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  • hendrixfreak
    Joined:
    We have a winner!!

    And the trophy goes to Oroborous for "fungal foxtrot" -- my gawd man, you should be a writer. Oh wait...

    Another story: Roy Buchanan. We first caught Roy at Carnegie Hall in spring '74 and probably caught him a dozen times across that year into fall, most often in small theaters and clubs. (See: Roy Buchanan at Town Hall 1974...) At many shows, we had purchased "seats" and we sat in them -- for about the first 15 minutes. Then a half-dozen of us would emerge from our sometimes scattered seat assignments and basically make our way to the lip of the stage. It's not a Dead show and most folks remained seated while we formed a small cluster in front of Roy. He would smile to himself. His drummer later told me that the band referred to us as "Buchanan's rabbits," because we were always "popping up" at the lip of the stage. To this day, I've got more hearing damage from Roy's Tele and Twin Reverb (maybe 75 shows, 1974-1986) than from a roughly equal number of key GD shows (1972-1992). (Key shows: RFK '72, Watkins Glen '73, Capitol Theater/Passaic '76, Englishtown '77, Red Rocks '78 and every single subsequent GD Rocks show.) Not braggin', just happy lookin' back.

    One such event featured a double bill of Roy and Boz Scaggs w/Les Dudek on slide. We were in the first 10 rows and it was so loud, no need to get closer! After both bands played, Boz, Les and Roy jammed at supersonic volumes...

    Not to mention the many times we spent the day on the east stairs at the Rocks, then dashed in to actually cop front row (one behind the actual front row, reserved for handicapped) and at one ABB show realized that we had WAY better seats than the fairly large contingent onstage in the wings.

    Basically, my life has been one dash for the front or a judicious stance near the soundboard when I wasn't working, going to school, chasing tail or poking around the backcountry. I'm semi-retired from the big shows and, looking back, pretty effin' happy with the way I misspent my youth.

  • Oroborous
    Joined:
    Up Front when it was cool

    The first six or seven years we’d go up front any chance we could if it was GA and we got there early enough.
    Half the fun was hanging out with the heads all afternoon waiting for the chance for the mad dash to the front.
    We’re talking small Auds we’re up front you were often less than 10’ away from them and the stages were often only 4 or 5’ high, very intimate! And the stage sound was amazing.

    Speaking of the dash: At the 7/1/92 show that we worked production, we were on the stage when they opened the gates and it was wild watching the throng come swarming over the hill and down toward the stage at Buckeye as Healy blasted the Horse race Trumpet Fanfare lol. Like some kind of psychedelic scene from Braveheart!

    It could be physically brutal and grueling though, especially if you weren’t in the very front row on the rail, where you could sorta lean and push back against the throng. Better ventilation too. Basically, it was on the wall or nothing, with the wall being only about 4’ high.
    If you knew what you were doing, and the circumstances were right though, there was nothing like it, but nothing comes for free so it was often a long grueling day, but we were young, prepared and it didn’t really phase us, especially once we got electric!
    So early on it was all about up front. Yes the vocals weren’t as prominent but you got the golden pure unfiltered sound of their amps/speakers, and in 83 when they started using the Meyers stuff full time they’d put small monitors on the stage in a half circle pointing out to help fill in the vocals better.

    But besides the sound it was like going to school to be able to see how they played things and to check out all that marvelous gear out up close! “Oh, Finger Ease, that’s the stuff Bobs always spraying on his axe”, like going to school!

