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  • hendrixfreak
    Joined:
    We have a winner!!

    And the trophy goes to Oroborous for "fungal foxtrot" -- my gawd man, you should be a writer. Oh wait...

    Another story: Roy Buchanan. We first caught Roy at Carnegie Hall in spring '74 and probably caught him a dozen times across that year into fall, most often in small theaters and clubs. (See: Roy Buchanan at Town Hall 1974...) At many shows, we had purchased "seats" and we sat in them -- for about the first 15 minutes. Then a half-dozen of us would emerge from our sometimes scattered seat assignments and basically make our way to the lip of the stage. It's not a Dead show and most folks remained seated while we formed a small cluster in front of Roy. He would smile to himself. His drummer later told me that the band referred to us as "Buchanan's rabbits," because we were always "popping up" at the lip of the stage. To this day, I've got more hearing damage from Roy's Tele and Twin Reverb (maybe 75 shows, 1974-1986) than from a roughly equal number of key GD shows (1972-1992). (Key shows: RFK '72, Watkins Glen '73, Capitol Theater/Passaic '76, Englishtown '77, Red Rocks '78 and every single subsequent GD Rocks show.) Not braggin', just happy lookin' back.

    One such event featured a double bill of Roy and Boz Scaggs w/Les Dudek on slide. We were in the first 10 rows and it was so loud, no need to get closer! After both bands played, Boz, Les and Roy jammed at supersonic volumes...

    Not to mention the many times we spent the day on the east stairs at the Rocks, then dashed in to actually cop front row (one behind the actual front row, reserved for handicapped) and at one ABB show realized that we had WAY better seats than the fairly large contingent onstage in the wings.

    Basically, my life has been one dash for the front or a judicious stance near the soundboard when I wasn't working, going to school, chasing tail or poking around the backcountry. I'm semi-retired from the big shows and, looking back, pretty effin' happy with the way I misspent my youth.

  • Oroborous
    Joined:
    Up Front when it was cool

    The first six or seven years we’d go up front any chance we could if it was GA and we got there early enough.
    Half the fun was hanging out with the heads all afternoon waiting for the chance for the mad dash to the front.
    We’re talking small Auds we’re up front you were often less than 10’ away from them and the stages were often only 4 or 5’ high, very intimate! And the stage sound was amazing.

    Speaking of the dash: At the 7/1/92 show that we worked production, we were on the stage when they opened the gates and it was wild watching the throng come swarming over the hill and down toward the stage at Buckeye as Healy blasted the Horse race Trumpet Fanfare lol. Like some kind of psychedelic scene from Braveheart!

    It could be physically brutal and grueling though, especially if you weren’t in the very front row on the rail, where you could sorta lean and push back against the throng. Better ventilation too. Basically, it was on the wall or nothing, with the wall being only about 4’ high.
    If you knew what you were doing, and the circumstances were right though, there was nothing like it, but nothing comes for free so it was often a long grueling day, but we were young, prepared and it didn’t really phase us, especially once we got electric!
    So early on it was all about up front. Yes the vocals weren’t as prominent but you got the golden pure unfiltered sound of their amps/speakers, and in 83 when they started using the Meyers stuff full time they’d put small monitors on the stage in a half circle pointing out to help fill in the vocals better.

    But besides the sound it was like going to school to be able to see how they played things and to check out all that marvelous gear out up close! “Oh, Finger Ease, that’s the stuff Bobs always spraying on his axe”, like going to school!

    Perhaps the best part was the eye contact. If you were really paying attention you could see them communicating non verbally and they’d pick up on if you weren’t just some stoned civilian, but could tell if you were really catching all the little things they were doing. It was like you were in the band and if they picked up on you, they’d watch you and see if you caught little things they’d toss about. They seemed to really dig folks who could properly pay attention to all this, especially if they made a mistake!
    I can still picture any of them throwing some musical little tid bit out there, and watch your reaction, and then smiling because they knew you caught it, PRICELESS!
    It was big fun to joke around between songs with them too. We used to pick on Bob about songs and Phil especially always had a good time with that!
    Sigh, those were the daze!
    BUT!!! learning the fungal foxtrot in front of the SB was pretty damn sweet too lol.
    And aw those awesome summer nights outside with a big ole moon during a hot Terrapin…
    Sigh, yep, those were the daze my friends, we thought they’d never end…

  • hendrixfreak
    Joined:
    Getting close...

