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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • #1351
    Vguy72
    Joined:
    Meet up....

    ....I'm going early to try and get in the front GA section. Lot opens up at 4:30 I think???
    PM section is down? Says I'm not authorized to access.

  • #1352
    Deadheadbrewer
    Joined:
    I met #3230 accidentally, in Saint Paul, Minnesota!

    No notice, just a delivery a few minutes ago.

    I've told this to you all a million times, but a group in the Twin Cities has been recreating The Last Waltz on stage once per year for about 15 years. It's a very cool event.

    Be kind, rewind.

  • #1353
    bigbrownie
    Joined:
    Didn't Get a Notice

    ...but #23818 has arrived in sunny Southern California. Now if only that Little Feat box from Rhino would get its butt over here.

  • #1354
    hendrixfreak
    Joined:
    Vguy, I'll be lookin' for ya

    I'll hold or wear my Hamms beer hat, blue short sleeve shirt with very thin vertical stripes, gray pants, sandals, Fu Manchu with beard, short dirty blond/gray hair, goofy grin...

    I'm having trouble with my ankle, so I'm not climbing to the top in search of you, but maybe halfway between my Row 10 and your GA section up top. I told Nappyrags I'd be on the outside stairs, Row 10, between bands -- especially after Gabe Dixon but well before Los Lobos hits the stage.

    Try to come down for a brief hang. I'll have treats for ya! If I can make 2023 and 2024 shows, I'll have put in 50 years at the Rocks. Fortunately, not making little ones out of big ones, if you know your prison lore....

    HF

  • #1355
    proudfoot
    Joined:
    Went to get mail today

    Oooo, theres a package! New Daves!

    PSYCHE!

    Postal person misdelivered a delivery for my neighbor.

    >:(((

  • #1356
    proudfoot
    Joined:
    I go into a well-known coffee chain

    to chill while I get new tires.

    I give my name

    I sit down 10 feet away to wait and play the electronic crack game (phone ya know)

    10 seconds later some dude in line tells me my drink is ready

    Barista says she called my name

    She must have whispered it

  • #1357
    That Mike
    Joined:
    VGuy - RR sounds amazing,…

    VGuy - RR sounds amazing, and I’ll bet the band was fantastic! I just received Part 3 - The Fall yesterday, so after I finish this interminable Honey Do List, I’ll break it out. Glad you enjoyed the show.

    Dennis - Enjoyed reading the Last Waltz story, my favourite concert movie. When it was released in 1978, I knew I had to see the film, as I saw The Band on that, their last tour. Considering they got their start in Toronto, I thought it shitty the film got only limited release here at the time, but since I was in university then, I saw it repeatedly, even matinees, at a theatre no longer standing that was a block from where the Band (nee The Hawks) used to play at a long defunct club called Le Coq D’Or back in the early 60s with Ronnie Hawkins, and where Dylan came to hear them play. The rest was history. Great story, and Muddy’s performance was a highlight.

  • #1358
    Vguy72
    Joined:
    Red Rocks revue....

    ....I'll try. Let me get the bad out of the way. Lots and lots of stairs.
    Now for the good. One of the best food courts I've seen. They serve basically everything. And if you are near the top like I was, the constant smell of food pours down over you.
    If there was a police presence, they must be undercover, because I didn't see any.
    The sound there is top shelf. Wow. Towards the end of the show, the wind picked up and started bouncing the sound around the huge rocks and sounded even more amazing! (I was under the influence of psilocybin, so I may be compromised regarding that, but I don't think so).
    Getting around is easy. Getting in and out was easy. This place has it all.
    Now TTB. I literally cried a couple of times during the show. They are tight AF and brought it hard for 2+ hrs. When Susan really starts preaching, you better shut up and listen because she's got something to tell you. Members of Los Lobos came on and sat in for a couple of songs and that's some dream come true shit. At least to me.
    I have GA tix so a shout out to my neighbors Jessica and Ross and Susan and Alan for waving me over when I reached upper GA and yelled out if anyone had room by them for one person. You people were the best.
    I walked back to my car and drove to my hotel in stunned disbelief and didn't say a word.
    Didn't see anyone being busted for anything and pot smoke was definitely evident in the air. Crowd was chill. How can you not be at a place like that!!!
    I regret taking so long to finally visit the hollowed ground that is RR, but better late than never.
    You all have a great Saturday.
    I'll be wearing my Make America Grateful Again tee and my American Beauty brown bolt/roses cap tonight btw. Tall white dude with a white beard and glasses with a constant smile on my face. Can't miss me lol!

