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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • That Mike
    Joined:
    Oroboros

    Great story, well told!

  • 1stshow70878
    Joined:
    The Tale of the Oroboros

    Or is that tail? Epic tale well told Oro-1.
    Thanks for sharing.
    Cheers
    DiP 18 is my favorite Dick's.

  • Oroboros
    Joined:
    45 years ago, Madison Wisconsin!! And the next morning......

    was my 'brush with greatness.' Apologies to you all who have heard this tale, but with this anniversary and the releases of shows from '77 and '78, I want to spin this old chestnut again (hopefully some haven't heard this).

    But first grab a cup of coffee (or your preferred beverage) and get comfy, because this will take a while. Brevity is not my long-suit, so bear with me on this, but the background/back story is info it help it all make sense. Back in 1977, myself and my girlfriend (now wife) and two buddies decided to road trip from Nebraska to a New Year’s Eve Dead show run at the Winterland in San Francisco.

    I toted along with me a clay sculpture that I had made the prior year. It was a one and ½ foot (in circumference) dragon that was biting or consuming it’s own tail. It was fired and had ‘scraffitto’ (my own designs) carved into it’s ‘hide’ and then stained. It was the biggest piece of clay sculpture I have ever made. Anyway, I thought it would be fun to give it to the band on New Years Eve show.

    So away we go on the trip and get there and secure tickets for the shows on that Winterland run. The shows were unbefuckinliveable and that old Winterland was such a great venue. We were all sitting on the sidewalk on Dec 31st waiting for the doors to open early. We heard Bill Graham was going to let us all in early and we were going to play ‘freak’ volleyball until Graham played us movies from his collection (16 MM of Ray Bradbury’s Illustrated Man and the original Beatle’s Magical Mystery Tour) before the start of the show tonight.

    I thought that I better try to unload ‘Oroboros’ now (it was heavy and how was I going to talk that past the gate?) so I spied a door that said Backstage. No answer. The line of people on the sidewalk started getting up and moving to the door. Banged even harder thinking “I got to get this dragon in there so I can go in and play before the show tonight, this thing is heavy”, and as I pound harder the door yanks open so hard it draws me into the doorway, where a gigantic black man in a red Winderland shirt stopped me from being pulled inside with his had on my chest. “What do you want?” he bellowed. Startled, I said “I want to give this to the band” and held out the dragon in both hands. The giant took it in his immense hand and immediately the dragon shrunk to the size of a keychain. And he asked “Wow, what is it, I’d like one” and I explained “it’s an Oroboros, and that is the only one there is”. He grinned and said “Cool, who do you want me to give it to?” and I stated “Garcia, give it to Jerry Garcia.” And the door closed quickly, like in Dorothy’s first attempt to get into the Emerald city in Wizard of Oz.

    So, I happily hurry into the show and needless to say it was a singular experience: with those movies starting in the afternoon, the celebratory/raucous/colorful crowd, and the Grateful Dead 'playing in' the year of 1978. As each of us entered we were handed a piece of paper that had the message "Good things come to those who wait, surprise at midnight" with the stealie logo on it. Once inside I was stopped by ‘Rainbow’ Rose who had an eyedropper of liquid party favor in her hand. She said “ just one dollar per drop, on your tongue or for the adventurous, a drop in your eye.” Wow, this was going to be some night! One on the tongue, please!

    When you entered Winterland, you could go into the 'big hall' surrounded on all sides by an elevated balcony (complete with theater seats). You could also go into a bar, which was playing black and white videos (on an old fashioned 'big screen') of past performances of Hendrix, Airplane, etc from Graham's Winterland archives. Very entertaining, hey, the New Riders are starting to play, I got to get in there, the sound is loud and they are rocking the house.

    Anticipation is high and the Dead came out for the first set. Our party favors are now starting to engage...things began to sparkle and the old Winterland venue takes notice, and her walls start to sweat and then to sway with the strains of familiar music and the Dead coaxes this old hall to join us in our dance.