    So apart from Watkins Glen we had partaken of the GD/ABB gathering at RFK earlier that summer, the first day. The GD went on first, I think because Jer had an Old & In the Way show in Boston that night -- that's what we heard. (He 'coptered from DC to Boston with Peter Rowan, according to hearsay.

    So a good friend who had not eaten the blotter said, "Let's go up front." Plenty of room to manuever that day. We got real close -- definitely whites of their eyes -- and several things unfolded, no longer sure the sequence. First, some Deadheads being assholes, a few miscreants were tossing fireworks around. Some genius lobs an M-80 onto the stage and it lands at Jer's feet. He used to do a little shuffle when he was jamming and, without skipping a beat, he kicks the M-80 (prior to explosion) back into the crowd with one smooth movement. When they started He's Gone, the crowd moans and boos -- the feral animals on acid syndrome. But Garcia carries it off and I think they closed the set with China-Rider. (Just looked at the Setlist Program, and that's backwards -- set closer with China-Rider, 2nd set opener He's Gone.) During China Cat I get acid-confusion. Bobby is playing a Gibson SG (I believe) and Phil is playing a big brown hollow body, but in my youth and ignorance I always associated the solid body with bass and the hollow body with a Gibson guitar -- so I'm like, wait, which one's Bobby and which one's Phil?? (I knew from photos who was who, but go figure in that "special moment"...) I said nothing, but I think my buddy realized he was leading a potential casualty around and we retreated. Also, when you're 15, although tall, you are rail thin and still getting initiated, so we did not make a habit of pressing forward. It was a foray only.

    In 1976, during their theater tour, I had something like 7th row center, 3,000 people, I could the band quite well right in front of me and discovered for the first time the buzz of the amps in the back line. I was much closer in May '73 for Old & In the Way: 3rd row, audience left, right by Jer and his banjo.

    If that's not a great way to grow up, I don't know what is.

  • 1stshow70878
    Joined:
    About 20 rows up at red rocks

    Is just exactly perfect. My first show 7th row middle was too close for the best sound. Got there early as HF suggested and had our pick. But it was so loud I had to sit some just to give my ears some relief. Next two times there we figured out, as Vguy notes, the balance and full bass effect was better about 20th row middle. A few rows in front the tapers section and soundboard (duh, that's why they put it there). For Brent's RR debut in '79 we got back closer to 12th row as we wanted to see the new guy and the sound was pretty darn good and it seemed the crew had figured out the Red Rocks by that third visit and how to bounce Phil off them. All my other shows were pitifully far back or to the side with McNichols '79 the worst sound of all, upper deck right side and an echo chamber. The Denver Coliseum, where I saw a few other bands, had terrible acoustics. College halls that were designed for good acoustics like C.U. Boulder's were ideal. Pin drop perfect for the Chick Corea/Gary Burton show. You could visually see the notes, no wait, maybe that was the shrooms.
    Cheers

  • dmcvt
    Joined:
    close up Newcastle May 1970

    Probably late to the party on this, just discovered on utube , lengthy (almost two hours) coverage of the Dead's May 1970 trip to England, rough cuts, casual interviews, a few tedious moments, loaded with inside looks and about 35 minutes of concert footage from 5/24: "Grateful Dead England 1970 (The Lost Film)"