  • #1359
    billy the kiddd
    Joined:
    Alright, #43 has landed in the Bay Area!

    What a killer release, keep them coming Dave.

  • #1360
    Dennis
    Joined:
    may interest some

    My buddy sent me this in an email today,,, thought some might enjoy reading it....

    THE LAST WALTZ BLUES JAM
    by Bob Margolin
    The more blues-driven musicians commandeered the instruments at the jam, and played some old favorite songs together, mostly Robert Johnson’s. This sounds like a common scene at open-mic jams at blues clubs, where more experienced blues players sometimes conspire to sit in together. It happened at about 7 am, the morning after The Band’s Last Waltz concert on Thanksgiving, 1976. The Band had hired the entire Miyako Hotel in San Francisco to accommodate their guests. The banquet room which had been used for rehearsal before the show was now the party room, and musicians had been jamming in random combinations since after the concert, many hours before. But unlike your local blues jam, every blues player that morning was a Rock Star.
    Except me. I was there with Muddy Waters. who was invited to perform two songs at The Last Waltz. Muddy had recorded his Grammy-winning “Woodstock Album” the year before with Levon Helm and Garth Hudson from The Band, but The Band itself was an unknown quantity to him. He brought Pinetop Perkins and me from his own band to accompany him along with The Band and Paul Butterfield on harp, so that he would have something familiar to play with. Muddy also felt I was good at explaining what he wanted onstage to musicians he hadn’t worked with, though 25 years later, I still find myself wishing I knew more about what Muddy wanted.
    Muddy, Pinetop, and I checked into the hotel the day before the show and went to the restaurant. I saw a few familiar faces from the Rock World, and some came over to say hello and pay respects to Muddy.
    That night, Pinetop, Muddy, and I were scheduled to rehearse our songs for the show. I didn’t realize that some of those blues-oriented rock stars must have been in the room to watch Muddy.
    The next night, at the concert, Muddy, Pinetop, and I waited backstage to perform. Pinetop told me he heard one of The Beatles was there, not realizing that Ringo was sitting right next to him. Born in 1913, Pinetop knew as much about The Beatles as I know about The Backstreet Boys. Joni Mitchell, looking impossibly beautiful, introduced herself to Muddy. He didn’t know who she was, and just saw her as a young pretty woman. He flirted but she didn’t respond.
    I’m told that there was a backstage cocaine room, with a glass table and a “sniff-sniff” tape playing, but I never saw it. I did, however, see through Rolling Stone Ron Wood’s nearly-transparent prominent proboscis in profile. In the “green room,” Neil Young passed me a joint, smiling, “We’re all old hippies here.” Though I was 27, something about “old hippies” resonated with me for the future. Young was older than me by a few years and even had a couple of gray hairs then, but I remember thinking that nobody in that room was old yet except for Muddy and Pinetop. Now, I’m certainly an old hippie, though Pinetop, going strong at 88, is neither. As for Neil Young, film of his performance revealed a white rock up his nose, which was edited out frame-by-frame for the movie.
    California Governor Jerry Brown popped in and invited Bob Dylan to get together with him sometime. Dylan, relaxed and outgoing until The Governor arrived, instantly turned sullen and distracted, barely nodding without looking at Brown. The uncomfortable Governor soon left, and Dylan laughed just before he was out of earshot and reverted to his friendlier mode. Something is happening here, but I don’t know what it is.
