• 8,100 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • Gary Farseer
    Joined:
    Fare the Well --Thought I would send

    the Meyer sound article on fare the well. Just copy and paste instead of a lync.

    The Grateful Dead Bids "Fare Thee Well" at Levi's Stadium with Meyer Sound LEO

    Derek FeatherstoneDerek FeatherstonePhoto: Jay Blakesberg

    4 of 8
    July 3, 2015

    John Meyer's 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas. They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    Mickey HartDrummer/Percussionist, The Grateful Dead
    Featured Products
    1100‑LFC, 700-HP, CQ-1, Galileo Callisto 616, LEO, LYON, MICA, MILO, MJF-212A, UPJ‑1P

    Fifty years after forming their band at a Palo Alto music store, the surviving founders of the Grateful Dead kicked off their end-of-an-era “Fare Thee Well” mini-tour at Levi’s Stadium in Santa Clara, Calif. with a Meyer Sound LEO linear large-scale sound reinforcement system driving a quadraphonic surround setup.

    The two Silicon Valley shows were a landmark occasion with more than the 60,000 devoted Deadheads in attendance each evening. It was also a milestone in the band’s decades-long association with Meyer Sound CEO John Meyer, a relationship spawned from a shared passion for audio experimentation and audience experience. The Grateful Dead’s original sound engineer, Owsley “Bear” Stanley, first tapped Meyer to create acoustic solutions for the legendary “Wall of Sound” system in the 1970s.

    The Meyer Sound LEO system with its accompanying 1100‑LFC low-frequency control element delivered an immersive fan experience in the large football stadium and supported an experimental segment devised by drummer/percussionist Mickey Hart. Using the Meyer Sound system to transmit ultra-low frequencies in surround sound, Hart probed how the brain perceived audible and below-audible rhythms.

    “John Meyer’s 1100-LFC loudspeakers empower the rhythmic voice and enable percussionists to manifest new ideas,” says Mickey Hart. “They are sonic tools for reliably transmitting vibrations that affect neurologic function in a special way we are only beginning to understand, enabling us to explore healing properties embedded in low-frequency sound—a dream come true for us all.”

    The Meyer Sound system comprised four front arrays of 17 LEO-M and three MICA line array loudspeakers each, with dual side columns of 14-each 1100-LFC low-frequency control elements and a center column of 22 700-HP subwoofers in an end-fire pattern. Side and offstage coverage was supplied by 32 LYON and 32 MILO line array loudspeakers, respectively, with an additional 30 MICA loudspeakers providing behind-stage coverage.

    Filling in the far ends of the stadiums were four delay towers with a total of 56 MILO loudspeakers and eight 700-HP subwoofers. Two additional towers of eight LYON loudspeakers each faced the stage for quad surround effects, with six CQ-1 and four LYON loudspeakers providing front fill. A Galileo Callisto loudspeaker management system handled drive and optimization, and 16 MJF-212A stage monitors provided onstage foldback.

    Following the Levi’s Stadium shows, Grateful Dead continues its tour at Soldier Field in Chicago over 4th of July weekend, using a nearly identical LEO system for three shows. Audio requirements for the shows are handled by Martinez, Calif.-based Pro Media / UltraSound, with system design accomplished by the company’s Derek Featherstone, vice president of touring and rental and the band’s FOH engineer since 2005.

    Additional equipment support for the five shows comes from Blackhawk Audio, Rainbow Production Services, Show Systems, and Solotech.

    “The LEO and 1100-LFC system can handle everything we put into it,” says Featherstone. “We are also very impressed with the quality control of the Meyer Sound self-powered equipment. Being able to acquire 650 loudspeakers from several different vendors located in multiple states, assemble the large system on site, and have it work seamlessly is no small feat.”

    Matt Haasch, audio crew chief for Pro Media / Ultrasound adds: “I was impressed with how well the LEO system handled the physical acoustics of a big stadium. Coverage was smooth and practically seamless, with precise imaging for all seating areas.”

    John Meyer’s work with the Grateful Dead extends to the mid-1970s when the band’s concerts were heard through McCune Sound Service’s JM-10 systems designed by Meyer. The relationship continued through the band’s last tour with Jerry Garcia in 1995, supported by Meyer Sound MSL-10 loudspeakers. Meyer Sound systems have been a staple for tours of reunion and spin-off bands during the interim, including the 2005 and 2009 tours equipped with a Meyer Sound MILO system when the core members were known as The Dead. In 2011, the band’s Bob Weir installed a Meyer Sound Constellation acoustic system in his Tamalpais Research Institute (TRI).
    Copyright © 1979-2022
    Meyer Sound Laboratories, Incorporated

  • Forensicdoceleven
    Joined:
    So many great ideas come out of a misunderstanding......

