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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • PT Barnum
    Joined:
    Doc

    I was concerned, glad to hear you are well. Southwest of you I'm concerned, I still have friends in central florida, my mother lives down there (93 yrs old) but also dodged the main bullet, waiting for others to contact me. Mini vay kay play dead

  • dmcvt
    Joined:
    thanks, Doc

    Good to hear you and yours safe and sound. Thoughts go out to FL friends (so far, all good) and all who were so near the path. Almost at 1972 here, streaming the early December 1971 run at mini-MSG Felt Forum. A gloriously bright sunny Vermont day, fall foliage coming on, first frost tonight. Will pull the last peppers, tomatoes and basil out now.

  • 1stshow70878
    Joined:
    Oro Approved

    Love it! The Ess Amt-4 is a two-way with the slightly smaller Heil Air Motion Transformer and a 10" woofer rated 20W to 250W. They are 4 ohm, 45hz-24Khz, with the x-over at 1000hz, and called the sleeper in their killer line up from BITD. The best thing they have going is that Amt which delivers clear beautiful highs and solid mids in all directions from an open top design. Easy placement that way too. Look up their big boys, ESS Amt-1s and their Towers (I forget the number), well respected and still fetch four figure prices as parts units which tells you a lot. The Amt itself is indestructible and lifetime warranted. Mine had a solid pure pulp cone on that 10" which I have had to replace with a set of Misco, made in Minneapolis, Oaktron 10" from their Heritage line made to replace the similar stuff in all the brands from BITD. Same pure pulp cone and big voice coils and magnets but in a stamped steel frame just like the originals. Spec at 16-4000hz and 92 db efficiency.
    Got the ESSs cheap when almost new in 1977 from a college roomy who couldn't manage to get them back home to Cincy without a car. But then when the cat put a hole in one of the woofers in the 90s I replaced the originals with what I thought would be an upgrade but I screwed up. Bought subs that were 8-ohms by Pyramid, Super Pro Super Blue, made by Eminence in US ( Kentucky?) famous for their instrument speakers for bass and guitar. Great deal from a car audio shop going out of business and they took my torn ones in trade as well. As you know, that 8-ohm mistake changed the x-over to 2000hz and I traded off some midrange for killer, punchy bottom end which I thought at the time was good. Found out about five years ago that I screwed up and got the Miscos for about what I sold the now valuable subs for. Fit like a glove which no one who tried that swap with the only available 10" direct from ESS could do as all they sold was the big boy 10" from other higher models with a cast aluminum frame that required sawing into your cabinets just to make it fit. Found that out on Audio Karma luckily from others trying to do the same replacement on their various ESS. A couple of those guys used Dayton woofers to good effect but I went with Misco as their specs were a perfect match to original, hence original sound. Was not going to try to mess with upgrading as I might have had to upgrade the x-over too and taking a saw to the cabinets was out of the question. SO, long story longer, I got my midrange back and Phil bombs sound better than ever! Not bad for a novice hack job since I have zero skills with electricity or carpentry. Not even interested in a sub really. Pretty small living room and I want to keep peace in the neighborhood. Anytime you upgrade there is a leap of faith that the money you're spending will get the result you're after so I got lucky in all this I'd say. Some with a little more dinero are switching stuff all the time but you don't know unless you go. I certainly was OK with all my 70s stuff but you get used to your sound and don't realize how much better it can be until you go there. Thanks Oro.
    Cheers

  • daverock
    Joined:
    Doc

    I wish your last statement was true - but I suspect that the selfish behaviour of the powerful will have long lasting negative consequences for years to come.

  • Forensicdoceleven
    Joined:
    Most anyplace one lives is essentially dangerous......

    For all those who asked, or were concerned...............

    The Gillespie household is doing fine. So far, we've only lost power for about 45 minutes, but it's back on now. We've only caught the "tropical storm" part of Ian, but I have heard that potentially, this may be the deadliest hurricane to ever hit Florida. We now live in Green Cove Springs, about 30 miles southeast of Jax, safely away from the beach, the St John's River, and Black Creek. We're in a newish house, on high ground, have lots of food and water, and have an excellent generator. The St Augustine area is getting badly flooded........

    The strongest hurricane to ever hit Florida was the Labor Day hurricane of 1935, sustained winds of 180+ mph when it hit. There is a lovely--and moving----monument in the Keys to the hundreds who lost their lives in that storm. I've visited that site many many times while I lived down there. The deadliest? Probably the same hurricane, the exact toll is unknown, but probably in the hundreds.......

