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    A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

     

    With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

     

    Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

     

    *2 per order. Very limited quantity available.

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  • PT Barnum
    Joined:
    Doc

    I was concerned, glad to hear you are well. Southwest of you I'm concerned, I still have friends in central florida, my mother lives down there (93 yrs old) but also dodged the main bullet, waiting for others to contact me. Mini vay kay play dead

  • dmcvt
    Joined:
    thanks, Doc

    Good to hear you and yours safe and sound. Thoughts go out to FL friends (so far, all good) and all who were so near the path. Almost at 1972 here, streaming the early December 1971 run at mini-MSG Felt Forum. A gloriously bright sunny Vermont day, fall foliage coming on, first frost tonight. Will pull the last peppers, tomatoes and basil out now.

  • 1stshow70878
    Joined:
    Oro Approved

    Love it! The Ess Amt-4 is a two-way with the slightly smaller Heil Air Motion Transformer and a 10" woofer rated 20W to 250W. They are 4 ohm, 45hz-24Khz, with the x-over at 1000hz, and called the sleeper in their killer line up from BITD. The best thing they have going is that Amt which delivers clear beautiful highs and solid mids in all directions from an open top design. Easy placement that way too. Look up their big boys, ESS Amt-1s and their Towers (I forget the number), well respected and still fetch four figure prices as parts units which tells you a lot. The Amt itself is indestructible and lifetime warranted. Mine had a solid pure pulp cone on that 10" which I have had to replace with a set of Misco, made in Minneapolis, Oaktron 10" from their Heritage line made to replace the similar stuff in all the brands from BITD. Same pure pulp cone and big voice coils and magnets but in a stamped steel frame just like the originals. Spec at 16-4000hz and 92 db efficiency.
    Got the ESSs cheap when almost new in 1977 from a college roomy who couldn't manage to get them back home to Cincy without a car. But then when the cat put a hole in one of the woofers in the 90s I replaced the originals with what I thought would be an upgrade but I screwed up. Bought subs that were 8-ohms by Pyramid, Super Pro Super Blue, made by Eminence in US ( Kentucky?) famous for their instrument speakers for bass and guitar. Great deal from a car audio shop going out of business and they took my torn ones in trade as well. As you know, that 8-ohm mistake changed the x-over to 2000hz and I traded off some midrange for killer, punchy bottom end which I thought at the time was good. Found out about five years ago that I screwed up and got the Miscos for about what I sold the now valuable subs for. Fit like a glove which no one who tried that swap with the only available 10" direct from ESS could do as all they sold was the big boy 10" from other higher models with a cast aluminum frame that required sawing into your cabinets just to make it fit. Found that out on Audio Karma luckily from others trying to do the same replacement on their various ESS. A couple of those guys used Dayton woofers to good effect but I went with Misco as their specs were a perfect match to original, hence original sound. Was not going to try to mess with upgrading as I might have had to upgrade the x-over too and taking a saw to the cabinets was out of the question. SO, long story longer, I got my midrange back and Phil bombs sound better than ever! Not bad for a novice hack job since I have zero skills with electricity or carpentry. Not even interested in a sub really. Pretty small living room and I want to keep peace in the neighborhood. Anytime you upgrade there is a leap of faith that the money you're spending will get the result you're after so I got lucky in all this I'd say. Some with a little more dinero are switching stuff all the time but you don't know unless you go. I certainly was OK with all my 70s stuff but you get used to your sound and don't realize how much better it can be until you go there. Thanks Oro.
    Cheers

  • daverock
    Joined:
    Doc

    I wish your last statement was true - but I suspect that the selfish behaviour of the powerful will have long lasting negative consequences for years to come.

  • Forensicdoceleven
    Joined:
    Most anyplace one lives is essentially dangerous......

    For all those who asked, or were concerned...............