    Bill Graham got into the act dressed as Uncle Sam and he rode his motorcycle down a cable suspended high above us from the back of the Winterland auditorium to the stage. As the Dead improvised/noddled into the New Year Uncle "bill" Sam slowly moved above us illuminated by a spotlight. The hilarious part was as Uncle BoBo (as Bobby called Graham) was on this motorcycle, and as he approached the stage, the combined weight was too much and he sagged below the lip of the stage. So as the stagehands ran out and to drag ‘Uncle Sam’ onto the stage, Jerry and the band were all laughing as they saw his hilarious arrival to the stage. Then they burst into Sugar Magnolia, along with confetti explosions, as balloons dropped from the ceiling of the Winterland for our NYE celebration. Also on stage flanking the Dead were a gal and guy dressed in diapers as the new year's babies, dancing their asses off.

    And as I squinted at the band, I noticed in between Billy and Mickey’s drum set, sitting on a monitor with a white candle by it was the Oroboros ! ON STAGE with the Dead. Then I watched as Jerry walked over to it and he lit his cigarette off that candle. And when the stage lights went down between songs, the Oroboros was illuminated by the candlelight. I was 'on top of the world' (dead reference intended). If you google the song 'Fire on the Mountain' from the NYE show in 1977 on Youtube and at the conclusion of the song (7:20 or so), the camera focuses on the Oroboros by the candle (as we hear Bobby waxing about 'technical difficulties'). It is an old black and white movie/video, but I did show that to my three sons to prove the old man's story was true. But the boys still rolled their collective eyes at me, but I am used to that.

    We walked out into the cool San Francisco early morning and drove through the fog back to Nebraska. Now fast forward to Madison, Wisconsin 2-3-78 and I made the road trip to catch the show. It was a killer night and the Dead were in fine form (second half was in DP 18). The 'Cold Rain and Snow' was thunderous and Phil's bass boomed out to shake that snow off the roof of the venue.

    The next morning before I left the hotel, I got a wild hair and called the front desk “Could I have Jerry Garcia’s room please” and the phone rang and Jerry answered! I said “Hey, I’m that guy that brought that dragon to the New Year’s show” and Garcia said “Meet you in the coffee shop in 20 minutes”. I couldn’t believe it what was happening but stumbled into the Madison Hotel coffee shop at the appointed time and looked around and saw Jerry Garcia seated at a table with a ravishingly beautiful raven-haired Gypsy woman.

    I walked over an introduced myself and ‘shook the hand, that shook the hand of PT Barnum and Charlie Chan’. Jerry beamed that smile and gestured for me to sit down. “Man, how did you fire that dragon, so that it didn’t explode in the kiln ?” Jerry asked me. I told him that I had cut it in half lengthwise with a guitar string (that a friend had given me) and then put it back together. We locked eyes and he exploded with laughter and I followed with “Ironic, huh?” And he said “No, not at all, that makes perfect sense.” And we laughed some more. Then the Gypsy Beauty said “where are you from” and I replied Nebraska. And she stared at Jerry and stated “He came all the way up here from Nebraska to see the band”. Jerry shrugged his shoulders and raised his eyebrows and said “we didn’t ask him to come” and looked at me and we both howled with laugher. No deadhead was she!

    We talked more about art and the dragon, I didn’t know at that time of Garcia’s interest and practice in art. He was completely engaged in the topic of art, but quick witted with ‘turn on a dime’ twists, turns, and little quips. (Sound familiar to a band we know/love) Garcia was so focused on listening, not acting like he was the center of it all. He was locked in on taking time with me and talking about our shared interests, along with side commentaries on a variety of topics. The Gypsy woman asked “You went out to San Francisco and then traveled here?” and I stated yes and turned to Jerry and asked why don’t you come back to Lincoln? He said “you mean to Perishing Auditorium?” and I corrected him “no it is Pershing Auditorium, after the General” and he quickly retorted “no man, it was Perishing, really.” And we erupted in laughter again. There were some drunk frat boys yelling ‘boogie” at the top of their lungs at that ’73 Lincoln show, but the music was still topnotch! Anyway, I asked Garcia “could you bring your Circus back to Nebraska?” and Jerry grinned his Cheshire cat grin and said “who knows”.

