can't You Hear Me Knockin' from Sticky Fingers. Missed opportunity. The thing with these songs is you may think of hearing Dance Little Sister on the radio and thought, meh, average song. Until you really listen to everything going on with the guitars. Keith Richards bass chops on If You Can't Rock Me are cool. Till the Next Time is on par in my mind with Wild Horses and Angie, but again, missed opportunity in that Taylor could have been used to play an electric solo or something, similar to Wild Horses. The remaining songs on the record don't do it for me. Luxury is borderline, but leans too far into funk. Fingerprint File is way too far into funk and not that great a song for me. If You Really Want to Be My Friend and Short and Curlies should have been put in the can for later. Between Goats Head Soup and It's Only Rock 'n Roll, I think there's a great album in there.

    Black and Blue had some great songs with Hand of Fate and Crazy Mama. I think Hand of Fate was as good as 70s rockers got, with very few exceptions.

    Not much to say that hasn't been said about Dave's 43. I would never complain for this type of release.

  • #636
    PT Barnum
    Joined:
    reading these posts

    you guys are so cool. Love this forum

  • #637
    Charlie3
    Joined:
    Or...

    ...It's like buying a book from the bookstore and then realizing the pages are all put together out of order, and there are pages from another book mixed in. And when you go back and say, hey, bookseller, they put the pages of the book in the wrong order, and there are pages from another book mixed in. And he says, don't worry, you can rip them all out and put the book back together in whatever order you want.

  • #638
    Crow Told Me
    Joined:
    It’s Like When Someone Says ‘Plate of Shrimp’

    The other day I ordered a burger with fries. Instead, they brought me fries with a burger. So I complained. But dude, the burger guy said, you can eat them in whatever order you want. Mmfff, I said, eating my fries and burger.

    Received my shipping notice today for the TTB’s “I am the Moon” vinyl set. Because today is the release date. What a concept! You release the record on the release date! Genius! I just want to note that, when you bought the 4-lp set, they promised to provide a digital download of each separate album as each of the four parts of this project was released. And then they actually did! On the actual release dates! And the files actually worked! Amazing! And now they shipped vinyl on the release date. It’s so weird.

    A lot of people don't realize what's really going on. They view life as a bunch of unconnected incidents and things. They don't realize that there's this, like, lattice of coincidence that lays on top of everything. Like the other other day I’m eating a plate of shrimp and listening to Electric on the Eel for the first time in years. And so were you.

    Last five:

    JGB: Electric on the Eel (discs 1 and 6)
    Derek & the Dominos: Layla
    Bill Evans: The Hilversum Concert
    Christian McBride: At the Village Vanguard
    Stones: El Mocambo

  • #639
    Oroboros
    Joined:
    Greetings my brothers/others

    All is well in the middle of the country and I couldn't agree more with this esteemed group's statements on current and past musical topics.

    Phil and Friends has consistently displayed such exploratory and jamtasic shows which makes them a 'must see.' I recently attended another Wilco concert prior to that show and the inclusion of Jeff Tweedy and Nels Cline in the friends in Chicago reflect excellent choices. Nels has sat in with P & F on multiple occasions and Wilco has covered the Dead on a variety of occasions including Bobby sitting in for Dark Star, Ripple, etc. I regretted that Phil got Covid and couldn't headline with String Cheese Incident's recent Red Rocks shows, but Billy Strings was a welcome replacement and we in the audience had a wonderful time. Still I long to see Phil play again and hope to have another chance soon. The SCI 'dead set' with Billy was a delight and I saw Billy rev up with the Cheese as they took on many of our favorite Dead tunes that evening. And I am quite relieved that Phil has fully recovered from the Covid and is back playing live.

    Besides attending the Wilco and SCI shows, I have also loved recent concerts with the Infamous Stringdusters, Joe Russo's Almost Dead, the Jayhawks, Railroad Earth, Yonder Mountain, Mollie Tuttle, Sierra Hull, and several years ago was quite taken by previously mentioned Larkin Poe (opened for Elvis Costello). Such terrific music touring again and I'm very grateful to be able to make the journey (pun intended).