  • daverock
    Joined:
    Seeing the whites of their eyes

    As I remember it, it was quite easy to walk up quite close to the front of the stage when the Dead played at the Rainbow, London, in October 1981. It was standing room only down there.
    I was even closer the first night on the October 1990 run at Wembley. Brilliant! Seeing people you have read about and listened to so much, for so long, at such close quarters. Prior to this night it was hard to believe that they actually existed. Nobody I knew had ever seen them, or even heard of them. Like living in a world of your own. Which, given the alternative, might not be a bad thing.
    The last night I was up the balcony to the right, and that wasn't as good. I'll never know what was me - I was high as a kite - and what was really happening. The people around me appeared to be dancing and cheering before the band came on. It was like they could hear something I couldn't. When the band did come on, the only instrument I could clearly hear was Bruce's piano. I went bombing downstairs to try and get in to the stalls, but was easily ejected and went back to my seat. The balance improved during the show - but it was an odd sound. And as I have said before, drums and space was incredible.

  • Vguy72
    Joined:
    Being really close at the Dead....

    ....only twice. Vegas '91 and Portland '95. Sound sucks up there anyways.

  • Angry Jack Straw
    Joined:
    Getting up front

    Was fairly easy early on. Then it became a headache.

    Back in 93 or 94 we decided to go to the Spring shows on Long Island. You were still able to call in for tickets back then and somehow I got right through. To the customer service rep - I need tickets for Thursday and Friday, but purchase Friday first because that will sell out quickly. Of course when she reads the first order back it is for Thursday. Annoyed, but I got 6th row. By the time she put in the Friday order, we got the farthest section back in the upper deck. That was the last time we got up real close. Of course as any seasoned head would do, we brought our Thursday stubs to the Friday show. The usher gladly showed us to our seats right up front soon after the lights went down.

  • Oroborous
    Joined:
    Up Front

    Pretty much gave that up around 85-86. Combo of no more GA, getting a little older, and most of all…discovered the Lysergic shuffle which requires proper floor space lol

  • Vguy72
    Joined:
    Phish fans....

    ....yup. They have changed a lot since I first saw them in 1994. People up front on the floor tend to get very territorial. Throw down huge tarps and will say they are "holding spots for their friends" and will get hostile sometimes. A lot of times I never see their so-called friends ever show up. Sad really. I don't go up front anymore.

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In reply to by JimInMD

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....the best thing about driving solo, is that a can listen to whatever the hell I want to without anyone bitching.
Started with some more Oingo Boingo. Good sing along songs imo, then the Dolphins/Texans game. Go 🐬's. Then Dave's 44. Then. Then the second set of Phish @ Amsterdam 7.2.97. Whoo boy. Lucky I didn't get pulled over listening to that. Badass set. Four songs. Thirty minute classic Stash followed by Llama then the Wormtown Jam, which is a one off mashed up Steve Miller's Swingtown with Anastasio's acid trip the night before where he rode on the backs of worms 🪱 in the canals of Amsterdam after going into a portalet, then Wading In The Velvet Sea.
I think I blew out my driver's door speaker.
Apologies if that's not your jam, but like I said, it's nice to drive solo.
Edit. Seems the dogs need food. Perfect excuse for the Free, David Bowie encore y'all!
Happy belated birthday Jimi and Simonrob. Rock on my brothers.

10 30 early show oh well late start apparently
10 30 late show worth a listen
10 31 early great setlist and energetic enough
10 31 late will need to listen at another time

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VGUY, I can so relate to driving alone while listening to anything I damn well please. I could make my 8 1/2 hour drive to New Hampshire a breeze. Going all the way back to the cassette era, 4 concerts would usually get me there, but occasionally I would just play 8-12 regular albums, be it on cassette or CD.
I still mostly listen to albums start to finish. On occasion I will break that custom, but it’s unusual for me. I think that’s yet more proof of my dinosaur status. Still, I don’t care about that. Great music can make a long drive feel like a very short drive. The right 3 Phish (or Dead) shows can get you 9 hours!!
Just before crashing, I decided I needed a nightcap. The problem was, will it be the Fillmore Bonus Disc, or the Beyond Description Bonus Disc?? Can’t really lose either way.
I went with the Fillmore disc, and boy howdy, I hadn’t listened to that 30 minute Caution in years. Just exploratory in all the best ways.
For sure I will play the Beyond Description disc tomorrow. Can’t wait to crank up the 32 minute Blues Fir Allah suite. Not to mention a WRS, Estimated, and a Shakedown. Man, I feel totally blessed right now, even though my 4-day weekend is officially over.
Best wishes to all whether you’re going through ups, downs or in betweens.
As I type, the ginger cat in my Icon is furiously head butting my chin to get some attention.
He (Petey) will also enjoy this big slab of Pig.