    When it was our turn to play, Muddy and Pinetop sang the light, swinging “Caledonia” as they had for “The Woodstock Album.” In hindsight, I think Muddy could have presented himself more strongly with a deep slow blues like “Long Distance Call” which would feature his almighty slide guitar. But nobody could argue with his second song choice — “Mannish Boy” was always a show-stopper. It was preserved in full in The Last Waltz movie, which was released in ‘78. Harp player tip: Muddy loved the way Butterfield played on that song, setting up a warble that “holds my voice up” rather than just playing the song’s signature lick.
    Fatefully, only one camera was operating during our song, zooming on Muddy, but not changing angle. Standing close to Muddy, I was in every frame. Pinetop, at the piano way off to the side, unfortunately was never seen in the film. But as Muddy hollers “I’m a MAN” and we shout “Yeah” to answer, as we always did in that song, you can hear Pinetop also yelling, “Wahoo!” — which is a line from a politically incorrect joke that Pine had heard on the road, and was fond of telling over and over in 1976.
    Now, whenever The Last Waltz movie is shown on TV, a few people at my gigs tell me, “I saw you on TV!” and how I looked — happy or mad or scared or bored. I think they just project how they would feel. I was simply concentrating on playing, and particularly enjoying Muddy’s powerful shouting, Butterfield’s warbling-tension harp, Levon’s deep groove, and Robbie Robertson’s fiery guitar fills.
    Eric Clapton followed us, and as he began his first solo, his guitar strap unfastened, and he nearly dropped his Stratocaster. In the movie, his lips distinctly mouth, “Fuck!” and as he refastens the strap, Robbie picks up the solo and runs away with it.
    Muddy and Pinetop went right to their rooms after our set, but I went down to jam back at the hotel after the concert. This is where I realized that some of those blues-oriented rock stars had watched me rehearsing with Muddy and been impressed that I was playing Old School Chicago Blues in his road band and helping to arrange the songs for our performance. I also had a very cool blues guitar with me — my late-’50s Gibson ES-150 arch-top, which I also cradle on the cover of my latest album, “Hold Me To It.” Bob Dylan approached me and said he hoped we’d get to jam together. Then he disappeared. I did play “Hideaway” and some slow blues with Eric Clapton, whom I met that night. Dr. John sat at the piano for hours, and played along with everyone. My piano-playin’ sister Sherry, who lived nearby and was hanging out, sat near him, eyes glued to his funky fingers.
    Around dawn, I put my old guitar back in its case, and started to leave. Bob Dylan caught me in the hall and said, “I thought we were going to jam…” I decided to stay awake a little longer. We had Dr. John on piano, Ron Wood on bass, Levon on drums, Butterfield on harp, and Clapton, Dylan, and myself playing guitars. There were no vocal microphones, and we all played softly enough to hear Dylan sing “Kind Hearted Woman” and a few other well-known blues songs. His trademark vocal eccentricities sounded outlandish in the blues, but he did make them his own. Generally, the blues we played that morning were not remarkable, but I was honored to be jamming with these fine musicians, and I realize that they belong to the same “club” as you do — deep blues lovers.
    Recently, I read Levon Helm’s inside story of The Last Waltz in his autobiography, “This Wheel’s On Fire” (recommended!). I was shocked to find that because of time and budget constraints and Band politics, Muddy was nearly bumped from the show. Levon fought bitterly behind the scenes and prevailed to not only keep Muddy in but to indulge him with me and Pinetop too. We were treated as honored guests at The Last Waltz and I enjoyed the once-in-a-lifetime jam afterwards, but Levon never told us about making a stand for us. He just made us welcome. Ultimately, this gracious, classy, and tough gentleman was responsible for my good time there.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

