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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • #631
    1stshow70878
    Joined:
    Other Jewel

    Daverock, of course I too went straight to the Red Rocks shows upon first listen before hearing the rest of the box. After getting to all of them I was calling 7-3-78 St. Paul the hidden gem. That must have been a peak period for them. The energy is there. Almost swaggering I'd say, like they need a pack of cigarettes rolled into the sleeve of their t-shirt.
    Cheers

  • #632
    daverock
    Joined:
    Me too

    I also played Omaha 7/5/77 after reading Oroboros's post. The first set, last night-excellent - Jerry's guitar sounds as cool and clear as the driven snow. Own up time....for the last couple of years, when I have played shows from this 78 box, I have played the first one 7/1, missed out the next two and gone on to the two Red Rocks shows. I have no idea what put me off Omaha in the past - makes me wonder what other unidentified jewels I have here.

    Exile - I was unfairly dismissive of Black and Blue, too. It's a very entertaining album - I didn't like funk or disco in the 70's, but that's no excuse now. I wasn't keen at all when it came out-Spring 1976, I believe. With Mick Taylor gone, "Fool To Cry" issued as a single and punk waiting in the wings, The Stones, along with most of the great bands from 1965-1975 suddenly seemed a bit passe. I bought the first Ramones album in Summer 1976-that was the sound of the times for me. 40 odd years later... Black and Blue is still on my playlist, and I no longer even have that Ramones album.
    I saw The Stones at Knebworth in 76 - and I have the programme here-nothing to do with music, but it's curious how The Stones and their fans were presented. In the article on The Stones, it states, "Young boys eagerly flocked the Mary Quant make up department in Harrods trendy Way-In shop on Saturday afternoon.The disco pumped out "Hey Negrita" as the boys applied eye liner and lipstick to gaunt virginal faces." I don't think so. I was 19 then, and the article seemed to show how out of touch The Stones had become at that time, with my generation.
    They also apparently had a food stand where you could buy a portion of chicken curry for 0.55p. This in the middle of the hottest heat wave for decades.

  • #633
    JimInMD
    Joined:
    Omaha

    That Estimated > Eyes is outstanding. That Eyes of the World has always been a go to post hiatus Eyes.. it's outstanding. I've always been big on that box. 7/1 never circulated and is outstanding, the first Red Rocks shows did circulate and are well.. not to overuse the term but outstanding. A great moment in GD history perfectly preserved for us to enjoy. Aptly timed as we are entering a holiday weekend and the box centers around the Fourth of July.

    Outstanding

  • #634
    Charlie3
    Joined:
    Omaha

    Been looking at that July 1978 box when picking some dead to listen to lately, but keep getting sidetracked by a different choice, but Oroboros' post about the virtues of the July 5, 1978 Omaha show prompted me to give it a listen today. Currently on Wharf Rat. I always liked that show, and the recording is excellent. I imagine it was exponentially cooler to be there in person at the time. The artwork on that one is probably about my favorite from that box as well, and I liked all the art from that box, a lot.

  • #635
    Exile On Main St.
    Joined:
    Stones

    Hey guys, I lurk more than anything but I saw some Stones talk and I agree with Dave Rock. It's Only Rock 'n Roll is an underrated album. The thing with it in my opinion, is that the songs are either dynamite (like the opening song fictional drummer) or B side material. The other problem is a couple of the songs suffer from Led Zeppelin IV / Dark Side of the Moon syndrome, meaning they've been played on the radio so much that they've lost a little luster (title track and Ain't Too Proud to Beg). I think these songs are pretty high quality once you're sitting back giving them your full attention (In their order of appearance on the LP).

    If You Can't Rock Me
    Ain't Too Proud to Beg
    It's Only Rock 'n Roll (But I Like It)
    Till the Next Goodbye
    Time Waits for No One

    Dance Little Sister

    The first 5 songs are all of side one and are solid. It's Only Rock 'n Roll has "Start Me Up" hit quality. Time Waits For No One makes us realize that Mick Taylor should have had at least one or two tracks on every album to stretch out like he does on this one and Can't You Hear Me Knockin' from Sticky Fingers. Missed opportunity. The thing with these songs is you may think of hearing Dance Little Sister on the radio and thought, meh, average song. Until you really listen to everything going on with the guitars. Keith Richards bass chops on If You Can't Rock Me are cool. Till the Next Time is on par in my mind with Wild Horses and Angie, but again, missed opportunity in that Taylor could have been used to play an electric solo or something, similar to Wild Horses. The remaining songs on the record don't do it for me. Luxury is borderline, but leans too far into funk. Fingerprint File is way too far into funk and not that great a song for me. If You Really Want to Be My Friend and Short and Curlies should have been put in the can for later. Between Goats Head Soup and It's Only Rock 'n Roll, I think there's a great album in there.

