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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • Mr. Ones
    Joined:
    Shut My Mouth

    To my understanding, it's not the storms that are being caused by global warming. It's the frequency and intensity of the storms that global warming is affecting.

    Now, saw Nick Mason's Saucerful of Secrets show(I also saw the previous tour), and I'm surprised no one is talking about that. Great show, great band, fantastic song selection.

    Finally, time for a little Steppenwolf, since we're on the subject of bands that don't get much mention on here.

    Waiting for the Dave's 44 announcement. Should be about 3 1/2 weeks away.

  • PT Barnum
    Joined:
    wind and rain

    during my time in Florida, it was always just a little wind and rain, never experienced a full-on hurricane until Charley in 04, but for 30 plus years before that, they were just a slight annoyance. Based on personal experience, not going back to the beginning of recorded hurricane history, just my personal experience. I loved hurricane season until 04, always good to check the fields right after a storm. Back in 96 I think it was, there was a storm named "Jerry" that formed off the coast, floated into central florida, moved back out to sea, returned a few days later, that was a great week. enough of that ok, hunker down everyone in the path of this monster storm.
    Gary, Oro, you guys are true audiophiles, and I'm sure there are others here that I don't mean to fail to mention, I used to pour over audio books and visit audiophile shops back in the day, nothing better than good clean clear loud sound, especially Grateful Dead.

  • That Mike
    Joined:
    I just want to clarify, then…

    I just want to clarify, then I’ll drop it, as I wasn’t trying to set off alarms, I am just weary of “fear” being used to wage social change now. I wasn’t denying climate change. Way too much irrefutable evidence supporting it, and as a great believer in science, I support it. However, I find every dramatic event - climate, economic, Covid - is gaining oxygen from fear. Every outcome is predicated on fear.

    Sometimes it’s hot out just because it is. I went for probably my 20th MRI last evening, and the nurse was debating if I should wear a mask, for fear of….infecting myself in a chamber the size of a coffin!?!? Fear has gotten out of hand, was my only point. Not going politics at all, I should have articulated my thoughts better.
    I do sincerely wish Floridians to stay safe.

  • Charlie3
    Joined:
    Well...

    ... the hurricane that hit Galveston in 1900 was a Category 4 and was, and may still be, the deadliest weather disaster in US history, with 8000 dead. So, a little more than just a little wind, a little rain even back in 1900. There are a number of other historic hurricanes over the last hundred years that were devastating as well, the National Hurricane Center of NOAA has a list of some of the most notable.

    If you look at the records of frequency of hurricanes and tropical storms it is not entirely clear that the frequency or intensity has actually increased since the 1800s, and the effort to determine the historic frequency of these storms is complicated by the fact that our monitoring has improved so that many hurricanes that don't make landfall were likely not observed or recorded prior to our more modern monitoring abilities. Thus, our improved monitoring abilities means that we detect, observe, and record hurricanes that don't make landfall and would have likely been missed in the historic record, thereby causing an increase in the number of observed hurricanes, while leaving open the possibility that the increase is not a reflection of an actual increase in the total number of storms.

    National Hurricane Center data indicates that the decade 1941-1950 has the highest number of hurricanes that made landfall in the US at 24 total and 10 major hurricanes (Saffir-Simpson category 3 or higher) that made landfall that decade. The tie for runner up decade goes to the decades 2001-2010 and 2011-2020 which both had 19 total hurricanes that made landfall, with 2001-2010 having 7 storms listed as category 3 or higher, and 2011-2020 having 6 storms listed as category 3 or higher. The hurricane landfall data also indicates that "Before the Gulf of Mexico and Atlantic coasts became settled, hurricanes may have been underestimated in their intensity or missed completely for small-sized systems (i.e., 2004's Hurricane Charley)." The reported storm intensity does not appear to be significantly different in these decades, but of course, I haven't run a statistical analysis, just a quick comparison of reported storm intensities from NOAA resources. Of course, even within the resources provided by NOAA you can find some variation in reported storm strength, for example, the categorization of storm strength in the "US Hurricane Strikes by Decade" table on the National Hurricane Center page appears slightly different compared to the "US Hurricane Impact / Landfalls" table provided by the Hurricane Research Division, so this is just a quick review of some of the readily available data from NOAA.