Yes, here's to good health for all.

I am truly sorry for the loss of the previous child. How can a person fully come back from that?

Treasure your days, folks.

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Submitted by FiveBranch on Sun, 09/04/2022 - 17:13

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In Japan and there was an arena size greenhouse with monstrous tropical birds flying around and the GD was playing on a stage at the base of it all.

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13 years 5 months

Submitted by JimInMD on Sun, 09/04/2022 - 21:56

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Marrying four girls years ago and admitting to it now is not advisable during an election year.
Just saying.

On a serious note, sorry for your loss but happy that things have gone full circle. The VGuy family is alive and healthy. Good to hear..

Edit: Married into, sorry. Reading glasses....

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9 years 3 months

Submitted by Charlie3 on Mon, 09/05/2022 - 13:06

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Charles Bradley - No Time for Dreaming - fantastic raw, modern soul, Charles Bradley smokes, worth a listen
XTC - Oranges and Lemons, thanks to whoever mentioned them on here recently, been a while since I gave that a listen, good album
Khruangbin - Mordechai, I dig everything these folks have put out, they put on a cool live show too
Washed Out - Mr. Mellow, dreamy mellow vibe, as might be expected from the title, cool to chill to
Black Pumas - Black Pumas, back to the modern soul sounds and these guys do it well, just spinning it now

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4 years 4 months

Submitted by proudfoot on Mon, 09/05/2022 - 13:10

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Rolling Stones
Its only rnr
Black and Blue
Goats head soup
Some girls
Beggars Banquet
Let it Bleed
Sticky Fingers
Tattoo you

Nirvana Bleach
Motorhead Overkill
Nirvana in utero
Nirvana incesticide

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17 years 5 months

Submitted by Vguy72 on Mon, 09/05/2022 - 13:14

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....speaking of dreams, I had one where I was married to several women. In hindsight, that was actually a nightmare. Woke up in a cold sweat.
Last Five
Edie Brickell & New Bohemians - Ghost Of A Dog
Phish - 9.3.22 Dicks Sporting Goods Park, CO
Blue Oyster Cult - Secret Treaties
Motley Crue - Girls, Girls, Girls
Neil Young - Harvest
I treasure all my step-daughters as if they were my own. It was tough sledding at first due to the fact that their moms prior boyfriends were apparently assholes that treated them like crap and their trust factor was low. But, I persisted and just tried to be a good dad. Guess it worked because they call me dad now. Except one. She's a little lost and spiteful. But my work is not done.

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3 years 1 month

Submitted by billy the kiddd on Mon, 09/05/2022 - 14:16

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not necessarily in this order : 1) Dire Wolf. 2) Cumberland Blues. 3) Easy Wind. 4) Uncle John's Band. 5) Attics of My Life 6). Ripple. 7). Alligator. 8).Stella Blue. 9)Brokedown Palace. 10)High Time

So are Cumberlands.

Top 10 GD Songs, impossible.. I love all my songs the same.

Eyes, Brokedown, To Lay Me Down, PITB, UJB, tossing in Morning Dew because they made it their own, Brown Eyed Women , Comes a Time (yea yea, JGB, whatever.. it's on the list), Stella, China Doll, TOO, BCE'd, New Potato, anything on the Live Dead suite, anything on Anthem/Working Man's Dead & A.B.

and I'm just getting started.

I surrender, throwing in the towel

I believe the GD are seriously under-rated songwriters. The material they wrote is rich, timeless, and classic.

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11 years 8 months

Submitted by dmcvt on Tue, 09/06/2022 - 05:51

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First, thanks to all who post here on their recent music, dreams, loves and adventures, this diverse wellspring of interests most always freshens and diverts my attention towards something new. Breathing walls, three dimensional carpeting, matrices of coincidence, synchronicity, guitar heroes in the back seat. Recent talk of Miles soon to arrive 7th Bootleg Series made me go back and listen to some of the earlier ones. I would add, if you can find a copy, listen to Miles Cellar Door Sessions 1970 recording. Back in the late 1960s and early 1970s, I began to run with a camera and have been searching for those photographs, for example, my first Dead show, Baltimore March 1973... have not found those yet, but did find my own images of Mahavishnu John MacLaughlin, BB King, Bob Dylan, The Band, Roy Buchanan, Tom Waits, Leslie West, ELP as well as photographs from some music festivals and anti-war demonstrations in downtown DC. There's more and too many times I did not have the camera at hand. Never pass up the opportunity to be present in the moment.

Some of us have read the long letter Robert Hunter wrote to Jerry after his passing, I just found Hunter's farewell Bob Weir spoke upon his release of Jerry's ashes upon the Ganges:

"Last Words for Jerry Garcia"
Go naked in the world, wind for your cloak and coverlet. Whom the Gods love best they reward with early death, gather them into the sun, reflect them in moonlight, crown them with comets, annoint them with shooting stars. Go naked to the Throne of Love, go as the stars go, arrayed in their own incandescent light. Go and our hearts go with you. Return to the source of the soul by way of the Sacred River, royal road to the sea where all shall be music and dreams shall be dreams no more, but visions of the World's foundation scattered among stars. Dust shall be dust and the voice of dust shall be music, pleasing to God who sent it forth in search of melody to crown His silence with eternal song.