    Perhaps the best part was the eye contact. If you were really paying attention you could see them communicating non verbally and they’d pick up on if you weren’t just some stoned civilian, but could tell if you were really catching all the little things they were doing. It was like you were in the band and if they picked up on you, they’d watch you and see if you caught little things they’d toss about. They seemed to really dig folks who could properly pay attention to all this, especially if they made a mistake!
    I can still picture any of them throwing some musical little tid bit out there, and watch your reaction, and then smiling because they knew you caught it, PRICELESS!
    It was big fun to joke around between songs with them too. We used to pick on Bob about songs and Phil especially always had a good time with that!
    Sigh, those were the daze!
    BUT!!! learning the fungal foxtrot in front of the SB was pretty damn sweet too lol.
    And aw those awesome summer nights outside with a big ole moon during a hot Terrapin…
    Sigh, yep, those were the daze my friends, we thought they’d never end…

  • hendrixfreak
    Joined:
    Getting close...

    So apart from Watkins Glen we had partaken of the GD/ABB gathering at RFK earlier that summer, the first day. The GD went on first, I think because Jer had an Old & In the Way show in Boston that night -- that's what we heard. (He 'coptered from DC to Boston with Peter Rowan, according to hearsay.

    So a good friend who had not eaten the blotter said, "Let's go up front." Plenty of room to manuever that day. We got real close -- definitely whites of their eyes -- and several things unfolded, no longer sure the sequence. First, some Deadheads being assholes, a few miscreants were tossing fireworks around. Some genius lobs an M-80 onto the stage and it lands at Jer's feet. He used to do a little shuffle when he was jamming and, without skipping a beat, he kicks the M-80 (prior to explosion) back into the crowd with one smooth movement. When they started He's Gone, the crowd moans and boos -- the feral animals on acid syndrome. But Garcia carries it off and I think they closed the set with China-Rider. (Just looked at the Setlist Program, and that's backwards -- set closer with China-Rider, 2nd set opener He's Gone.) During China Cat I get acid-confusion. Bobby is playing a Gibson SG (I believe) and Phil is playing a big brown hollow body, but in my youth and ignorance I always associated the solid body with bass and the hollow body with a Gibson guitar -- so I'm like, wait, which one's Bobby and which one's Phil?? (I knew from photos who was who, but go figure in that "special moment"...) I said nothing, but I think my buddy realized he was leading a potential casualty around and we retreated. Also, when you're 15, although tall, you are rail thin and still getting initiated, so we did not make a habit of pressing forward. It was a foray only.

    In 1976, during their theater tour, I had something like 7th row center, 3,000 people, I could the band quite well right in front of me and discovered for the first time the buzz of the amps in the back line. I was much closer in May '73 for Old & In the Way: 3rd row, audience left, right by Jer and his banjo.

    If that's not a great way to grow up, I don't know what is.

  • 1stshow70878
    Joined:
    About 20 rows up at red rocks

    Is just exactly perfect. My first show 7th row middle was too close for the best sound. Got there early as HF suggested and had our pick. But it was so loud I had to sit some just to give my ears some relief. Next two times there we figured out, as Vguy notes, the balance and full bass effect was better about 20th row middle. A few rows in front the tapers section and soundboard (duh, that's why they put it there). For Brent's RR debut in '79 we got back closer to 12th row as we wanted to see the new guy and the sound was pretty darn good and it seemed the crew had figured out the Red Rocks by that third visit and how to bounce Phil off them. All my other shows were pitifully far back or to the side with McNichols '79 the worst sound of all, upper deck right side and an echo chamber. The Denver Coliseum, where I saw a few other bands, had terrible acoustics. College halls that were designed for good acoustics like C.U. Boulder's were ideal. Pin drop perfect for the Chick Corea/Gary Burton show. You could visually see the notes, no wait, maybe that was the shrooms.
    Cheers

  • dmcvt
    Joined:
    close up Newcastle May 1970

    Probably late to the party on this, just discovered on utube , lengthy (almost two hours) coverage of the Dead's May 1970 trip to England, rough cuts, casual interviews, a few tedious moments, loaded with inside looks and about 35 minutes of concert footage from 5/24: "Grateful Dead England 1970 (The Lost Film)"