    Black and Blue had some great songs with Hand of Fate and Crazy Mama. I think Hand of Fate was as good as 70s rockers got, with very few exceptions.

    Not much to say that hasn't been said about Dave's 43. I would never complain for this type of release.

  • #636
    PT Barnum
    Joined:
    reading these posts

    you guys are so cool. Love this forum

  • #637
    Charlie3
    Joined:
    Or...

    ...It's like buying a book from the bookstore and then realizing the pages are all put together out of order, and there are pages from another book mixed in. And when you go back and say, hey, bookseller, they put the pages of the book in the wrong order, and there are pages from another book mixed in. And he says, don't worry, you can rip them all out and put the book back together in whatever order you want.

  • #638
    Crow Told Me
    Joined:
    It’s Like When Someone Says ‘Plate of Shrimp’

    The other day I ordered a burger with fries. Instead, they brought me fries with a burger. So I complained. But dude, the burger guy said, you can eat them in whatever order you want. Mmfff, I said, eating my fries and burger.

    Received my shipping notice today for the TTB’s “I am the Moon” vinyl set. Because today is the release date. What a concept! You release the record on the release date! Genius! I just want to note that, when you bought the 4-lp set, they promised to provide a digital download of each separate album as each of the four parts of this project was released. And then they actually did! On the actual release dates! And the files actually worked! Amazing! And now they shipped vinyl on the release date. It’s so weird.

    A lot of people don't realize what's really going on. They view life as a bunch of unconnected incidents and things. They don't realize that there's this, like, lattice of coincidence that lays on top of everything. Like the other other day I’m eating a plate of shrimp and listening to Electric on the Eel for the first time in years. And so were you.

    Last five:

    JGB: Electric on the Eel (discs 1 and 6)
    Derek & the Dominos: Layla
    Bill Evans: The Hilversum Concert
    Christian McBride: At the Village Vanguard
    Stones: El Mocambo

  • #639
    Oroboros
    Joined:
    Greetings my brothers/others

    All is well in the middle of the country and I couldn't agree more with this esteemed group's statements on current and past musical topics.

    Phil and Friends has consistently displayed such exploratory and jamtasic shows which makes them a 'must see.' I recently attended another Wilco concert prior to that show and the inclusion of Jeff Tweedy and Nels Cline in the friends in Chicago reflect excellent choices. Nels has sat in with P & F on multiple occasions and Wilco has covered the Dead on a variety of occasions including Bobby sitting in for Dark Star, Ripple, etc. I regretted that Phil got Covid and couldn't headline with String Cheese Incident's recent Red Rocks shows, but Billy Strings was a welcome replacement and we in the audience had a wonderful time. Still I long to see Phil play again and hope to have another chance soon. The SCI 'dead set' with Billy was a delight and I saw Billy rev up with the Cheese as they took on many of our favorite Dead tunes that evening. And I am quite relieved that Phil has fully recovered from the Covid and is back playing live.

    Besides attending the Wilco and SCI shows, I have also loved recent concerts with the Infamous Stringdusters, Joe Russo's Almost Dead, the Jayhawks, Railroad Earth, Yonder Mountain, Mollie Tuttle, Sierra Hull, and several years ago was quite taken by previously mentioned Larkin Poe (opened for Elvis Costello). Such terrific music touring again and I'm very grateful to be able to make the journey (pun intended).

    However, given this thread on DP 43, to get back on how this Dave's Pick is stellar and echo others sentiments how the primal Dead are such an unmitigated treat. This is a special release and deserving of frequent rotation.