    For Matthew, we evacuated. For Irma, we hunkered down and rode out the storm. For a hurricane, either get out early, or be prepared to ride it out. I reassured my wife, "No matter what comes, we'll ride it out together".

    Out of an abundance of caution, my office is closed today and tomorrow, and I don't work this weekend. A "mini-vacation" of sorts. Now that the power is back, I'm actually busy spreading 1972 Lyceum shows around. Some things never change, hurricane be damned!!

    Here we dodged a bullet, yet I pray for those in harm's way on the Gulf coast...............

    Stay safe, and rock on,

    Doc
    What we have done for ourselves alone dies with us; what we have done for others and the world remains and is immortal......

  • Oroborous
    Joined:
    Well said 1stshow

    Don’t think I’ve heard of the ESS Amt 4s, looked them up, interesting, do you use a sub with them?
    And you refreshed my memory about adcom so I looked into that brand a little too.
    Interesting video comparing Adcom and NAD to contemporary Schiit audio.

    Almost bought a Schiit Yggdrasil DAC before I got my Meitner. For like 22-23 hundred bucks they sound as good as many DACs costing many thousands more! Schiit makes simple but value friendly great sounding products, or at least the ones I’ve heard.
    But yeah, NAD and Adcom, same idea, BITD budget friendly but great sounding gear. Sounds like a sweet little system!

    Hybrid stuff. I’ve heard some sweet sounding hybrid stuff at audio shows.
    Of course Jer Bear had a hybrid system utilizing a Fender Twin Tube amp for his pre and a SS MC2300 power amp and we all know how great that sounded and perhaps why he never changed his backend!
    I would say if your going to try hybrid go tube pre and SS power…
    My best recollection was with my buddy who started YFS and built my custom Ref 3 server: had an amazing sounding system one year at RMAF using YFS server, Meitner DAC, Custom made fully analog pre (tube?) biamped with one of the best sounding MC 275 tube amps on the highs, and a 200 per McIntosh solid state amp on the lows (don’t recall the model), powering some Von Schweikert audio stand speakers. I thought the sound and imaging of this system, even in the shitty little hotel room sounded as good or better than much bigger and expensive systems there that year.
    Just can’t describe what a big clean sound this relatively small system produced! Of course for the price of the system it should! Lol.

    I think it’s like everything else: trial and error and if it’s done right it can be a plus!
    I’ve never had tube stereo gear, but I’ve heard some great stuff, but that particular MC 275 that my buddies dad (some kind of engineer/scientist) restored and modified, is perhaps the best tube amp I’ve ever had the pleasure to hear. His dad is the one who built the custom line stage too. Ya know, let’s design and build a one of a kind killer audiophile unit just for something to do lol. They build their own bike frames too!
    So to me it’s like all this stuff, tube versus SS, analog versus digital etc, there’s not just one thing that’s best or better, if it’s done right, and you get the right synergy for your room etc, I’ve heard systems of all kinds that were amazing!

    Just a thought, yeah tube amps can be great for instruments for musical creation when you want that slightly overdriven sound (think Dead 72 before using Mac amps on the instruments), but for sound reproduction they can get tubby or muddy with perhaps too much distortion. Some people like that as it can give a richer, or warmer sound, I’m with you 1stshow, I prefer a more neutral sound, though some think that’s too dry etc?

    In the end, it just comes down to what’s best for you!

  • Crow Told Me
    Joined:
    There and Back Again

    For a few years, I was deeply into audio: or as deeply as my meager budget would allow, anyway. It started when I realized I needed a tube amplifier. This was because I realized that I would never in a million years use a transistor amp for my guitar, so why would I use one for my home listening?

    But of course tube amps and preamps are pretty pricey, so I had to go the DIY route: I built a preamp from a kit (Bottlehead) and bought an old ST-70 power amp, and I spent a lot of time tweaking them with various upgrades. They sounded pretty good, eventually. And I needed some efficient speakers, so I paired them with some Klipsch Heresys that I got off craigslist (for $100!).

    What happened next is so typical of me it's embarrassing: the ST-70 worked great for about 10 years and then just cut out one day. By this time, I had forgotten all the various rewirings and component upgrades etc I had done, and lost all my paperwork. So I had no idea how to troubleshoot it! Couldn't even find my volt meter! I decided to just sell the ST-70 for a couple hundred, get myself a used Sansui Au-417 (since they're reputed to have a tube-like sound, also a great phono stage), put all new caps in there, and call it day. So after all that I'm back to transistors. Sounds pretty good, though.