    I suppose you could call this "climate change denial", but I prefer to think of it as a simple review of the hurricane data readily available from NOAA. You can draw your own conclusions from the data, or head on over to NOAA and do a deeper dive in the data. But hurricanes were always more than a little wind and a little rain.

  • Gary Farseer
    Joined:
    Will It Go Round In Circles / MyAudioAddiction

    It's been about a year since the discussions of stereos and such. There was also a discussion at that time about HDCD.

    On HDCD, I remember SimonRob posting that all he knows is that a light comes on. Last year at this time an old trusted cd/dvd crapped out. As y'all were talking about HDCD, I started looking for a HDCD player. I stumbled on to an old Denon cd/dvd player with HDCD compatibility. I bought the unit on ebay and with tax and shipping, it was only $90 (no remote). Well, I have a blackweb universal remote and the remote is programmable with the Denon unit. This unit arrived around October 5th or so last year. So as it was anniversary time for the Warlocks, that was the first concerts I played thru the Denon. Immediately, I found the sound enhancement was very noticeable. With HDCD, most of the expansion is in the mid to upper frequencies, which expanded the soundstage and headroom of the disks. I fell instantly in love and thank Dead.net for continuing to master in HDCD.

    I also discussed before I bought the Denon, my own stereo which I am extremely happy with. Again, 6 JBL speakers running through a large Yamaha Natural Sound Amp, with the sub frequency cross-over set at 82 Hz. The 82 Hertz cross-over is almost identical to what George Lucas had for his THX movie theater certifications. I assume most know that a cross-over is not a fixed point as there are frequencies above 82Hz the sub powers, and below 82 Hz that the Yamaha powers. However, when you cut off or cross-over the sub unit, you remove a lot or most of the work done by the Yamaha amp, which frees up the Yamaha to produce even more crystal clear frequencies as the Yamaha has been freed from trying to push the JBL's for the low end. This means much cleaner reproduction.

    I post this because I just finished re foaming the woofer surrounds on the JBL 10" woofers. They sound great now, no slight buzz or anything. It was well worth the effort. I used My Audio Addiction to acquire the re foam 10" surrounds. They may be the biggest retail provider of speaker parts kits. It is there name, all one string, at .kom. They also have tutorials on youtube, and also will fix them for you (much more than just foam surrounds), if you ship them to Audio Addiction.

    As an aside, I have pondered replacing the JBL 10" woofers with a set of old Pyle Driver woofers that I have had for 35+ years, but haven't used in about a decade. The Pyle Driver's magnets are enormous. I mentioned this to a bass player friend of mine, he only said, "You have to be careful as JBL tuned those speakers with their woofers, and a larger magnet might throw some things out of balance." Not sure about that, may still do it at some point, but adding the 12" powered subwoofer by svsound changed everything. The amp inside the svs sub is a class D power amp. From what I can tell, most large P.A. systems are now moving to powered speaker systems with class D power built in. I think it makes configuring a system (like Meyer and Featherstone (?)) did with the FTW shows.

    Any way, way too much, will post and edit.

    Hope all are ready for In and Out of the Garden (Burger). I know I am, but will still listen to 43 one more time this weekend before I break out that box.

    G

    So first edit done, still needs work.

  • Angry Jack Straw
    Joined:
    Sabres

    I might be in the minority here, but I hate those old black and red jerseys. The logo too. It reminds me of Trump's hairdoo. And that was not a political statement.

    It also conjures up memories of Brett Hull's goal. I don't like that either.