    And should any of you be inspired by the break-neck speed and turn on a dime of the early Grateful Dead, please consider attending a Joe Russo's Almost Dead show. Yes, Oro (my brother from another mother) those two Vail JRAD shows, along with the JRAD show at Red Rocks were stellar. These guys have the stamina and pace of the early Grateful Dead but along with the Dead's entire song catalogue. Simply remarkable jamming, truly exploratory, and much more in the vein of P & F as opposed to the D & C. JRAD is energy personified and each band member is truly infused with amazing grasp of these wonderful songs along with a jazz mentality and interplay.

    To add to the dialogue regarding 'rain stories' from concerts (discussed earlier in this thread), I got one to share. I recall back in 1978 when the Grateful Dead played at the Omaha Civic Auditorium in July. The venue was about half full (4,000?) but everyone was chomping at the bit as we had not seen the Dead in Nebraska since early in the early 70's. I took my Nak 550 into the venue and there was no hassle getting in the deck in this time, but remember this was before the days of 'taper's sections.'

    Out in the hallway, the Hell's Angels wandered about sporting full colors and big grins. They may have been transporting 'party favors' and decided to take in a show, or perhaps road tripping with the band? Although I did not see them at the subsequent Red Rocks shows. Anyway, I headed down to the floor to set up my Nak in front of the sound board. When I was getting everything ready, I saw this guy with a great rig setting up. Luckily this kind stranger (I have since discovered he was famous taper Bob Wagner) let me patch out of the back of his Sony, which was terrific as he had a tall (8 ft?) stand to get will above the crowd noise. We were about 15 to 20 feet in FOB. So Garcia treats us to a blistering Sugaree opener, the kind that drove the crowd wild. His leads mounted into a wave that crests, recedes, regroups, and roars back with such power and delight that adds to the synergistic effect causing our frenzied response as his rolling/soaring guitar work lift and subside within the band.

    Then BIODTL, TLEO, and then Bob took the spotlight with a "Look's Like Rain." About half way through the son, I suddenly noticed something shimmering in the air between the band and me. I thought "what a fantastic light show! Or have I shifted into 5th gear just a little earlier than I scheduled?" I staggered towards that visual disturbance in front of me to investigate. The crowd was dancing madly in the middle of the floor as a waterfall played over them. The waterfall was about 25 feet in circumference. I put my hand into the water...hand out, no rain, hand in, pouring rain.. I jumped into the waterfall drenching us all in the middle of the Civic auditorium. Then stepped out and there was none. I shook my head and then dove back into the deluge and danced through LLR and next came Direworlf and a delightful All Over Now, with Keith and Donna simply killing it. Candyman, Lazy >Supplication and Bobby informed "we are going to take a short break" (ha, it was never a short break!)

    I staggered back to reload a new tape (remember cassettes?) and I looked for some validation of my experience. I asked my friends if I was not in fact 'soaking wet' as I patted my wet t-shirt? And they grinned knowingly and affirmed that , yes, in fact I was 'all wet."

    Then this unique show continued (nice indoor water feature, boys!) with a killer second set, complete with a transportive Estimated>Eyes>Wharf Rat>Truckin'>Iko Iko > Around and Around.

    As I left the auditorium I noticed the water standing on the ground outside, a summer storm? Hey was this just a case of a leaking roof? Or did the Dead actually conjure up the forces of nature as they were so prone to do?

    Next to travel to their/my maiden Red Rocks shows. Would Phil bombs create reverse gravity and make us float up into the air? What do they have up their collective sleeves for us next (ah-oooo, Werewolves of London, ah-ooo)?

    Those were the daze.....

    Zen saying "teachers open the door, you must enter by yourself."

  • #640
    That Mike
    Joined:
    Philco Are Only Rock & Roll (And We Like It)

    Jim - You bring up a good point that Phil is well into his 80s, yet is still bringing it with such new creations as Philco. I think he personifies that well worn axiom “Find something you love to do and you’ll never have to work a day in your life.”

    DaveRock - I personally always loved the subtle guitar work on “Fingerprint File” from IORR. Mick Taylor should never have left the Stones, they were a much better band with him (with due respect to Ronnie). Last week, I re-watched their “bootleg” release from the Marquee Club in 1971 - now THAT was THE best Stones lineup.

    Blues For Allah - what an excellent choice. Some really jazzy passages throughout that entire release.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

Yes, here's to good health for all.

I am truly sorry for the loss of the previous child. How can a person fully come back from that?