  • daverock
    Joined:
    Seeing the whites of their eyes

    As I remember it, it was quite easy to walk up quite close to the front of the stage when the Dead played at the Rainbow, London, in October 1981. It was standing room only down there.
    I was even closer the first night on the October 1990 run at Wembley. Brilliant! Seeing people you have read about and listened to so much, for so long, at such close quarters. Prior to this night it was hard to believe that they actually existed. Nobody I knew had ever seen them, or even heard of them. Like living in a world of your own. Which, given the alternative, might not be a bad thing.
    The last night I was up the balcony to the right, and that wasn't as good. I'll never know what was me - I was high as a kite - and what was really happening. The people around me appeared to be dancing and cheering before the band came on. It was like they could hear something I couldn't. When the band did come on, the only instrument I could clearly hear was Bruce's piano. I went bombing downstairs to try and get in to the stalls, but was easily ejected and went back to my seat. The balance improved during the show - but it was an odd sound. And as I have said before, drums and space was incredible.

  • Vguy72
    Joined:
    Being really close at the Dead....

    ....only twice. Vegas '91 and Portland '95. Sound sucks up there anyways.

  • Angry Jack Straw
    Joined:
    Getting up front

    Was fairly easy early on. Then it became a headache.

    Back in 93 or 94 we decided to go to the Spring shows on Long Island. You were still able to call in for tickets back then and somehow I got right through. To the customer service rep - I need tickets for Thursday and Friday, but purchase Friday first because that will sell out quickly. Of course when she reads the first order back it is for Thursday. Annoyed, but I got 6th row. By the time she put in the Friday order, we got the farthest section back in the upper deck. That was the last time we got up real close. Of course as any seasoned head would do, we brought our Thursday stubs to the Friday show. The usher gladly showed us to our seats right up front soon after the lights went down.

  • Oroborous
    Joined:
    Up Front

    Pretty much gave that up around 85-86. Combo of no more GA, getting a little older, and most of all…discovered the Lysergic shuffle which requires proper floor space lol

  • Vguy72
    Joined:
    Phish fans....

    ....yup. They have changed a lot since I first saw them in 1994. People up front on the floor tend to get very territorial. Throw down huge tarps and will say they are "holding spots for their friends" and will get hostile sometimes. A lot of times I never see their so-called friends ever show up. Sad really. I don't go up front anymore.

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I just wanted to note yesterday was my 12th anniversary of joining this awesome dead head club! Thanks for all the great conversations and music recommendations!

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9 years 1 month

In reply to by hendrixfreak

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I will absolutely buy it on Blu-ray if it comes out.

I didn’t attend MUATM, but have had grainy video of the show on DVD for years, with computer graphics to fill in the gaps between video segments.

Looking forward to viewing the restored version on Blu-ray.
Sounds like a grate Black Friday release.

DaP44 arrived today.
Sound quality - on my stereo system I can hear everyone, Phil is very clear.

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12 years 2 months

In reply to by Strang3stofplaces

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Very cool of you to both step up and own it. We all have our bad days and have posted things we regret. Myself included. As many have already said, this is an accepting bunch.

MUATM - way bummed on this one. The closest venue is an hour and a half away.

Hendrixfreak - no offense taken here. You are spot on. The JGB shows I saw in the 90s were far better than anything the GD were pumping out during that time.

Now to annoy some folks out there myself. DaP44 has not arrived yet, but this will be the first release to be shelved without even a listen. I’m still reveling in DaP43.

Enjoy to all of you looking forward to this release.

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8 years 1 month

In reply to by Angry Jack Straw

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Went last night with one of my old tour buddies. It was short but sweet. Like others I have seen the majority of this on the tube. It was great to be in the theater again. I didn't see a huge upgrade in the video.

Dave mentioned they had one set for 2021, but obviously cancelled it. I wonder what it was.

I got that phishing email as well. Would have to guess the site was compromised again. Don't reply or click on any of the finks. I would also be careful with payments. Makes me nervous.