    I saw it was time for me to leave them to eat as their breakfast arrived and excused myself and took off. Jerry brought the Dead back to Nebraska, that summer on 7-5-78. I taped them on my Nak 550 (my best aud tape of all) and then I had to follow them to their (and my) first Red Rocks shows.

    So that is my story of that time in space (or space in time). Garcia was totally a gracious, engaging, and kind man to this DeadHead who approached him for a moment in time. So to make a long story short (which I am constitutionally incapable) Jerry was focused on what he could learn, not what he could teach, on humor/laughter and valuing another person and really listening to their experience. He was so inquisitive, asking questions and then sharing his own thoughts. I have often thought about that lesson he taught me that cold Wisconsin morning. And for the rest of my life.

    Apologies for the thread hijack, so everyone can return to your regularly scheduled programming.

    Teachers open the door, but we must enter by ourselves

  • Angry Jack Straw
    Joined:
    Insomnia

    Is the worst. I’ve had it for years.

    Melatonin will help you temporally but it wears off after a short period of time as your body acclimates to it. Chamomile tea is mildly effective. Of course the best remedy is a couple of shots of bourbon.

    I’ll reuse an old joke and tell you to put on some Dead and Company. You’ll be asleep instantly.

    In all honesty it sounds like you might have something else going on there with your legs. Probably worth going to get checked out by a doctor.

    Good luck.

  • That Mike
    Joined:
    Proudfoot Counting Sheep

    Proudfoot - Everyone has a remedy for insomnia, here is mine, and you’re right, insomnia sucks. There is some science to the “478” Rule, which works for folks with insomnia, or anxiety. Breathe in deeply through the nose for 4 seconds, and hold it for 7 seconds, then exhale deeply through your mouth for 8 seconds. Repeat. Studies have shown lower blood pressure and reduces heart rate, leading to greater relaxation. I’ve tried it myself, with success. Good luck.

  • proudfoot
    Joined:
    Insomnia bites

    Hard.

    Lie down CANT SLEEP TWITCHY LEGS CANT BREATHE
    Get up sit there DROWSY AF think I will lie down
    Repeat

    Ever since fookin' Covid

  • rasta5ziggy
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    Random Stuff

    Loving #45. Starting 2nd set, 1st show now. Great music. I was a 1-3 show/year person beginning in the early 70's, and I got to wondering if I ever caught a '77 show. My only one was in Bloomington, IN on the IU campus on 10/30. I always wondered why they never returned to do another show there.
    Also, I read a lot of chatter here about an Ark box. Curious if anyone here ever attended a show at the Ark, or is this just an urban legend of a great venue. Lots of places I would have loved to have seen a show but never got the opportunity (Labor Temple, Electric Circus, Thelma, to name just a few).
    I've never heard a bad Passenger, either live or on CD.....really allows Jerry to make that guitar scream.
    I love all the DaPicks, because I prefer full shows. That was my issue with Dick's Picks is that you rarely, if ever, got a full show. And I loved the Road Trips series, even though I got in on that party too late and only have 2 (Big Rock Pow Wow and Valentine's Day), and those are full shows.

  • Vguy72
    Joined:
    Norman is a genius....

    ....as is Betty. As is the best band in the land. Hit the spot. Can't go wrong with Drumz -> The Wheel imo.
    Onto some Doors. People ARE Strange indeed. Especially these daze lol.
    10.1 this weekend.

  • carlo13
    Joined:
    Holy mackerel

    That DITS jam is sweet as honey. Eyes too. A spliff is needed for that dancing jam.

  • Vguy72
    Joined:
    #4773....

    ....gonna start with 10.2.
    Checked out the following show in Phoenix off and on at work earlier. Good shit.
    Edit....check out Donna on Duprees 💎 Blues. Very nice.

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What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

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In reply to by alvarhanso

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One of the things I used to love about driving around all the time was listening to music while I did so. Obviously. And sometimes, what I was listening to corresponded beautifully with what was going on outside all around me. I can remember listening to Dark Side in the car while driving towards, through and out the other side of some typical English town. It seemed like the perfect soundtrack to the way people looked and were behaving. Hanging on in quiet desperation and all that...
I also like that version of Wish You Were Here with Stephane Grappelli on violin.