Treasure your days, folks.

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Submitted by FiveBranch on Sun, 09/04/2022 - 17:13

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In Japan and there was an arena size greenhouse with monstrous tropical birds flying around and the GD was playing on a stage at the base of it all.

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13 years 6 months

Submitted by JimInMD on Sun, 09/04/2022 - 21:56

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Marrying four girls years ago and admitting to it now is not advisable during an election year.
Just saying.

On a serious note, sorry for your loss but happy that things have gone full circle. The VGuy family is alive and healthy. Good to hear..

Edit: Married into, sorry. Reading glasses....

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9 years 3 months

Submitted by Charlie3 on Mon, 09/05/2022 - 13:06

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Charles Bradley - No Time for Dreaming - fantastic raw, modern soul, Charles Bradley smokes, worth a listen
XTC - Oranges and Lemons, thanks to whoever mentioned them on here recently, been a while since I gave that a listen, good album
Khruangbin - Mordechai, I dig everything these folks have put out, they put on a cool live show too
Washed Out - Mr. Mellow, dreamy mellow vibe, as might be expected from the title, cool to chill to
Black Pumas - Black Pumas, back to the modern soul sounds and these guys do it well, just spinning it now

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4 years 5 months

Submitted by proudfoot on Mon, 09/05/2022 - 13:10

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Rolling Stones
Its only rnr
Black and Blue
Goats head soup
Some girls
Beggars Banquet
Let it Bleed
Sticky Fingers
Tattoo you

Nirvana Bleach
Motorhead Overkill
Nirvana in utero
Nirvana incesticide

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17 years 6 months

Submitted by Vguy72 on Mon, 09/05/2022 - 13:14

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....speaking of dreams, I had one where I was married to several women. In hindsight, that was actually a nightmare. Woke up in a cold sweat.
Last Five
Edie Brickell & New Bohemians - Ghost Of A Dog
Phish - 9.3.22 Dicks Sporting Goods Park, CO
Blue Oyster Cult - Secret Treaties
Motley Crue - Girls, Girls, Girls
Neil Young - Harvest
I treasure all my step-daughters as if they were my own. It was tough sledding at first due to the fact that their moms prior boyfriends were apparently assholes that treated them like crap and their trust factor was low. But, I persisted and just tried to be a good dad. Guess it worked because they call me dad now. Except one. She's a little lost and spiteful. But my work is not done.

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Submitted by billy the kiddd on Mon, 09/05/2022 - 14:16

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not necessarily in this order : 1) Dire Wolf. 2) Cumberland Blues. 3) Easy Wind. 4) Uncle John's Band. 5) Attics of My Life 6). Ripple. 7). Alligator. 8).Stella Blue. 9)Brokedown Palace. 10)High Time

So are Cumberlands.

Top 10 GD Songs, impossible.. I love all my songs the same.

Eyes, Brokedown, To Lay Me Down, PITB, UJB, tossing in Morning Dew because they made it their own, Brown Eyed Women , Comes a Time (yea yea, JGB, whatever.. it's on the list), Stella, China Doll, TOO, BCE'd, New Potato, anything on the Live Dead suite, anything on Anthem/Working Man's Dead & A.B.

and I'm just getting started.

I surrender, throwing in the towel

I believe the GD are seriously under-rated songwriters. The material they wrote is rich, timeless, and classic.

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11 years 8 months

Submitted by dmcvt on Tue, 09/06/2022 - 05:51

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First, thanks to all who post here on their recent music, dreams, loves and adventures, this diverse wellspring of interests most always freshens and diverts my attention towards something new. Breathing walls, three dimensional carpeting, matrices of coincidence, synchronicity, guitar heroes in the back seat. Recent talk of Miles soon to arrive 7th Bootleg Series made me go back and listen to some of the earlier ones. I would add, if you can find a copy, listen to Miles Cellar Door Sessions 1970 recording. Back in the late 1960s and early 1970s, I began to run with a camera and have been searching for those photographs, for example, my first Dead show, Baltimore March 1973... have not found those yet, but did find my own images of Mahavishnu John MacLaughlin, BB King, Bob Dylan, The Band, Roy Buchanan, Tom Waits, Leslie West, ELP as well as photographs from some music festivals and anti-war demonstrations in downtown DC. There's more and too many times I did not have the camera at hand. Never pass up the opportunity to be present in the moment.