Sorry for rambling folks, but you know……
Music is the Best!!

They showed this documentary on T.V. at the weekend - the film that was included in the Jimi box set a few years ago-which I still haven't got round to getting. Curious film - incredible picture and sound, though very frustrating in that it was more talking than music. I guess I should buy the box for the good stuff.

I thought those hippies were a right shower, though. I can vaguely remember people like Chuck Wein in the early - mid 70's. Slightly older people who had dropped out, and who sought to enlighten those around them with gems of spiritual insight. There was a guy in Oldham like that -had the most beautiful girlfriend who very rarely spoke. I can remember telling her once that I had been to see Genesis, and that they had put on good show. She stared at me for what seemed like ages, and then whispered "We are tired of shows." I felt like a right schmuck. It was as though she had stared into the heart and soul of the universe, and could no longer tolerate artifice of any kind.

Yes - Happy Birthday Simon. Don't set your guitar on fire!

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In reply to by proudfoot

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....their new single. Six years? For that? I went in open minded and listened to it three times. I am very disappointed. Dave Mustaine was right.
Guess they will stay in fifth place.

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In reply to by Vguy72

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....don't throw away the peels. Chop them up and let them soak in cold water for a couple of hours or so. There are vitamins in the peels. Pour the water onto your plants. It will help Let Them Grow. Greatly yield.
I learned that on the internet.

The first time I heard the transtion from acoustic to full-bore electric...a special moment. Walking on as path on a sunny day with headphones...a very special moment.

Seattle Times reports Metallica will play two Seattle shows in August/September 2024.

2024.

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Checking the experience vinyl site to see what they now say about "from the vault" series. 1 has been pushed back to spring 2023,,,, the other 2 "fall" this year. Right.

I see them hawking so glad you made it, why would anyone pre order it? They're over a year on "from the vault" initial release date!

Further i saw them hawking a pre order of Dicks 33 (275 bucks!!!), 8 LP's. I checked my shelf and sure enough there's 33 already?!?! Don't remember paying 275? But it's number.

Anyone seen anything of 3/2/69 fillmore to finish that set of vinyl?

Had the 50th anniversary of Thick as a Brick show up minutes ago. Remastered release comes with the original newspaper in it's entirety. My original copy from back in the day does not! I look forward to reading it :-)

Enjoy

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The doc recently exhibited some fine sleuthing regarding identifying a date of a 1970 show. I'm surprised there has not been any discussion of the call by the Owsley Stanley Foundation to help identify a date of a June 1968 show discussed in the current almanac under the heading "Friends & Relations". Here's an excerpt:

"The Owsley Stanley Foundation found some never circulated ’68 dead featuring the earliest versions of “St. Stephen” and the first versions of “Dark Star” to crack the 10-minute mark. They’re not in the world just yet, but keep watching the skies!"

In the full story there's a l i n k. Once there, there's a call to help figure out the date of the show. Curious to hears Doc's & others thoughts on this.

Apologies if this was discussed here or elsewhere & I missed the discussion.

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Hey rockers!!

In reference to the restored Carousel 1968 recording, in this case---as in all others---I don't have an special insights or inside information. The write-up at the OSF Facebook page really says it all, in great depth. It seems like it's early June. In any case, it looks awesome!! And hopefully will be officially released some time soon!

I thought for a moment that the recently (November 1, 2022) circulated remaster of the June 8/9 show(s) might be the show mentioned by OSF, but the setlists are vastly different. What currently circulates for June 8/9 is: Excerpt #1: //St. Stephen [tape speed variable at the start] > That's It For The Other One > Turn On Your Lovelight//; Excerpt #2: //Morning Dew//-//Hurts Me Too//-Dark Star-St. Stephen >Turn On Your Lovelight//. This June 8/9 remaster is really excellent sound quality. Thanks very much to the folks that made that possible. Anybody who needs/wants, you know where to find me.