    However, given this thread on DP 43, to get back on how this Dave's Pick is stellar and echo others sentiments how the primal Dead are such an unmitigated treat. This is a special release and deserving of frequent rotation.

    And should any of you be inspired by the break-neck speed and turn on a dime of the early Grateful Dead, please consider attending a Joe Russo's Almost Dead show. Yes, Oro (my brother from another mother) those two Vail JRAD shows, along with the JRAD show at Red Rocks were stellar. These guys have the stamina and pace of the early Grateful Dead but along with the Dead's entire song catalogue. Simply remarkable jamming, truly exploratory, and much more in the vein of P & F as opposed to the D & C. JRAD is energy personified and each band member is truly infused with amazing grasp of these wonderful songs along with a jazz mentality and interplay.

    To add to the dialogue regarding 'rain stories' from concerts (discussed earlier in this thread), I got one to share. I recall back in 1978 when the Grateful Dead played at the Omaha Civic Auditorium in July. The venue was about half full (4,000?) but everyone was chomping at the bit as we had not seen the Dead in Nebraska since early in the early 70's. I took my Nak 550 into the venue and there was no hassle getting in the deck in this time, but remember this was before the days of 'taper's sections.'

    Out in the hallway, the Hell's Angels wandered about sporting full colors and big grins. They may have been transporting 'party favors' and decided to take in a show, or perhaps road tripping with the band? Although I did not see them at the subsequent Red Rocks shows. Anyway, I headed down to the floor to set up my Nak in front of the sound board. When I was getting everything ready, I saw this guy with a great rig setting up. Luckily this kind stranger (I have since discovered he was famous taper Bob Wagner) let me patch out of the back of his Sony, which was terrific as he had a tall (8 ft?) stand to get will above the crowd noise. We were about 15 to 20 feet in FOB. So Garcia treats us to a blistering Sugaree opener, the kind that drove the crowd wild. His leads mounted into a wave that crests, recedes, regroups, and roars back with such power and delight that adds to the synergistic effect causing our frenzied response as his rolling/soaring guitar work lift and subside within the band.

    Then BIODTL, TLEO, and then Bob took the spotlight with a "Look's Like Rain." About half way through the son, I suddenly noticed something shimmering in the air between the band and me. I thought "what a fantastic light show! Or have I shifted into 5th gear just a little earlier than I scheduled?" I staggered towards that visual disturbance in front of me to investigate. The crowd was dancing madly in the middle of the floor as a waterfall played over them. The waterfall was about 25 feet in circumference. I put my hand into the water...hand out, no rain, hand in, pouring rain.. I jumped into the waterfall drenching us all in the middle of the Civic auditorium. Then stepped out and there was none. I shook my head and then dove back into the deluge and danced through LLR and next came Direworlf and a delightful All Over Now, with Keith and Donna simply killing it. Candyman, Lazy >Supplication and Bobby informed "we are going to take a short break" (ha, it was never a short break!)

    I staggered back to reload a new tape (remember cassettes?) and I looked for some validation of my experience. I asked my friends if I was not in fact 'soaking wet' as I patted my wet t-shirt? And they grinned knowingly and affirmed that , yes, in fact I was 'all wet."

    Then this unique show continued (nice indoor water feature, boys!) with a killer second set, complete with a transportive Estimated>Eyes>Wharf Rat>Truckin'>Iko Iko > Around and Around.

    As I left the auditorium I noticed the water standing on the ground outside, a summer storm? Hey was this just a case of a leaking roof? Or did the Dead actually conjure up the forces of nature as they were so prone to do?

    Next to travel to their/my maiden Red Rocks shows. Would Phil bombs create reverse gravity and make us float up into the air? What do they have up their collective sleeves for us next (ah-oooo, Werewolves of London, ah-ooo)?

    Those were the daze.....

    Zen saying "teachers open the door, you must enter by yourself."

  • #640
    That Mike
    Joined:
    Philco Are Only Rock & Roll (And We Like It)

    Jim - You bring up a good point that Phil is well into his 80s, yet is still bringing it with such new creations as Philco. I think he personifies that well worn axiom “Find something you love to do and you’ll never have to work a day in your life.”