    Gary----

    I think you misunderstood, you're thinking of 4/21/1972, while I think of 4/21/71. And other 71s, of course...........

    Doc
    We are infected by our own misunderstanding of how our own minds work.............

  • Gary Farseer
    Joined:
    Doc

    great write up. Guess I need to go back thru that video. Havent watched in a few years. When was the meet up with the movies for this show? Of course, going by memory may have things confused.

    Found yesterday on archive forum, then to a posted new video of 1976-08-04 Roosevelt Stadium. Posted about 3 weeks ago. It is not complete, made of form multiple sources, SB plus video. Looks like they have almost all video when I ran thru. Video goes to 3 hour plus marker but did not do but a cursory review, under 3 minutes or so.

    So youtube, then GD, then date should allow you to find. Got a lot of music building on my plate.

    G

  • Forensicdoceleven
    Joined:
    I go where the sound of thunder is......

    Hey rockers!!

    I said I wouldn't be posting about 71s for a while, but I shall make an exception for April 21, 1971. And what a fine exception it is...............

    No bells & whistles, no frills, no midi. Lacking subtlety, bacon greasy, crunchy, hard edged, a thunderous example of the "sledgehammer approach" on display in April 1971. Rock and roll, Grateful Dead.................

    Oh, the shows I missed growing up!!!

    It is not light that we need, but fire; it is not the gentle shower, but thunder; we need the storm, the whirlwind, and the earthquake.

    Doc
    I am a being of Heaven and Earth, of thunder and lightning, of rain and wind, of the galaxies...........

  • Oroborous
    Joined:
    Dust off that rusty tank

    4/19/82
    Baptism by fire?
    I forget, first dead AND ?
    Great story, I can’t imagine, well, actually I can lol.

    Pretty darn good first show eh!
    Starts out a tad slow as can be the case, but built up nice throughout the set, with a nice set list: On the Road, Roses, Women Are, Might As Well, AND! It has both a Cumberland, and a PEGGY O!
    Stranger perhaps not the beast it would become, but nice opener here directly into Franks, Nice Estimated, but then into Terrapin instead of status quo eyes. Were you familiar with the music yet?
    yeah sweet first show, but wait kids, there’s more!
    That wonderful crazy space, man I remember getting a tape of that set, and Hartford, played the hell outta em, rents probably knew for sure then we’d gone nuts lol.
    But yeah, slides back to earth on The Wheel, with a interesting Truckin’ for lack of better term, and a very nice Stella.
    Then a double shot of Bobster and a fine end of tour Brokedown.

    Sound was good except the vocals were out front a tad for my preference, and the usual splice or three, but totally enjoyable, best version I’ve heard. Also, it was nice to hear the whole space segment, I’d only ever heard it in progress, so that was cool, no tank here but some tasty, potent Golden Goat had me laughing on the inside.
    Made for a needed, very nice, relaxing afternoon after a couple weird days, including no tunes : (

  • Gary Farseer
    Joined:
    Jim

    That is another interesting story in their history. I spent a little time on archive today. Haven't done that in a long time. Amazing the amount of stuff that shows up over there. A totally different subset of heads. I am just now getting to understand that there may be more than I can image to come out yet. Got on a discussion board there and it was an eye opener.

    Any way, I plan to watch the 42 discussion. I actually prefer being hidden back here. Of course everything in public domain. We are everywhere. Or is it, we are the marketing department.

  • JimInMD
    Joined:
    More on GD/Amps/US Navy

    I was close... if you google it you will get an answer pretty quick. Here is a quick quote from my first google land.

    Rosie McGee was cracking up at her desk when Dennis "Wiz" Leonard walked in from lunch.

    "What's the story?" Wiz asked McGee, then a receptionist and bookkeeper at Alembic, a California-based custom electric guitar, bass, and pre-amp company where Wiz worked as an audio engineer.

    "Well, the Department of Defense just called me," she told him. "They were asking if we could defer the purchase of our next four 3500s, so they could get four."

    Those amps were in high demand at Alembic. The 3500s, in particular, would be used in the Wall of Sound's vocal array tweeters, drum tweeters, and for Jerry Garcia's guitars. But was it just Alembic buying them up? A rumor was going around—a "urban myth," Wiz told me—that the US military was using Mac 3500s for sonar, specifically to listen for Soviet submarines.