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17 years 5 months

In reply to by DeadVikes

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....Autzen arriving tomorrow.
Plus, Phish had a concert poster dump the other day on Dry Goods. Holy crap. Needed to have lighting quick fingers to snag one. Gone in less than 15 minutes. I had two in my basket that were sold out before I could get to the payment part. I settled for the '21 NYE run one. Aka, the shows that never happened due to omicron lol.
In case you didn't know, some of these prints bands put out at shows fetch a pretty penny.
Last Five....
The Beatles - Revolver Super Duper Release (on Spotify). Current listening. Please dont spoil my day, I'm miles away, and after all I'm only sleeping.
Hot Tuna - Burgers
Hot Tuna - America's Choice
Dio - Last In Line
Metallica - Ride The Lightning

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17 years 5 months

In reply to by Dennis

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but If he grows a little more hair he might cover it up 😂
Actually, he has more up top then I do lol.

But I agree about JGs interest in the 90s.
Though I’ve heard him play good shows then with the Dead, it seems quite obvious that he was able to enjoy himself much more doing extracurricular things and it clearly shows: Merl, JGB, Grisman, Sanjay Mishra, Ornette etc. Anyone but the Dead!
I think some of these other ones are some of his best work!
So the argument that he couldn’t play anymore is not accurate, as evidenced by all this amazing work during this excellent prolific period. No mho is he was bored (maybe burned out is better word?) with the whole Dead cycle and it often showed, and I think indirectly it contributed to his demise.
I’ve been saying it for 30 years, they should have taken another hiatus after Brent died!

Happy anniversary to NITECAT, we’ve enjoyed your company!

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Long story short: The Store (and Dave's Picks subscription, etc.) now require that you set up an account there separate from your Dead.net account. This may address some of the issues people are having with going over there from Dead.net, being prepared to purchase only to be told they have to log in, etc. If you did all that and it's STILL acting up, do tell. Thank you.
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I just got my DaP 44 today. I am listening to it now. Man I love Brent... Honestly the connection between him and Jerry had was and is so good. I am only on CD 1 so I have a lot listening to do, but I am liking what I am hearing. I really do think these summer 1990 shows were great. Maybe not quite on the level of Spring 1990, but I am not dismissing these shows either. I feel like the music is looser in the summer than in the spring in 1990. Now this is not a slight, just cool observation and one to which I have come to expect with the finest band in the land. I would definitely welcome more shows from this summer tour to be released. It sounds like Dave has this show's counterpart on his radar for future release, which would be nice.

I am heading to the MUATM this Saturday. Where I live, I am within a mile radius (walking or driving) of a large county park, groceries stores, restaurants, and the movie theater that is showing the Tivoli show. It is nice that all of this is so close. My wife I am are contemplating walking to the movie theater so we can engage in some fun activities pre show. I have been working on my wife's understating of the band and Pigpen is huge for me. So for her to see this version of the band on the big screen will be nice. I know we get 3 Pigpen tunes so that will be the icing on the cake as the expression goes.

UPDATE: I am editing my post for the typos I saw, there may be more that I miss. However I am also on CD3 now and I must say this is a mighty fine show.

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17 years 5 months

In reply to by Gratefulhan

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....is here. And in it goes.
Got the WS on mute.
Edit. There has been a Cumberland sighting y'all!

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2 years 8 months

In reply to by hendrixfreak

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I was at JGB on 10/31/92 and it was one of those shows that really stuck with you. For many years I kept seeking out reasonably good recordings, but it seemed to trade heavily in poorly pitched and muffled copies. This recording is beautiful, and the playing and soul shine so bright. This release is a jewel.

Yes, latter era Jerry side projects were good, but I think the "strong" periods of solo stuff match up with what I consider to be good Grateful Dead too. For my tastes, 1989, 1990, 1991 were strong on either side. 1973, 1974 same. And I saw many JGB shows at the Warfield that were not very energetic or strong in 92, 93, 94, etc.

