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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • #1351
    Vguy72
    Joined:
    Meet up....

    ....I'm going early to try and get in the front GA section. Lot opens up at 4:30 I think???
    PM section is down? Says I'm not authorized to access.

  • #1352
    Deadheadbrewer
    Joined:
    I met #3230 accidentally, in Saint Paul, Minnesota!

    No notice, just a delivery a few minutes ago.

    I've told this to you all a million times, but a group in the Twin Cities has been recreating The Last Waltz on stage once per year for about 15 years. It's a very cool event.

    Be kind, rewind.

  • #1353
    bigbrownie
    Joined:
    Didn't Get a Notice

    ...but #23818 has arrived in sunny Southern California. Now if only that Little Feat box from Rhino would get its butt over here.

  • #1354
    hendrixfreak
    Joined:
    Vguy, I'll be lookin' for ya

    I'll hold or wear my Hamms beer hat, blue short sleeve shirt with very thin vertical stripes, gray pants, sandals, Fu Manchu with beard, short dirty blond/gray hair, goofy grin...

    I'm having trouble with my ankle, so I'm not climbing to the top in search of you, but maybe halfway between my Row 10 and your GA section up top. I told Nappyrags I'd be on the outside stairs, Row 10, between bands -- especially after Gabe Dixon but well before Los Lobos hits the stage.

    Try to come down for a brief hang. I'll have treats for ya! If I can make 2023 and 2024 shows, I'll have put in 50 years at the Rocks. Fortunately, not making little ones out of big ones, if you know your prison lore....

    HF

  • #1355
    proudfoot
    Joined:
    Went to get mail today

    Oooo, theres a package! New Daves!

    PSYCHE!

    Postal person misdelivered a delivery for my neighbor.

    >:(((

  • #1356
    proudfoot
    Joined:
    I go into a well-known coffee chain

    to chill while I get new tires.

    I give my name

    I sit down 10 feet away to wait and play the electronic crack game (phone ya know)

    10 seconds later some dude in line tells me my drink is ready

    Barista says she called my name

    She must have whispered it

  • #1357
    That Mike
    Joined:
    VGuy - RR sounds amazing,…

    VGuy - RR sounds amazing, and I’ll bet the band was fantastic! I just received Part 3 - The Fall yesterday, so after I finish this interminable Honey Do List, I’ll break it out. Glad you enjoyed the show.

    Dennis - Enjoyed reading the Last Waltz story, my favourite concert movie. When it was released in 1978, I knew I had to see the film, as I saw The Band on that, their last tour. Considering they got their start in Toronto, I thought it shitty the film got only limited release here at the time, but since I was in university then, I saw it repeatedly, even matinees, at a theatre no longer standing that was a block from where the Band (nee The Hawks) used to play at a long defunct club called Le Coq D’Or back in the early 60s with Ronnie Hawkins, and where Dylan came to hear them play. The rest was history. Great story, and Muddy’s performance was a highlight.

  • #1358
    Vguy72
    Joined:
    Red Rocks revue....

    ....I'll try. Let me get the bad out of the way. Lots and lots of stairs.
    Now for the good. One of the best food courts I've seen. They serve basically everything. And if you are near the top like I was, the constant smell of food pours down over you.
    If there was a police presence, they must be undercover, because I didn't see any.
    The sound there is top shelf. Wow. Towards the end of the show, the wind picked up and started bouncing the sound around the huge rocks and sounded even more amazing! (I was under the influence of psilocybin, so I may be compromised regarding that, but I don't think so).
    Getting around is easy. Getting in and out was easy. This place has it all.
    Now TTB. I literally cried a couple of times during the show. They are tight AF and brought it hard for 2+ hrs. When Susan really starts preaching, you better shut up and listen because she's got something to tell you. Members of Los Lobos came on and sat in for a couple of songs and that's some dream come true shit. At least to me.
    I have GA tix so a shout out to my neighbors Jessica and Ross and Susan and Alan for waving me over when I reached upper GA and yelled out if anyone had room by them for one person. You people were the best.
    I walked back to my car and drove to my hotel in stunned disbelief and didn't say a word.
    Didn't see anyone being busted for anything and pot smoke was definitely evident in the air. Crowd was chill. How can you not be at a place like that!!!
    I regret taking so long to finally visit the hollowed ground that is RR, but better late than never.
    You all have a great Saturday.
    I'll be wearing my Make America Grateful Again tee and my American Beauty brown bolt/roses cap tonight btw. Tall white dude with a white beard and glasses with a constant smile on my face. Can't miss me lol!