Some of us have read the long letter Robert Hunter wrote to Jerry after his passing, I just found Hunter's farewell Bob Weir spoke upon his release of Jerry's ashes upon the Ganges:

"Last Words for Jerry Garcia"
Go naked in the world, wind for your cloak and coverlet. Whom the Gods love best they reward with early death, gather them into the sun, reflect them in moonlight, crown them with comets, annoint them with shooting stars. Go naked to the Throne of Love, go as the stars go, arrayed in their own incandescent light. Go and our hearts go with you. Return to the source of the soul by way of the Sacred River, royal road to the sea where all shall be music and dreams shall be dreams no more, but visions of the World's foundation scattered among stars. Dust shall be dust and the voice of dust shall be music, pleasing to God who sent it forth in search of melody to crown His silence with eternal song.

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10 years 3 months

Submitted by 1stshow70878 on Tue, 09/06/2022 - 08:40

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Catching up on some purchases from months ago.
Garcia Live Vol. 7 at Sofie's Palo Alto.
Tapes from Donna's storage.
Keith is SO good in this type of presentation.
And Donna can hear herself and jumps right in.
Her Muscle Shoals and gospel roots just shine.
Who Was John, Strange Man, Stop That Train,
are all seldom heard and choice cuts!
Cheers

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8 years 4 months

Submitted by frosted on Tue, 09/06/2022 - 12:00

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I know someone's got to be a true Deadhead when they explicitly list New Potato Caboose among their favorite songs....

Most of American Beauty, then a selection from Workingman's Dead. Mountains of the Moon and China Cat Sunflower. New Potato Caboose.
I'm taking Dark Star, The Eleven and The Other One to be more jams than songs - otherwise them too, maybe at the expense of the Workingman's songs.
re New Potatao- that's a coincidence, considering the simultaneous post below this one

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14 years 2 months

Submitted by nitecat on Tue, 09/06/2022 - 13:58

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So funny... I noticed the rave reviews of the Jayhawks recently, and ordered one that was mentioned here. Two days later, at a thrift shop, what do I find, a different Jayhawks CD than I ordered!

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Submitted by 1stshow70878 on Tue, 09/06/2022 - 14:00

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So many of my choices are joined at the hip that I went with an > list:
In no particular order,
Scarlet > Fire
Estimated > Eyes
NFA > GDTRFB
China > Rider
Truckin' > Nobody's
The Other One > Wharf Rat
UJB > name your song
Playin' > name your song
Shakedown > name your song
Bertha > Good Lovin'
and the singles are way harder or just today's idea as there are just too many
Smokestack Lightning
Sampson & Delilah
Black Throated Wind
Cumberland
New Minglewood
New Speedway Boogie
Friend of the Devil
Attics
Standing on the Moon
Days Between

That's all I got (today), Cheers

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14 years 2 months

Submitted by nitecat on Tue, 09/06/2022 - 14:00

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First Show, I love that Sophies show! Kieth is really playing great and very prominent in the mix, thanks to Betty!

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3 years 1 month

Submitted by billy the kiddd on Tue, 09/06/2022 - 14:10

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It's hot here. Temperature wise, I imagine the hottest Grateful Dead show I ever went to ,was probably the Oregon Country Fairgrounds 8/28/82. or One of those shows up at Cal Expo, it gets pretty hot up in Sacramento.

....I'm sure one of those was the hottest shows I attended. Once you go over 110 on the floor, it doesn't matter anyway. The only time I recall Garcia wearing sandals. Veneta? Ptth. I would have reveled in that heat. Lots and lots and lots of water and sunblock. A few of those shows had awesome storm cells that cooled it down though.
I caught every one of them....
Edit. Just found out Jeff Beck is playing Vegas Nov 4th. Hmmm.
Tix price edit. $200?

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16 years 5 months

Submitted by deadfeat1 on Wed, 09/07/2022 - 14:55

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The Sept. 6th edition of Paste has an enjoyable article about TTB's I Am The Moon.

I can't come up with a top ten list of favorite Dead songs, but Wharf Rat is my all time favorite - right up there with Spanish Moon by Little Feat...

