• 8,081 replies
    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • DeadVikes
    Joined:
    Dave's Picks #7 4/24/78

    Haven't listened to this show in a couple of years and wow, I think I like it even more now. A+ on sound quality and both sets deliver high energy Dead. Love the NFA, Black Peter, Around and Around and close it out with Werewolves of London. I went back and read the liner notes again and low and behold, they were written by Blair Jackson. Since I have 78 on my brain, I think I will check out Dave's 15 from 4/22 in Nashville. Of the three released from this time period 4/24 seems to be the top dog in my book. The William and Mary show is good, not great. On to Nashville.

    Hope you all have a great weekend.

  • rockthing
    Joined:
    1970-02-23

    You cats are already on to 1973. I'm still savoring the gentle respite in the oasis of Austin.

    Death don't have no mercy, but there's always time for lunch.
    Thanks for reminding me of LL. I need to see if I can get reinstated over there.

    Grateful Dead Live at The Auditorium, Austin, Tejas on 1970-02-23
    Harpur College was another of my heavy, heavy rotation tapes back in the day, along with the 2/18/71 Capitol Theater show I've already mentioned numerous times. Both were massive inspirations. For what seems in hindsight like a fairly significant period of time, if it wasn't one of those, it was Reckoning.

    I Know You Rider: Lovin' the energy and grit of this Rider. It's almost angst.

    High Time: This is a song! It's a pretty weird song, too, and after attempting it several times, myself, I must say it isn't surprising it wasn't played often. Damn, it's hard to sing. I submitted a completely deconstructed version of this for the February Dead Covers Project a few years back. I made a point of not revisiting to the original before recording, just going off memory and some notes left in an old binder of songs. I'm sure the ever-growing defenders of canon were thinking, "You ain't doin' it right if you ain't readin' it off a teleprompter." It was an "interpretation". Lol.

    Dire Wolf: What a lyric. An electric version, no less. Pretty mellow electric set, almost acoustic.

    Yellow Dog Joke… ah… well way to go for completely screwing up the joke, Bobby… actually, I'm not sure I've ever heard him make it all the way to the punch line. We should all heed Jerry's advice and "Don't encourage him." Everything was so light and positive in these days. Phil could be a bit surly, as we've already heard in this tape.

    Monkey and the Engineer: This was a standard in my old folk-rock duo. My partner played it and I just followed along. I'd have to start from scratch to figure out how to play it again. Such good stories in these tunes.

    Little Sadie: Nice. This wasn't on the Harpur College tape or Reckoning. Another dark story. I don't see how they could possibly be breaking strings playing such gentle music.

    Me and My Uncle: I don't recall hearing an acoustic version. It's a great song and works in any format. At this point everyone hadn't already heard it a million times. Imagine that!

    Black Peter: One of my favourite tunes ever. Doesn't get much darker than a song from the point of view of a death bed. Started doing this one myself occasionally a few years ago, but I always need a cheat sheet for the bridge. Nothing repeats. There are some interesting mnemonic connections between the chords and the words that help. Just have to sit down and do my homework. Ahh… yeah, Pig sittin' in nicely on the organ. This song needs a really delicate hand, but the organ adds a nice little gospel flavour. If only Pig coulda added just a touch more flair to his playing to fill in some lines before Jerry takes his solo. Pig's got the tone.

    Seasons of the Heart: Never heard this before. Great pick! Thanks.

    Uncle Johns: Have heard this one a few times. 😉

    Not Fade Away: I'm gonna call the union! The Galactic Rock'n'Roll Union! That needs to be a band name, or a song, or something! Crazy to think this tune was in their set their entire career. Some good ol' primal energy here. Jerry's "wild" tone. He must've had the amplifier turned WAY up, cause it sounds like he's not in the mix at all. His guitar is just being picked up by a vocal mic, or something. Basically, no drums, either. I can't keep track of which guitars he was playing in the early years. He seemed to play whatever was available after giving up the Starfire. Sounds kind of like a Stratocaster, The Graham Nash Strat, perhaps? Alligator did not come on the scene until later, if I recall correctly. This tone has even more of a stereotypical Stratocaster sound than Alligator, which retained very little Fender electronics by the time it gets heard on Europe '72. Anyone? Oh, cool call and response with Pig. TC has already left at this point? I need to get my timelines straight. Bobby diggin' in with some soulfully aggressive singing, rather than simply aggressive.

    Mason's Children: I can't recall ever hearing this, either. The name comes up often, but it's not on anything I've listened to regularly. Again, thanks for this pick! As you say, not exactly high-energy stuff, but some very rare pieces here. Always appreciate the chance to learn something new about this fascinating family.