  • Gary Farseer
    Joined:
    Passing the Test

    Isn't the goal here to be lighthearted? I try my best to not let the craziness of the world/media not get to me here? Isn't the goal here to be a kind prankster? They ask, "Are you kind?" Most of the flamers I look like as children, either actual age or not. Many are so deep in social media and issues that result thereof, they cannot see what it is doing to them. They are being handled, manipulated, and unwittingly abused by the profiteers. I try to stay away.

    Jim, had no idea of the McIntosh amp issues. Thanks for that piece of info. As much as I love the music, it is just how they were. So real and fun which someone wrote, "creating their own iconography." The richness of their traditions and internal musical dialog that we love is an unending source of comfort as they lived it everyday for 30 years. I wish I had a shot at hearing even 50% of their music, but as I have written before, my OCD makes me wear out a great jam over and over instead of looking for the next one. Need to work on that for sure.

    So Jim and Oro and many others, thanks for passing the test.

    G

  • JimInMD
    Joined:
    GFar

    You are kind soul.. I appreciate all you provide here. Same goes to Oro. I think it would take a face to face to catch me up on all the technology (old or new) that the two of you bring for me to truly understand. As for old.. and I am sure you both know.. in either late 73 or early 74 (I think 73).. the GD got into a scuffle with DOD over equipment they were ordering that was desperately needed for national security. Apparently, the Macintosh amps they were buying in unprecedented numbers were needed both in general and more specifically by special, top secret subs that needed the clean sound and amplification to either detect enemy interference or better hear and make stealth the noise they were making. So they called the GD and tried to work out a way to either stall, postpone or barter a purchasing arrangement that would not jeopardize national security.

    I think this is well known, and I apologize in advance for going on memory and surely confusing some of the information listed above as fact. ..but what is written is pretty close, if someone can clarify and correct it would not offend me in the least.

    Hope I didn't write anything that was incorrect or in any way interpreted as insulting or offensive.

    As for chainsaws and sawzaws to clear way for our living room WOS.. what could possibly be more fun.

  • Gary Farseer
    Joined:
    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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Sorry I'm late... so something off the beaten path but it's not quite what I thought it would be.
05/28/76 Club Front.

They played the Attics of My Life on Satellite radio last week and it left me scratching my head as I thought they dropped it in '72 and didn't return until the Warlock shows in '89.

The weird thing is the Attics is not on the Archive, but it's you YouTube. It's a real, nice, boucy version with a Reggae beat holding it up. Check it out, the rehearsal is very interesting too.

So it's a light day, you could fit this in in the time it takes to clean up after dinner.

Sorry I didn't get to this earlier, I was late out of the gate and just got home now. The Attics is worth it though.

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Okay Jim. Club Front 76 it is. I will give it a go tomorrow.

Still crying in our beer out here.

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Thanks Jim - listening now. I found 2 sources on relisten and the second one is significantly longer, with more takes, including Attics. The Attics has got a reggae groove to my ear. It's really nice.

Been checking in daily but listening has been sort of scatter shot, both in terms of POTD and in general. Did check out the 1/10/70 - that a solid shot of music from that time frame. Like Jim says - where is Set II (if there was one)? Among recent listens were Jai Alai '74 (good god!), Dillon Stadium '74 (DaP 2), Chicago Auditorium 10/71 (DaP 3) DeKalb 10/29/77 (DAP 33 - always a wowza!) and various Eberhard Weber albums (non-dead).

Stay safe and healthy everyone.

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Some interesting rehearsal sessions here Jim. They were ready to get back into it, you can feel it.

Sound quality of the recording was good.

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Hope it was ok and not a derailment.

I just really liked that Attics.

I would like to revisit the 76 box at some point. That and the Giants box to me are under-rated. The St. Louis box on the other hand is not under-rated, more like worthy. I'd love to see the rest of the BCT '72 shows get box treatment, the same goes for Texas '72. Or how about a T For Texas box? Or we could simply call it Timbuktu.

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Hey rockers!!!

Pick Of The Day Trifecta, Volume 2:

Three separate highways intersect at a place no reasonable person would ever want to go….

January 17, 1968 Carousel Ballroom, San Francisco. Starting as the El Patio Ballroom, eventually to morph into the Fillmore West, a “social/musical laboratory experiment" ostensibly run as a collective by several San Fran bands. The six month run was opened by the Dead with a blast of wonderful primal psychedelia, including, apparently, the first live version of China Cat Sunflower. Very good recordings circulate, give it a listen!