    Somewhat bemused to read the travails of my fellow heads who ordered the MSG set via Rhino and are now working through the delays and shipping mishaps. I didn't get the box set (early '80s are just not my era) but I went for the 3 CD breakout. Ordered it from Bezos and received on the day it was released. What a concept! I'm glad to have it, it's a good performance, but disappointed in the mix. It's all Jerry and Brent, Bob's guitar is completely (and I mean completely) inaudible, Phil and the drummers much too low. But you can hear Jerry great, and it's a high energy show so probably most people will really dig it. Still, I hope the rest of the box is better, for everybody's sake.

    Five for the universe:

    John Coltrane: Coltrane
    GOGD: Dick's Picks 36 (yow!!!)
    Joe Henderson: Mode for Joe
    Zappa: Hot Rats
    Sturgill Simpson: Cuttin Grass

  • 1stshow70878
    Joined:
    Bang For The Buck

    I went to separates during covid after doing some research and hearing from a collector of Heil Amt speakers that I wasn't hearing all my ESS Amt-4 floor standing speakers could do. Got an Adcom dual mono amp with 100W and 180 damping factor and was blown away like the Maxell guy. Got the other Adcom separates one at a time and noticed improvement each time. The pre-amp was better than using my old integrated amp as a pre and the digital tuner was way better than the old one. All are late 80s MOSFET stuff and fully restored they are still way cheaper than either vintage premier like Oro's McIntosh or 10x cheaper than modern audiophile. Just got to find a reliable restorer. They were the bargain audiophile brand BITD and made in USA. Very neutral coloring which some don't like but it's better to hear it exactly as it was made and play with the tone controls if you want different. Diminishing returns to go higher but I would have if the money was there. All in I spent maybe $700 and it sounds good to me. The bonus was I got a bedroom system from the old stuff, just have to add some speakers.

    Ten days to get my 3 CD MSG from CA to CO doesn't sound very innovative. Mail Innovations, aka the Louis Dejoy enrichment scheme, adds almost 500 more miles to the route that would have gotten to me two to three days earlier had UPS shortcut Mail Innovations and delivered it straight from the handoff point only 60 miles away. Bad for the customer and bad for the planet. Should be here tomorrow. Oh well, as Neil says, "don't let it bring you down, it's only castles burning".
    Cheers

    Edit: I find it interesting that folks are going back to valves, or tubes, especially in the pre-amp. I was advised to go with a hybrid solid state/tube pre-amp but stick with a solid state amp to get the benefit of the "warm" tube sound without the big bucks of the tube amp. But the hybrids were beyond my budget even used/restored as they are a newer thing. Wish my family had kept my Dad's old home built Heathkit tube amp. Would love to have heard that again.

  • dmcvt
    Joined:
    AJS audio, 1968 NW, Doc11

    Thanks Oro, a wealth of helpful information. AJS, there with you, floor standing wise, found a pair of 1986 Klipsch Cornwall IIs, 3 foot tall, 2 foot wide, 16" deep. Horn loaded tweeters and mid range, 15" woofers. They sound incredible for 35 year olds. Was driving them with an Onkyo receiver, one of the high end spec models for a long time and was happy. Eventually hooked up a power amp/pre amp combo and was surprised how much improvement... like Oro said. The power supply on the amp is huge, output rated at 150 watts per channel so a very efficient speaker like Klipsch has no stress, there is so much headroom. The damping factor as well important, a measure of how effectively (tightly) the amp controls bass response. When damping factor number is large, bass is well defined with detail and timbre, not boomy muddy. Whatever sub anyone might be using, not much useful response below 18-20Hz, as it's exponentially demanding to get lower, subsonic. The octobass and piano lowest notes are A0, about 27hz, Pipe organ low note is C0, 16 Hz. Except there's this thing called a rotary woofer that can go down to single Hz numbers at hideous expense, IMAX theater only? I would love to see and buy a 1968 NW tour box. Meanwhile, hoping Forensic Doc will let us know how it goes, we know he's in the Jacksonville area.

  • daverock
    Joined:
    Magic Carpet Ride

    Mr Ones - great band, Nick Mason's Saucerful of Secrets. I saw them just before covid, and was supposed to be going again in 2020-but... That dvd/blu ray disc of them live is worth getting, too.