  • Forensicdoceleven
    Joined:
    Chances are that the universe neither treasures nor regrets us

    Rockers!

    Lunch time. Death takes a breather. We're in the land of the living, gotta eat lunch.

    The "new, fixed" 2/17/73 was up at Lossless Legs first thing this morning. So, it sometimes pays dividends to get up early............

    So, one can get it there, or I can supply it to anybody who needs/wants..............

    The wise man does not lay up his own treasures. The more he gives to others, the more he has for his own......

    Rock on,

    Doc
    It is by going down into the abyss that we recover the treasures of life. Where you stumble, there lies your treasure......

  • DeadVikes
    Joined:
    2/17/73

    Hey Doc,

    Where is the new Miller for this show? I see a 2020 transfer from Miller on the archive as of this morning, and this one has issues.

  • Forensicdoceleven
    Joined:
    I met her accidentally in St. Paul, Minnesota......

    Mornin', rockers!!!

    For all you completists out there----as well as Row Jimmy fans----the talented Mr Miller just put out a "fixed" version of the fine St Paul show from February 17, 1973. Would make up part of a nice box set from early 1973----2/9, 15, 17, 19............

    Ah well, one can dream..............

    Rock on, happy Friday!

    Doc
    Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before........

  • Forensicdoceleven
    Joined:
    Music is the best means we have of digesting time......

    ROCKTHING.............

    Check your PMs...........

    Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend........

    Rock on,

    Doc
    I frequently hear music in the very heart of noise.......

  • Forensicdoceleven
    Joined:
    I have just got a new theory of eternity…...

    Hey rockers!!!

    Pick Of The Day: Austin, Texas February 23, 1970

    I reluctantly discussed this at the end of last year. Here I am again. It appears that I’m stuck in a time warp. The galactic rock and roll union. I have no special talent, I am only passionately curious…..

    It appears that the currently circulated recording of this show is the only surviving audio document from the Dead’s four show excursion through Texas in February 1970. It’s tough coming right after the wonderful, brilliant Fillmore West/Fillmore East shows earlier that month, and perhaps it’s not unexpected that the intensity level might come down a bit. That being said, this is still interesting, enjoyable, and worthy…..

    The band is in 1970 electric/acoustic/electric mode. The circulating recording appears to be missing part of the first electric set, coming in during Know You Rider. For fans of acoustic Dead, this set is nice---Monkey And The Engineer-Little Sadie-Me And My Uncle-Black Peter-Seasons Of My Heart-Uncle John's Band. The festivities are completed with a jammy NFA and Mason’s Children.

    The monotony and solitude of a quiet life stimulates the creative mind. I live in that solitude which is painful in youth, but delicious in the years of maturity……

    Did Bear travel to Texas, and did he record? Banana boxes, reveal thy mysteries…..

    Rock on,

    Doc
    Whoever undertakes to set himself up as a judge of truth and knowledge is shipwrecked by the laughter of the gods……

  • rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Sorry I'm late... so something off the beaten path but it's not quite what I thought it would be.
05/28/76 Club Front.

They played the Attics of My Life on Satellite radio last week and it left me scratching my head as I thought they dropped it in '72 and didn't return until the Warlock shows in '89.

The weird thing is the Attics is not on the Archive, but it's you YouTube. It's a real, nice, boucy version with a Reggae beat holding it up. Check it out, the rehearsal is very interesting too.

So it's a light day, you could fit this in in the time it takes to clean up after dinner.

Sorry I didn't get to this earlier, I was late out of the gate and just got home now. The Attics is worth it though.

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Okay Jim. Club Front 76 it is. I will give it a go tomorrow.

Still crying in our beer out here.

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Thanks Jim - listening now. I found 2 sources on relisten and the second one is significantly longer, with more takes, including Attics. The Attics has got a reggae groove to my ear. It's really nice.

Been checking in daily but listening has been sort of scatter shot, both in terms of POTD and in general. Did check out the 1/10/70 - that a solid shot of music from that time frame. Like Jim says - where is Set II (if there was one)? Among recent listens were Jai Alai '74 (good god!), Dillon Stadium '74 (DaP 2), Chicago Auditorium 10/71 (DaP 3) DeKalb 10/29/77 (DAP 33 - always a wowza!) and various Eberhard Weber albums (non-dead).

Stay safe and healthy everyone.

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Some interesting rehearsal sessions here Jim. They were ready to get back into it, you can feel it.

Sound quality of the recording was good.

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Hope it was ok and not a derailment.

I just really liked that Attics.