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10 years 3 months

Submitted by 1stshow70878 on Tue, 09/06/2022 - 08:40

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Catching up on some purchases from months ago.
Garcia Live Vol. 7 at Sofie's Palo Alto.
Tapes from Donna's storage.
Keith is SO good in this type of presentation.
And Donna can hear herself and jumps right in.
Her Muscle Shoals and gospel roots just shine.
Who Was John, Strange Man, Stop That Train,
are all seldom heard and choice cuts!
Cheers

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8 years 4 months

Submitted by frosted on Tue, 09/06/2022 - 12:00

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I know someone's got to be a true Deadhead when they explicitly list New Potato Caboose among their favorite songs....

Most of American Beauty, then a selection from Workingman's Dead. Mountains of the Moon and China Cat Sunflower. New Potato Caboose.
I'm taking Dark Star, The Eleven and The Other One to be more jams than songs - otherwise them too, maybe at the expense of the Workingman's songs.
re New Potatao- that's a coincidence, considering the simultaneous post below this one

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14 years 1 month

Submitted by nitecat on Tue, 09/06/2022 - 13:58

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So funny... I noticed the rave reviews of the Jayhawks recently, and ordered one that was mentioned here. Two days later, at a thrift shop, what do I find, a different Jayhawks CD than I ordered!

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10 years 3 months

Submitted by 1stshow70878 on Tue, 09/06/2022 - 14:00

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So many of my choices are joined at the hip that I went with an > list:
In no particular order,
Scarlet > Fire
Estimated > Eyes
NFA > GDTRFB
China > Rider
Truckin' > Nobody's
The Other One > Wharf Rat
UJB > name your song
Playin' > name your song
Shakedown > name your song
Bertha > Good Lovin'
and the singles are way harder or just today's idea as there are just too many
Smokestack Lightning
Sampson & Delilah
Black Throated Wind
Cumberland
New Minglewood
New Speedway Boogie
Friend of the Devil
Attics
Standing on the Moon
Days Between

That's all I got (today), Cheers

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14 years 1 month

Submitted by nitecat on Tue, 09/06/2022 - 14:00

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First Show, I love that Sophies show! Kieth is really playing great and very prominent in the mix, thanks to Betty!

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3 years 1 month

Submitted by billy the kiddd on Tue, 09/06/2022 - 14:10

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It's hot here. Temperature wise, I imagine the hottest Grateful Dead show I ever went to ,was probably the Oregon Country Fairgrounds 8/28/82. or One of those shows up at Cal Expo, it gets pretty hot up in Sacramento.

....I'm sure one of those was the hottest shows I attended. Once you go over 110 on the floor, it doesn't matter anyway. The only time I recall Garcia wearing sandals. Veneta? Ptth. I would have reveled in that heat. Lots and lots and lots of water and sunblock. A few of those shows had awesome storm cells that cooled it down though.
I caught every one of them....
Edit. Just found out Jeff Beck is playing Vegas Nov 4th. Hmmm.
Tix price edit. $200?

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16 years 5 months

Submitted by deadfeat1 on Wed, 09/07/2022 - 14:55

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The Sept. 6th edition of Paste has an enjoyable article about TTB's I Am The Moon.

I can't come up with a top ten list of favorite Dead songs, but Wharf Rat is my all time favorite - right up there with Spanish Moon by Little Feat...

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10 years 1 month

Submitted by That Mike on Wed, 09/07/2022 - 15:01

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I was just tuning into this new Brit spy vs spy show on Apple TV called “Slow Horses”. Normally you can skip the opening theme (thankfully) once you watch it through once - I’m listening to this theme song, and hey, you, get off of my TV! That sounds like Mick Jagger. No - that is Mick Jagger, singing some song I’ve never heard. Quick search on the net, and yup, he has written and performed the theme for this show, something he calls “Strange Game”.