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17 years 5 months

In reply to by JrPasquale

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....this pre-drumz second set goes on for a long, long time. Uncle Johns Band snuck up on me. Badass.
I got sick and missed this show. Ugh!!

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3 years 1 month
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38 years ago tonight, I was having a great time at the BCT with the Good Old Grateful Dead. Fun show to end a fun run of shows. It also had a Cumberland.

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13 years 5 months

In reply to by JrPasquale

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Great dialogue here, but a tough situation.

You have to give Jerry some credit for creating quite the world he lived in. He helped create or created the Grateful Dead. The psychedelic Juggernaut of a band. He said in an interview that they were too powerful and in the next sentence he said he often sabotaged them I think in a reference to hiding from any commercial success.

But early on, just a few years after the GD was formed, he began his solo projects that became the JGB. In the later years this was the shit.. the GD were in decline but the Jerry Garcia Band was his refuge.

Listening to this all these years later, it's obvious` the GD was a bigger thing than the JGB ever became. But for brief moments in time JGB floated ever higher than the GD, perhaps simply because he soloed more and at ever just the slightest higher temperature. It did seem he enjoyed himself more without all the machinery that was the GD.

It's all subjective though. It's a double dose. We got them both, how lucky were to get two great bands out of one performer. And the kick, for the most part somebody pressed record just as the curtains were lifted.

Just a moment of reflection, as you were.

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10 years 3 months

In reply to by JimInMD

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For what it's worth, I get the impression that in the latter years the JGB was a hobby and the Dead a job. It must be strange singing songs that were written, sung and played when you were young, but which you are still expected to play with conviction when the moment may have passed.

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In reply to by daverock

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I was able to attend three shows over the years
12/something/84 Seattle
1993 Seattle and Portland

fun in person

repetitive set lists
How Sweet It Is etc.
and slow AF sometimes

I rarely listen to JGB. GD takes priority.

that said...

there is some JGB that I dig
Midnight Moonlight from 78?
5/8/84!!!!!!!!!! now THAT'S a show I would love to hear all cleaned up. I still have it on cassette

blah blah blah

GD is my BAE

back to work, Proudfoot.

beware the Brown Acid, people. Some would love to dose the entire country with it.

blah blah blah blah blah

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On DaP44. Extra week because of Mail "Innovations".

JGB and other solo projects really let Jer delve deeper into so many styles.
Anything 73-74 always blew me away. His Motown covers like I Was Made to Love Her. Solos going so far you wonder how he's going to get back. Then you go wow, never would have thought of that return. Vassar called him fearless when soloing.

Last 5 - more old tapes
Blue Ribbon Bluegrass - 1993 Rounder Records. A who's who of bluegrass.
Doc & Richard Watson - Third Generation Blues
Bela Fleck & The Flecktones - Live Art
The Radiators - New Dark Ages
Leftover Salmon - Euphoria
Cheers

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My DaP 44 arrived Wednesday, just 5 days after the release date, and I think that’s the world record. Usually they get to me 10-14 days later. Weird that I never got any tracking info, but hey, here it is! And it’s really good. Like Vguy, I gave it a spin with the world series on mute (goddam Trashtros!) and really enjoyed it.

I think I’ll always prefer the early ‘70s to everything else. I could just go and live in 1973, as Dick Latvala once said. But I’ve come to realize there are good shows to be found in every era, and the “Late Brent Era” had some gems, as DaP 40 and 44 demonstrate. Definitely a unique vibe to this Oregon show: kind of laid back, from start to finish, but everybody sounds engaged, and the audio's good so you can really hear the whole band. It’s a whole different experience than what we get from a great ’69 or ’73 show, because of course it is.