    Irrespective of the extent to which climate change is affecting the hurricanes in America, there can be little doubt that the countries who are suffering most are the poorest ones. And the ones who are contributing to it most are the richest.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

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Absolutely. Let's have two shows. In order.

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9 years 11 months

In reply to by 1stshow70878

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I would have been phucing bald as Uncle Fester if I was a passenger in your sister’s boyfriend’s car! Amazing he never got picked up by highway patrol. I drove to my grandmother’s funeral in ‘81 with my brother driving, and one of my father’s siblings in the backseat of a Mazda - Toronto to Montreal, should be 5.5 hours, we were there in 3.5 hours.
I noticed my aunt did not drive back with us, and I think we made it back even quicker.
You’re right - that is an awesome Jerry tune!!! Gotta pull out one of the Jerry collection tonight!

There are other Dick's Picks and Dave's Picks with 4 discs. Or they could even drop the fourth disc in a cardboard sleeve inside the case like they do with bonus discs...

For those of you who are so protective of Dave/Dead.Net... do you really think they're too greedy to include a 4th disc?

Most bands take a couple years to put together an album to sell for $12 to a lot fewer people than buy these shows... I don't think it's a lot to ask that DP add an extra disc to preserve the original order.

"The archive is free"? That seems like a perfect response to people who disagree about keeping the shows in order.

If you listen on the archive why are you arguing about the CDs? If you listen on the archive then what's the concern about packing as much music as will fit on the CDs?

I think it makes sense to package the CDs for the CD-using audience... no?

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In reply to by Vguy72

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I didn't say you were being a jerk, because you're not.

I'm fine with you arguing-- I'm arguing as well.

But if you want to use a different word for the act of making repeated contrary assertions, feel free. I won't argue. :D

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It must not be too big a problem to add a fourth disc to a release because they had four discs in both Dave's 36 and 40, which to be clear, I appreciated. I thought it was a sign that the folks at dead net and rhino are not just looking to maximize profits at the expense of customer satisfaction, but are willing to throw us a cool surprise now and again, on top of providing us with historic recordings that I still can't actually believe are being released in such quantities. We are, after all, kind of a niche market, and while I'm sure dead net and rhino are making a nice chunk of change off of these releases, I hardly think that we're all essential to their bottom line, pretty sure Warner and rhino will be just fine without us.

I would fall in the group that would prefer to pay a couple of dollars more for the subscription to include a fourth disc for one or more of the quarterly releases. Whey I pay for a disc, I just want to drop it in the player and play it, not program something every time to get it in the right order or burn it to a new disc to accomplish the same thing. Sorry if that just leaves anyone distressed or offended. Personally, I hear the arguments in favor of more music despite the disruption to the original song order and I see the merit of the argument, but I just have different priorities. And really, I just don't care enough to get upset that some of you folks prioritize the quantity of music over the actual sequence from the show. I enjoyed Dave's 43 a lot, I would have preferred it all to be in the right order - these statements are not mutually exclusive.

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That US Blues is from the 90's release before that didn't fit. I look at it like old traders putting some extras on some bonus stuff for the weary...just because why not more GD. Really digging the Bobby Weir/Wolf Bros stuff, plus the Anthrax XL just noticed dug a few tracks off that always like ' keep it in the family.' Track order I didn't even notice on DaP #42 that Johnny b Goode and we bid you goodnight was on the second disc until...not sure? Didn't bother me, I just think to myself maybe they felt like coming back out for a long encore (disk 3). As for Dap #43 they could've hit random placement of songs with this (maybe not that extreme but you get it)and still wouldn't have mattered I listen to as is, and for this one I just think maybe I may have bogarted that j (digging some Little Feat today) and don't know what's going on anyhow. Hehe to me when its double 1969 gold blowing me up and suddenly disk 3 has the nerve to have everything it has but High Time, and Dark Star>New Speedway Boogie. YES! So my two cents that matters not is that we don't ask for more ways to increase pricing the current format is ok, like others mentioned with surprise 4th disks nice probably not always needed, just put whatever is left off on the next one that has time/space. My music varies favorites right now include Nick Cave, The National, Lord Huron, Been doing Beach Boys, Also listened to Zabriske Pointe SDtk today good stuff,. Plus not sure who mentioned the Garcia Bonnie Raitt show? Playing together or separate? Wow would've loved that. Also Traveling Wibury's that first album hits a couple spots hearing GH and RO to the end of the line. Everyone have a Grate Evening.

Laughing my ass off reading these posts.