    The Gillespie household is doing fine. So far, we've only lost power for about 45 minutes, but it's back on now. We've only caught the "tropical storm" part of Ian, but I have heard that potentially, this may be the deadliest hurricane to ever hit Florida. We now live in Green Cove Springs, about 30 miles southeast of Jax, safely away from the beach, the St John's River, and Black Creek. We're in a newish house, on high ground, have lots of food and water, and have an excellent generator. The St Augustine area is getting badly flooded........

    The strongest hurricane to ever hit Florida was the Labor Day hurricane of 1935, sustained winds of 180+ mph when it hit. There is a lovely--and moving----monument in the Keys to the hundreds who lost their lives in that storm. I've visited that site many many times while I lived down there. The deadliest? Probably the same hurricane, the exact toll is unknown, but probably in the hundreds.......

    For Matthew, we evacuated. For Irma, we hunkered down and rode out the storm. For a hurricane, either get out early, or be prepared to ride it out. I reassured my wife, "No matter what comes, we'll ride it out together".

    Out of an abundance of caution, my office is closed today and tomorrow, and I don't work this weekend. A "mini-vacation" of sorts. Now that the power is back, I'm actually busy spreading 1972 Lyceum shows around. Some things never change, hurricane be damned!!

    Here we dodged a bullet, yet I pray for those in harm's way on the Gulf coast...............

    Stay safe, and rock on,

    Doc
    What we have done for ourselves alone dies with us; what we have done for others and the world remains and is immortal......

  • Oroborous
    Joined:
    Well said 1stshow

    Don’t think I’ve heard of the ESS Amt 4s, looked them up, interesting, do you use a sub with them?
    And you refreshed my memory about adcom so I looked into that brand a little too.
    Interesting video comparing Adcom and NAD to contemporary Schiit audio.

    Almost bought a Schiit Yggdrasil DAC before I got my Meitner. For like 22-23 hundred bucks they sound as good as many DACs costing many thousands more! Schiit makes simple but value friendly great sounding products, or at least the ones I’ve heard.
    But yeah, NAD and Adcom, same idea, BITD budget friendly but great sounding gear. Sounds like a sweet little system!

    Hybrid stuff. I’ve heard some sweet sounding hybrid stuff at audio shows.
    Of course Jer Bear had a hybrid system utilizing a Fender Twin Tube amp for his pre and a SS MC2300 power amp and we all know how great that sounded and perhaps why he never changed his backend!
    I would say if your going to try hybrid go tube pre and SS power…
    My best recollection was with my buddy who started YFS and built my custom Ref 3 server: had an amazing sounding system one year at RMAF using YFS server, Meitner DAC, Custom made fully analog pre (tube?) biamped with one of the best sounding MC 275 tube amps on the highs, and a 200 per McIntosh solid state amp on the lows (don’t recall the model), powering some Von Schweikert audio stand speakers. I thought the sound and imaging of this system, even in the shitty little hotel room sounded as good or better than much bigger and expensive systems there that year.
    Just can’t describe what a big clean sound this relatively small system produced! Of course for the price of the system it should! Lol.

    I think it’s like everything else: trial and error and if it’s done right it can be a plus!
    I’ve never had tube stereo gear, but I’ve heard some great stuff, but that particular MC 275 that my buddies dad (some kind of engineer/scientist) restored and modified, is perhaps the best tube amp I’ve ever had the pleasure to hear. His dad is the one who built the custom line stage too. Ya know, let’s design and build a one of a kind killer audiophile unit just for something to do lol. They build their own bike frames too!
    So to me it’s like all this stuff, tube versus SS, analog versus digital etc, there’s not just one thing that’s best or better, if it’s done right, and you get the right synergy for your room etc, I’ve heard systems of all kinds that were amazing!

    Just a thought, yeah tube amps can be great for instruments for musical creation when you want that slightly overdriven sound (think Dead 72 before using Mac amps on the instruments), but for sound reproduction they can get tubby or muddy with perhaps too much distortion. Some people like that as it can give a richer, or warmer sound, I’m with you 1stshow, I prefer a more neutral sound, though some think that’s too dry etc?

    In the end, it just comes down to what’s best for you!