    DaveRock - I personally always loved the subtle guitar work on “Fingerprint File” from IORR. Mick Taylor should never have left the Stones, they were a much better band with him (with due respect to Ronnie). Last week, I re-watched their “bootleg” release from the Marquee Club in 1971 - now THAT was THE best Stones lineup.

    Blues For Allah - what an excellent choice. Some really jazzy passages throughout that entire release.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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Submitted by Vguy72 on Fri, 08/19/2022 - 13:45

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....hit the nail on the pervebial head. Yes. You have posted that before, and you are not wrong.
Drove past Kit Carson Park just now. Stage is up. And the weather is just exactly perfect. Looking good. Tie-dyes are starting to appear and the pretty ladies (that's for you Hendrixfreak) 😉
Gates open at 5. I imagine there is a tight noise ordinance and curfew time. The park is smack dab in the middle of residences. Visited the park several times as a kid. The fact they have concerts here now is cool af. Legal state to boot. Yee-haw.

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Submitted by frosted on Fri, 08/19/2022 - 13:56

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Yup, I've seen Robben Ford with a number of different bands, also at places like Yoshi's and the Concord Pavilion. Always great.

Only seen him that one time with the Charles Ford Band. Mark really could wail on that harp as you said, and his other brother Pat on drums seemed like the rock of the band. Have several of their albums, mostly live shows. They cooked, and Robben sure is a captivating guitarist. He played jazz with Miles Davis and on some of Joni Mitchell's old stuff, but I thought his heart was really mostly in the blues.

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Submitted by That Mike on Fri, 08/19/2022 - 14:05

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Nothing but nothing beats a great concert at an outdoor venue with decent sound on a warm summer evening! Sheer magic. And yes, the women…. VGuy, soak it all in.

Estimated Eyes - I too agree, and as my daughter in law works as a nurse, I would throw health care professionals in that same group you described. We certainly do have our priorities skewed. Good post!

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Submitted by billy the kiddd on Fri, 08/19/2022 - 14:54

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Robben Ford also played with George Harrison, Phil Lesh, and of course my favorite, the great Charlie Musslewhite .

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Submitted by Oroborous on Fri, 08/19/2022 - 17:42

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Once again HF: couldn’t have said it better, great post!
Im with PT and Estimated Eyes too. Teachers, Health Care etc, all the actual important jobs make relative shite!

Have Fun Vguy!

Glad to see Nappy up and around!

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Submitted by nappyrags on Fri, 08/19/2022 - 21:46

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I saw Robben a bunch in the early 70's, usually backing up Jimmy Witherspoon at the Ash Grove...earlier this week was the 53rd anniversary of seeing Blind Faith, Free & Delaney, Bonnie & Friends at The Forum which of course was a whole $5.50 a ticket...of course minimum wage then was $1.65 an hour...

A new sourced sbd popped up this week over at lossless legs, from the Boston Tea Party...

Grateful Dead
Monday, December 29, 1969
The Boston Tea Party
Boston, MA

Source: Previously uncirculated SBD Vault Reel > Cassette > DAT source from Anon

Speed/pitch adjusted by Jason Chastain
Mastering by Jim Blackwood, Jamie Waddell, and Steve Gravel
Track, FLAC, and pack by Steve Gravel

Originally aired on Dead Legs - Program #20 (date 2022-03-13) - "
Originally shared in August 2022

16 Bit 44.1 kHz FLAC Level 8

Set 1
01 - Cold Rain and Snow (fades in)
02 - Mama Tried (cuts in)
03 - tuning
04 - Black Peter
05 - Easy Wind
06 - Me and My Uncle >
07 - China Cat Sunflower >
08 - I Know You Rider >
09 - High Time
10 - Hard to Handle
11 - Mason's Children

Set 2
12 - Cumberland Blues (cuts in)
13 - Casey Jones
14 - Good Lovin' >
15 - Drums >
16 - Jam >
17 - Good Lovin'
18 - Dancin' in the Streets
19 - Dire Wolf
20 - Saint Stephen >
21 - Not Fade Away

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Submitted by Vguy72 on Fri, 08/19/2022 - 23:41

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....go see them if you can.
Very impressive 👏. The way they used their lights to take advantage of the surrounding trees was awesome.