Everybody just relax man we have you all night long...

Love Dave's Picks 43. An instant classic, just add jello.

...as for breathing walls, circa 1982 side 4 Electric Ladyland at high volume. Not only did the walls breathe, but they got very large and me small at the same time. I thought it best to leave the room and go outside until I could make sense of it all. Perhaps the best decision I made that night.

It's good to hear all these years later that I am not alone. Walls that breathe. Haa. Whew, mystery solved.

BTK, what I would give to have been at those Eel shows... ah, well, thankful for the ones I caught, wishful for the ones I missed.

As you were.. let me know when you get the song order thingie fixed.

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I believe that That's What Love Will Make You Do is originally by Little Milton, and what a cool version it is.

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16 years 1 month
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Have you seen the Folio Society issue of Mervyn Peake's Gormenghast trilogy advertised? I was slightly interested until I saw the price, £745 !!!! I still have my Penguin paperbacks housed in a card slipcase that I bought when I was about 13 in 1973. Absolutely enthralled me then and i still love that world. I did my first acid about a year later and found myself somewhere that felt very familiar and of course it was how I had always imagined Gormenghast to be. But £745 for three books?

Nick1234 - yes, that's taking the biscuit. I have never actually read the Gormenghast Trilogy..just never got round to it. Maybe it would be a good companion for these darkening days - although I am 52 years older now than you were when you first read it.

Dicks Picks 12 spinning this very minute-that's 6/26/74 and 6/28/74 highlights. Brilliant music - but case in point - I played the 1st cd last night, from 6/26/74, and opened today with the second disc from 6/28/74. Or so I thought-after a great "Eyes", Phil says "see you Friday night." Oh. I thought this WAS Friday night.

Incidentally, I always enjoy discussions - exploring subjects I am interested in with other people who are similarly interested. Arguing is a different matter-that's just someone trying to convince you they are right all the time. You can't really talk with people like that unless you agree with them. Or pretend to.

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In reply to by Vguy72

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Reading the comments on 3 or 4 CDs with a bit of amusement, sorry. If possible you should all be listening to these shows digitally . Long story short I replaced my 2012 Ram stereo this year and to find a car radio with a CD player and android auto and Ipod usable was really hard, especially with the supply chain covid issues so I opted for one without a CD player and although a bit of a pain in the neck I downloaded the CDs to my phone then played it in the car. That stereo malfunctioned rather quickly and I was able to replace it with one that had all the functions and a CD player. After all that I did an experiment and played a CD and then played the same show on Android auto on my phone and the difference was astounding! The digital version sounded so much better and clearer and I felt a little foolish insisting I get a stereo with a CD player since I haven't listened to one since! I know it's a bit time consuming but if you download the CD and then arrange the songs in the proper order on your device, which is what I believe Dave and Rhino believe most people do, there is no issue with the order the songs are on the CDs.
Just my humble opinion. Thanks

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In reply to by PeteH

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If the point was to accommodate folks listening from digital downloads I would think they would sell digital downloads. It's a very common practice. I think vinyl releases should be designed for folks to listen to on vinyl, and CDs designed with folks who listen on CD in mind.

I'm glad that it works for you folks who download your CDs and re-arrange them but I don't think that is a reason to not sequence the CDs in the correct order. If they put the songs in order you could still download them and have them in order (or shuffle them up if you wanted) and I could pop them in my CD player and have them in order.

I posted my comment hoping that JUST MAYBE someone from Dead.Net might actually read the comments on the "product page"--not to start a debate. Of course everyone is free to respond however they see fit.

But the point about how the customers can fix the messed-up CDs by downloading the music and not using the CDs seems silly. It's like if you gave a chair a negative review on Amazon because it arrived broken and I replied that it wasn't really a problem because I take all my chairs apart and make them into tables, so what's the problem with a broken chair-- they make great tables.

J3FF - I I have enjoyed reading your posts, but I think your'e barking up the wrong tree if you think anyone from Deadnet ( apart from Marye) reads them - let alone acts on them. To me, this is an outlet for discussion and expressing ideas - not changing policy. I think if I wanted to do that I think I send a pm to Marye, and ask her if she knew the best way of going about it.

Peteh - I don't even own a phone! I know....I'm living in the past.