  • Crow Told Me
    Joined:
    There and Back Again

    For a few years, I was deeply into audio: or as deeply as my meager budget would allow, anyway. It started when I realized I needed a tube amplifier. This was because I realized that I would never in a million years use a transistor amp for my guitar, so why would I use one for my home listening?

    But of course tube amps and preamps are pretty pricey, so I had to go the DIY route: I built a preamp from a kit (Bottlehead) and bought an old ST-70 power amp, and I spent a lot of time tweaking them with various upgrades. They sounded pretty good, eventually. And I needed some efficient speakers, so I paired them with some Klipsch Heresys that I got off craigslist (for $100!).

    What happened next is so typical of me it's embarrassing: the ST-70 worked great for about 10 years and then just cut out one day. By this time, I had forgotten all the various rewirings and component upgrades etc I had done, and lost all my paperwork. So I had no idea how to troubleshoot it! Couldn't even find my volt meter! I decided to just sell the ST-70 for a couple hundred, get myself a used Sansui Au-417 (since they're reputed to have a tube-like sound, also a great phono stage), put all new caps in there, and call it day. So after all that I'm back to transistors. Sounds pretty good, though.

    Somewhat bemused to read the travails of my fellow heads who ordered the MSG set via Rhino and are now working through the delays and shipping mishaps. I didn't get the box set (early '80s are just not my era) but I went for the 3 CD breakout. Ordered it from Bezos and received on the day it was released. What a concept! I'm glad to have it, it's a good performance, but disappointed in the mix. It's all Jerry and Brent, Bob's guitar is completely (and I mean completely) inaudible, Phil and the drummers much too low. But you can hear Jerry great, and it's a high energy show so probably most people will really dig it. Still, I hope the rest of the box is better, for everybody's sake.

    Five for the universe:

    John Coltrane: Coltrane
    GOGD: Dick's Picks 36 (yow!!!)
    Joe Henderson: Mode for Joe
    Zappa: Hot Rats
    Sturgill Simpson: Cuttin Grass

  • 1stshow70878
    Joined:
    Bang For The Buck

    I went to separates during covid after doing some research and hearing from a collector of Heil Amt speakers that I wasn't hearing all my ESS Amt-4 floor standing speakers could do. Got an Adcom dual mono amp with 100W and 180 damping factor and was blown away like the Maxell guy. Got the other Adcom separates one at a time and noticed improvement each time. The pre-amp was better than using my old integrated amp as a pre and the digital tuner was way better than the old one. All are late 80s MOSFET stuff and fully restored they are still way cheaper than either vintage premier like Oro's McIntosh or 10x cheaper than modern audiophile. Just got to find a reliable restorer. They were the bargain audiophile brand BITD and made in USA. Very neutral coloring which some don't like but it's better to hear it exactly as it was made and play with the tone controls if you want different. Diminishing returns to go higher but I would have if the money was there. All in I spent maybe $700 and it sounds good to me. The bonus was I got a bedroom system from the old stuff, just have to add some speakers.

    Ten days to get my 3 CD MSG from CA to CO doesn't sound very innovative. Mail Innovations, aka the Louis Dejoy enrichment scheme, adds almost 500 more miles to the route that would have gotten to me two to three days earlier had UPS shortcut Mail Innovations and delivered it straight from the handoff point only 60 miles away. Bad for the customer and bad for the planet. Should be here tomorrow. Oh well, as Neil says, "don't let it bring you down, it's only castles burning".
    Cheers

    Edit: I find it interesting that folks are going back to valves, or tubes, especially in the pre-amp. I was advised to go with a hybrid solid state/tube pre-amp but stick with a solid state amp to get the benefit of the "warm" tube sound without the big bucks of the tube amp. But the hybrids were beyond my budget even used/restored as they are a newer thing. Wish my family had kept my Dad's old home built Heathkit tube amp. Would love to have heard that again.