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In reply to by JimInMD

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On the cover of this month's "Record Collector" there is a list of musicians names, with the letters R.I.P. printed after them. On top of a large recent photo of a grinning Iggy Pop.

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Not done one for a while

Crooked Tree - Molly Tuttle and Golden Highway
This is my favourite album from 2022.
Live at the BBC 1967 - 1971 - Soft Machine
Not listened to this for some time, love the vocals by Kevin Ayers and Robert Wyatt in the early years
Live at the BBC - Barbara Thompson
Only heard the first 9 of the 14 CDs in this box but so far so good
Live at the Capitol Theatre - David Crosby and The Lighthouse Band
Rewatched the DVD of the December 2018 concert. Very good show.
Shiver meets Matthew Bourne Volume 1
This is the latest release on the Discus label which dropped through my letter box this morning. On first listen it’s sounding good. I look forward to several relistens.

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Man, this is unexpected and painful. When I was younger, back in 1969, I was turned on to Crosby Stills and Nash from their appearance at Woodstock. Wow, what a beautiful combination of voices and such far out songs. Long Time Gone, Wooden Ships, Guinevere, they just go on and on. That first CSN lp was sooo good. Then Deva Vue, another masterpiece with Almost Cut my hair, a favorite played maximum volume when he was doing time, that all the inmates loved, and the warden hated. In between all of that was his first lp, If I could only remember my name. What can you say about this one, all the San Francisco stars played on this one, including our very own Mickey Hart and Good old Garcia. This was the one, another timeless, beautiful record. Cowboy Movie, so good and Music is Love, played that one a lot back then, seemed to always be playing in the background when amazing things happened. I was lucky enough to be in attendance when CSN&Y broke attendance records at an outdoor event in Tampa, Florida on 8-23-74. It was packed, shoulder to shoulder, unofficial counts total over 66,000. The one event I remember about the show, during Our House, Nash was on the piano, doing his thing and some fool in the audience set off a bottle rocket. It was quiet as a mouse, which is hard to do when there are so many people, and Bamm goes the rocket. Nash slams down the keyboard cover on his grand piano and storms off the stage. Stills appears from the wings and sits down with his acoustic and says "I'm from Tampa, went to school here, and I know what kind of person set that rocket off." From everyone screaming and yelling that Steve was from Tampa to dead quiet. Steven says, now that you got that out of your system, let's see if we can get Graham back out here. After thunderous applause, Nash creeps back on stage, sits down at the piano and plays the most beautiful Our House ever. The band came out together, then they did everyone's solo stuff, then they introduced Neil Young. Quite the memory.
Blows against the empire, If I could only remember my name, and the first CSN lp will always be a part of me, they were the beginning of my San Francisco love affair that is still ongoing.
Thanks David, you were and still are a part of my life's soundtrack. you will be missed.

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I was never that much of a CSN fan, for some reason, but man, I love love loved the Byrds. And the If I Could Only Remember My Name, which is so steeped in Dead-like Marin Country vibes.

And I always thought Croz was an amazing interview. I used to wonder why all his ex-bandmates seemed to hate him, given that he was so articulate and had such interesting thoughts about everything and so obviously loved music so goddam much. I guess everybody’s an asshole when enormous quantities of cocaine are involved. Except me, of course. Give me a 12 pack and an 8 ball and I am always the most hilarious and charming person in the room. (Or so I seemed to think, back in the ‘80s. Egad, it makes me shiver to remember those days.)

Strange to lose Croz so soon after Jeff Beck. But also not strange. Death is the most natural thing in life, it has been said. We’ll see them, and each other, in the sweet by and by. Hopefully sometime before then we will receive our DaP 45s. We can never have too much ’77 Dead, and we can never have it too soon. Be well, my friends, and seize the day. We've only got so many of 'em left.