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In reply to by Charlie3

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Charlie - I never did know who did the original version of this song, and I was not familiar with Little Milton, but you are right, a great version, and some pretty sweet fretwork.
It is incredible the wealth and range of music Jerry and the boys knew, considering the internet was not really a thing for most, if not all, of Jerry’s or the Dead’s life. We can check out new or recommended artists with a quick search, but these guys came by their influences quite organically. Jerry selected some real keeper tunes that he made his own during his solo career, and this tune was always welcome.
What’s your favourite Jerry/JGB solo song? Don’t Let Go…Dear Prudence…That Lucky Old Sun…anything Dylan…???

“Farewell and adieu to you fair Spanish ladies. Farewell and adieu to you ladies of Spain.”

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In reply to by PeteH

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I used to think all CD players are the same.. I mean, they playback identical digital information, right.. so if they do their job it should sound the exact same as the next player, right?

Writing this, I understand 90% of the people here know audio equipment better than me and most have better systems than me. I bet others chime in with more accurate information..

But there is a big difference between both players and the digital amps/preamps, etc. The digital encoder and playback functionality makes a big difference. The fact that your phone does a better job playing back your CDs than the CD player speaks more of the CD player and amp than anything else. Unfortunately.. things are not simple and rarely are as they appear. The folks that spend a small fortune on audio equipment are usually getting better sound and for a reason.

As to the previous point on song order, complete shows, getting the encore from one show two releases down the line as filler on a subsequent Dave's Picks, etc, I don't think anyone is disagreeing with you. Your point is singular, however, and other variables exist. What most find amusing, including me, is your tone. I think you underestimate Dave and what he has to contend with on the corporate side of things. These are first world problems to be sure and the fix isn't really that big of a deal. The model they set up is basically a three CD model that tries to release complete shows (or as complete as 'possible') four times a year allowing one bonus CD per year. They have on rare occasion tossed in an extra CD free of charge for subscribers, but they do charge extra ala carte for these. It's a minor inconvenience to tackle ripping them, adjusting the metadata so they play in the right order and burning the set using an extra disc or two. If you are constantly playing the originals, one day you will likely create a 'mistake' with one of these soon to be priceless discs and then you might be horrified to find it hopelessly out of print and have a decision to make in replacing it on the secondary market or sending your kid to college.. (sorry little Johnny!). We got an extra show for free, a twofer, and a spectacular one at that so most here are delighted with this one probably including Dave. Plus as DaveRock chimed in Lemieux isn't reading this and if he is, he certainly would not be mining our opinions to improve the series.

If it were my choice these two shows would have gotten their own release possibly meaning two 3 CD releases in the correct order with lots of black space on the discs (or some killer 69 filler) or they would have gotten stand-alone treatment in the form of Bear's Choice Volume 2. From my perspective, we would have gotten another 1969 release bumping up this neglected year. Both shows are release worthy, they sound great and the performances are worthy. I can only imagine the complaints we would have gotten, rotten tomatoes on the empty discs, etc.

Anyway, their primary responsibility is to restore these mostly ancient and delicate analog master reels and remaster them using the best tools and sound engineers (really these guys are master craftsman/artists) and get them out before they decay into oblivion and are forgotten to antiquity. The lonely reels aging in the vault are decaying and breaking down, but the time to restore and our ability to pay for all this is limited. If you look at it that way they are doing a very good job. Is everyone happy 100% of the time? Are decisions made in the production, packaging and marketing we find unfortunate? Yes! Well, we are fickle bunch, we cannot agree on anything.

Back your previously scheduled favorite keyboardist discussion complete with thoughtful analysis and detail supporting your points while still being very careful not to offend anyone who thinks differently.

I hope I did not offend. As you were.

...not to chum up the fray, but more to jimmy's point about the CDs being 'master copies' to us lay-folk, many of us do understand these are our own 'master' copies, and, therefore, a typical first procedure upon receipt for those who want to preserve these historical artifacts is to immediately plop them into our CD burners and burn them to a hard drive for forever safe keeping. A second step then, for those who love CDs (aka, me, others, most of us), is to burn a 'working copy' of said CD to then tote around. This way, it can get scraped, scratched, chain-sawed, whatever - and we can still go back to the original well and obtain an exact duplicate, pristine copy. And, if we do it right, that copy will have all songs in chronological order if that suits the listener.

Just my two cents.

At the end of the day - healthy discussion, seeing all sides, finding a throughway string, and meeting in the middle are talents that more and more human beings are unable to implement. This forum does go a long way to implement these tools, and for this I know we are All Grateful.

Be Well, People.
Sixtus

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I check and indeed had Little Milton,,, nice cut.