  • #1359
    billy the kiddd
    Joined:
    Alright, #43 has landed in the Bay Area!

    What a killer release, keep them coming Dave.

  • #1360
    Dennis
    Joined:
    may interest some

    My buddy sent me this in an email today,,, thought some might enjoy reading it....

    THE LAST WALTZ BLUES JAM
    by Bob Margolin
    The more blues-driven musicians commandeered the instruments at the jam, and played some old favorite songs together, mostly Robert Johnson’s. This sounds like a common scene at open-mic jams at blues clubs, where more experienced blues players sometimes conspire to sit in together. It happened at about 7 am, the morning after The Band’s Last Waltz concert on Thanksgiving, 1976. The Band had hired the entire Miyako Hotel in San Francisco to accommodate their guests. The banquet room which had been used for rehearsal before the show was now the party room, and musicians had been jamming in random combinations since after the concert, many hours before. But unlike your local blues jam, every blues player that morning was a Rock Star.
    Except me. I was there with Muddy Waters. who was invited to perform two songs at The Last Waltz. Muddy had recorded his Grammy-winning “Woodstock Album” the year before with Levon Helm and Garth Hudson from The Band, but The Band itself was an unknown quantity to him. He brought Pinetop Perkins and me from his own band to accompany him along with The Band and Paul Butterfield on harp, so that he would have something familiar to play with. Muddy also felt I was good at explaining what he wanted onstage to musicians he hadn’t worked with, though 25 years later, I still find myself wishing I knew more about what Muddy wanted.
    Muddy, Pinetop, and I checked into the hotel the day before the show and went to the restaurant. I saw a few familiar faces from the Rock World, and some came over to say hello and pay respects to Muddy.
    That night, Pinetop, Muddy, and I were scheduled to rehearse our songs for the show. I didn’t realize that some of those blues-oriented rock stars must have been in the room to watch Muddy.
    The next night, at the concert, Muddy, Pinetop, and I waited backstage to perform. Pinetop told me he heard one of The Beatles was there, not realizing that Ringo was sitting right next to him. Born in 1913, Pinetop knew as much about The Beatles as I know about The Backstreet Boys. Joni Mitchell, looking impossibly beautiful, introduced herself to Muddy. He didn’t know who she was, and just saw her as a young pretty woman. He flirted but she didn’t respond.
    I’m told that there was a backstage cocaine room, with a glass table and a “sniff-sniff” tape playing, but I never saw it. I did, however, see through Rolling Stone Ron Wood’s nearly-transparent prominent proboscis in profile. In the “green room,” Neil Young passed me a joint, smiling, “We’re all old hippies here.” Though I was 27, something about “old hippies” resonated with me for the future. Young was older than me by a few years and even had a couple of gray hairs then, but I remember thinking that nobody in that room was old yet except for Muddy and Pinetop. Now, I’m certainly an old hippie, though Pinetop, going strong at 88, is neither. As for Neil Young, film of his performance revealed a white rock up his nose, which was edited out frame-by-frame for the movie.
    California Governor Jerry Brown popped in and invited Bob Dylan to get together with him sometime. Dylan, relaxed and outgoing until The Governor arrived, instantly turned sullen and distracted, barely nodding without looking at Brown. The uncomfortable Governor soon left, and Dylan laughed just before he was out of earshot and reverted to his friendlier mode. Something is happening here, but I don’t know what it is.
    When it was our turn to play, Muddy and Pinetop sang the light, swinging “Caledonia” as they had for “The Woodstock Album.” In hindsight, I think Muddy could have presented himself more strongly with a deep slow blues like “Long Distance Call” which would feature his almighty slide guitar. But nobody could argue with his second song choice — “Mannish Boy” was always a show-stopper. It was preserved in full in The Last Waltz movie, which was released in ‘78. Harp player tip: Muddy loved the way Butterfield played on that song, setting up a warble that “holds my voice up” rather than just playing the song’s signature lick.
    Fatefully, only one camera was operating during our song, zooming on Muddy, but not changing angle. Standing close to Muddy, I was in every frame. Pinetop, at the piano way off to the side, unfortunately was never seen in the film. But as Muddy hollers “I’m a MAN” and we shout “Yeah” to answer, as we always did in that song, you can hear Pinetop also yelling, “Wahoo!” — which is a line from a politically incorrect joke that Pine had heard on the road, and was fond of telling over and over in 1976.
    Now, whenever The Last Waltz movie is shown on TV, a few people at my gigs tell me, “I saw you on TV!” and how I looked — happy or mad or scared or bored. I think they just project how they would feel. I was simply concentrating on playing, and particularly enjoying Muddy’s powerful shouting, Butterfield’s warbling-tension harp, Levon’s deep groove, and Robbie Robertson’s fiery guitar fills.
    Eric Clapton followed us, and as he began his first solo, his guitar strap unfastened, and he nearly dropped his Stratocaster. In the movie, his lips distinctly mouth, “Fuck!” and as he refastens the strap, Robbie picks up the solo and runs away with it.
    Muddy and Pinetop went right to their rooms after our set, but I went down to jam back at the hotel after the concert. This is where I realized that some of those blues-oriented rock stars had watched me rehearsing with Muddy and been impressed that I was playing Old School Chicago Blues in his road band and helping to arrange the songs for our performance. I also had a very cool blues guitar with me — my late-’50s Gibson ES-150 arch-top, which I also cradle on the cover of my latest album, “Hold Me To It.” Bob Dylan approached me and said he hoped we’d get to jam together. Then he disappeared. I did play “Hideaway” and some slow blues with Eric Clapton, whom I met that night. Dr. John sat at the piano for hours, and played along with everyone. My piano-playin’ sister Sherry, who lived nearby and was hanging out, sat near him, eyes glued to his funky fingers.
    Around dawn, I put my old guitar back in its case, and started to leave. Bob Dylan caught me in the hall and said, “I thought we were going to jam…” I decided to stay awake a little longer. We had Dr. John on piano, Ron Wood on bass, Levon on drums, Butterfield on harp, and Clapton, Dylan, and myself playing guitars. There were no vocal microphones, and we all played softly enough to hear Dylan sing “Kind Hearted Woman” and a few other well-known blues songs. His trademark vocal eccentricities sounded outlandish in the blues, but he did make them his own. Generally, the blues we played that morning were not remarkable, but I was honored to be jamming with these fine musicians, and I realize that they belong to the same “club” as you do — deep blues lovers.
    Recently, I read Levon Helm’s inside story of The Last Waltz in his autobiography, “This Wheel’s On Fire” (recommended!). I was shocked to find that because of time and budget constraints and Band politics, Muddy was nearly bumped from the show. Levon fought bitterly behind the scenes and prevailed to not only keep Muddy in but to indulge him with me and Pinetop too. We were treated as honored guests at The Last Waltz and I enjoyed the once-in-a-lifetime jam afterwards, but Levon never told us about making a stand for us. He just made us welcome. Ultimately, this gracious, classy, and tough gentleman was responsible for my good time there.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