I would like to revisit the 76 box at some point. That and the Giants box to me are under-rated. The St. Louis box on the other hand is not under-rated, more like worthy. I'd love to see the rest of the BCT '72 shows get box treatment, the same goes for Texas '72. Or how about a T For Texas box? Or we could simply call it Timbuktu.

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Hey rockers!!!

Pick Of The Day Trifecta, Volume 2:

Three separate highways intersect at a place no reasonable person would ever want to go….

January 17, 1968 Carousel Ballroom, San Francisco. Starting as the El Patio Ballroom, eventually to morph into the Fillmore West, a “social/musical laboratory experiment" ostensibly run as a collective by several San Fran bands. The six month run was opened by the Dead with a blast of wonderful primal psychedelia, including, apparently, the first live version of China Cat Sunflower. Very good recordings circulate, give it a listen!

January 17, 1969 Civic Auditorium, Santa Barbara, California. Short on paper, long on music. Big jams and a little bit of grease. Short nice Star, driven Eleven, raucous Other One. And while the Hartbeats might have done it a couple of times previously, this appears to be the first “full Grateful Dead” version of Cosmic Charlie. Typical early 1969 gooey goodness!!

January 17, 1970 OSU, Corvallis, Oregon. An overlooked and underappreciated show. The band starts out with a more song-oriented approach, showcasing some Workingman’s material, before closing out with the “typical big jam sequence” Star/Saint/Eleven/Light. This probably doesn’t require a lot of explanation………..

The recordings of each show have some sonic issues, cuts and edits seemingly common for many audio artifacts of this era. Perhaps the banana boxes contain “new & improved” copies????

Rock on!!!

Doc
Astronomers have a common ground for discussion with musicians in the harmony of the stars and musical concords in tetrads and triads of the fourth and the fifth…..

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Thank you Doc for these reviews and keeping us excited listening to new shows that we may never have heard otherwise. Always a pleasure!

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Woke up about 1 am and decided to do some writing on a project. Saw Doc's post and spun 1/17/68. It was just exactly perfect. Awesome stuff. The tone on Bob's guitar very cool. Thanks Doc!

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Timbuktu Box sounds like a winner to me.

Let's go!

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But it ain't new yawk either. continuing my interest in the late days of the Godchaux era how about 1/15/79, Springfield, MA? Listened to Set II yesterday and mother of goodness it was awesomely great. The Playing > Drumz > Jam sequence is crazy town. There is a good Miller SBD (not a given for that era) but reading some reviews the Steve Rolfe FOB audience (Miller transfer) is a legendary pull. I put it on for the beginning of Shakedown and in the pocket sweet spot FOB. Cued up Rolfe for Set I this morning.

spoiler - there is no Minglewood but there is a Jack-A-Roe

Enjoy the day folks.
Onward!!

edit - Personally I'd probably run with the Miller sbd overall. There's a matrix to maybe split the difference. This is a great show.

1/15/79 Springfield sounds good to me Bluecrow. Thanks.

I can't believe #45 isn't sold out yet.

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That’s off of Dave’s list…
I’ll try to find time this WE.
Still stuck in deadline hell with no tunes or time : (

45 not sold out: I can believe it lol

Great show Bluecrow, I enjoyed it. Yes I listened to the matrix. Agree, the Playing was the highlight of the show for me as well BC. I like that reprise into Casey Jones. Great sequence. Close it out with a good JBG.

The Shakedown was good as well as the Stagger Lee Passenger.

Recording was good. Good to hear this show is on Dave's list OB. Oh and go Bills!

I think I will revisit 10/18/72 from the LTTR Box next.

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I got the new Hunter’s Trix a few weeks ago and it sounded pretty good.
I think that there are a few fans of that show hanging out at POTD.

hunterstrix
dot
com

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Conekid. I checked this out.
What is this site?

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This one hurts. That voice, those harmonies with Nash.

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Ca. 1997, back in the day when each edition of the GD Almanac was snail mailed to my rural PO, Grateful Dead Records released Another Stoney Evening, a beautifully played and recorded Crosby-Nash concert from 1971. Visiting that tonight.

Liner notes were by Steve Silberman, one of Croz' closest friends. I mentioned last year or so that Steve had a great podcast series talking with Croz called Freak Flag Flying. Check it out if you haven't already.

RIP David Crosby.

Funny to hear that 1-15-79 is on Dave's list cause that seems like a lost era in terms of board tapes. A ripping show. Get yourself the comfy chair Oro. Was listening to parts of it again this evening. As I was saying that Playing > Drumz > Jam is crazy town. 10-17-72 sounds real good DV, sometime in the next day or 3.