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Submitted by billy the kiddd on Sat, 08/20/2022 - 15:12

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39 years ago today, I was at the the Frost Ampitheatre along with other cool people who post here on the forum, for a great time with the Good Ole Grateful Dead. I guess they won't be releasing any shows from the Frost or Greek any time soon , since they released this box set from Madison Square Garden..

I look back at the west coast shows 35-40 years ago with fond memories and envy ... what a blast we had all those years ago. Regarding the music, I am SURE they could get a Greek Theater release out of those particular years!! We'll just have to wait a bit longer, I suppose. Meanwhile, we're coming up on the 40 year anniversary of the US Festival show!! "Breakfast in Bed with the Grateful Dead"! Now THAT was fun, if not just a little strange!

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Submitted by billy the kiddd on Sun, 08/21/2022 - 07:21

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Topchinacat, I didn't make it to see the Dead at the U.S. Festival. but I've listened to the tape and they play a great show. We went an saw the Dead on 8/28/82 at the Oregon County Fairgrounds, about 1 week before the U.S. Festival. When we were driving down to Ventura in July to see the Dead, Steve Wozniak drove by us, I'lll bet he was going down to start setting up the U.S. Festival.

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Submitted by hendrixfreak on Sun, 08/21/2022 - 07:32

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Is someone suggesting that I actually enjoy interacting with the beautiful women who attend those giant music parties we call "concerts"? (For those of you who enjoy technical language, it's called "chasing tail.")

I'm shocked, I tell you. SHOCKED!

I don't know where anyone -- particularly someone who will not be named (Pssst! It's Vguy...) -- got that idea.

I don't believe that for one minute. Although it's true...

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Submitted by nappyrags on Sun, 08/21/2022 - 08:47

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Last night at The Greek in Berkeley David Hidalgo played Jerry's Alligator Strat AND wore a Black Tee to boot...Susan also played it during the TTB set...great sound on the stream...listened on my headphones as the Mrs. watched The Dodgers pummel the Marlins....

I remember the show well...Winwood & Clapton tearing it up on guitar for "Had To Cry Today" and of course "In The Presence Of The Lord"...Winwood held his own just as he would do later in 2009 on their tour...also for the BF show in '69 I went with a bunch of folk who hadn't dosed yet...we chganged that and it was a very interesting ride home

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Submitted by Oroborous on Sun, 08/21/2022 - 11:11

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Ha, every time I think of HF that JoannJett song starts playing in my head ; )

NAPPY: can’t imagine how cool that must of been, so, yeah, what HAVEN’T you seen lol

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Submitted by Vguy72 on Sun, 08/21/2022 - 11:15

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....I'm a Marlins fan. Yeah, we got pummeled. Just landed in Vegas. Vacation is over after tomorrow. Bummer. All good things must pass I guess.
Pee. Ess. I just love beautiful people. I lean towards the beautiful women as well. Especially when they're dancing. Guilty as charged.

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Submitted by KeithFan2112 on Sun, 08/21/2022 - 16:27

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It's been some time since I listened to this version. Guilty of overlooking the song in general. Is there a better one in the 70s? Did it even peak before the hiatus? This is embarrassing, but at this point I'd rather just ask for directions than try to figure out the best versions myself.

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Submitted by JimInMD on Sun, 08/21/2022 - 18:23

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Every time I listen to this song, I like it more.. and this has been true since the first time I listened to it.

There are songs that sounded great early but then stuttered, songs that took a long time to find their legs and song that somehow sounded great each and every year they were performed. Stella Blue is one of those songs.

There have been a few times when reflecting and I put something on, when I am in deep mood to begin with, and Stella Blue almost brought me to tears. It's one of the more powerful songs in their canon.

Edit: Bobby sings this song now.. but I think it's a song better suited for Oteil. So I googled it and there is a beautiful version of Oteil singing this.. just him and his bass guitar. I was right, this is better suited for Oteil.

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Submitted by billy the kiddd on Sun, 08/21/2022 - 21:31

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I was at both 10/21/78 & 7/13/76, both great shows, both great Stella Blues. I wish they would release 7/13/76. 10/21/78 is partially released, I wish they would release that whole Oct 78 run at Winterland.