Nobody holds a candle to Sabre Tooth!

Even though I have a life long vendetta against the Donkeys being a long time Bills fan, I gotta say: Barrel Man Rocked!

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Submitted by That Mike on Sun, 10/02/2022 - 17:45

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I forgot about Sabre Tooth!!! I actually found an article on the team mascots, virtually all are quasi-animals except the Devil in New Jersey, and now Buoy (see: Count Chocula) in Seattle. Only one team does not have a mascot? Which team doesn’t?

On the weekend sports, they showed the mascot from BYU prior to the BYU/Utah State game on Thursday - the arm strength this individual showed was incredible as they successfully climbed two columns of folding tables stacked on each other by jumping up on all fours like an actual cat, then launching a back somersault off the table, all in this cougar mascot get up. Holy chit!

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Submitted by Angry Jack Straw on Sun, 10/02/2022 - 18:12

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Seem more suited to college than professional sports.

Just took a look at Buoy. Whoever decided upon that mascot should lose their job. All the effort that went into the design of those awesome jerseys was just wasted.

Psychedelics and alcohol. Back in the day I would drink prodigious amounts of alcohol while on them. Way more than usual.

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Submitted by daverock on Mon, 10/03/2022 - 00:07

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On the other hand...there may be some circumstances when drinking on top of downers could be an advantage. If not a necessity.

DaveRock - Hockey is an acquired taste, I guess! I promise, once you have the bug, you’re hooked. Playing it helps.