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Google it.

Clearly a Pigpen fan.

Welcome back Bolo.

______________________________________________
Edit: DO NOT lick parotid glands on this toad, located just behind the toad's eyes.

That is all.

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(Again.) I was having trouble figuring out what to play to honor David Crosby and had more or less decided on the 4 Way Street LP but you reminded me of Another Stoney Evening - GDCD 4057 (1997 release) which fits the bill perfectly. More harmonies and 1971 goodness!
Cheers
"I'm not NOT licking the toad" - Homer (not the philosopher but philosophic in his own right)

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Sucked to be Toadzilla. Even as an extraordinary specimen, being a non-native, invasive, destructive species earns you a one way ticket to toad afterlife in a museum collection. Tender-hearted-me sort of cringed knowing that was gonna happen, even before I read the whole thing, but you got to kill them just like the Burmese pythons run rampant in the Everglades.

Another Stoney Evening sure was a fine release 1stShow. It was Bolo and his comment about Croz' harmonies with Nash that immediately pointed me there. Me thinks you can still catch a buzz from Croz' "Lebanese Flu" just listening to it. Very intimate recording.

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That site lists all the matrix shows in the Hunter’s Trix series.
All are available for download as torrents.
In the menu, click on ‘etree uploads’. Get the torrent l-i-n-k from that site and put them in a torrent browser which will get the shows and save them on your hard drive as FLAC.

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Thanks Conekid. Interesting site.

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. . . check out the first Crosby-Nash album to be released in 1972, the self-titled, "David Crosby & Graham Nash". (Jerry, Phil and Billy contribute.) Check out "Where Will I Be?" including tuned glasses.

For sheer otherworldly, hair-raising beauty, Crosby's first solo album, "If I Could Only Remember My Name", never fails to bring goose-bumps and usually a tear or two. The magic that swirled around Wally Heider's studio in 1970 & 71 with its host of SF musicians still shines brightly. The 50th Anniversary release of IICORMN includes a second CD of demos, alternates and early takes. Breathe deeply. . .

*** Blue Crow's right, Lebanese Flu is highly contagious. . . and that's a good thing.

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Do the shops sell anything like that now?
Never seen any around here in CO.
Can't see why not. Same source material.
Maybe too labor intensive?
Have a good weekend!
Cheers

If you haven’t taken full advantage of what’s available, it’s highly recommended that you do.
Takes minimal effort to pack a hard drive with FLAC files.
If you have an old computer that isn’t used anymore set that up to run the torrent client (I use utorrent -dot- com).
Go to etree from the menu on the hunterstrix page, click on 12-1-79, then click on and save this to your computer:

gd79-12-01.mtx.seamons.ht156.161627. flac16. torrent
(spaces added)

Then take that torrent file and drag it into the utorrent (or another torrent client) window. Sit back and wait for the files to arrive.

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In reply to by 1stshow70878

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Looking at 9/1/79 from Holleder in NY for today. Did you ever make it to this venue OB?
Recording starts out a little rough but evens out mid way through Half Step.

Finished 10/18/72 yesterday. I think my third listen. Great show. Appears to be a lot of distortion on this one. Might be on my end. Has anyone else noticed this?

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Hey rockers!!

Picks Of The Day: Eagles Auditorium, Seattle January 22 & 23 1968

Of all forms of caution, caution in love is perhaps the most fatal to true happiness….

Caution? Did somebody say caution??!! Friends, throw your caution to the wind, and believe!! Believe that there is enough 1968 in the vault to release a 68 box. Yes some are mere fragments, but sometimes even fragments burn bright!!

January 22: Folks, it’s all there! Starts with a cool, greasy, jammy Alligator followed by a long, seamless jam sequence that takes us through to the end of the show. Other One, New Potato, Cross Eyed, Spanish jam, Dark Star (in its early, short version), an early China Cat, Eleven, Caution. Need I say more???

January 23: This appears to be a fragment, but includes a short, crunchy CE/TOO/CE flowing into the rare Clementine, New Potato, Born Cross Eyed, and another Spanish jam (sadly, cut).

Go primal!!!!

Do not fear to be eccentric in opinion, for every opinion now accepted was once eccentric…..

Rock on!!

Doc
There is much pleasure to be gained from useless knowledge…..