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Submitted by billy the kiddd on Sun, 08/21/2022 - 21:49

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39 years ago today,( along with a lot of other great people who post here on this forum) I was at the Frost Ampitheatre for another great show with the Good Ole Grateful Dead . The first 2 songs were Cassady & Dire Wolf, what a great show. I saw some great shows in 1983, Ventura, Santa Cruz County Fairgrounds, Marin Civic Center. My favorite show of the year was 12/28/83 at the S.F Civic, still one of my favorite Dead shows, it also had a nice Stella Blue.

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Submitted by daverock on Mon, 08/22/2022 - 04:05

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Beautiful version of this at The Orpheum 7/18/76 too. Maybe my favourite 1976 show, as it goes.
BTK - I would also like to see that October 78 run come out as a box. It must have been great seeing the band so often. To me, for the most part, they have been a band I've listened to at home, on my tod.

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Submitted by KeithFan2112 on Mon, 08/22/2022 - 04:41

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Proudfoot, Daverock, Jim - thank you for the insight. Jim, it's partially why I posted - I was listening to Colgate and it just moved the heck out of me, and it was like I "got it" for the first time. There was a sound in there I've never heard a guitar make (I think it was Bobby). Well...always another door in the Dead world. Some days I long to to have have seen and followed them in the 60s and 70s, just to have experienced it all as it was happening. But there is also something to having gotten on the bus late and having this huge library of material to indulge in. I guess all one could do in those days was scrape up the cash to follow them.

I put them all in a folder and started thus morning with another run of Colgate, and am now on Road Trips '78 from the Winterland run. I cobbled together a SBD folder of this run a few years ago. The audio quality varies I recall. Would also like to have it released under the Full Norman moniker. The Orpheum might be my favorite '76 release after Cow Palace. That mix is something special, with Jerry and Keith coming in loud and clear, and Keith playing pretty much piano only, which is to my liking.

8/28/82 is a great show ... I've had that tape for 40 years... wish I'd been there! I too was at the all the 83 NYE shows ... what a fun time! Also usually hit the Ventura shows too .... pretty nice venue, only an hour or so from LA. I'm no festival historian, but the US Festival was other-worldly ... so many acts, so many vendors, so many people. And since it was 2 days, many were there overnight (vendors & campers) so it was a wild scene at least until dawn!!

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Submitted by wadeocu on Mon, 08/22/2022 - 10:10

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Hear me now, believe me later:

3/21/94 has a really great performance of Stella Blue

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3 years 11 months

Submitted by Crow Told Me on Mon, 08/22/2022 - 10:23

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Very cool that David Hidalgo and Susan Tedeschi both played Jerry’s Alligator Saturday in Berkeley. The Lobos even broke out “West LA Fadeway” and “Not Fade Away”. Another epic show. Going to see TTB again in Sacramento tomorrow. A very very very slight possibility we might hustle up to Bend (love that town anyway) but more likely Sac is the last tour stop for us. Till next year.

In other old news, DaP 43 is the proverbial bee's knees. Can’t add much to what’s already been said. First disc scared me a little, because the guitars are waaaay out of tune for the first couple songs, surprised there hasn’t been more chatter on that. But things get a lot better from there. Nice Good Lovin: Phil was just so energetic and creative during this period. And of course the acoustic is wonderful to have. And as everyone has said, the 11/2/69 Dark Star sequence is what’s generally known as The Really Good Shit. As good as that Dark Star is, I think the 12/26 is even better.

Has Dave been on a roll, or what? I almost got off the subscription bus after last year, which included two ‘80s shows that didn’t float my boat. But man, everything from #40 on has been outstanding.

Last five:

Neil Young: Noise & Flowers (don’t sleep on this one!)
JGB: Run for the Roses
TTB: The Fall
Roy Hargrove: The Vibe
Kamasi Washington: Heaven & Earth

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10 years 1 month

Submitted by KeithFan2112 on Mon, 08/22/2022 - 10:48

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Wadeocu - in the spirit of THE Bruce Dickinson, that 3/21/94 Stella had some serious cowbell. Great collage of Jerry /Dead pics on the YouTube presentation of it. Jerry's voice sounds great, I wasn't expecting that.