Interesting to speculate about Garcia’s state of mind. I think he definitely felt burned out at several points, and he also felt like he owed it to everyone—the other band members, the crew, and all of us—to continue. That’s a classic formula for substance abuse: a person feels trapped by circumstances they feel powerless to change, so they seek escape via the wonders of neurochemistry. Which works, until it doesn’t. I, too, wish they would’ve taken a couple more hiatuses whenever Jerry got real strung out. I’ve heard interviews where Phil said he wanted to do so, but he knew Garcia would just go on tour with the JGB and just keep using. So they just kept on. But based on the recorded evidence, they kept it together pretty well in 1990 ... until Brent died.

It's a matter of taste, for sure, but I wouldn’t agree that Jerry’s playing was better with the JGB. I think he may very well have preferred playing with JGB at certain times, because there was less pressure and because it was probably a relief to play with a “normal” rhythm section that stuck to the chord changes and kept the beat where it was when the song started and played things the same way from night to night. But I think his best playing resulted when he was being pushed and prodded in various unpredictable ways by the Dead.

Last five:
Dvorak: Symphonic Poems (now THAT is some psych-a-delic shit)
GOGD: DaP 44
Billy Strings: Home
Hank Mobley: Soul Station
Kamasi Washington: Harmony of Difference

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10 years 2 months
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The mysteriously placed sun in the artwork reminds me of the Kugelblitz at the center of season 3 of The Umbrella Academy. Whether the the deadheads are naively summoning its arrival, using the power of dance to capture its cataclysmic energy or happen to be enjoying their newly found freedom of life as post-apocalyptic skeletons, who's to say. Its all up for personal interpretation. But I think there's a clue in the bottom right corner. Curiouser and curiouser!

On with the listen.....

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11 years 8 months

In reply to by Crow Told Me

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Must fess up, being a first and second era kind of fan, have enjoyed 44 and though I may not pull it from the shelf much later on, dug the laid back sunny afternoon in the NW vibe that permeates an excellent recording. Maybe a touch too much reverb drench on Looks Like Rain. Remarks here reminded of David Grisman's story of meeting Jerry for the first time when they crossed paths looking for Bill Monroe at a bluegrass festival in PA in 1964. There are a few revealing moments in the Grateful Dawg film where one can tell Jerry is so totally relaxed and enjoying himself at Grismans house... when did Jerry get to play banjo or lap steel with the Dead? There was a lot going on with the latter era Dead, as been said, so many expectations, the big stage et al. Live jazz tonight, Paul Asbell's group with Gabe Jarrett on drums (son of the famous pianist) and bonus, a few minutes ago, scored a front row seat for Steve Kimock Zero at the Flying Monkey tomorrow night. Music is The Best!

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10 years 2 months
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Still my favorite for nailing Jerry's sound. Would be a great show to see.
I have a friend who when he got a custom Alembic sounds remarkably like Jerry. Guy is so good but hardly ever plays.
Jimmy Herring was the only "replacement" I got to see post-'95.
Cheers

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14 years 1 month
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Oro, thanks for the kind words on my anniversary. I enjoy reading your posts. Truth be known, I enjoy reading most everyone's posts on these forums. Music IS the best!

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14 years 10 months
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Arrived yesterday, but I didn't have time to listen, as Dark Star Orchestra were in town last night at First Avenue. Unfortunately they played a hodge-podge show with almost no "classic" GD songs! :( They played lots of once-in-a-blue-moon covers that the Dead played, plus Liberty, Corrina, and a seemingly-interminable Drums. I had a friend along who is getting into the GD, and I had to keep explaining that what they were doing was not at ALL like a GD show. It was the oddest set list I've ever come across while attending DSO shows. There was even a Low Spark that almost crawled to a stop at times, which I guess is true to GD form (from certain tours), as in when Althea or West L.A. occasionally slowed to the point of almost stopping! :)

Got the subscription and the calendar, so now I've got to get myself back to the Gar-a--ar-den (box), the second set of GarciaLive 19, and DaP44!

Be kind, rewind. Then vote for kindness.

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15 years 2 months
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Two weeks after getting the initial message telling me my order is on the way UPS tell me they have the item in Fontana. At least it’s started the journey.