Y’all told us NOT to lick the Toad so of course I did and phew, seemed to have lost a couple daze…

Then it took me awhile to clean off the Gray Matter from where Daverocks head exploded after hearing about the big HW box ; )

Ok, 1/15/79: overall, at least at first, I felt slightly underwhelmed at times? Good show, but not top shelf? So of course Dave will pick it lol. It’s hard to describe, like their playing ok, but tired, burnt..? or maybe I’m just projecting knowing what the outcome is? Perhaps I’m being overly critical, or perhaps like HF and his first, I’m extremely biased and would like to see a four disc Beauty of 1/10 and 1/20/79 and imagine instead only 1/15 getting released from that stretch, though 2/17/79 is great too!
I imagine and would love a nice sandwich with NYE 78 and 2/27/79 surrounding a 1/10 and 1/20 middle, but at this point I’m starting to give up on getting anything I want…sighhhh.
BUT…BUT, that Playing suite surely was a treat, especially that drum jam weirdness, PROPER!
Admittedly I was doing chores during the first so I’m probably generalizing? But the first part of the second seemed to step it up, and then from Playing onward was a perfect lay back and groove stress melting slice of goodness that was sorely needed! Good call BC!
Hit 1/17/68 for extra credit. Another fine, fairly tight outing with a mostly good recording cept a few distorty parts, probably old tape as Jimmy mentions? Always like the early alternate lyrics of most songs including TOO here, (and Sailor/Saint from 9/1/79).
1/17/69 I have dug before, probably via doc lol. 1/17/70 is on the list…

Hollander Stadium, funny you mention DV.
I had my cherry popped earlier that year so was truly itching to go. I could have gone with my older DH friends but being “only” sixteen the rents weren’t about to let me go “all the way to Rochester!” with a bunch of hairy freaks, especially after a bogus drug bust landed some of them in the local paper lol.
My poor mother rip, was terrified of all the R&R shenanigans, especially after she heard somewhere that “someone could stick you with a needle and drugs against your will and you won’t even know it until it’s too late” lol poor mom!
Like, if someone’s got drugs they ain’t wasting it on my teenybopper ass lol.
So unfortunately I’d have to wait until 11/9/79 for number 2.
But I heard about it from my friends and they seemed kinda non plussed. The big news was how the promoter or the band? The Good Rats tossed rubber Rats out in the crowd who being unruly Deadheads from Deep Elem, promptly began pelting the band with the toy Rats lol. Literally booed them off the stage.
Considered by many to be the poorest choice of an opening act in Dead history!
I still chuckle thinking about poor Joan Jet opening for Bobby and the Midnights at a theatre in Crotchfester.
So I finally listened to this one in the recent past and enjoyed it, though I wouldn’t call it top shelf.
Hope you dug it DV as you continue your 79 odyssey!

Go Bills, though I if they continue with their recent fuckery their going down.
Last week was pathetic and I felt bad for vguy having to lose in such a way, but no offense the Bungals ain’t the Fish and if we play like the last couple weeks it’ll be over!
Kinda like the way the VIKS went down : ( oh well, it’s ment to be entertainment, and this year it surely was for both teams!
EDIT: oh we’ll touch of Gray…but it’s alright
Upshot, we can listen to Dead shows on Sunday now instead of waisting time on fut ball!

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In reply to by Oroborous

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Sorry about the Bills OB, we were pulling for them at my house.

The good rats, that is a crazy story. Seemed like a lot going on that night and I love this show.

Here is a change of pace for you, 3/30/87 from the good old spectrum in Philly.

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Mornin’ rockers, let’s rock!!

Pick Of The Day: Seattle Center Arena, January 24 1971

Care for a side order of Ian & Sylvia to go with your crunchy main course of hard rockin’ Grateful Dead??? All marrow, no gristle……….

In January 1971 the Dead made a short excursion through the Pacific Northwest, four shows were scheduled, one was cancelled, and one rarely hears about any of this. Sonically speaking, the Davis and Eugene shows are not well preserved. That leaves Seattle as the best currently circulating surviving document from this month.

And what a document it is!! It appears to be one long set. The Dead start off high with Truckin’, and they don’t throttle down. There’s a China/Rider for me, a Cumberland for JimInMD, and enough grease to keep HendrixFreak happy. Hope you’re doing well, my friend, but be careful---this might give you palpitations!!!

In a way, this might even be considered historic, the last glimpse of the band before the seismic changes that would begin the following month in Port Chester and play out through the remainder of the year. And if you believe, as I do, that first and foremost the Grateful Dead were a rock and roll band, then you will probably enjoy this!!

We are never further from what we wish than when we believe that we have what we wished for…..

Rock on!!!

Doc
Passions are vices or virtues to their highest powers…..