    I love floor standing speakers and more importantly the sound they throw off. Maybe I am old school as well, but I do get a certain satisfaction when I walk into the basement and see how their presence almost dominates the room. I own Klipsch and have for years. I have often considered "upgrading", but I am not sure how much more benefit I would derive or what would be the best brand. The other concern is that if I did upgrade, should I go the full route and purchase separate components and upgrade my receiver as well? Thoughts are welcomed.

    Two things I have learned listening to the GD channel over the past few weeks:

    - The meaning of syncopation and why it is important. I have no musical aptitude.

    - That I prefer my Grateful Dead with a single drummer and a grand piano. And I am proud to admit that.

    Yes. Pets are the best.

    Be safe Floridians.

  • Crow Told Me
    Joined:
    Throwing Stones

    I wish we could stay off politics in this space.

  • PT Barnum
    Joined:
    this thread just jumps all over the place...and I love it

    from the Good Old Grateful Dead to killer speakers and audio set ups to hockey to football to pets to...climate change denial?
    I also own a pair of B&W's and they are just the cat's meow. They pair excellently with my Altec Lansing 890 bookshelf speakers. I have seen jbl's blow, no fire, but definitely a meltdown, they sound good but are very delicate, a close friend had a pair suspended from his ceiling, not the best but ok.
    Sorry for your loss, pets are the hardest things to lose, sometimes harder than a human. People can let you down, your pet, never.
    To all you folks who live in Florida, take my word for it, you don't want to mess around with hurricanes. I survived hurricane Charley in 04, it hit with 145 mph winds, took out the power as it hit Orlando, you could see power transformers blowing up all over the place, blue flashes in the black night. The eye wall approached and hit, the 40 ft pine trees in my backyard snapped off at about 12 ft above the ground, all of them, crashing down all around us, just missing my house but taking out my neighbors right next door. The wind blew so hard, it sounded just like a train, very loud. As it passed, the eye went over, it was clear, calm and you could see stars, then the other side hit, the wind going in the complete opposite direction, finishing off the rest of the trees. Charley was moving at 25 mph and it was over in 40 mins, but the damage was done, no power for 9 days, 103 degrees in my house with no breeze. Had to go to work anyway, had to take cold showers in the dark, had to drive all over the city to find ice to keep some things cool. We left Florida 4 years later. This storm is moving at 5 mph, this will last days and the damage will be bad.
    Living in Florida for over 30 years I saw it change from a beautiful, clean paradise to a used up tourist trap. They have been doing studies in Tampa for years about salt water encroachment of the aquifer that provides the drinking water to most of the state, it has increased dramatically in recent years. Now they are having trouble with the saltwater encroaching upon the underground utilities, drain systems, etc as some days, during high tide, the water will come out of the storm drains, and spill out into the street, this is all from rising sea levels that are increasing yearly. Global warming has caused this, and it has also had an effect on the intensity of hurricanes. For 30 years, hurricanes meant "a little wind, a little rain" those days are over. Hurricanes are now more frequent and more powerful due to warming of the atmosphere. Look it up.

  • That Mike
    Joined:
    Hunker down Florida, as this…

    Hunker down Florida, as this monster Ian approaches. Be safe. As for those that hit the climate change panic button with every catastrophe, know that these hurricanes have been around at least as long as Europeans have travelled the Seven Seas. There are no reliable written records of Indigenous peoples prior to these times to confirm (although oral history is quite prevalent among First Nations peoples the world over), but the belief is many of the natural weather phenomenon have always existed time immemorial. In fact, the first recorded history of the word “hurricane” was 1555, long before the Industrial Revolution. Sometimes truth matters.

    Roger Waters - hard pass. Major dick.