Top Ten Dead Tunes? Yikes! Monday’s list would be completely different than Tuesday’s list, which wouldn’t at all match Wednesday’s list, or come close to what you choose Thursday…

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3 years 1 month

Submitted by billy the kiddd on Wed, 09/07/2022 - 20:15

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What a bargain it was! 41 years ago today I was out at the Concord Pavillion to see Jerry Garcia put on a great show , admission to the show was $1.00. Queen Ida and her Zydeco Band opened the show. We had our tickets. for the first run at the Greek Theatre, only four days away. Fun times!

Haven't got Apple TV so can't watch Slow Horses....but the whole series of Slough House books by Mick Herron are brilliant. Very funny with great characters

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16 years 6 months

Submitted by Forensicdoceleven on Thu, 09/08/2022 - 05:09

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Mornin', rockers!!

Favorite originals: Dark Star, Other One, Saint Stephen, The Eleven, New Potato Caboose, Truckin', China Cat, Easy Wind, New Speedway Boogie, Black Peter, Cumberland Blues, Friend Of The Devil, Dire Wolf..........

Favorite covers: Hard To Handle, Dancin' In The Streets, Viola Lee Blues, Not Fade Away, Know You Rider, Big Boss Man, Next Time You See Me, Morning Dew..........

Songs I never did handle very well: Casey Jones, Attics Of My Life, Row Jimmy, Stella Blue, China Doll, anything Brent....

Just sayin'..............

Rock on,

Doc
But I believe above all that I wanted to build the palace of my memory, because my memory is my only homeland.....

I intentionally left out combos (S>F, H>S>F) as they take up multiple picks.

Bertha
Bird Song
Brown Eyed Women
The Eleven
Eyes
HCS
Jack Straw
Mountains of the Moon
Rubin & Cherise (Yup. JGB song , but I had to put it in since they played it)
Terrapin
The Other One
To Lay Me Down
Wharf Rat

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3 years 1 month

Submitted by billy the kiddd on Thu, 09/08/2022 - 10:35

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Born on Sept 8th 1945 in San Bruno Calif., Pig Pen would have been 77 years old today. My favorite songs that Pig Pen did, Alligator, Hard To Handle, Big Boss Man, King Bee, Smokestack Lightning, Mr Charlie, The Rub, Next time you see Me, and of course Easy Wind, one of the greatest Grateful Dead songs of alltime, that was played far to few times. The Dead were never the same after Pig Pen left them. Hopefully today he's hanging out with some of his favorite blues musicians like Lightning Hopkins, Jimmy Reed and Muddy Waters.

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10 years 3 months

Submitted by 1stshow70878 on Thu, 09/08/2022 - 12:16

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New picture on that page with the opened box itself.
Doesn't look like it will fit on the shelf. Kinda long?
The artwork is fun!
Cheers
Edit: Got the Sept. bulletin email now with the "unboxing".
Community Bits cites the same thing I found (Sept. 3 post on this thread) on the fake WakeOTF LPs. I checked. Mine's good.

P.S. Why does the Lyceum box page have no listening party?

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17 years 5 months

Submitted by Vguy72 on Thu, 09/08/2022 - 13:09

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....add this to the list of things that make me go "hmmmm".

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10 years 3 months

Submitted by daverock on Thu, 09/08/2022 - 14:21

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Anybody heard about this new release of the 4/26/69 L.A. Forum show ? I have just had an email about it - supposed to be coming out in November from Experience Hendrix. Looks terrrrrific.

A favourite Dead cover of mine is Death Don't Have No Mercy - that version on Live Dead is incredible.

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10 years 8 months

Submitted by Sydney Prentice on Thu, 09/08/2022 - 15:57

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£28 pre- order from that South American river online name, I'm tempted I know nothing of the history of the recording but judging by the previous vinyl releases from the estate it should be worth it. I haven't got around to listening to the newly arrived latest Bears Sonic Journals of The Chieftains it appears to be in a deluxe booklet style package.
Not long now before the dispatch of MSG box set either,hoping to have it before the end of this month.