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10 years 2 months

Submitted by That Mike on Wed, 09/07/2022 - 15:01

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I was just tuning into this new Brit spy vs spy show on Apple TV called “Slow Horses”. Normally you can skip the opening theme (thankfully) once you watch it through once - I’m listening to this theme song, and hey, you, get off of my TV! That sounds like Mick Jagger. No - that is Mick Jagger, singing some song I’ve never heard. Quick search on the net, and yup, he has written and performed the theme for this show, something he calls “Strange Game”.

Top Ten Dead Tunes? Yikes! Monday’s list would be completely different than Tuesday’s list, which wouldn’t at all match Wednesday’s list, or come close to what you choose Thursday…

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3 years 1 month

Submitted by billy the kiddd on Wed, 09/07/2022 - 20:15

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What a bargain it was! 41 years ago today I was out at the Concord Pavillion to see Jerry Garcia put on a great show , admission to the show was $1.00. Queen Ida and her Zydeco Band opened the show. We had our tickets. for the first run at the Greek Theatre, only four days away. Fun times!

Haven't got Apple TV so can't watch Slow Horses....but the whole series of Slough House books by Mick Herron are brilliant. Very funny with great characters

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16 years 6 months

Submitted by Forensicdoceleven on Thu, 09/08/2022 - 05:09

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Mornin', rockers!!

Favorite originals: Dark Star, Other One, Saint Stephen, The Eleven, New Potato Caboose, Truckin', China Cat, Easy Wind, New Speedway Boogie, Black Peter, Cumberland Blues, Friend Of The Devil, Dire Wolf..........

Favorite covers: Hard To Handle, Dancin' In The Streets, Viola Lee Blues, Not Fade Away, Know You Rider, Big Boss Man, Next Time You See Me, Morning Dew..........

Songs I never did handle very well: Casey Jones, Attics Of My Life, Row Jimmy, Stella Blue, China Doll, anything Brent....

Just sayin'..............

Rock on,

Doc
But I believe above all that I wanted to build the palace of my memory, because my memory is my only homeland.....

I intentionally left out combos (S>F, H>S>F) as they take up multiple picks.

Bertha
Bird Song
Brown Eyed Women
The Eleven
Eyes
HCS
Jack Straw
Mountains of the Moon
Rubin & Cherise (Yup. JGB song , but I had to put it in since they played it)
Terrapin
The Other One
To Lay Me Down
Wharf Rat

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3 years 1 month

Submitted by billy the kiddd on Thu, 09/08/2022 - 10:35

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Born on Sept 8th 1945 in San Bruno Calif., Pig Pen would have been 77 years old today. My favorite songs that Pig Pen did, Alligator, Hard To Handle, Big Boss Man, King Bee, Smokestack Lightning, Mr Charlie, The Rub, Next time you see Me, and of course Easy Wind, one of the greatest Grateful Dead songs of alltime, that was played far to few times. The Dead were never the same after Pig Pen left them. Hopefully today he's hanging out with some of his favorite blues musicians like Lightning Hopkins, Jimmy Reed and Muddy Waters.

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Submitted by 1stshow70878 on Thu, 09/08/2022 - 12:16

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New picture on that page with the opened box itself.
Doesn't look like it will fit on the shelf. Kinda long?
The artwork is fun!
Cheers
Edit: Got the Sept. bulletin email now with the "unboxing".
Community Bits cites the same thing I found (Sept. 3 post on this thread) on the fake WakeOTF LPs. I checked. Mine's good.

P.S. Why does the Lyceum box page have no listening party?

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Submitted by Vguy72 on Thu, 09/08/2022 - 13:09

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....add this to the list of things that make me go "hmmmm".

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Submitted by daverock on Thu, 09/08/2022 - 14:21

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Anybody heard about this new release of the 4/26/69 L.A. Forum show ? I have just had an email about it - supposed to be coming out in November from Experience Hendrix. Looks terrrrrific.

A favourite Dead cover of mine is Death Don't Have No Mercy - that version on Live Dead is incredible.

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Submitted by Sydney Prentice on Thu, 09/08/2022 - 15:57

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£28 pre- order from that South American river online name, I'm tempted I know nothing of the history of the recording but judging by the previous vinyl releases from the estate it should be worth it. I haven't got around to listening to the newly arrived latest Bears Sonic Journals of The Chieftains it appears to be in a deluxe booklet style package.
Not long now before the dispatch of MSG box set either,hoping to have it before the end of this month.