While we are on the sports file, I have to wonder what is it about football (soccer here in NA) that drives fans insane?? My wife and I were watching this drama a few weeks ago called “Anne” on the Hillsborough disaster from 1989 (terrible), where 96 fans died due to a mad rush at the stadium, and then we read what happened in Indonesia on Friday. Then France had problems with fighting in the stands, teargas, etc. Tons of stories of “hooliganism”, and serious violence over football matches. Years ago, one of my brother’s friends went to visit Glasgow, where his parents were born and raised, and he thought he’d catch a match for one of the better clubs. He had no idea he had the “wrong jersey” on as he is headed to the game, as he got chased by a crowd for the longest time, and witnessed guys getting beaten up, etc. I love sports - passionately - but I’ve never ever understood the madness that can surround football/soccer? Rhetorical question, I know, maybe more an “I cannot believe it” when you read the death toll over these tragedies. WTF.

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Submitted by daverock on Mon, 10/03/2022 - 09:59

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I must admit, I do have more than a few bugs myself.
Regarding violence at football matches, I do remember people in the 1970s who used to go to matches specifically to cause trouble. They weren't sports fans at all. I don't know how typical they were, but there did seem to a sort of subculture around football at that time which attracted idiots like that. Having said that, I used to go and see Manchester United from about 1968-1974, and I never had any trouble. Trouble everywhere else - but not there, surprisingly.

That Hillsborough tragedy was of a different order. From what I can remember that developed more due to mismanagement by the police and the football authorities based at the club rather than to the actual fans. Terrible.

You’re right, it appears Hillsborough was colossal mismanagement by the police, and we may find something similar played out in Indonesia.
Watch that “Anne” show if you can (Maxine Peake is outstanding as the title character), it is sobering what she went through to get the police to admit to any kind of culpability.
As for troublemakers, I think you may be right, because there isn’t a recipe for real nasty pricks that somehow doesn’t have alcohol abuse as an ingredient.

On a happier note, new music in today include Keith Jarrett’s newest (and possibly last), Julia Hulsmann Quartet (a German jazz pianist), and the Robben Ford/Bill Evans (sax) album. This on top of the Wilco box set that came yesterday, plus about six or seven other assorted CDs in the incoming tray, to be played. I gotta get to this stuff, so much on the go, but what a great dilemma to have - too much music. Wow.

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Submitted by wissinomingdeadhead on Mon, 10/03/2022 - 11:24

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I say DL2 goes with an 80's show & my prediction is 9/26/81, Buffalo, N.Y.

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Submitted by JimInMD on Mon, 10/03/2022 - 21:00

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Big fan of the Terrapin. Go figure.

The next Dave's Picks? I think the 60's slot has been filled with two new shows from that decade. We had a 77 and a 74. That leaves the 80's and 90's. My guess is he dips his big toe into the 90's, specifically 1991. Just a random guess.

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Submitted by daverock on Tue, 10/04/2022 - 03:48

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Cheers -I'll watch out for that film. I like watching/reading things about earlier decades that I lived through, but didn't necessarily understand at the time.

Looking at "Shindig!" magazine - which comes out here about once every two months - I noticed a review of a new book on The Dead. Called " After All Is Said and Done: Taping The Grateful Dead 1965-1995" written by someone called Mark A. Rodriguez. Who he is, I know not, but the book is given the maximum 5 stars.

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Submitted by That Mike on Tue, 10/04/2022 - 06:48

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Dave - That new Dead book you found out about on their taping history looks amazing, and would certainly find an audience among the crew here. A little short on funds myself at the moment, and never traded in tapes, but it looks great, so i will file that under “further review”.
Cheers!

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Submitted by JimInMD on Tue, 10/04/2022 - 07:54

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Probably not everyone's cup of tea, but she was an original. Donna certainly liked her.

You ain't woman enough to take my man.

An American original..

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Submitted by dmcvt on Tue, 10/04/2022 - 10:36

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Excellent biopic. Loretta Lynn chose Sissy Spacek to play her in this 1980 movie and Sissy sang all the hit songs herself, won an Academy award for best actress. Levon Helm played Lynn's father and himself had one Bill Monroe song on the sound track album which went gold and won CMA Album of the Year.... and yes weirdness on the site, could not get to Dave's Picks 43 through the usual route.