  • dmcvt
    Joined:
    AJS audio, 1968 NW, Doc11

    Thanks Oro, a wealth of helpful information. AJS, there with you, floor standing wise, found a pair of 1986 Klipsch Cornwall IIs, 3 foot tall, 2 foot wide, 16" deep. Horn loaded tweeters and mid range, 15" woofers. They sound incredible for 35 year olds. Was driving them with an Onkyo receiver, one of the high end spec models for a long time and was happy. Eventually hooked up a power amp/pre amp combo and was surprised how much improvement... like Oro said. The power supply on the amp is huge, output rated at 150 watts per channel so a very efficient speaker like Klipsch has no stress, there is so much headroom. The damping factor as well important, a measure of how effectively (tightly) the amp controls bass response. When damping factor number is large, bass is well defined with detail and timbre, not boomy muddy. Whatever sub anyone might be using, not much useful response below 18-20Hz, as it's exponentially demanding to get lower, subsonic. The octobass and piano lowest notes are A0, about 27hz, Pipe organ low note is C0, 16 Hz. Except there's this thing called a rotary woofer that can go down to single Hz numbers at hideous expense, IMAX theater only? I would love to see and buy a 1968 NW tour box. Meanwhile, hoping Forensic Doc will let us know how it goes, we know he's in the Jacksonville area.

  • daverock
    Joined:
    Magic Carpet Ride

    Mr Ones - great band, Nick Mason's Saucerful of Secrets. I saw them just before covid, and was supposed to be going again in 2020-but... That dvd/blu ray disc of them live is worth getting, too.

    Irrespective of the extent to which climate change is affecting the hurricanes in America, there can be little doubt that the countries who are suffering most are the poorest ones. And the ones who are contributing to it most are the richest.

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A sealed, unlabeled box sat undisturbed for decades on a shelf in the Grateful Dead’s San Rafael tape vault on Front Street, its contents an enduring mystery, even to those few with access to the vault. All David Lemieux knew about that box when he became the Dead’s archivist was that it contained tapes belonging to Bear—Owsley Stanley, the Dead’s first soundman and architect of the Wall of Sound. Even in the Dead Heads’ Holy of Holies, the taped-up box was tantalizing. But this was Bear’s personal property, and so he didn’t touch the box out of an abiding respect for the elder luminary of sound. Bear’s archive of Sonic Journal recordings had been kept safe for him for years within the Grateful Dead’s vault—over 1,300 reels of tape stored in heavy-duty cartons like old banana boxes. At any time, David could have popped the tops and explored them to his archivist heart's content. But they were off-limits without the nod from Bear. - Starfinder Stanley, Hawk, and Pete Bell, Owsley Stanley Foundation

 

With a wink and a nod from Bear, we've peeled back those banana boxes to find some of the oldest and rarest of all recordings of the Dead including the double dose of shows that make up DAVE’S PICKS VOLUME 43. The two virtually complete performances from San Francisco 11/2/69, Live At Family Dog At The Great Highway, and from Dallas 12/26/69, McFarlin Auditorium, are complementary in their clarity and consistency thanks to Bear himself, and in their ability to foreshadow where the Dead were headed in the years to come. If the two killer 20-minute+ "Dark Stars" don't get ya, how about the Pigpen-centric sets featuring "Midnight Hour," "Next Time You See Me," "Big Boss Man," "Good Lovin'," and the once-lost-now-found complete rendition of "Dancing In The Streets," or the first full acoustic set ever performed? And we're certain you'll be fascinated to uncover the "Mystery Of Bear's Banana Boxes" as told by Starfinder Stanley, Hawk, and Pete Bell in the liners.

 

Limited to 25,000 numbered copies, DAVE’S PICKS VOLUME 43 was recorded by Owlsey "Bear" Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

 

*2 per order. Very limited quantity available.

Nobody holds a candle to Sabre Tooth!

Even though I have a life long vendetta against the Donkeys being a long time Bills fan, I gotta say: Barrel Man Rocked!

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In reply to by Oroborous

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I forgot about Sabre Tooth!!! I actually found an article on the team mascots, virtually all are quasi-animals except the Devil in New Jersey, and now Buoy (see: Count Chocula) in Seattle. Only one team does not have a mascot? Which team doesn’t?