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I found a download of the David and the Dorks at the Matrix on 12/15/70 (Crosby with Jerry, Phil and either/or Mickey/Billy). This is different from what I found before on the archive and includes "Laughing" plus 6 rehearsal tracks which were not on the Archive version .
Download at: 69 dot zippyshare dot com/v/qq0FCqdk/file.html
Read article at albumsthatshouldexist.blogspot dot com/2021/10/david-crosby-jerry-garcia-david-dorks.html

Hey, PTBARNUM. I was at the CSNT '74 show 2 nights later in Memphis. No bottle rockets tho, but they played nonstop in waves until after 1AM. Drove down to Baton Rouge the next day for my second year at LSU. Those were the days. And, for me, Croz and friends are an indelible part of the proverbial soundtrack of my life. Thank you David. Onward.

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re: David and the Dorks

All I got was "file does not exist on this server."

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I have been considering purchasing that Molly Tuttle album. You’ve just given me the last reason I needed to buy it. Thank you!!

Dave’s 45 ships next Friday. So a lot of you will be getting it the first week of February. And I’ll get it the 2nd or 3rd week, but it’s OK!! I can wait. It’s just difficult hearing your reviews while I’m waiting to hear MY copy. It does however, give some clues as to what I should pay close attention to.

Music is the Best!!

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CSN opened at my first dead show in Buffalo '90.
I had been turned onto them in high school; I recall getting the CSN CD Box set shortly after it came out and delving into it bigtime; there were all kinds of songs I had never heard before many of which were gems within that box. Seeing CSN open for the GD was the one and only time I ever saw them, so I am glad I at least had that opportunity to see them on stage and harmonize together.

RIP, Mr. Crosby.

Sixtus

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Sorry Stillwaters:

Try adding "3w"s before the "69" and replacing both "dot"s with a period (.)
The download address is also found at the bottom of the article.

That's all dead duh net will allow me to say – can't even repost what's in my previous post. But we're safe, right? Sheesh.

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In reply to by Crow Told Me

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I also prefer The Byrds to any of David Crosby's later recordings. 5th Dimension and Younger Than Yesterday are great albums. Similarly with Jeff Beck - I prefer his Yardbirds recordings to his later 1970's more jazz orientated work. In a way, maybe both The Byrds and The Yardbirds got overlooked a bit, as they appeared to get overtaken, first by the more excessive music that was to follow in 1967 and 1968 and then by the back to the garden approach of 69-70. But the records they made still sound good to me after all these years.

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So many great shows to release for a 1969 box set, 4/69 Avalon and Ark shows, 6/27 & 28/69 Santa Rosa Veterans Aud.. Ill bet there are some killer 1969 shows in Owsleys Boxes. Ten shows box set would be fantastic! Or, a combination 20 show 1969/1970 box. C'mon Dave, lets release those tapes, please.

didnt think I would be able to get back in. Kept asking me for email addy instead of the user name login. Finally found it. What a dumb ass I can be.

Great conversations this last week, still have some to read to catch up.

Definitely been a busy week. Saw Jeff Beck a couple of times and CSN (never with Y) and have a good Crosby story.

Sure hope I can send that one out if my brain cells can retrieve it.

Man it is so good, when all of the heads post about stuff, just great reading!

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12 years 11 months
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Do you know what we need? A nice stand-alone release it's been quite a long time since TPTB opened the vault & just released a show not attached to a series or boxset or anniversary if I'm not mistaken the last one was Hartford '77. Every year we get 4 Dave's Picks & a boxset why not release a show just for the fun releasing a show?

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I'm expecting a stand-alone release from around 1973 to be released this year, and I'm expecting a remastered edition of Wake of the Flood will be included as a bonus disc. Hoping anyway.

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In reply to by Gary Farseer

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Gary - there speaks the truth. I have noticed in the last few years when I talk with people, there are three categories of knowledge that I have. There are things I know and things I don't know. And increasingly, things I do know...but can't quite remember.