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17 years 5 months

In reply to by Colin Gould

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....all I know, is that when we saw a show from a new tour, speculation was always, "will it be a somewhat healthy Garcia or the other one."
His weight was all over the place.
As we sat on the knoll outside of Shoreline after the last '95 show, we all thought that this may be the last time we get to see him.
On the plus side, winter warmer beers are arriving!
Finishing up disc 3 of Autzen. The Wheel into Miracle was neat.

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17 years 5 months
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Hey now ~ received my DaP copy 16302/25000 and it did not have liner notes enclosed. That is a first. I understand that they should be enclosed according to Daves YouTube update and vaguely in the CD description. Has anyone else had this issue? I contacted customer service and am waiting on a resolution. Fingers crossed.

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17 years 6 months
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please send me a PM with the details and I'll see if the Doc can find you some liner notes. So sorry!

Iz in da house!
Was getting slightly worried as it started out moving along nicely, passing within less than 2 miles from our house going to D town, then it just stopped in Denver…, like disappeared off the grid for close to a week.
Magically popped up and was ready for pickup yesterday, so in the end only 2 days longer than originally stated.
What evs, it made safely home, it’s ripped, gonna have a big breakfast, coffee etc, and do it proper!

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10 years 2 months
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listen, first set, first beer, first bowl.
I seldom get to listen to these the first day either.
It's all good! And I'm on a Cumberland.
Cheers

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4 years 4 months

In reply to by proudfoot

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Nice Cumberland Blues

The show overall brings on a multitude of emotions. At the time my marriage was not at its finest and it was also a bit wobbly career wise. And, as I said before, at the show, I was waaaaay up there knowwhutImean.

No complaints, however.

Fun tempered with reality.

I am ready to get back into Europe 72 now.

God bless the Grateful Dead :)))

....check this out. One of my favorite tee shirts is one that says Make America Grateful Again. It's my go to concert tee and I've been high fived, fist bumped and met several people that ask if they can take a picture of it. Grate conversation starter. HF knows.
Anyways, I do wear it around the in the wild as well.
Was as the store today grocery shopping wearing it. Was checking out when I was approached by a random guy.
"Hey man. What the fuck is that supposed to mean?"
"Excuse me?"
"That shirt you're wearing?"
"Idk. Figure it out."
"Hmmm. Seems like you are making fun of our message?"
I noticed he was conceal carrying. I know that bulge under the shirt.
"And what message is that?"
"You know damn well what message."
It was time to cut this particular conversation short. Like fast.
"Hey man. You do you and have a great day." Tried to pass by him. He actually grabbed me by the shoulder and went all crazy eyes.
"I don't think your shirt is funny."
"Its not meant to be, but you are fucking hilarious. Now please let go."
His face went beet red.
Other people around started watching because he wasn't exactly quiet while squawking.
"Fuck you."
"Ok. You first."
He let me by and I left the store and walked to my car. Looking behind me all the way. He didn't follow me, but holy shit. Some people can't see the forest for the trees and the kool-aid is strong with some.
Home now and spinning Autzen's second set.
Best shirt ever. Might buy another one in fact.
Please vote....

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10 years 2 months
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goddam proud to know ya Vguy.
Cheers

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17 years 5 months

In reply to by proudfoot

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....and I wasn't about to antagonize any more than I already kinda did.
I felt sorry for him actually.
What a sad existence.
The Wheel is turning and you can't slow down.

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17 years 6 months
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Just been to two of the shows by Tedeschi Trucks Band in London and on both occasions before they came out the venue played a lovely version of Brokedown Palace. I’d love to know who it was by. It was soft, almost gospel sounding and nearly a capella.

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17 years 5 months

In reply to by frankparry

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....you beat that covid!
Was concerned.
Excuse me if I'm wrong, but if I recall you caught it.
Joined dead.net 2007 club member lol.
Stick around.

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7 years 7 months
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TLEO sweet. First disk in. Hashables cookies & cream edibles will kick in by disk 2. I'm a very lonely guy.