That is a fun, energetic, Spring '87 show DV. New to me. Very enjoyable listen. Rocking Shakedown to start - reminded me of a favorite from 7/6 that summer. I saw the first 2 shows at the UIC Pavilion Chicago end of that spring tour. Only non-east coast shows and sort of overlooked cause of that. A joyous time - to have Jerry still with us, healthy and happy and ripping it up! Good to have those fairly recent Charlie Miller ultramatrix transfers for this tour.

Looks like there is some NW '71 coming into view on the horizon.

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In reply to by bluecrow

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Fine set of music. Nice sounding board. Pig clearly didn't have it all out of his system after Lovelight (neither did the band) and that launch into Good Loving is great. Awesome grunge version.

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In reply to by bluecrow

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Glad you liked it Bluecrow. My first listen as well. Good show. Recording is good, not mind blowing. Shakedown openers always bring a smile, good Stagger Lee, Box of Rain, Iko Iko, SOC into He's Gone, very enjoyable.
You get a nice Truckin, Other One, Wharf Rat. Close it out with It's All over now. Baby blue. Worth a listen for sure.

Did you get a chance to listen to 10/18/72? Interested in your feedback on the sound.

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In reply to by DeadVikes

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Hmmm, I was there.
I’ve heard this …within the last couple years?
But I should give it another go, cept I got, got, got no time!
If this is the show I’m thinking of, there’s an unbelievable story, but not now…
I gotta git down….

Maybe this WE, though I might need something stronger lol
Onward!

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I'm currently tuned in, even though I am also currently working my way through DaP 36 in the car. '87 energy does it for me most times...

1/24/71 has long been on my high list. So, it was fun to tune into that PigPen-fest again.

Keep the hits coming and as always Stay Grateful :-)' :-)' :-)'

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First, I did not make the Spectrum that year and I cannot for the life of me remember why. Pre GPS, much like Washington DC, I was not a fan of Philly driving.. but I should have been at this one. Perhaps I had a test or midterm or something. My memories have faded.

So 1987.. I'm sure I wrote of this before but Wilfred T's post reminded me. I do like DaP 36, an UltraMatrix to the exteme, it's basically a Matrix, and a decent one. I have a love hate relationship with 1987. I think I saw more shows in 87 than any other year. I was a Junior in college, gas was like a dollar five cents a gallon and I had recently bought a used corolla (which cost pennies to drive and almost never broke down).

So I caught a bunch of shows, but man.. the recordings, although they do capture the energy, really..unless you are in the mood for an audience tape, are.. well...

Trying not to be negative, but of all the UltraMatrix years, 87 for the most part (9/18/87 and a few others omitted) sound more like audience tapes than soundboards.

I apologize for this review, but for a high year for me the tapes seem to mismatch my experiences more than other year. I consider this (and some other ultramix years) a lost opportunity of sorts.

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Anyone want to join me in hitting 3-21-94 Richfield? I don't know if we've visited it before, but I remember it having a good and interesting Stella Blue. Yes, I know it's 1994 so it's likely spotty in places, but it might be an interesting change of pace. It looks like there is a new Miller transfer on the archive, too.

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In reply to by wilfredtjones

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Hey WTJ, if it is a Dead show, I am willing to give it a go. Thanks.

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This is a good one, Moses comes riding up on a Quasar, to start the first set, then A Bertha, a real pretty Peggy--O, a nice West LA Fadeaway, and ends with a TN Jed. And that's just the first set. The second set is nothing but gooey goodness dished up by Jerry and Company. The He's Gone>Jam>Drums>Space TOYL> Stella Blue >TOYL. A great Liberty encore. A great pick, enjoy.

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Ok, they let me out for my daily hour of yard time, so…
Hitting 2/19/73. Only 2nd set available but short works for me currently.
Into Truckin, so far so good. Not the best recording but not too shabby either.
I believe both Dick and Doc highlighted this show.

Will probably look at 1/24/71 per recommendation, and since it’s one of only about a dozen I didn’t catch back in 21 when I did the Pepsi challenge!

Will hit 3/21/94 when time permits! How bout some 93 ideas, not necessarily for right now but for later when things hopefully gain some normalcy?

3/30/87 I’d like to check again, just not sure I’ll have time, especially for more groovy picks lol.

DV, who we rooting for tomorrow?
I’m going with 49ers with the GD connection, and how can you not root for the kid who gets picked last!
Unfortunately, I’m not sure anyone can stop the Eagles.