On the weekend sports, they showed the mascot from BYU prior to the BYU/Utah State game on Thursday - the arm strength this individual showed was incredible as they successfully climbed two columns of folding tables stacked on each other by jumping up on all fours like an actual cat, then launching a back somersault off the table, all in this cougar mascot get up. Holy chit!

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Seem more suited to college than professional sports.

Just took a look at Buoy. Whoever decided upon that mascot should lose their job. All the effort that went into the design of those awesome jerseys was just wasted.

Psychedelics and alcohol. Back in the day I would drink prodigious amounts of alcohol while on them. Way more than usual.

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In reply to by Angry Jack Straw

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On the other hand...there may be some circumstances when drinking on top of downers could be an advantage. If not a necessity.

DaveRock - Hockey is an acquired taste, I guess! I promise, once you have the bug, you’re hooked. Playing it helps.

While we are on the sports file, I have to wonder what is it about football (soccer here in NA) that drives fans insane?? My wife and I were watching this drama a few weeks ago called “Anne” on the Hillsborough disaster from 1989 (terrible), where 96 fans died due to a mad rush at the stadium, and then we read what happened in Indonesia on Friday. Then France had problems with fighting in the stands, teargas, etc. Tons of stories of “hooliganism”, and serious violence over football matches. Years ago, one of my brother’s friends went to visit Glasgow, where his parents were born and raised, and he thought he’d catch a match for one of the better clubs. He had no idea he had the “wrong jersey” on as he is headed to the game, as he got chased by a crowd for the longest time, and witnessed guys getting beaten up, etc. I love sports - passionately - but I’ve never ever understood the madness that can surround football/soccer? Rhetorical question, I know, maybe more an “I cannot believe it” when you read the death toll over these tragedies. WTF.

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In reply to by That Mike

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I must admit, I do have more than a few bugs myself.
Regarding violence at football matches, I do remember people in the 1970s who used to go to matches specifically to cause trouble. They weren't sports fans at all. I don't know how typical they were, but there did seem to a sort of subculture around football at that time which attracted idiots like that. Having said that, I used to go and see Manchester United from about 1968-1974, and I never had any trouble. Trouble everywhere else - but not there, surprisingly.

That Hillsborough tragedy was of a different order. From what I can remember that developed more due to mismanagement by the police and the football authorities based at the club rather than to the actual fans. Terrible.

You’re right, it appears Hillsborough was colossal mismanagement by the police, and we may find something similar played out in Indonesia.
Watch that “Anne” show if you can (Maxine Peake is outstanding as the title character), it is sobering what she went through to get the police to admit to any kind of culpability.
As for troublemakers, I think you may be right, because there isn’t a recipe for real nasty pricks that somehow doesn’t have alcohol abuse as an ingredient.

On a happier note, new music in today include Keith Jarrett’s newest (and possibly last), Julia Hulsmann Quartet (a German jazz pianist), and the Robben Ford/Bill Evans (sax) album. This on top of the Wilco box set that came yesterday, plus about six or seven other assorted CDs in the incoming tray, to be played. I gotta get to this stuff, so much on the go, but what a great dilemma to have - too much music. Wow.

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I say DL2 goes with an 80's show & my prediction is 9/26/81, Buffalo, N.Y.

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In reply to by wissinomingdeadhead

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Big fan of the Terrapin. Go figure.

The next Dave's Picks? I think the 60's slot has been filled with two new shows from that decade. We had a 77 and a 74. That leaves the 80's and 90's. My guess is he dips his big toe into the 90's, specifically 1991. Just a random guess.

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In reply to by That Mike

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Cheers -I'll watch out for that film. I like watching/reading things about earlier decades that I lived through, but didn't necessarily understand at the time.

Looking at "Shindig!" magazine - which comes out here about once every two months - I noticed a review of a new book on The Dead. Called " After All Is Said and Done: Taping The Grateful Dead 1965-1995" written by someone called Mark A. Rodriguez. Who he is, I know not, but the book is given the maximum 5 stars.