I see what you guys mean about the Road Trips '78 version. Heck of a time for an AUD patch. That tops the dreaded guitar dropout in the opening Cumberland Blues from 3/28/73, right as Jerry is sinking his teeth into one of the hottest solos I've heard on that song.

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17 years 2 months

Submitted by Vguy72 on Mon, 08/22/2022 - 21:48

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.....seriously though. Revisiting Daves #43. No Cumberland, but I'll let it slide. Awesome stuff. Def top 3 Daves.
I love how they brought Cumberland back in '89-'90 as a pre-drumz second set offering. Also awesome.
And Susan & David taking Alligator for a stroll. Awesomeness × infinity.
Youtoob Los Lobos Berkeley. You will not be sorry.
P.S. my aunt in Taos has a tabby cat named Stella. The more you know.
Shes a good mouser.
Same aunt won a blue ribbon at the Taos County Fair for her sugar cookies. She gave me some along with two jars of jam. I told her, "Bobbie, I don't think that will pass the airport check".
Shes like, "Well if you don't try, you'll never know".
Unfortunately, I was right, but they let the cookies through. Yum.

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17 years 3 months

Submitted by Oroboros on Tue, 08/23/2022 - 07:23

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Your post tickled a synapse of my first show in Des Moines (6/16/1974) when Keith was on the grand piano for 3 sets that fabled afternoon with the wall of sound! So thanks for that...

The significance of what it was like when we joined with the Dead at those shows, their pouring out this unfathomable energy in that specific moment and we in the audience rising in response with our collective surge pushing energy back to the Dead, which then propelled them into greater heights of aural adventure. You know how the Grateful Dead would get that 'dragon' off the ground, and into flight, which levitated us all in their tow/draft. We were part of that remarkable brew of music + visuals + adventure + magic = alchemy.

Then as we could watch/listen, with our mouths agape, as each member of the band would tease, improvise, call and response, cascading leads ('catch me if you can'), shimmering rhythm guitar, bass runs and 'bombs' that changed the atmospheric pressure!), intricate keyboard interplay, and that primal percussion them mutating into evermore complex and compelling syncopation, urging and propelling the band further... and the bard's lyrics, that poetry, those revelations, ....that song.... and we would roar and exhort the Dead and pour that fervor into our tribal stomp and collective howl.

And then suddenly the moment slows and extends and everything becomes quite still and his voice implores "nothing you can hold... for very long... stella blue" and we all stumble out into that crystalline cool evening. Our faces alternating from sad eyes, to wide grins, then our heads shaking, alternating between satiation or longing for even more.

Or perhaps disbelief? Did they do it again?

Or were they really here at all?

Everybody's dancing......

Keithfan, I appreciate the memory evoked.

I don't post a lot, but lurk about.

Zen saying "Teachers open the door, but you must enter by yourself."

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17 years 3 months

Submitted by Oroboros on Tue, 08/23/2022 - 07:25

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to your regularly scheduled programming

Tim

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11 years 11 months

Submitted by Angry Jack Straw on Tue, 08/23/2022 - 07:53

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Are you a writer either by trade or hobby? Study literature and/or composition at some point?

You do good with words.

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17 years 3 months

Submitted by Oroboros on Tue, 08/23/2022 - 08:29

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I'm an avid reader and observer, but enjoy telling a story or two.

The Grateful Dead have been an essential (and welcome) part of my journey, so many of my stories are about the band, those shows attended, the inspired trips, along with related adventures.

Zen saying “The Truth is realized in an instant; the Act is practiced step by step.”

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10 years

Submitted by 1stshow70878 on Tue, 08/23/2022 - 11:10

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Or were they playing one of the newly released Fender Custom Shop models?
Just saw it in email from Garcia Newsletter. Honoring Jerry's 80th.
Said to have all the mods Alembic put in Jerry's.
They had it in hand when doing the research and found it was a 1955,
not 1957 as previously thought.
Didn't know Graham Nash had given it to Jerry originally.
Wonder how much they are? Jerry's is obviously priceless!
Cheers

Edit: $20K built to order, limited to 100 units. Parish helped them.