Been there a bunch, but years ago (did the Playboy Jazz Festival there for about 15 years running). If you can get a box, so much the better, but the "action" was always at the walkway at the very top! Used to be able to bring your own food and whatnot... but by far and away THE most important aspect is parking. It had always been "tandem" where you are landlocked by 4 other cars, so almost by definition, you're not leaving until the last of the die hards get to their cars. Highly recommend transportation busses that shuttle you in from various locations (I always drove to Pasadena, took their shuttle in).... a little more hassle, but you'll be grateful at the end of a long night when you just want to hit the road. I am certain you'll enjoy the show from any seat in this historic and unique venue. Cheers!

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.

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Ah yes, the fabled Hollywood Bowl. Bucket list venue, for sure. Thought the acoustics were good and the vibe is, well, Hollywood. There's still a magic in the air and an energy there unlike anywhere else... last time we went to a show, we got a hotel room within walking distance. I agree with everything China said, and would add, concessions (esp. alcohol) are hella expensive so you might want to get your shine on before entering to help keep costs down.

Just got tickets to Metallica in the round at SoFi... completely unlike the Hollywood Bowl that thing looks more like a spaceship. We'll see how things sound in there.

Nothing, however, compares to my home venue, Red Rocks. An absolute gem and the most naturally beautiful amphitheater I have yet attended. Just wish there were better shows, seems it's become the same old new hippie jam band shit every summer, none of which hold a candle to the Grateful Dead, IMO.

\m/

It's primal and it's recorded.

Some of the recordings sound a little crunchy and.. well.. like the masters had been listened to five times too many. But it gives great hope to see the first Banana Box release surface.

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In reply to by JimInMD

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Went a few times in earrrly 80s

Miles Davis for one

I remember little about it, though.

GD 7/21/74 @ HB

How 'bou' dah for a standalone release?

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In reply to by proudfoot

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Misty water colored mammaries…
DAVEROCK: lol, you nailed it!
The three things: what I actually know seems to decrease, what I don’t know grows logarithmically, and what I know I know, but can’t articulate, seems now to know no limits lol.
! I think I’ve forgotten more than some folks nowadays will ever know?
Now if I only could remember my name and telephone number hmmmm?

EDIT: I’ve said it before, I’ll say it again: one big primal box from 67 through 70 including smoking partials. Something like E72 or Boxilla. Time is running out, WTF are they waiting for? This trickle it out shit sucks…#release the reels!

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In reply to by proudfoot

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A very highly recommended show

Truly spectacular

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In reply to by proudfoot

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....online randoms say the sound in the back isn't great. I got section F1 for Saturday and U3 for Sunday. Going solo as I usually do, as I like to wander wherever i want. Just happy to get in the building. Looking at booking a hotel within walking distance for sure, but Hollywood ain't stupid. Pricing is above average that weekend in April. Capitalism at its finest, but I get it.
Those shows will be #51 & #52 for me. Creeping up on my 60 Dead shows I attended.

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I'll sign the petition. Oro bro, hope you're doing well up in Eagle. I may be coming through again so I'll be in touch.

And LedZed, you're "dead on" about the freakin' hippie "jam" bands at Red Rocks. Effin' wet noodles and what's the point of following an era with a weak attempt at more of the same. Guess there's a market for it.

Where you at in town, basically? I'm in Littleton, with a view of the Rocks from down the street.

I'll be grabbing TTB two nights and maybe one other show. I did have a great night years ago, when String Cheese opened for the ABB. Two young women were sandwiching me all night; got a bit crazy. One woman's boyfriend was drunk and laying on the ground, saying "You stop kissing my girlfriend, blah blah blah." He couldn't get up, so we got it on as best we could. The next night the ABB opened and I had to escape STI by saying I was moving to friends in lower rows, then I bolted!

Carry on!

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I have always preferred small indoor venues to large outdoor ones. I'm sure Red Rocks is a beautiful place, but I wouldn't want to see a live band there I don't think. I have just watched the Jeff Beck live "Rock n' Roll Party" show on dvd, at a place called The Iridium Jazz Club in New York. That looks okay. I would far rather have seen him there than at either Red Rocks or The Hollywood Bowl.
Actually, my living room is my favourite venue these days.