  • Oroborous
    Joined:
    Hartford for Donuts

    We did that Vguy. Early eighties Wild Bill or some such character said there were shows in Harshford. With no internet etc we didn’t know, someone said there was a show so we just decided to go. Needless to say when we got there it was aaaaa, surprise! But hey, it wasn’t all bad, we got a big box of donuts and enjoyed the ride lol

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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In reply to by Nick1234

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....'65 - '75 IS the best decade for music in my opinion.
Let's do a decade #1!
Another edit. Check out The Warning. A three piece sister power rock band from Mexico with impressive riffs. Whoa! Paulina, the drummer/harmony singer is on point!! Her enthusiasm is evident. Awesome.
Guess I'm on a girl band kick lately.

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It's the 50th anniversary of the greatest GD show ever. (Yeah, I said it.) Please celebrate irresponsibly.

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I upgraded to Blu-ray and what a difference. The audio is great. I am watching this thinking how freedom looked back then. It seems like there was more freedom but I believe the music was just better. We had our problems back then too. I agree Crow, this show is terrific. I guess it helps that the source tapes are so good. Sometimes that's half the battle.

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I think TTB is excellent. Derek Trucks is legendary as far as I am concerned and Susan is wonderful. Talk about a power couple. Plus they really lined themselves up with some great musicians and vocalists. I hear a lot of influences in their songs. I really like the fact that they are not a jam band, or even a band that jams as Greg Allman would say. I think it is cool direction to take, especially for Derek who we all know can go after the improvisation from his Allman Brothers days.
A great footnote to this is that there is a YouTube video of TTB playing Anyday from about 11 years ago. Now this in itself isn't anything new, as the Allman Brother played that song and TTB continued to as well. However this video I am referencing has shots of many celebrities in attendance at this particular show. Just off of the stage there is shot of none other then Eric Clapton, who is singing along and rocking out to TTB playing Anyday. Talk about a great honor. I wish I could remeber the exact title of that video but I tihnk it is from a show or festival from 2011. If anyone gets adventurous I say it is worth the search to find it.

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In reply to by Nick1234

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The records I first heard when I was 15 never really grow old. A magical time - for me 1972-73 was illuminated by...
Electric Warrior - T. Rex
Ziggy Stardust - David Bowie
Paranoid -Black Sabbath
Fireball - Deep Purple
Space Ritual - Hawkwind
and the one that really amused my parents..... the incomparable Slade Alive!
Singles were great then too - All The Young Dudes, Starman, Silver Machine, Schools Out, Virginia Plain come to mind.
I was oblivious to The Dead playing various dates in England at the time.

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10 years 1 month

In reply to by Vguy72

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Glad to hear you like the J’s, VGuy. The Jayhawks are terrific, and I’m finding out this offshoot group called Golden Smog (thank you Sixtus) is the bee’s knees.

Warning about this “Americana” music - it’s pretty infectious.

Once you tick that box marked “Americana”, the amazing music that unfolds is incredible, from all the performers mentioned, but including some other favourites of mine such as Neko Case, Gillian Welch/Dave Rawlings, Lucinda Williams, to old standbys such as Buddy Miller (I saw him play with Plant & Krauss - wow!), Ry Cooder, all the way back to the Band.

Do the Dead constitute “Americana”? Certainly, they were masterful interpreters of so many veins of music, from Motown to Reggae to Disco (yikes) to Jazz to Folk to….etc. Americana? Originators? Certainly American Beauty and Workingman’s Dead could be worthy of serious consideration, and notable for being ahead of their time, before this vein of music became defined as such. Hmmmmm…

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That video is the 2011(?) Clapton Crossroads Festival. That's where I first saw TTB and fell for them immediately. They also interview a bit in there and describe how they found all the early influences like Delaney and Bonnie and wanted to revive that influence. It worked! The other melted happy face besides Clapton's was the host Bill Murray. You can lipread him saying, "WOW". To honor Clapton at his festival by doing a Derek and the Dominoes tune was a brilliant choice. The recent release of their whole live recreation of the Layla album really tops it off. And Trey guests on it too.
Cheers

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40 years ago today, I was up in Oregon for a good time with the Good Ole Grateful Dead. The show was a blast and the whole scene was just a lot of fun.. I had 3 tickets for the 3 shows in 1992, unfortunately it never happened.. 1982, what a great year to be seeing the Grateful Dead , with the Frost ,Greek , Ventura, and December Oakland shows, it was fun times. Hopefully, some of these Bay Area shows will be released some day.