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Submitted by Sydney Prentice on Thu, 09/08/2022 - 15:58

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£28 pre- order from that South American river online name, I'm tempted I know nothing of the history of the recording but judging by the previous vinyl releases from the estate it should be worth it. I haven't got around to listening to the newly arrived latest Bears Sonic Journals of The Chieftains it appears to be in a deluxe booklet style package.
Not long now before the dispatch of MSG box set either,hoping to have it before the end of this month.

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Submitted by nappyrags on Thu, 09/08/2022 - 20:37

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the majority of this show was on the Reprise Box Set "Lifelines"....and various boot sbd's have been released too...But I will definitely grab this CD set ($12 on the SA river system)...and before you ask Oro...yes...I was at this show...

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Submitted by frosted on Thu, 09/08/2022 - 22:58

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Sorry, no way I can keep it under 30 or so, so I'm going to lay it out a little differently. Even then, I still left out another 20 or more of my besties. These are all ones that I almost always like to hear, rather than feeling so-so about them or having to be in the mood to get into them.

My favorite rock tune presentation, not just from the Dead but from any rock band, which I think was also the most original and ahead of its time group of songs ever strung together. This first one is to me the very essence of the Dead:

1969

Dupree>Mountains>Dark Star>St. Stephen>Eleven>Lovelight

Favorite other combos strung together:

Scarlett/Fire

China Cat/Rider

Estimated/Eyes

Not Fade Away/GDTRFB

Help on the Way/Slipknot/Franklin

Cumberland Blues/Big River

Best Evolution from pretty good to great tune over a few years:

Hard to Handle

Best old timey Ballads:

Jack a Roe and Peggy-O

Most underrated:

Operator, Second that Emotion, and Oh Babe it ain't no Lie

Favorite outright rockers:

Deal and Bertha

Favorite cowboy tune:

El Paso

Favorite country-ish tunes:

Friend of the Devil, Brown eyed Women, and Dire Wolf

Favorite early cover tune:

Baby Blue from 1966 (?) History of the Dead

Best songs of the road:

Jack Straw, He's Gone, and Mississippi Half Step

Most haunting tunes:

Morning Dew and Death don't have no Mercy

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Submitted by Oroborous on Fri, 09/09/2022 - 08:45

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Top ten: a fools errand!

I mean Dark Star, Stephen, King Solomon’s Marbles, Help-Slip, Blues For Allah, New Potato, Brown Cross Eyed, Victim or the Crime, What’s Become of the Baby, 74 Eyes, 74 WRS, Days Between, Antwerps Placebo, Serengeti, Terrapin Station,
Attics, Ripple, Saint of Circumstance…that’s just trying to get started, they doesn’t include covers, most of the ballads, or anything else!
Fools errand I say!
So what’s the best ten songs…the last ten I heard!

DOUBLE HA!
Of course Nappy was there 😃

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Submitted by Crow Told Me on Fri, 09/09/2022 - 09:53

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So I read this book called The End of Time. It was about physics. I understood almost none of it. But the tldr version goes something like this: eventually, the sun will expand and vaporize the Earth, all the stars will explode, and entropy will cause all matter in the universe to be so widely dispersed that there will be no light, no heat, no life nowhere (like Jimi sed!), and Time will End. Which, to me, suggests that we should all forget whatever minor shit is bothering us right now and just enjoy the miracle of conscious being while we can.

(Yes, fuck it! That’s your answer to everything, isn’t it Mr. Lebowski?)

(Well, yeah.)

One of my favorite exercises in time travel is to search Youtube for tapes of local TV coverage of dead concerts in the early ‘80s. At that point, the Dead was mostly unknown to mainstream America, and the good people of Des Moines or Salt Lake City didn’t know quite what to make of several thousand tied-dyed and tripping heads descending upon their downtown areas. So you get these local news reports where you get the Guy in the Blazer doing a live shot from the parking lot and talking to the viewers about the “Dead heads” (you can see the air quotes around the words) and relate with amazement to their viewers the amazing spectacle of people lined up days early, playing hacky sack (still then unknown in the provinces) and selling grilled cheese for a buck. (What the fuck?) Sometimes you get a brief interview with a head or two and maybe even 5 seconds of the band onstage.