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....a thirty minute walk to the bowl. Said sold out on the Expedia front page, but I was able to secure it.
I also prefer small and indoors daverock, but Phish doesn't play those places anymore. Although, they are playing the Greek in Berkeley which is surprising. Holds 7,500.
And Red Rocks is a treasure. Did you really just say you wouldn't want to see a band there?? That doesn't compute. No offense.

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For those interested a 10cd boxset ‘DAYS OF THE UNDERGROUND - THE STUDIO AND LIVE RECORDINGS 1977-1979’ by Hawkwind & Hawklords is due for release on March 31st

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In reply to by Colin Gould

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....anniversary release of DSOTM. Rainbows are offensive it seems.
Avatar changed accordingly.
Hopefully they won't win another election in a long while.
My somewhat political post for the month. I get it. Gay people are evil and are taking everything over! Geez.

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....The Floyd are now considered "woke" to the uneducated.
The Floyd said that six years later. "We don't need no education".
You are a teacher, correct PF? Yup.
I have a few gay friends and family. They are good people.

....Valdez In The Country worth the price of admission. 🔥
I've never heard that song before, nor considered it in Garcia's repertoire.
Pleasant surprise to be sure.

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4 years 3 months

In reply to by proudfoot

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Good show
Creative set list

Now 12 11 69

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Looks interesting. If anyone is contemplating buying Dark Side of the Moon again, I would respectfully point them in this direction.

I've never been to Red Rocks, and it looks beautiful on photographs, but I can't imagine enjoying a live band there - The Dead excluded. But even there, I'm happier indoors when I'm listening to live music. Some places of natural beauty are spoiled by great crowds of people. One of the most interesting towns in England is Glastonbury. The worst time to go is when the festival is on. Great to wake up at the crack of dawn when there is hardly anyone about, climb Glastonbury Tor, and look out over the landscape.

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As a homage to David Crosby, I recently pulled out some of his better albums he was a big part of, including the Sam Francisco triumvirate of “If I Could Only Remember My Name”, “Blows Against The Empire”, and the first Crosby/Nash album (“Baron Von Tollbooth” has many of the same players and pedigree, but a weaker execution). Garcia, Lesh, Mickey and Bill are prominent and outstanding on these records, and the Wall Song is one of the trippiest songs these guys ever did. Only Lesh could have brought that rumbling bass line so well to that song. I revisited Crosby’s “Voyage” box set, and some odds and ends from the Byrds and CSN. An incredibly impressive body of work (some of his Byrds work still sounds amazing after almost six decades).
He leaves a great legacy, no doubt.

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Red Rocks is one of the finest concert venues on planet earth. It's my all time favorite venue. My last visit was for the summer 87 Dead shows followed by the Telluride shows. Big fun.

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Vguy - Banana Bungalow Hostel is cheap, and within walking distance. It even has a pool. Saw D&C in 2019, shakedown st was as massive as you'll ever see. Saw two guys get in a fist fight over nitros. If you drink, get in line right away and buy an entire bottle of wine. It seriously takes at least 30 minutes to get a beer or take a piss. Two shows, no beer, no restroom either time. It's a grate venue regardless, think it was the CCC who built it.
PS - Howlin' Rays, & Waffles, Salsa and Beer

....booked the Hotel Hollywood. Relatively cheap. $140 per night. Higher than normal because of the concerts but understandable. 1.2 mile walk. 30 minutes according to google maps.
I usually carry a plastic flask in my sock when I go to concerts or hockey games. Not that I'm cheap, but I'm not stupid.
Speaking of cool venues, there is The Caves in Pelham, Tennessee.

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My two most favorite venues back to back.
I stupidly passed on Telluride '87.
Saw many Bluegrass Festivals there though.
Red Rocks August '78 shows weren't even crowded.
Stealth quickly announced shows so no mail order.
Back then that was key to getting everybody following a tour.
Had our pick of seats without the rush or hassle of early arrival.
Like DR just not fond of crowds anymore so looking forward to my local city park, which just added a small ampitheater, getting in some good acts. Can't wait for summer.
Cheers

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Game not over yet though

Yesterday KC
Backup QB to Mahomes comes in
98 yard drive for TD
wow

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