Based on what OSF has released so far---all of which are excellent---it appears they have an emphasis on non-Dead releases. Which means maybe they will leave the Dead stuff to the Dead organization itself. My guess is, that being the case, don't expect a flood of releases, probably more like a trickle........

Time moves in one direction, memory in another...........

Rock on,

Doc
Time and memory are true artists; they remould reality nearer to the heart's desire.....

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I have been away awhile. Seems like the usual suspects here. I haven't just been away from the site but away from the Dead. I finally listened to Dave's 41, 42, and 43, on a long drive which is what inspired me to mention it here. As someone who only in the last few years began to understand the Dead, I have to say, going from May 1977 to Feb 1974 to Nov/Dec 1969, it is like literally listening to three different bands, four if you include the acoustic music. All great performances. I sometimes hear people comment that they don't need any more 1977. I only have a couple of 77 shows so this one sounds great to me. The 1969 material is my pick of the bunch. I would give just about anything to go back in time and see Pigpen in his prime. And on first listen I thought the Feb 22, 1974 show was not nearly as good as what I will call its "counterpart" Feb 24, 1974, Dave's 13.

Now I just need to get caught up on a few months of posts. Everyone take it easy.

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Dennis, if you're not familiar with small local British newspapers from that time I'm not sure you'll get the joke..

....is an incredible movie. I feel honored Butch. What can I say? I love the cinema.
Just finished watching Avatar. Prepping for part two, thirteen years later.
Yall know, The Tull put out a record last year I hope.

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Hey now! It's likely been mentioned in these comments, but please consider donating to Archive.org and the Rex Foundation on this Giving Tuesday.

Be kind, rewind . . .

Butch-going beyond May, 11/6/77 - Daves 25, is worth squeezing in. Great versions of Dire Wolf and Music Never Stopped. Having said that - I'm listening to it now, and they seem to be having a bit of a nap after singing the verses of Scarlet Begonias.
Not sure about those two skeletons leaning against a tree to advertise 30 Days of the Dead. I suppose that's the brand - and it's better than teddy bears - but..... why have a brand at all ? Surely The Dead were originally opposed to all that kind of thing.

I never got the joke when I first saw it, I must admit. I never owned up to this when it was first pointed out to me of course. "Aqualung" was the one I liked most by Jethro Tull - spitting out pieces of his broken luck. Some of it's barely quotable in todays world. It was along way from Buddy Holly, that's for sure.

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In reply to by proudfoot

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I leave in a bit to do a quick turnaround run to Zion National Park in an hour or so...I was asked by some folks yesterday if I could drop them off and I said $ure...so on the way back home (5 hours) I can test my new car audio system!!!! I love that my new deck plays Hi Res files on a flash drive...I have numerous drives filled so away we go!!! Friday I head to Vegas for the Pac 12 Championship, USC (Fight On) vs Utah at Allegiant Stadium...game's at 5:00 PM so I'll drive home afterwards (4 hours) ...thought about staying overnite but room co$t$ were ridiculous...$400 for Motel 6? I think not!!!

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In reply to by nappyrags

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Motel 6, not so much.

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At the Fillmore 1997 looks good.
4 CD deluxe set seems very affordable.
Anyone got this yet?
Cheers

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In reply to by JimInMD

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where else can you pay 50 cents for a key to turn the tv on!

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I think it was Nitecat that asked for any info about 31 Days of Dead 2022. In any case, I just got an email from Ed Martin, and looks like he's gonna do it again this year:

Hello my friends!!! It's that time of the year again. I’m very excited to bring you another installment of the 31 Days of Dead. Most of you know the drill, but for those who don't here is some background...