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In reply to by daverock

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Dave - That new Dead book you found out about on their taping history looks amazing, and would certainly find an audience among the crew here. A little short on funds myself at the moment, and never traded in tapes, but it looks great, so i will file that under “further review”.
Cheers!

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Probably not everyone's cup of tea, but she was an original. Donna certainly liked her.

You ain't woman enough to take my man.

An American original..

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Excellent biopic. Loretta Lynn chose Sissy Spacek to play her in this 1980 movie and Sissy sang all the hit songs herself, won an Academy award for best actress. Levon Helm played Lynn's father and himself had one Bill Monroe song on the sound track album which went gold and won CMA Album of the Year.... and yes weirdness on the site, could not get to Dave's Picks 43 through the usual route.

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RIP a true American original, she truly did have the music in her. Appalachian music is about as Americana as you can get. That and the Grateful Dead.

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Last night's show at the Beacon with TTB is already up on the archive, surprise guests: Jack and Jorma. Tribute to Janis: Turtle Blues, outstanding. Hot Tuna's opening set of about 45 minutes is posted separately.

My guess is also 90’s. We have had 77, 74 and 69. The box set is 81-83. After listening to Dave wax poetic about the fall of ‘94 on XM TIGDH, I’m wondering…

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I think there's a show from fall 94 with a great Morning Dew

Not sure of the exact date

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....it's high time. There are some really good ones out there.

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I was reading up on Loretta Lynn’s passing, and came across something kind of cool to me - it’s well known Loretta and her hubby moved from Kentucky to Washington state in the late 1950s to hopefully spark her singing career. The lady had talent, but needed opportunity and exposure.
In 1959, she was singing in a “converted chicken coup” (hey, a gig is a gig) in Vancouver, British Columbia, when the owner of a nascent Canadian record company called Zero Records (the future mayor of Vancouver was an early investor) saw her perform; he was so impressed by Ms Lynn, he brought his partner by the following day to hear her. Duly impressed, Ms Lynn was signed to Zero Records, and went on to record "I'm a Honky Tonk Girl." The rest, as they say, is history. Apparently, an historic plaque has been placed in the location of the “chicken coup”.
Next time I’m out that way visiting my eldest, I’ll have to scope this historic site out.

Also, on this day in 1962, two hallmarks of culture that still endure to this day got their start, in England: The first James Bond movie (Dr No) was released, as was the very first Beatles record, the single “Love Me Do”.

Once in a while, you get shown the light
In the strangest of places if you look at it right

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That's why I come here. The music is just a cover. Thanks Mike.

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In reply to by JimInMD

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9/26 or 6/22, or 10/31???

But I’d certainly take 9/26/81 Wissinom

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If you actually visit the Loretta Lynn site, take a photo. I for one would love to see the plaque.
I predict Dave's 44 will be a show featuring the Bill Kreutzman era.

Should find out in about 2 weeks!!

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Mr Ones - I looked on Google Maps just to see if it was anywhere near where my kid lives (it’s not), but I’ll give him the address to scope it out. It appears it is a housing tract now, with a small parkette, but I read a few articles that state the place existed as a Hootnanny dance hall place. (See 2541 E Kent Ave N, Vancouver, BC). I will post a pic if I can get it.
Music trivia is so cool.

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Good to see they're reissuing Ace. Kind of a bummer there don't seem to be any tracks tracks from the original sessions. Also somewhat disappointing is that the bonus disc of live material is the snoozy Wolf Brozzz rather than GD. Ah well.

I agree with those who've guessed that the next Dave's is probably going to be a later '90s show, given that we've had '60s and '70s so far in this year's DaP series, and given that the big box was early '80s, and we had a 1990 show for DaP 40. But who knows? And even if it's a so-so '94 show or something like that, the 2022 DaPs have been so good so far I'm not going to complain. (Promise.)

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In reply to by Crow Told Me

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Snoozy! Ha!