January 17, 1969 Civic Auditorium, Santa Barbara, California. Short on paper, long on music. Big jams and a little bit of grease. Short nice Star, driven Eleven, raucous Other One. And while the Hartbeats might have done it a couple of times previously, this appears to be the first “full Grateful Dead” version of Cosmic Charlie. Typical early 1969 gooey goodness!!

January 17, 1970 OSU, Corvallis, Oregon. An overlooked and underappreciated show. The band starts out with a more song-oriented approach, showcasing some Workingman’s material, before closing out with the “typical big jam sequence” Star/Saint/Eleven/Light. This probably doesn’t require a lot of explanation………..

The recordings of each show have some sonic issues, cuts and edits seemingly common for many audio artifacts of this era. Perhaps the banana boxes contain “new & improved” copies????

Rock on!!!

Doc
Astronomers have a common ground for discussion with musicians in the harmony of the stars and musical concords in tetrads and triads of the fourth and the fifth…..

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Thank you Doc for these reviews and keeping us excited listening to new shows that we may never have heard otherwise. Always a pleasure!

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Woke up about 1 am and decided to do some writing on a project. Saw Doc's post and spun 1/17/68. It was just exactly perfect. Awesome stuff. The tone on Bob's guitar very cool. Thanks Doc!

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In reply to by bluecrow

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Timbuktu Box sounds like a winner to me.

Let's go!

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But it ain't new yawk either. continuing my interest in the late days of the Godchaux era how about 1/15/79, Springfield, MA? Listened to Set II yesterday and mother of goodness it was awesomely great. The Playing > Drumz > Jam sequence is crazy town. There is a good Miller SBD (not a given for that era) but reading some reviews the Steve Rolfe FOB audience (Miller transfer) is a legendary pull. I put it on for the beginning of Shakedown and in the pocket sweet spot FOB. Cued up Rolfe for Set I this morning.

spoiler - there is no Minglewood but there is a Jack-A-Roe

Enjoy the day folks.
Onward!!

edit - Personally I'd probably run with the Miller sbd overall. There's a matrix to maybe split the difference. This is a great show.

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1/15/79 Springfield sounds good to me Bluecrow. Thanks.

I can't believe #45 isn't sold out yet.

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That’s off of Dave’s list…
I’ll try to find time this WE.
Still stuck in deadline hell with no tunes or time : (

45 not sold out: I can believe it lol

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Great show Bluecrow, I enjoyed it. Yes I listened to the matrix. Agree, the Playing was the highlight of the show for me as well BC. I like that reprise into Casey Jones. Great sequence. Close it out with a good JBG.

The Shakedown was good as well as the Stagger Lee Passenger.

Recording was good. Good to hear this show is on Dave's list OB. Oh and go Bills!

I think I will revisit 10/18/72 from the LTTR Box next.

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I got the new Hunter’s Trix a few weeks ago and it sounded pretty good.
I think that there are a few fans of that show hanging out at POTD.

hunterstrix
dot
com

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Conekid. I checked this out.
What is this site?

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Ca. 1997, back in the day when each edition of the GD Almanac was snail mailed to my rural PO, Grateful Dead Records released Another Stoney Evening, a beautifully played and recorded Crosby-Nash concert from 1971. Visiting that tonight.

Liner notes were by Steve Silberman, one of Croz' closest friends. I mentioned last year or so that Steve had a great podcast series talking with Croz called Freak Flag Flying. Check it out if you haven't already.

RIP David Crosby.

Funny to hear that 1-15-79 is on Dave's list cause that seems like a lost era in terms of board tapes. A ripping show. Get yourself the comfy chair Oro. Was listening to parts of it again this evening. As I was saying that Playing > Drumz > Jam is crazy town. 10-17-72 sounds real good DV, sometime in the next day or 3.

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Google it.

Clearly a Pigpen fan.

Welcome back Bolo.

______________________________________________
Edit: DO NOT lick parotid glands on this toad, located just behind the toad's eyes.

That is all.

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(Again.) I was having trouble figuring out what to play to honor David Crosby and had more or less decided on the 4 Way Street LP but you reminded me of Another Stoney Evening - GDCD 4057 (1997 release) which fits the bill perfectly. More harmonies and 1971 goodness!
Cheers
"I'm not NOT licking the toad" - Homer (not the philosopher but philosophic in his own right)

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Sucked to be Toadzilla. Even as an extraordinary specimen, being a non-native, invasive, destructive species earns you a one way ticket to toad afterlife in a museum collection. Tender-hearted-me sort of cringed knowing that was gonna happen, even before I read the whole thing, but you got to kill them just like the Burmese pythons run rampant in the Everglades.