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7 years 1 month

Submitted by Mr. Ones on Tue, 08/23/2022 - 13:28

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I knew we had 2, with the letter U being the difference. But one joined June 4th, 2013-the other June 19th, 2013. Huh.
What are the odds??
Could it be the same guy, just punking us?? Nahhhh, I doubt it.

I can't get enough of Dave's 43 at the moment, but I am personally looking forward to Vol. 7 of the Miles Davis Bootleg Series-Due Sept. 16th. Outtakes from his last 2 albums for Columbia, and a contemporaneous Live show, much for me to get excited about. Before we know it, we'll be talking about Early Bird orders for the 2023 Subscription.

Life is good, Music is the Best!!

Good to see you’re still around.

For those who don’t remember him, he has a good story about a ceramic dragon he made.

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2 years 10 months

Submitted by billy the kiddd on Tue, 08/23/2022 - 21:05

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Great version of Easy Wind, my brother and I were watching the TV broadcast of the Dead's New Years Eve show live, on channel 9 at my parents house on 12/31/70,, as we all celebrated New Years Eve. It would be nice if a video of this show could be released.

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14 years 9 months

Submitted by PT Barnum on Wed, 08/24/2022 - 05:30

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hey mate, good to see you back. Long time, no see, short time for you and me.

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15 years 8 months

Submitted by estimated-eyes on Wed, 08/24/2022 - 08:13

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Los Lobos and Tedeschi Trucks were playing Jerry's original Alligator, not one of the new Fender replicas. There is a great video on Los Lobos Facebook page of them backstage with the fellow who purchased it at auction. The owner tells them the story of the auction. All of Los Lobos interact with the guitar (some play it briefly) and then Derek Trucks walks in and sits down with it to play. The owner tells them this guitar should be played and anytime you are in the Bay Area, let me know and I am there with the guitar. Next shot is Hidalgo walking to the stage with it. Great stuff and so happy to see that instrument played again!

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2 years 10 months

Submitted by billy the kiddd on Wed, 08/24/2022 - 14:16

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54 years ago today, I was not at the Shrine Exposition Hall, but I sure wish I had been. This is such a killer release, one can only hope that they release 8/23/68.

late to this convo - gorgeous and soulful versions from all eras

as to lesser known, one favorite is from Park City 8/20/87. Fine fine fine show from that inter-mountain tour.

great to see you hear again Oroboros . thanks so much for the stories.

as to Alligator, my firmly held belief is that not only is Jerry happy to see Alligator played, Alligator is also happy to be played. That TTB and Lobos show sounds like a fantastic and excellent dream.

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4 years 1 month

Submitted by proudfoot on Wed, 08/24/2022 - 16:33

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Alligator guitar

Which one is that? I suppose I could look it up

Oh, that one! Cool.

Also, just gotta say:

No band will ever replace the GD as my all time #1 band

2nd or 3rd to me is Led Zeppelin. I have been on a LZ binge recently and wow. I REALLY like and get off on their stuff.

Enjoying disc 2 of the dvd set released from 2003. Nice n loud.

GD #1
LZ #2
Motorhead #3

My thoughts.

....as my favorite band either.
#2 Phish
#3 Pink Floyd
#4 The Beatles
From #5 on, it changes weekly.
This week, it's Larkin Poe. It was My Morning Jacket the week before, then it was Tedeschi Trucks Band. Week before that it was Ween. Week before that it was The Flaming Lips. Week before that it was Iron Maiden. Week before that it was Los Lobos.
I imagine TTB will get back to that #5 at some point. Good to hear from you Oroboros. Not to be confused with the other awesome Oroborous. You two should do a meet up lol.
Music is the best and heals the soul.
Last Five. Larkin Poe. With Dave's 43 Dallas as the 3rd listen.
Shipping notice for my I Am The Moon set and poster received!
Went and saw the DragonBall movie last night. Good stuff. Any anime fans out there in dead.net land?
Also, they are re-releasing Jaws in the theaters labor day weekend. In IMAX!
Edit. Went and got my eye prescription checked the other day. No-line bi focals here I come! It was eventual I guess.

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