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7 years 1 month
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I think you described the Dead's story very nicely in just a few words. To me they didn't just embody the American spirit, they imbibed it and reflected it back to us in the form of music. And they lived a free lifestyle exactly how they wanted to live it.

I have seen the breathing walls!

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17 years 5 months

In reply to by Dark-Star

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....Last Five
McCartney & Wings - Band On The Run.
The Jayhawks - Tomorrow The Green Grass.
GOGD - Dave's 30 Bonus. Fillmore East 1.3.70.
The Warning - ERROR.
Tedeschi Trucks Band - I Am The Moon Vol IV : Farewell.

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10 years 1 month
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“Best of” and “Greatest” designations when assessing art and music are pretty ludicrous yardsticks to use, such as in the Grammy awards and other such nonsense, but I have to admit, it would be hard, if not impossible, to claim TTB’s four-part opus “I Am The Moon” not THE best music to be released in 2022. It is absolutely transcendent, beginning to end. If it was Sun Tzu that taught that a warrior’s greatness is measured by the strength and cunning of his enemies, then by that thinking, this suite is all the more remarkable when measured against all the incredible music also released this year.

Although I have their library, and definitely enjoy their music, I was ambivalent about their standing as a premier musical act, but I gotta tip my hat to them for this one. It is an absolute gem. A live reading of this four-parter would be a show for the ages.

My only kicker: This all would have made a killer double album. But once the marketing people get a foot in the door…

“A Charlie Brown Christmas” 5 CD set! 5 CDs!!!!!
The marketing people….

Godspeed to the stuffed Snoopy dog aboard Artemis 1, as it attempts it’s launch to the moon today.

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17 years 6 months
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I did also see Bill Murray off to the side in that video footage too. I was just stuck on Clapton's reaction. Still it was defintiely cool to see Bill Murry enjoying things. I need to check out that TTB Layla Revisted album. I have been working on few projects that involve listening to a bunch of live shows so I have been occupied with that. When I get chance, I am going to give it a listen.

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yes, you do need to check that out. It's pretty incredible. (So were TTB with Los Lobos at the Greek the other week, with Jerry's Alligator guitar.)
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C'mon, after 50 years, I was just getting over the breathing walls and ya had to mention them... Dang it!

As for Snoopy, a classic Rosie Magee pic of Pigpen shows his Snoopy pin on his greasy corduroy hat, plain as day. So maybe a piece of Pigpen's soul is heading to the moon on Artemis. (Though none of the reasons given for our return to the Moon make any sense to me. Except to stake our claim in the face of China's interest, which unfortunately smacks of militarism and control...)

And as for TTB, I keep tellin' ya, that's the hottest band on the planet right now. If they've got Los Lobos in tow, that's THE package. At least according to me, and, as you well know, I've never been wrong before...

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5 years 3 months
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So I've got Your Picks Vol. 43 in my hands and CD player. Cool music.... BUT...

I ask you, sir--is this how YOU listen to these shows? The first 9 songs of 11/2/69, then the 5 songs from 12/26/69, then 4 songs from 11/2, then 11 songs from 12/26??

If yes, then I don't feel you really appreciate the experience of live Dead--how each show is a unique event and piece of musical art, how each show has a rhythm and a story all its own. (This is WHY so many of us spend thousands of dollars buying these very shows on CD when we are content with just getting the best studio releases from other artists we love.)

If this is NOT how you would listen to these shows, and you do enjoy and appreciate listening to a show as it was performed, then you are not really respecting the rest of us who want to listen to the shows in that way but don't have the privilege of access to GD's vaults.