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Submitted by Sydney Prentice on Thu, 09/08/2022 - 15:58

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£28 pre- order from that South American river online name, I'm tempted I know nothing of the history of the recording but judging by the previous vinyl releases from the estate it should be worth it. I haven't got around to listening to the newly arrived latest Bears Sonic Journals of The Chieftains it appears to be in a deluxe booklet style package.
Not long now before the dispatch of MSG box set either,hoping to have it before the end of this month.

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11 years 10 months

Submitted by nappyrags on Thu, 09/08/2022 - 20:37

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the majority of this show was on the Reprise Box Set "Lifelines"....and various boot sbd's have been released too...But I will definitely grab this CD set ($12 on the SA river system)...and before you ask Oro...yes...I was at this show...

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8 years 4 months

Submitted by frosted on Thu, 09/08/2022 - 22:58

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Sorry, no way I can keep it under 30 or so, so I'm going to lay it out a little differently. Even then, I still left out another 20 or more of my besties. These are all ones that I almost always like to hear, rather than feeling so-so about them or having to be in the mood to get into them.

My favorite rock tune presentation, not just from the Dead but from any rock band, which I think was also the most original and ahead of its time group of songs ever strung together. This first one is to me the very essence of the Dead:

1969

Dupree>Mountains>Dark Star>St. Stephen>Eleven>Lovelight

Favorite other combos strung together:

Scarlett/Fire

China Cat/Rider

Estimated/Eyes

Not Fade Away/GDTRFB

Help on the Way/Slipknot/Franklin

Cumberland Blues/Big River

Best Evolution from pretty good to great tune over a few years:

Hard to Handle

Best old timey Ballads:

Jack a Roe and Peggy-O

Most underrated:

Operator, Second that Emotion, and Oh Babe it ain't no Lie

Favorite outright rockers:

Deal and Bertha

Favorite cowboy tune:

El Paso

Favorite country-ish tunes:

Friend of the Devil, Brown eyed Women, and Dire Wolf

Favorite early cover tune:

Baby Blue from 1966 (?) History of the Dead

Best songs of the road:

Jack Straw, He's Gone, and Mississippi Half Step

Most haunting tunes:

Morning Dew and Death don't have no Mercy

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17 years 6 months

Submitted by Oroborous on Fri, 09/09/2022 - 08:45

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Top ten: a fools errand!

I mean Dark Star, Stephen, King Solomon’s Marbles, Help-Slip, Blues For Allah, New Potato, Brown Cross Eyed, Victim or the Crime, What’s Become of the Baby, 74 Eyes, 74 WRS, Days Between, Antwerps Placebo, Serengeti, Terrapin Station,
Attics, Ripple, Saint of Circumstance…that’s just trying to get started, they doesn’t include covers, most of the ballads, or anything else!
Fools errand I say!
So what’s the best ten songs…the last ten I heard!

DOUBLE HA!
Of course Nappy was there 😃

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4 years 2 months

Submitted by Crow Told Me on Fri, 09/09/2022 - 09:53

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So I read this book called The End of Time. It was about physics. I understood almost none of it. But the tldr version goes something like this: eventually, the sun will expand and vaporize the Earth, all the stars will explode, and entropy will cause all matter in the universe to be so widely dispersed that there will be no light, no heat, no life nowhere (like Jimi sed!), and Time will End. Which, to me, suggests that we should all forget whatever minor shit is bothering us right now and just enjoy the miracle of conscious being while we can.

(Yes, fuck it! That’s your answer to everything, isn’t it Mr. Lebowski?)

(Well, yeah.)

One of my favorite exercises in time travel is to search Youtube for tapes of local TV coverage of dead concerts in the early ‘80s. At that point, the Dead was mostly unknown to mainstream America, and the good people of Des Moines or Salt Lake City didn’t know quite what to make of several thousand tied-dyed and tripping heads descending upon their downtown areas. So you get these local news reports where you get the Guy in the Blazer doing a live shot from the parking lot and talking to the viewers about the “Dead heads” (you can see the air quotes around the words) and relate with amazement to their viewers the amazing spectacle of people lined up days early, playing hacky sack (still then unknown in the provinces) and selling grilled cheese for a buck. (What the fuck?) Sometimes you get a brief interview with a head or two and maybe even 5 seconds of the band onstage.