There’s lots of ‘em, and they’re awesome. As far as the whole scene goes, the early ‘80s were kind of a sweet spot for me. We were all part of a self-contained bubble that was big enough that it was beginning to draw the attention of outsiders, but small enough to still be self-policing and generally reasonably under control. (Unlike late ‘80s and beyond, when shit got seriously outta hand on occasion.)

No way can I list favorite Dead songs. It’s too too too too too to put a finger on.

A big THANK YOU to everybody who posted about Little Feat recently. Hadn’t listened to ‘em in years, and it’s been such joy to revisit. Music is the best.

There’s a fat man … in the bath tub … with the blu-ooh-ooh-oohs

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Submitted by Vguy72 on Fri, 09/09/2022 - 09:57

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....as some of you know, I was a metalhead before a deadhead. My granddaughter and new hubby flew down from Reno last night to attend a wedding gift I got them. Def Leppard/Motley Crue/Poison/Joan Jett tonight at Allegiant Stadium. It will be her first real concert as well as my sons.
Saw Poison in a little club here in Vegas in '84 right before they made it big. Seen The Crue once back in '86 I think opening for KISS? Or maybe Ozzy. Never seen Def Leppard or Joan.
The general consensus of the the tour in internet land are mostly positive and Vegas is the last stop. Lots of concern on whether Vince Neil's voice could hang, but hes doing it. Vocal trainers for the win! Looks almost sold out except for the nose bleeds. Rock On!

Unfortunately Crow I don’t think we’ll make it that long (mankind, not “us” specifically) as we seem hell bent on destroying our beautiful home. The planet might live on, but the way we’re going about it…

But I totally agree with your last paragraph!
Late seventies/early eighties there was a palpable sense that we were wining: we weren’t just a bunch of dirtbag good for nothing freaks like perhaps many civilians watching those old broadcasts would think, at least on first impression.
Not that we cared. Being an outcast was a important influence on my becoming a DH. When the going gets weird and all that…
I won’t say it became “popular” yet, but it started to not be a bad thing to be a head. The scene was growing, but as Crow said it was still self manageable etc. To me it peaked in 85, meaning too much of everything was just enough. It seemed like the last year before the regular stadium shows and the crowd perhaps getting too big and unfortunately all the less than acceptable behavior. Sure there were instances of this before, but it was usually frowned upon, where as later people started to think this behavior was somehow cool.
Ah, well, ce la vie, anytime something good gets big it’s usually the kiss of death.
Nothing lasts as the pranksters say!
But hey, to end on that little positive JG uptick that Keasey eulogized: it was @#&*ing fantastic while it lasted and it makes me feel beyond grateful to have been alive and young then!
“Those were the days my friends, we thought they’d never end…”

JOAN JETT: one of the weirdest Dead parings we ever saw: poor JJ opening for Bobby and the Midnights in 82 at small Rochester theatre. Fans were not interested at all and unfortunately they eventually booed her off, ya know “fuck this, where’s Bobby”, but hey, not as bad as the Hollander stadium show where the Good Rats opened and the crowd pelted them off with these little Rat souvenirs they handed out!
If you go down to Deep Elem, the DH will put you on the rocks!
Oh sweet mama, I got them Friday afternoon happys!
Happy Friday peoples, is time to crack a cold one yet 😃

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Submitted by 1stshow70878 on Fri, 09/09/2022 - 11:26

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The sun is over the yardarm as they say.
FAC is on!
Why do you think I'm always saying...
Cheers

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Submitted by deadmike on Fri, 09/09/2022 - 13:18

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Am I the only one who haven't recieved Dave's Picks 43 yet?

According to my tracking info my package have arrived to Fontana, California on July 27th for processing but it has never left Fontana after that. I have sent my email back to the sender and I have recieved an automatic mail on September 4th, that I will get an answer as soon as possible but no answer yet.

The alternate tracking number is usually searchable by this time through the Swedish Postal Service app by this time but nothing so far, and also nothing on the Postal Service where I can pay the Swedish tax. I wonder if I will get the DP volume this time ... it doesn't feel like it ... :-(

Micke Östlund,
Växjö, Sweden

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