All that talk about fast cars,,,,, made me pull out Solomon Burke doing "Fast Train". (yes my mind make odd connections!) (if you don't know Solomon's cover of this tune,,,, find it!)

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Got amazon email,,,, Miles boot 7 coming on 9/16 (cd and vinyl).

Also, slow as I am,,, didn't realize that TTB I Am the Sun,,, sorry Moon,,, was a 4 part collection. Ordered all 4 yesterday,,, they are coming today,,,, thanks Vguy?

Still no word on the vinyl release of the "from the vault" series?!?! (wiping tear now)

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.... think about how those poor bastards feel who bought the Lyceum digital. Now there's a bunch I feel for,,,, how can downloads not work????

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Yes, I'd forgotten Mr. Youngman. Another master of self deprecating humor.
And now for something completely different.
Three weeks until MSG.
Cheers

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Dennis, I saw Solomon Burke play at the S.F Blues Festival one year, he was great.

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hey now, it took me till 2000 before I got a computer, and I don't think I will be buying into that phone stuff either. But you never can tell. You can if you want to.
I remember back in the 70's we did a trip from Orlando to West Palm Beach in less than an hour and a half. We got behind a highway patrol car doing over 100mph followed him for many miles until he finally slowed down, got behind me and pulled me over. I got out of the car laughing and said, "I was only following you". He checked my license, said "slow down" and let us go. No roadside sobriety test, no ticket, nothing. Those were the days, but I don't recommend it today.
Breathing walls, yes, I have experienced that, kind of made me laugh. Now how about total loss of vision except for colors and patterns? I keep rubbing my eyes and saying, "did you see that?" No one did but me. The next time someone talked to me I said, "You can see me?" Those were the best days.
CD song order, mountain out of a mole hill.

You are correct - Henny Youngman was the source!
Did you see the Internet address I printed out a few days ago for the UHQR Clarity Vinyl Treatment edition of Kind of Blue? (If you’re interested, that is?).
So is it just 16 more sleeps until Miles Bootleg Vol 7?
Excellent choice on acquiring TTB. Truly the “double album” of the year (broken into 4 parts, I know…)

Looked great, but it was 150 bucks. My wife would REALLY not understand :-)

plus i've already spent a load on "other" things. Got that Eye-talian disease,,,,, fundsalow.

It's on the list though!

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In reply to by Dennis

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Mike - that is one of the all time classic movie lines. Thanks for sharing.

Dave - you stole my thunder. The song sequencing on both DP12 and DP4 are out of order. Would you rather have those shows not released? Again, they are among the best of the entire series.

....each release is relatively short. 35-40 minutes. They could have easily combined two into one and made it a double release.....(jk. I'm done)

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While I do agree with Jeff in theory, his proposed solution isn't as straightforward as he makes it seem. Just add another disc - it can't cost more than x. But its not that simple. Anyone who has watched Dave's seaside chats - and some people parse them as if Dave were Q him(/her?)self - knows that only after a big increase in subscriptions could Dave wrangle a 4-discer non-bonus situation release out of Rhino. They are not putting this music out only from the goodness of their heart; the bottom line has to work too. A lot of heads just don't seem to understand that this is a business, and with the way most people consume music now, Rhino, Dave etc. decided the increase in cost to produce shows with song lists in order, and the necessary price increase to cover that, weren't worth the squeeze.

And even if they did decide to do that, which they could - people would bitch and moan about that, or something just as silly. Just look over the last two pages of comments. Filler sucks! More filler! WTF?

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P.T., Daverock, and me.
I thought I was the only human on the planet that doesn't have one.
Wife has had a cheapo not smart one for years but never used it. We always said it was for emergencies. She finally got a smart one this year as she will need it for her planned new telescope. So we got the wi-fi to go with it and now my little computer is slower than ever. I'll open a tab and it will go to an error message saying I'm not connected for many seconds. Too cheap to have it looked at and too dumb to figure out how to reconfigure it. Only benefit so far is that we can both browse at the same time instead of taking turns on the desktop. Didn't even get this computer until 2015 by which time you had to have an email address to do just about anything. Got tired of having to go to the library to check my emails. We had a computer in 1990 but of course no internet back then.
Despite the conveniences I just don't need one. Leave a message on the land line and I'll get back with you in half a day or less. Ah, the good old days. Nobody calls me anyway unless they are trying to sell me something.
A favorite song with phone reference, Please Don't Leave Me Wondering No Longer - ABB
"Tell me why when the phone rings baby, you're up and across the floor" (add slide guitar here).
Cheers

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Jack - It is indeed a great line from a blockbuster movie (when “blockbuster” meant quality not ticket sales) said by the incomparable Robert Shaw. VGuy mentioned getting tix to see it in IMAX (not sure how that will look in that format), and so many great scenes and lines come to mind!