Similar to what dead.net does in November, I pick a live track (or tracks) for download each day in December and do a quick write-up. Unlike the “Official 30 Days of Dead,” there is no contest here. Instead, the prize is the music and the winner is the listener.

I started these annual projects in 2010. I had no idea where this would go, nor did I care. I did it for no reason other than my own personal enjoyment - I still do. To my surprise, what started as daily email blasts to a small group of friends has grown to an Instagram account that has over 35k followers. I am grateful to every single one of you for the love you have shown. Follow me on Instagram at @31daysofdead

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These 2 shows from 1977 for the next Daves Pick from Portland Oregon look fantastic!

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In reply to by Dennis

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Just so happens that's the title of my first ever horror novel, "Jim & Motel 666." I just sent it off to the publisher last night.

This place is amazing, everybody is so incredibly plugged in to everything important going on in the universe. This shit seems to happen on a daily basis.

Thanks folks!

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I heard his Live Anthology set from 10 years ago, and the band is outstanding live. This Fillmore set looks like a bunch of covers. I think some of them may be the same renditions as Live Anthology. Personally I think this band is so good live they could sing the ABCs and it would sound good. Go to YouTube and check out Gloria. That makes me want to go by this set. There's a rap in there I would swear is a tribute to Pigpen.

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My posts seem to be turning into obituary notices but I have to say
RIP Christine McVie

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In reply to by Colin Gould

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Wow. I was never a big Fleetwood Mac fan, but I always liked her and felt she was very underrated. Think of me what you will, but I love Songbird.

Yes. Please donate to the archive. Before year end if possible as all donations are being matched.

You also have an option to pay in cryptocurrency for those of you who still may own that stuff. I decided to pay with actual money.

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Not Christine Perfect. Dang.
My favorite in FMac.
Not just Songbird, Morning Rain, Show Me a Smile, Homeward Bound, Spare Me a Little of Your Love, The Way I Feel, Why, Don't Stop (thinking about tomorrow), You Make Loving Fun, Oh Daddy, and backing vocals on Kiln House. Oh, and anything she wrote after Rumours, which is the last one I own. A great talent. She lived a simple life after her touring years. Raise a toast to Christine.
Cheers

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Christine passes and Petty's estate puts out a must-have box. (Four-CD box pre-ordered without hesitation.)

And all I was gonna post is that -- having mentioned my trajectory -- HF lives another day. Home from the hospital after cardiac ablation. Knocked me on the arse, it did. Had to stay overnight and was glad I wasn't home alone last night. Next 90 days will tell if it worked. Like all such surgeries, if I knew how rough it would be, I mighta thought twice. It's all right -- back home and picking on the Martin D-35 to distract from the aching in my chest, said to be expected.

Both Christine and Petty went too soon, especially the latter, at 66, from fatal toying with fentanyl. I got a story about my own flirting with that stuff, but perhaps too gory for the forum.

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To HF!
Keep on truckin'.
Cheers

Jeezum crow. Firstly, my best wishes that this episode gets in the rear view fast. As someone post 70 with a host of situations, have some sense of unexpected and unwanted hospital visits... basically they suck. I kid myself with what Daltrey sang 57 some years ago, "... before I get old". And then shite happens as it does and will for all of us and it turns into, gee, if I knew I was going to live this long, I would have... We make it this far, we have all lost dear friends and family. So, dug out the old photos, concerts apprehended in the early 70s, my first Dead, BB King, Tom Waits, Dylan with The Band, John McLaughlin, Roy Buchanan, ELP, even a fourteen year old Tanya Tucker (for your ticker) right after she hit with Delta Dawn. Perhaps best of all, photos from Watkins Glen, there's this guy near the stage just left of center, who looks like you, only a little younger. Jeezum crow.

....I wanna say around 1991.
It was a really good show. Mick had a drum jacket on.
Godspeed Christie. I always thought you had a better voice than Stevie.
Pray for John. I know he's devastated.
I went through most of their catalog in 2020.
I'm listening to Mirage. Turns out they have songs called Eyes Of The World and Wish You Were Here on the deluxe version. How about that!
Google Jerry Garcia Christine McVie.
Or check out my avatar.
😉

HF - good luck. Hopefully you will be up and rocking again in the New Year.