You make great choices of shows-- just let us listen to them as Jerry intended please. It's doable. Every single box set release does it.

Thanks!

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17 years 5 months

In reply to by J3FF

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....twenty-four songs, and not a bad one to be found. Very impressive. I raise my glass to you.
And J3ff. It's due to the 80 minute time limits on the CD format.
Deadworld problems.

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3 years 1 month
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35 years ago, I was up on the Eel River to see Jerry Garcia put on a fantastic show, one set acoustic, two sets electric. What a fantastic spot, up in the Redwoods in the mountains right on the Eel River. It was definitely electric, what a swinging party.

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10 years 8 months

In reply to by J3FF

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Yes it's a gripe of mine too,I did mention this several Dave's Picks ago, when I was reminded of the Road Trips series of fragmented shows.
I am grateful to have the 2 shows on 3 discs,but it does annoy me at having to break off listening to a show to change discs.I do not have the means to re arrange the songs on a computer,& besides I enjoy the HDCD resolution.
As much as I enjoy my vinyl in my opinion the Grateful Dead live recordings are more enjoyable to listen to via CD, as you are not changing record sides between certain flows of the music.

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10 years 3 months

In reply to by Sydney Prentice

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Conversely, I do enjoy listening to live Dead on vinyl. It seems to make me focus a bit more. I don't listen to whole shows in one go- in about an hour I will have some lunch, and maybe listen to 2 sides of an L.P. That will be it for me for music for a few hours - I'll go off an do something else, and tune back in a few hours time, but again just for 40 minutes or so.
I don't listen to music during the core of the evening - but about 11.00pm...that's when cds come in handy. Sit back and let it all wash over me for a few hours.
With fragmented shows, I don't mind so much as long as it is clearly labelled on the sleeve what music comes from what show. Some of the earlier ones didn't do this - so you have to get Deadbase down to work out where different songs come from. If you can be bothered. The Dicks Picks from late July early August 1974 comes to mind-but there are quite a few.
And although Dave's Picks 43 works really well for me as a whole - I don't think it's necessary to fill every second of every cd with music. I have never liked fillers. Many of the greatest albums from the past clocked in at little more than half an hour. Quality-not quantity is the key, for me.

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I have received your Pick numbered 43. Cool music BUT, you really have a lot of nerve squeezing the absolute MAXIMUM of Dead music possible onto 3 cds(just under 4 hours worth).
As you may know, if us Dead Heads can’t listen EXACTLY the way we wish, and you know what way that is, then I’d rather have NOTHING!!
I love the Dead sooooo much, that if I can’t listen to a whole show, complete and in order, and not have to get up off my a$$ to perhaps change a disc, then you can forget it, the deal is off!! How DARE you give me 2 shows for the price of 1, of this band I love sooooo much. I’d rather just have 1 90 minute show, spread over 3 discs, IN ORDER, so that my entitled, lazy a$$ does NOT have to move while I am listening.
A rational person might think “oh my God”!! I’m getting 2 COMPLETE shows(minus 1 song) instead of 1, for the same price!! But no, we Dead Heads don’t want more music. We want LESS music, and only if it’s presented PERFECTLY. Perfect sound, NO PATCHES, no dropouts, in proper order, so that all I have to do is push 1, ONE button, and then I can laze back, stoned to the gills, and forget about life and how hard it is to be alive.
We want LESS music, PERFECTLY prepared, the less music the better, so long as it’s PERFECT, at least to me. Because after all, you ARE doing this just for me, right?? Seeing as how I’m the MOST important person in the universe.
To those who are Grateful to have the MAXIMUM amount of Dead music, no matter how poorly it’s presented, well, you happen to be so so wrong. And of course I am right!!
It must be so sad to not be me.

I have SPOKEN!! This is the truth, so sayeth the Lord.

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12 years 2 months

In reply to by Mr. Ones

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is easily one of the best releases of the entire series. And it is still not good enough because of the song sequencing?