Dennis - I totally get it.

VGuy - After “reading the room” regarding the posts concerning the “4th CD” for DaP 43, I really shouldn’t have bothered mentioning making TTB’s “Moon” a double album. I think that is what they call a “rapport breaker”. It makes no difference, it’s a brilliant suite, regardless.
(Fun fact: We all know this “Moon” saga is loosely based on the ancient Persian poem that inspired Layla, which begat a classic Derek & the Dominoes album that featured Brother Duane, and how Derek Trucks came to be named because of etc etc etc. The fact that blew my mind was Susan Tedeschi was born on the EXACT day that Layla was released. Yea, I felt a chill run up my spine, too!)

I do think there's a possibility some of you are being naive in thinking that business realities preclude adding an extra disc.

Garcia Family Provisions puts out 3-disc shows from the 70s for about $22, with much lower sales volume and presumably making a profit.

I'm not ignoring business realities--I feel like to the contrary the folks that assume Dave/Dead.net/Rhino are doing all they possibly could to get the most music out are being Pollyanaish. I think there's plenty of wiggle room to put the music out in complete shows--with a 4th disc--and still make a tidy profit.

I think it's inconsistent to say "hey it's a business" and in the next sentence say "well Dave said it is tough to add an extra disc so it must not be possible."

They are a very lucky business though to have so many customers that argue against someone asking them to deliver a better product.

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Had to look it up to be sure.
"Pollyannaish, means “unrealistically optimistic.” If someone is acting Pollyannaish, then they are judged as showing an optimism that is extremely naive and unthinking. "

So I guess a lot of us are naive and unthinking, thanks a lot - Jeff, can you make your point without being so disparaging?

I don't really understand why so many folks want to step in and argue back against a customer asking for a better product.

If I put a review/customer feedback on any other website asking for something to be improved I don't think so many other customers would argue back about why Nike or Honda or whoever can't do what I'm suggesting...

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Hands down, no hesitation, Don't Let Go would be my favorite JGB tune. From the first time I heard it on a bootleg of the 1982 JGB Music Mountain show in NY I was hooked, but every version I've got is pretty killer. Particularly a fan of the version from the JBG 2 CD release titled Don't Let Go, from the May 21, 1976 Orpheum Theatre show. Lots of great stuff in that show.

My discovery of Little Milton was just random happenstance. I was listening to the radio and there was a radio show hosted by Bob Dylan which included That's What Love Will Make You Do by Little Milton. Never know what you might learn if you're not careful while making your way through the day.

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It ain't what you say, it's the way how you say it.
Your "I don't feel you really appreciate the experience of live Dead" comment was arrogant and unnecessary.

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In reply to by Cousins Of The…

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If someone told me they hit shuffle when they listen to Abbey Road would it be awful of me to say "I don't think you fully appreciate the experience of an album"?

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He cut some great tracks for Sun Records in the 1950s too. Incredible guitar sound. The word coruscating comes to mind.
Istshow - you seem to have a similar attitude to technology as myself ! The telescope sounds more fun than the phone.

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I'd tell them to get the original pressing of the LP on vinyl, no shuffling possible! Latest remaster wasn't great, by the way.

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Jack - I forgot all about the “doll’s eye” line! THAT is a classic! He made a bunch of great movies, agree on The Sting, and I always loved The Taking Of Pelham One Two Three (before that sad remake with Travolta). Gone far too soon. RIP!

Charlie - Don’t Let Go is a great choice! My favourite is him and Keith going back and forth on that really extended version on “Pure Jerry: Theatre 1839”. But Garcia could even take songs that were so-so originals, like Bruce Cockburn’s “Waiting For A Miracle”, and make it way better (I read Gloria Jones, a gospel singer by trade, recommended that one to Jerry).

Jack - One more, I can’t resist. Which character’s line is this:
“Martin, it’s all psychological. You yell, “Barracuda,” everybody says, “huh, what?” You yell “Shark,” we’ve got a panic on our hands on the Fourth of July.”

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Thanks for the word of the day Daverock. Had to look it up, but now I know what coruscating means. Cool word.

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