Rootin for the Bungals in the AFC. A) I think their a better team though the Chefs looked more consistent last week than the last time I saw them, B) the ankle: as one who’s broke and/our sprained badly both ankles several times, it will be interesting to see how/if that is a factor? Guess it depends on if he gets shot up so He’d be able to put weight on to throw, but you have to think it will at least have some effect on his running game?
And C) nothing personal to Chefs fans or even pretty boy Patty, but I don’t like the way the league “massages” things for him like they have for Tommy. Or maybe it’s just the verbal diarrhea ad nausea ala Collingsworth et el, but I’m getting sick of the never ending hyperbole…I mean there are 32 NFL teams a whole lotta great QBs, why do they have to over hype one or two to the point fans get put off?

Hopefully they’ll be good games!

Yep, this 2/19/73 is hitting the spot!
Ok, yard times up…

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In reply to by Oroborous

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That's a Blue Crow special! Loved it for years. It's been here on POTD. It's a Nudie Suit show, with excellent pro photos out there. I keep hoping the missing reels have secretly been returned and Dave's going to spring it on us like he did 2/2/70.

Most recently been listening to October'72 from the FoxBox after DV's suggestion.

I hear you Jim regarding '87 with Healy ultramatrix boards often being more than a bit heavy on the audience. I still enjoy them though, I have the energy from that spring/summer imprinted on my DNA so to speak. The ultramtrix for 4/9 UIC is an upgrade for what was circulating earlier. I think you were at RedRocks and couple of weeks ago I got an '87 Black Muddy River hankering and listened to a good part of 8/11 first night. I was 2nd row center for that one and (to my aging brain) the Miller straight SBD was pretty darn close to how I remember the sound that night. And Park City kicks it.

'94 you say WTJ? - Sure I can do that. I saw some good shows in Seattle & Eugene that year.

Got my shipping notice last night for Dave's 45. Donkey mail should have it here next week.

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In reply to by bluecrow

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Hope you’ve mended up well and are fully able to explore etc!
Sorry about not realizing we’ve hit 2/19/73 per your pick.
Duly noted now and fully dug by moi. Yep, wonder what that first set sounds like?
Looking forward to checking out more unheard 73 this year.

1/24/71: nice short sweet one! Fully dug.
Last third a virtual Pork Roast!!
Recording good cept for occasional distortion, levels or tape condition?

Hoping 3/21/94 next/soon…

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Pretty much mended from the surgery, Oro, thanks. Glad I got it taken care of and other than occasional soreness at the end of the day along the inguinal incision scar all good and fine to hike and scramble out and about.

It surprised me that you didn't have 2/19 on your radar given that you are the primary record keeper after GOGD went radio silent. It's a favorite sequence of mine. I'm a total sucker for those He'sGone/Trucking/Other One jams from those days. Eyes 3rd time played, way jammed out and into China Doll. Perfection. They broke out the Nudie suits for Set I. I think this has to be one of the last shows, if not the last one, where there is no complete set list known. New Riders opened I think. Love to hear it whole. Also, even what we got is missing a chunk at the end of Other One, could be 1/2 a minute, could be 10. Hometown show, though I was still a wee lad at the time and didn't even know who the dead were probably. It's possible that one of my fellow 7th/8th graders went. Many years later a hometown deadhead friend and were i were late night reminiscing about our school days and going over the class photo poster, and while basically everybody is in their sport coats and dresses, one was very much not and we're like "Holy crap, Dan's wearing a Dead shirt??!!" Either a Skull and Roses tee, or maybe a Europe Cone Kid or the Rainbow Foot. '73 or '74. Maybe he was at McGaw Hall later that year. We were totally flabbergasted. Radical move back then for picture day. He was clearly a true fan - heck he might have even gotten on the bus at this show - as a few years ago l learned that he owned Wolf and later donated the proceeds of its sale to the SPLC.

As a somewhat random 3 am aside along lines of gaps in tapes, the DiP18 Eyes from 2/3/78 (my first) is missing about 50 seconds of beautiful Jerry soloing. They did a pretty good job of hiding the splice. Over the years I've seen maybe one person comment on it - they detected the slight tone shift at the splice and were wondering what might be up. You can hear the whole solo on the audience tape (which is a pretty good tape for the era by the way.)

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He's Gone/Trucking/Other Ones (though not necessarily in that order) I been listening to the FoxBox '72 and that Disc 3, Night 3, 10/19 is freaking ridiculous. Phil's entry into the Other One??!! Madness I say! Madness!

Have a great weekend everybody.

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In reply to by bluecrow

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94 is definitely not a go to year for me
However, I enjoyed this show. Nice same thing, Queen Jane, West LA Fairway, New Speedway Boogie, and yes a great He's Gone! Nice Stelle Blue. Fun times. Recording is good. Thanks WTJ for the pick.
What did you all think?