What a joke.

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9 years 2 months

In reply to by Angry Jack Straw

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For packing 2 grate shows onto 3 80-minute CD’s.
And for putting that missing Cold Rain and Snow on a future release.

Fortunately for me, I learned how to use a computer in the 1990’s, and now in 2022 can rearrange the order of digital music files.

As an alternative, some CD players let you program the order that tracks are played.

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In reply to by Mr. Ones

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No offence but it's only my opinion, if I prefer to sit on my backside and listen to a whole show in order that's my choice.

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I see the next Sonic Journals is by the Chieftains.
It is already available to order from Amazon UK and I’ve ordered it.

Glad to see these guys getting love over the last couple weeks. I had the good fortune to see TTB at the Greek in LA, then MMJ at Red Rocks for the Saturday show. Both killer shows. Every time I want to whine/complain about something my life or something in the world at large, I immediately flash back to these 2 shows within 8 days and tell myself to STFU.

As Vguy is wont to say, "Music is the Best."

As Patterson Hood of the DBT sings, "It's fuckin great to be alive!"

Yes, Patterson, it sure as fuck is.

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...to see the expression of different opinions about song sequencing and filler met with scorn and ad hominem attacks. It's one of the things I like least about this site.

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Was Pig's Snoopy pin the one with sunglasses? Joe Cool was my favorite Snoopy alter-ego, followed closely by the WW1 flying ace. I had the Snoopy Cowabunga on a surfboard poster in my room when young. Hallmark has made thousands off of my family and I as Shultz cards are still our favorite greetings. As I got a little older the Lange ski "Tips Up" girl poster moved in next to Snoopy. Mom was OK with it likely because Lange girl's nipples were airbrushed out.
Gotta go with Charlie3 on today's comments although I got a good laugh out of Mr.Ones, who by the way is I believe the originator of Music Is The Best. I did have to listen in corrected order but like Daverock I usually have to break it up anyway so no biggie.
Cheers all!
Edit: Last 5
Airto - Seeds on the Ground; The Natural Sounds of Airto (an RGM reissue), cool smooth jazz w/ Ron Carter on bass.
DaP 43 - Excellent recording. Very enjoyable with the acoustic. IMHO no way the best Dave's, sorry just not my era.
Renaissance - Ashes Are Burning
Moody Blues - In Search of the Lost Chord
Little Feat - Time Loves a Hero
All on LP except DaP 43

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I have to figure the Snoopy stuffed toy and 3 manikins (now known as “Moonikins”) aboard Artemus 1 are relieved to get a reprieve from launch, at least until Friday. I guess these aren’t just random manikins pulled out of a Macy storefront window (“Your country needs you!”), but fairly elaborate robots that will gauge all the pressures and hazards of space travel expected for when the Artemus project goes to manned space flight (including putting the first woman on the moon. NASA declined my offers of “Take my wife, please”). These “dummies” were going to be enduring 26,000 MPH thrust just to escape the Earth’s gravity. I thought my brother’s old dressed-up Mercury Cougar hauled ass! This Artemus project is pretty “Holy Shit!” stuff.

As for DaP 43, I’ll just agree with others that it may be one of the best of the series, and I respect others may not agree. But TWO prime Dark Stars!!! This DaP 43 is pretty “Holy Shit!” stuff!

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In reply to by Sydney Prentice

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Funny how some people seem to get a bit humpy if they see a point of view expressed that isn't in accordance with their own.

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I think I heard that Artemus does 17,000 mph in 8.5 seconds.
ThatMike, I loved the Rodney Dangerfield reference.
I had a buddy that had a (67?) Mercury Cougar XR-7 with the 428 Cobra-Jet. This was around 1975-6 so it was well used by then. But it WAS fast.
He wrapped it around a tree in like a month after buying it.
I've always said if I'd have had a fast car I'd be dead already.
Fastest thing I've ever had is my inherited '95 Mercury Grand Marquis.
My first V-8, likely does 0-60 in maybe 11 seconds? It's a boat but no anchor in the trunk. But it rides nice and gets 30mpg on the highway.
Cheers

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Sorry for disturbing you under your bridge there... but good job disproving the stereotype that Dead fans are kind.