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Submitted by PT Barnum on Tue, 10/04/2022 - 11:32

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RIP a true American original, she truly did have the music in her. Appalachian music is about as Americana as you can get. That and the Grateful Dead.

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Submitted by dmcvt on Tue, 10/04/2022 - 13:56

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Last night's show at the Beacon with TTB is already up on the archive, surprise guests: Jack and Jorma. Tribute to Janis: Turtle Blues, outstanding. Hot Tuna's opening set of about 45 minutes is posted separately.

My guess is also 90’s. We have had 77, 74 and 69. The box set is 81-83. After listening to Dave wax poetic about the fall of ‘94 on XM TIGDH, I’m wondering…

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Submitted by proudfoot on Tue, 10/04/2022 - 19:06

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I think there's a show from fall 94 with a great Morning Dew

Not sure of the exact date

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Submitted by Vguy72 on Tue, 10/04/2022 - 19:26

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....it's high time. There are some really good ones out there.

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Submitted by That Mike on Wed, 10/05/2022 - 04:41

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I was reading up on Loretta Lynn’s passing, and came across something kind of cool to me - it’s well known Loretta and her hubby moved from Kentucky to Washington state in the late 1950s to hopefully spark her singing career. The lady had talent, but needed opportunity and exposure.
In 1959, she was singing in a “converted chicken coup” (hey, a gig is a gig) in Vancouver, British Columbia, when the owner of a nascent Canadian record company called Zero Records (the future mayor of Vancouver was an early investor) saw her perform; he was so impressed by Ms Lynn, he brought his partner by the following day to hear her. Duly impressed, Ms Lynn was signed to Zero Records, and went on to record "I'm a Honky Tonk Girl." The rest, as they say, is history. Apparently, an historic plaque has been placed in the location of the “chicken coup”.
Next time I’m out that way visiting my eldest, I’ll have to scope this historic site out.

Also, on this day in 1962, two hallmarks of culture that still endure to this day got their start, in England: The first James Bond movie (Dr No) was released, as was the very first Beatles record, the single “Love Me Do”.

Once in a while, you get shown the light
In the strangest of places if you look at it right

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Submitted by JimInMD on Wed, 10/05/2022 - 07:14

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That's why I come here. The music is just a cover. Thanks Mike.

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Submitted by Oroborous on Wed, 10/05/2022 - 08:08

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9/26 or 6/22, or 10/31???

But I’d certainly take 9/26/81 Wissinom

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Submitted by Mr. Ones on Wed, 10/05/2022 - 08:09

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If you actually visit the Loretta Lynn site, take a photo. I for one would love to see the plaque.
I predict Dave's 44 will be a show featuring the Bill Kreutzman era.

Should find out in about 2 weeks!!

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Submitted by That Mike on Wed, 10/05/2022 - 08:50

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Mr Ones - I looked on Google Maps just to see if it was anywhere near where my kid lives (it’s not), but I’ll give him the address to scope it out. It appears it is a housing tract now, with a small parkette, but I read a few articles that state the place existed as a Hootnanny dance hall place. (See 2541 E Kent Ave N, Vancouver, BC). I will post a pic if I can get it.
Music trivia is so cool.

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Submitted by Crow Told Me on Wed, 10/05/2022 - 11:10

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Good to see they're reissuing Ace. Kind of a bummer there don't seem to be any tracks tracks from the original sessions. Also somewhat disappointing is that the bonus disc of live material is the snoozy Wolf Brozzz rather than GD. Ah well.

I agree with those who've guessed that the next Dave's is probably going to be a later '90s show, given that we've had '60s and '70s so far in this year's DaP series, and given that the big box was early '80s, and we had a 1990 show for DaP 40. But who knows? And even if it's a so-so '94 show or something like that, the 2022 DaPs have been so good so far I'm not going to complain. (Promise.)

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Submitted by DeadVikes on Wed, 10/05/2022 - 11:52

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Snoozy! Ha!

I don't think we will be breaking into 94 any time soon, but you never know what Dave has up his sleeve.

I still believe two shows on four CDs from 91. I also have a feeling Dave might give us an 88 show or shows again. Last 88, not including TTATS, was RT. 4.2..... We should hear something next week.

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Submitted by That Mike on Wed, 10/05/2022 - 11:59

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Please see your PM

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Submitted by JimInMD on Wed, 10/05/2022 - 12:11

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For what it's worth.. My favorite 88's might just be the Greeks, not that I have listened to every show that year or anything. They were recorded nicely too, a bonus.