OB, shit I don't like either team left in the NFC, particularly the Eagles. So, let's go Niners!
Routing for the Chiefs, not a Bangles fan. Should be a couple good games.

Great story about your youth BC, love the Skull and Roses tee. February 73 is hot, but shoot, is there a bad month in 73?

When I was coming up in the ranks of the Dead world in 85, most of the guys at my school were big metal heads, being a Dead fan was definitely not cool. By the time I graduated in 89, those same metal guys turned into dead heads.

I will have to get to 10/19/72 tomorrow. I got through the first set of 10/17/72. Smoking hot!

#45 shipping notice received a couple days ago. Still sitting in the shipping label created stage since 1/25.

Be well out there.

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I can't believe I just read a positive review by one Brian Dyke!! 3/21/94 in the Taping Compendium.

Well I'll be....LOL :-)

Onwards and Upwards...

P.S. Just happened to check out the "Fox Box" (edit- well almost) recently and was sampling the 72, too!! :-)

How bout a double shot?
These are both on Dicks list of recommended 73s and I don’t think we’ve heard them here, at least I’ve never heard em.

BC, I’m sure I’ve missed some picks, GOGD I am not lol. (Even though he’s a stinking quitter; )
Perhaps part of the problem is when several of us toss several things out at once, or like your recent mention of some 72 stuff: we’re those picks, or just stuff for discussion/suggestion?
In those cases, say where four shows are brought up, I’ll mark the one or 2 things that others seemed to actually listened to and or commented on.
Like how I’ll mention something related to a days pick as a suggestion for furthur listening, but I wouldn’t call a “pick”

I’ve been trying to go through at least once a week and note the shows picked and who picked em in my Deadbase, but I don’t keep track of when etc. I’m sure there were times between GOGD and when I became more diligent about keeping track that I’ve missed, SLACKER! LOL

3/21/94: I need to discuss these shows sooner after I listen as I’ve already forgotten some of the nuances I wanted to discuss, yeeesshhk.
I thought this one had good energy for 94 or in general, though Eternity was a bit of a buzz kill. Didn’t used to mind that one so much but it’s shelf life might be coming up? Really dug the second set! I’ve always liked the rocking vibe of Picasso and how JG can rip it up sometimes even if I have no idea what it’s about lol. Cool Speedway, and I usually like a good Victim, though I know it’s not everyone’s cup of tea. Sweet He’s Gone, great harmonies, lil jam into another trippy 90s rave space, followed by a a nice LL/Stella/LL samitch and a Liberty encore for some variety.

3/30/87: I’ve found these spring 87 shows more enjoyable then I recall?
I like the matrixes and this one didn’t seem too bad though I agree that some of them are not balanced so well. I think part of my weirdness with this tour stems from being there, and being disappointed because if certain expectations we had more than the music itself?
The way things were progressing vis a vis breaking out oldies and the old psychedelic energy, 87 was like a step backward (to us perhaps versus reality?) the jams were fewer/tamer, the vibe was much more dialed in, settled, and lacking that element of danger we were getting used to before the first health hiatus.
We had gotten the whole tour ticket package (perhaps for a discount?) though not intending to do the whole thing. Probably figured extra tix on tour are gold Jerry, gold i tell ya!
Whatevs, we did hit the first 8 but by Worcester I think a combination of burnout, tour colds, rapidly diminishing funds, and most of all, feeling underwhelmed? It’s all such a blur, don’t recall much of that spring or more so 86?
So we sold the Wooster tix, hindsight being 20/20 wish we’d gone… (think we got rid of Chi town and Jersey already?)

Anywho, my point being at the time we had a blast, dug the shows as always, but we’re a little disappointed.
So unfortunately, like many things, once I’d made a judgment that was that and I’d sorta wrote em off.
But through going furthur these most recent years I’ve grown to like them, even if not perhaps top shelf?
So This go round of 3/30/87 was quite enjoyable for a lazy day in the comfy chair.
Shakedown not the goat but no slouch and a good opener! Nice well played energetic songs with a good set list.
Second set builds up nicely, including another good He’s Gone. I believe it was this one that has Phil hitting these big single notes on the backside outro section. I remember it really stuck out and I was smiling etc.
Perhaps like much of 87 no really stand out stuff, just good clean safe tight GD! I’ve come to think of 87 as 77s younger cousin in that sense of the band really listening and playing consistent good clean music together as a unit, even if lacking the big jams and fireworks?
Anyway, glad I got it in abd hey, it’s got a Baby Blue ; )

Wish I would of continued with more music yesterday instead of more poorly played football.
Onward!

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Okay, those sound good to me OB. I will get those started. Champaign Illinois let's go.