I'm not sure why someone would take such personal offense to my request that the shows be presented in the original sequence. I'm not trying to deprive anyone of anything--if it really were not possible to fit both shows in the correct sequence on 3 discs there's no reason they can't do it on 4 discs... (there's a 153-disc collection of the complete works of Bach that sells for $125 so I don't think it can be that expensive to toss in an extra disc.)

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In reply to by 1stshow70878

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My older brother once drove his Cougar from my parent’s home to a friend’s cabin in a rural area in under 45 minutes, a drive that normally would take 2 hours and fifteen minutes if you followed the limit. As he had this car in the 70s, and had recently moved out of the family home, I forget all the specs on it, but he loved the speed of this thing, and while he crashed a few things, including a beautiful BMW Motorcycle on a speed track (amazingly just breaking his collarbone), he never wrecked the Cougar. Scary car, scarier driver.
I read Artemus 1 will be re-entering the Earth’s atmosphere at 17,500 miles an hour! Check those Moonikins for diapers!

Captcha: And a big yellow taxi come and took away my old man

J3ff’s comments to Dave of:
(Read the whole post for context of these quotes)

“ is this how YOU listen to these shows?”

“ If yes, then I don't feel you really appreciate the experience of live Dead”

“ then you are not really respecting the rest of us”

“ just let us listen to them as Jerry intended please”
(How do you know what Jerry intended? Jerry wasn’t the sole decision maker of the band)

Can come off as more than just an opinion, but also as another attack on Dave.

In my alternate opinion this was the correct decision as a means to get these 2 shows released at the same time, even if the Cold Rain does have to be included in a later release.

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Mike, My sister's boyfriend in 1968 drove his E-type Jag from St. Louis to Denver, a trip of 850 miles, in under 9 hours. Mostly at night with only gas stops, he said he did 100+ mph as much as he could. Cannonball Run! That's what love will make you do! (One of my favorite JGB tunes. Who does the original? David Bromberg does one too.)
Cheers

Some of you guys act like you're Dave's girlfriend or something.

Let me know where Dave is available to field gently-worded input please, because I haven't found it yet... if you send an email to Dead.net you get no reply; if you send a Facebook message they send an automatic reply trying to sell you stuff...

I will admit that my post expresses frustration with the folks selling this stuff. In addition to the non-responsiveness, there have been some truly baffling and annoying decisions in the assembly of these shows. On disc 2 of Dave's Picks 41 (only 32 minutes long BTW--so much for jam-packing the discs) we go from the 5/26/77 show to 7/19/90 (?) for two minutes of post-Not Fade Away audience chanting before starting U.S. Blues before returning to 5/26/77 on the next disc. What possible reason is there to include the chanting as part of "U.S. Blues"? Or a 1990 song on a 1977 show? (or is that a typo on the disc?)

It's weird that some of you want to mock me for valuing the song order that the band originally chose... but act like the order Dave randomly chose is sacred.

I'm happy for you guys that download these and re-assemble them in order but I don't think that's a valid justification for not putting them in order in the actual product being sold.

If Dave is offended by the tone of my post please let me know-- you should have access to my email. I'll buy you a beer.

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35 years ago today, I was at the Greek Theatre to see Garcia and Bonnie Raitt put on a nice show. Proudfoot, the Eel River show was really something special in a very special place. People were diving from high clifts into the Eel River, you would see the trails of the divers as they went off the clifts. Electric was the appropriate word , if you were not, you were in the minority. Garcia really played great. I can't say that I've ever been in a cooler place to see music, up in the Redwoods in the mountains. I've missed some cool shows in the past, but I didn't miss this one.

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