I still think '91, but a '68 or two would be mind blowing. Again, for what it's worth the Deer Creek shows last year sound really good. Not everything 90's turns to stone(d).

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Submitted by wissinomingdeadhead on Wed, 10/05/2022 - 14:24

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YES!!!!! I'd be very GRATEFUL with any of those 3 from '91 yet I always felt they would save 9/26 for a future box.

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Submitted by icecrmcnkd on Wed, 10/05/2022 - 15:29

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I’m hoping 91.
Need some Bruce.

And to throw another joker into the deck,
Bruce sits in on 3-23-95 and it’s a pretty good show.
So how about a 95 DaP?

And to tie the joker in the deck with 007, Homer Simpson has a dream/vision where he’s a casino card dealer and he deals 007 a joker and then the ‘rules of poker’ card, or something like that.

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Submitted by deadfeat1 on Wed, 10/05/2022 - 19:36

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Loretta's 2004 album, Van Lear Rose produced by Jack White, is worth a listen...

Enjoy!

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7 years 4 months

Submitted by carlo13 on Wed, 10/05/2022 - 21:03

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Did I go into the dead.net void, where I had to change my username, and password? Now I'm back, and I did not like what I saw. What's up? P. S. - The whole site changed. With a scroll board, and everything.

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17 years 3 months

Submitted by drpryan on Thu, 10/06/2022 - 05:35

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I tried to order the ACE repress. They said my password and user name are incorrect. I requested numerous times to reset password but no reset emails came. I had to re-register with the same mail . Now my "old" orders do not exist even when I use the check order( which is on the right side of the shopping login page) with the order number and email. So yes we went into the deadnet void. Sure hope their are no issues with the last Dave's as I cannot track my order

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Submitted by 1stshow70878 on Thu, 10/06/2022 - 10:34

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And a pretty big thing in places like Telluride.
They have a fest for that.
Foodies, restaurants, heads all combing the forests.
Some quite valuable besides the blue ones we love.
Good late summer rains have made it a good year.
Fun in the woods!
Cheers
Oh, and if you're really into it you may have a trained dog or pet pig to find them for you. The nose knows.

Edit: Went into the "store" from here and could not get back to this side of things. Navigation issues with the redo.

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Submitted by nitecat on Thu, 10/06/2022 - 12:35

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Hi Oro, which Dragonfly do you reccommend for $50? Cheapest I see in a quick search is $119.

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Submitted by 1stshow70878 on Thu, 10/06/2022 - 13:07

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Agreed Vguy it is ridiculous and no way it sells as well as the hatchet.
But will it outsell the garden trowel? Or the apron?
And don't feel dumb.
I had to look up what LMFAO is. Then I felt dumb.
Cheers

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17 years 3 months

Submitted by Oroborous on Thu, 10/06/2022 - 13:08

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Old geezer time: stuff that we think was just a year ago is like ten years ago, and stuff that we thought was a while ago was just last year lol.
So I guess prices have gone up, sorry for bad intel.
As far as which one check out their comparison page.
I can’t personally say which is best as I’ve only heard the original a long time ago.
There are many of these USB DACs out there now, but the Audioquest ones always get good reviews.

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9 years 10 months

Submitted by That Mike on Thu, 10/06/2022 - 13:40

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1St Show - You are right, you leave one page here, you are in an alternate dimension, no way to easily get back. Dangerous stuff for a landing party on Dead.net

I remember years ago, my best friends older brother was at Ole Miss on a tennis scholarship, and he said the fungus grew crazy around the dorms. He said the guys would round up bags of them. Special Grateful Dead branded mushroom tools not needed.

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Submitted by marye on Thu, 10/06/2022 - 14:00

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with a heads up regarding construction activity in the Store, which many of you have noticed: Hey now! We’re updating a few things at the Dead.net store with an eye towards bringing you a better shopping experience. Thank you for your patience during this process and, if you have any questions, please contact our customer service team. -- Thank you and now back to your regularly scheduled DP43...

Did the comment section on new releases disappear? I just received my 3CD MSG show and… after taking a long, but much needed four month break from listening to the Dead, and anticipating a release comparable to ‘Go to Nassau’…let’s just say, I’m ready for another four month break…??? Anyone else very underwhelmed?

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081227881597
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https://store.dead.net/dave-s-picks-vol-43.html