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16 years 7 months
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What to listen to? Hands down Jerry. As has been mentioned I too preferred Jerry shows in the 90’s. Part was due to the post In The Dark insanity but truth be said sitting in the loge at the Warfield or to be honest even this show beat East Coast stadiums or even Sac with the Dead by this time. Glad I can fully enjoy the music now

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14 years 1 month
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10 second rule....gather yourselves and stay cool everybody.

in other news, the World Series keeps giving us Dead snippets. Caught some Estimated at the end of the second inning going to commercial.
Going back and forth with Caddy Shack on IFC.

#8623 has arrived. Will listen tomorrow, as I have finished the MSG box.

Sorry to hear of your stressful event, VGuy.

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12 years 2 months

In reply to by bigbrownie

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Sorry for your troubles.

Do yourself a favor a pop in disc 3 of DP11. One of the best Cumberlands ever. And out of a Dark Star as a bonus.

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17 years 5 months

In reply to by Angry Jack Straw

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....I won't let that idiot get me down.
I'm better than that.
People Are Strange - The Doors.
It's really weird though. And not in the Bobby Weir weird sense.
I just don't understand some people's mindset. Best I don't dwell on it anyway. So into music I go.
Larkin Poe is dropping a record next week, and I am all in.
I've decided to play the Day Of The Dead Box set. Disc 4.
Thanks AJS. Cumberlands are the bestest.
Music soothes the soul. And Caddyshack is a classic.
"Gophers! Gophers! Not golfers!"
"Not my fault I can't understand what you're saying."
Asstyros suck.

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17 years 6 months

In reply to by Vguy72

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Thanks Vguy - yup, got it beat. It lasted a little over a week and has left me dopier than ever! Ha! I felt better after a week but was only clear around the 10th day. I’m wondering if this was actually the second time as I remember feeling exactly the same right at the start of the pandemic but mistaking it for a really bad cold, shivers and ghastly throat. This time food and drink taste a little metallic and I’m just perennially tired.
Anyway, enough of that. Tedeschi Trucks are terrific. Last night they incorporated two Allman Brothers numbers which reminded me of my trip to NYC in 2010 to see the Allmans at the Uptown Theatre. TTB also did a lengthy jam around Anyday (Derek and The Dominoes) which went into a great rendition of Soul Sacrifice. They are a band to watch!
Sorry to hear about your upsetting encounter. It’s difficult to understand where this aggression comes from. It seems to me that the world really does need some Grateful magic to make us , in Jerry’s words, copacetic and kind.

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7 years 4 months
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So glad me and a buddy made it to MUATM yesterday!! Great sound, great camera work, great to see Pig!! I’m hoping to pull Tivoli out of the trunk today, and play all the music that was not in the movie.
VGUY, you are a 100% stand-up member of this board, and I’m glad to hear you did not have to break bad with that A$$hole.
In my mind, the worst development of the last 7 years has been people’s absolute need to demonize the “other side”. There’s only one side!! We have to share this rock we live on.
I am disgusted and deflated. It’s only on this “grate” site, that we can disagree, and not want to kill each other.
I have voted, as I’ll be out of state in Tuesday. That’s all I can do.
Well, I can play Dead, and a hundred other bands. And why not??
Music is the Best!!

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17 years 6 months
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Has Autzen arrived in Europe (UK especially) yet? If so, when?

Just curious.

As an aside, recently purchased some music and a T from the Garcia store and I have to say, it was painless and very, very, reasonable. Tax paid upfront, sensible shipping costs, and very well priced music. Got here in no time at all. (Electric on the Eel and Jerry 19).

If you haven’t ordered from there before, I can wholeheartedly vouch for them. Really good job.

product sku
081227881580
Product Magento URL
https://store.dead.net/en/grateful-dead-1/daves-picks-vol.-44-autzen-stadium-eugene-or-62390/081227881580.html