I never really heard Fleetwood Mac, apart from their singles. In fact I don't think I have ever heard one of their albums. But best wishes to all connected, however distantly, and I hope Christine McVie rests in peace.

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Check her out pre-Fleetwood Mac, she was with Chicken Shack, an excellent R&B band.

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I had a look at the Tom Petty box set. So far, I’ve resisted temptation but probably not for long. Unfortunately, while looking at it I noticed an 8 CD box set ‘Bert Jansch at the BBC’ and a 6 CD box by Plainsong and a book ‘In Search of Plainsong’ and I couldn’t resist them even though I have several versions of the Plainsong albums I just need the extras.

Joining a few strands together Andy Roberts, the guitarist in Plainsong, was earlier in The Liverpool Scene and they had a track called ‘ I’ve got the Fleetwood Mac, Chicken Shack, John Mayall can’t fail blues’. I loved Chicken Shack and The Liverpool Scene.

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In reply to by Cousins Of The…

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I haven't heard much by them either, but from what I have heard, I think they would be more my cup of tea than the Fleetwood Mac of the 70s. Stan Webb on guitar has a great reputation.

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in Denver. Follow up:
Rky. Mtn. Public Radio has hired a new GM that goes way back in the scene and started KHIH jazz radio BITD. So hopefully with some of the staff kept on in key positions we can get back to reality and not Kenny G (no offence Kenny, I love hearing you in elevators). The GM is also the first black woman to GM a radio station in Colorado. At least we are going in the right direction.
Cheers

I had to read up on what you had done. Not fun, not one bit of fun.

Heal up man.. hopefully it's one of those things that needed to get done so you can resume your 'normal' life of fear and loathing in CO.

On the bright side, your radio options just improved.

May the four winds cover your deductible.

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And I use that term loosely (where's Oro when I need him to take a swipe at me??). Feeling WAY better today, so I thank all you kind hearted souls for support. I'm tempted to think it was the anaesthesia that threw me, I was "on the slab" for 2 1/2 freakin' hours -- thankfully not the good ForensicDoc slab...

So, the sun's out, I'm in a chair with guitar and I got nothin' to bitch about. And to all facing challenges -- the known knowns and the unknown knowns -- my complete empathy.

DMCVT: at Watkins Glen I was wearing a bright red shirt with tiny white polka dots. Shoulder-length blond hair, but cannot remember if I had it in a 'tail' or not. I still have two pics of the boys from the Saturday show as they played PitB (used to have four shots) that showed them moving together into a tight circle as they jammed it out. That summer '73 material would be really fun to hear after all these years. I've had some sub-par copies that I can't get into. I think pristine sound quality would be wonderful.

Okay, I'm silently 'yelling' MORE '68!! The doc told me to stay quiet for a few.... good luck with that!

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Get well soon, HendrixFreak!

R.I.P., Christine. You were a class act and a great musician and songwriter.

Anyone watching the World Cup? I'm addicted to it . . .

Be kind, rewind . . .

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Get well soon HF - sending you healing vibes

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In reply to by frankparry

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Call me color blind. Alas, HF, my Watkins Glen photos were taken with b&w film. Faster, better for low light. Will review with rose colored glasses. Love the sound of those old Martins. Will go see neighbor and 84 year old veteran musicologist Jim Rooney play his in a couple weeks, if it don't snow too hard.

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Vibes much appreciated, trust me.

Hey, I ordered the new Petty 4-CD box Monday, it just landed. It is a model of minimal packaging while still being a fun package. I know that Dave & Co. love to work up each year's box and I have no complaints, I have argued that the effort on the packaging lends dignity to the music release. But environmentally I wonder whether a new more minimalist approach would be welcomed on GD boxes.

Just a thought... Hitting the couch now. Many thanks for the support.

DMCVT: look for a gray-ish shirt with tiny white dots! Gawd, that was an experience, especially at my age back then.

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