I don't think we will be breaking into 94 any time soon, but you never know what Dave has up his sleeve.

I still believe two shows on four CDs from 91. I also have a feeling Dave might give us an 88 show or shows again. Last 88, not including TTATS, was RT. 4.2..... We should hear something next week.

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Please see your PM

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For what it's worth.. My favorite 88's might just be the Greeks, not that I have listened to every show that year or anything. They were recorded nicely too, a bonus.

I still think '91, but a '68 or two would be mind blowing. Again, for what it's worth the Deer Creek shows last year sound really good. Not everything 90's turns to stone(d).

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YES!!!!! I'd be very GRATEFUL with any of those 3 from '91 yet I always felt they would save 9/26 for a future box.

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In reply to by wissinomingdeadhead

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I’m hoping 91.
Need some Bruce.

And to throw another joker into the deck,
Bruce sits in on 3-23-95 and it’s a pretty good show.
So how about a 95 DaP?

And to tie the joker in the deck with 007, Homer Simpson has a dream/vision where he’s a casino card dealer and he deals 007 a joker and then the ‘rules of poker’ card, or something like that.

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16 years 2 months

In reply to by That Mike

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Loretta's 2004 album, Van Lear Rose produced by Jack White, is worth a listen...

Enjoy!

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7 years 4 months
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Did I go into the dead.net void, where I had to change my username, and password? Now I'm back, and I did not like what I saw. What's up? P. S. - The whole site changed. With a scroll board, and everything.

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17 years 3 months

In reply to by carlo13

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I tried to order the ACE repress. They said my password and user name are incorrect. I requested numerous times to reset password but no reset emails came. I had to re-register with the same mail . Now my "old" orders do not exist even when I use the check order( which is on the right side of the shopping login page) with the order number and email. So yes we went into the deadnet void. Sure hope their are no issues with the last Dave's as I cannot track my order

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10 years
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And a pretty big thing in places like Telluride.
They have a fest for that.
Foodies, restaurants, heads all combing the forests.
Some quite valuable besides the blue ones we love.
Good late summer rains have made it a good year.
Fun in the woods!
Cheers
Oh, and if you're really into it you may have a trained dog or pet pig to find them for you. The nose knows.

Edit: Went into the "store" from here and could not get back to this side of things. Navigation issues with the redo.

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13 years 10 months
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Hi Oro, which Dragonfly do you reccommend for $50? Cheapest I see in a quick search is $119.

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10 years
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Agreed Vguy it is ridiculous and no way it sells as well as the hatchet.
But will it outsell the garden trowel? Or the apron?
And don't feel dumb.
I had to look up what LMFAO is. Then I felt dumb.
Cheers

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17 years 3 months

In reply to by nitecat

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Old geezer time: stuff that we think was just a year ago is like ten years ago, and stuff that we thought was a while ago was just last year lol.
So I guess prices have gone up, sorry for bad intel.
As far as which one check out their comparison page.
I can’t personally say which is best as I’ve only heard the original a long time ago.
There are many of these USB DACs out there now, but the Audioquest ones always get good reviews.

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9 years 10 months
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1St Show - You are right, you leave one page here, you are in an alternate dimension, no way to easily get back. Dangerous stuff for a landing party on Dead.net

I remember years ago, my best friends older brother was at Ole Miss on a tennis scholarship, and he said the fungus grew crazy around the dorms. He said the guys would round up bags of them. Special Grateful Dead branded mushroom tools not needed.

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17 years 3 months
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with a heads up regarding construction activity in the Store, which many of you have noticed: Hey now! We’re updating a few things at the Dead.net store with an eye towards bringing you a better shopping experience. Thank you for your patience during this process and, if you have any questions, please contact our customer service team. -- Thank you and now back to your regularly scheduled DP43...

Did the comment section on new releases disappear? I just received my 3CD MSG show and… after taking a long, but much needed four month break from listening to the Dead, and anticipating a release comparable to ‘Go to Nassau’…let’s just say, I’m ready for another four month break…??? Anyone else very underwhelmed?

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