There’s lots of ‘em, and they’re awesome. As far as the whole scene goes, the early ‘80s were kind of a sweet spot for me. We were all part of a self-contained bubble that was big enough that it was beginning to draw the attention of outsiders, but small enough to still be self-policing and generally reasonably under control. (Unlike late ‘80s and beyond, when shit got seriously outta hand on occasion.)

No way can I list favorite Dead songs. It’s too too too too too to put a finger on.

A big THANK YOU to everybody who posted about Little Feat recently. Hadn’t listened to ‘em in years, and it’s been such joy to revisit. Music is the best.

There’s a fat man … in the bath tub … with the blu-ooh-ooh-oohs

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17 years 5 months

Submitted by Vguy72 on Fri, 09/09/2022 - 09:57

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....as some of you know, I was a metalhead before a deadhead. My granddaughter and new hubby flew down from Reno last night to attend a wedding gift I got them. Def Leppard/Motley Crue/Poison/Joan Jett tonight at Allegiant Stadium. It will be her first real concert as well as my sons.
Saw Poison in a little club here in Vegas in '84 right before they made it big. Seen The Crue once back in '86 I think opening for KISS? Or maybe Ozzy. Never seen Def Leppard or Joan.
The general consensus of the the tour in internet land are mostly positive and Vegas is the last stop. Lots of concern on whether Vince Neil's voice could hang, but hes doing it. Vocal trainers for the win! Looks almost sold out except for the nose bleeds. Rock On!

Unfortunately Crow I don’t think we’ll make it that long (mankind, not “us” specifically) as we seem hell bent on destroying our beautiful home. The planet might live on, but the way we’re going about it…

But I totally agree with your last paragraph!
Late seventies/early eighties there was a palpable sense that we were wining: we weren’t just a bunch of dirtbag good for nothing freaks like perhaps many civilians watching those old broadcasts would think, at least on first impression.
Not that we cared. Being an outcast was a important influence on my becoming a DH. When the going gets weird and all that…
I won’t say it became “popular” yet, but it started to not be a bad thing to be a head. The scene was growing, but as Crow said it was still self manageable etc. To me it peaked in 85, meaning too much of everything was just enough. It seemed like the last year before the regular stadium shows and the crowd perhaps getting too big and unfortunately all the less than acceptable behavior. Sure there were instances of this before, but it was usually frowned upon, where as later people started to think this behavior was somehow cool.
Ah, well, ce la vie, anytime something good gets big it’s usually the kiss of death.
Nothing lasts as the pranksters say!
But hey, to end on that little positive JG uptick that Keasey eulogized: it was @#&*ing fantastic while it lasted and it makes me feel beyond grateful to have been alive and young then!
“Those were the days my friends, we thought they’d never end…”

JOAN JETT: one of the weirdest Dead parings we ever saw: poor JJ opening for Bobby and the Midnights in 82 at small Rochester theatre. Fans were not interested at all and unfortunately they eventually booed her off, ya know “fuck this, where’s Bobby”, but hey, not as bad as the Hollander stadium show where the Good Rats opened and the crowd pelted them off with these little Rat souvenirs they handed out!
If you go down to Deep Elem, the DH will put you on the rocks!
Oh sweet mama, I got them Friday afternoon happys!
Happy Friday peoples, is time to crack a cold one yet 😃

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10 years 3 months

Submitted by 1stshow70878 on Fri, 09/09/2022 - 11:26

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The sun is over the yardarm as they say.
FAC is on!
Why do you think I'm always saying...
Cheers

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17 years 6 months

Submitted by deadmike on Fri, 09/09/2022 - 13:18

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Am I the only one who haven't recieved Dave's Picks 43 yet?

According to my tracking info my package have arrived to Fontana, California on July 27th for processing but it has never left Fontana after that. I have sent my email back to the sender and I have recieved an automatic mail on September 4th, that I will get an answer as soon as possible but no answer yet.

The alternate tracking number is usually searchable by this time through the Swedish Postal Service app by this time but nothing so far, and also nothing on the Postal Service where I can pay the Swedish tax. I wonder if I will get the DP volume this time ... it doesn't feel like it ... :-(

Micke Östlund,
Växjö, Sweden

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