Another Stoney Evening sure was a fine release 1stShow. It was Bolo and his comment about Croz' harmonies with Nash that immediately pointed me there. Me thinks you can still catch a buzz from Croz' "Lebanese Flu" just listening to it. Very intimate recording.

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That site lists all the matrix shows in the Hunter’s Trix series.
All are available for download as torrents.
In the menu, click on ‘etree uploads’. Get the torrent l-i-n-k from that site and put them in a torrent browser which will get the shows and save them on your hard drive as FLAC.

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Thanks Conekid. Interesting site.

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. . . check out the first Crosby-Nash album to be released in 1972, the self-titled, "David Crosby & Graham Nash". (Jerry, Phil and Billy contribute.) Check out "Where Will I Be?" including tuned glasses.

For sheer otherworldly, hair-raising beauty, Crosby's first solo album, "If I Could Only Remember My Name", never fails to bring goose-bumps and usually a tear or two. The magic that swirled around Wally Heider's studio in 1970 & 71 with its host of SF musicians still shines brightly. The 50th Anniversary release of IICORMN includes a second CD of demos, alternates and early takes. Breathe deeply. . .

*** Blue Crow's right, Lebanese Flu is highly contagious. . . and that's a good thing.

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Do the shops sell anything like that now?
Never seen any around here in CO.
Can't see why not. Same source material.
Maybe too labor intensive?
Have a good weekend!
Cheers

If you haven’t taken full advantage of what’s available, it’s highly recommended that you do.
Takes minimal effort to pack a hard drive with FLAC files.
If you have an old computer that isn’t used anymore set that up to run the torrent client (I use utorrent -dot- com).
Go to etree from the menu on the hunterstrix page, click on 12-1-79, then click on and save this to your computer:

gd79-12-01.mtx.seamons.ht156.161627. flac16. torrent
(spaces added)

Then take that torrent file and drag it into the utorrent (or another torrent client) window. Sit back and wait for the files to arrive.

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Looking at 9/1/79 from Holleder in NY for today. Did you ever make it to this venue OB?
Recording starts out a little rough but evens out mid way through Half Step.

Finished 10/18/72 yesterday. I think my third listen. Great show. Appears to be a lot of distortion on this one. Might be on my end. Has anyone else noticed this?

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Hey rockers!!

Picks Of The Day: Eagles Auditorium, Seattle January 22 & 23 1968

Of all forms of caution, caution in love is perhaps the most fatal to true happiness….

Caution? Did somebody say caution??!! Friends, throw your caution to the wind, and believe!! Believe that there is enough 1968 in the vault to release a 68 box. Yes some are mere fragments, but sometimes even fragments burn bright!!

January 22: Folks, it’s all there! Starts with a cool, greasy, jammy Alligator followed by a long, seamless jam sequence that takes us through to the end of the show. Other One, New Potato, Cross Eyed, Spanish jam, Dark Star (in its early, short version), an early China Cat, Eleven, Caution. Need I say more???

January 23: This appears to be a fragment, but includes a short, crunchy CE/TOO/CE flowing into the rare Clementine, New Potato, Born Cross Eyed, and another Spanish jam (sadly, cut).

Go primal!!!!

Do not fear to be eccentric in opinion, for every opinion now accepted was once eccentric…..

Rock on!!

Doc
There is much pleasure to be gained from useless knowledge…..

Y’all told us NOT to lick the Toad so of course I did and phew, seemed to have lost a couple daze…

Then it took me awhile to clean off the Gray Matter from where Daverocks head exploded after hearing about the big HW box ; )

Ok, 1/15/79: overall, at least at first, I felt slightly underwhelmed at times? Good show, but not top shelf? So of course Dave will pick it lol. It’s hard to describe, like their playing ok, but tired, burnt..? or maybe I’m just projecting knowing what the outcome is? Perhaps I’m being overly critical, or perhaps like HF and his first, I’m extremely biased and would like to see a four disc Beauty of 1/10 and 1/20/79 and imagine instead only 1/15 getting released from that stretch, though 2/17/79 is great too!
I imagine and would love a nice sandwich with NYE 78 and 2/27/79 surrounding a 1/10 and 1/20 middle, but at this point I’m starting to give up on getting anything I want…sighhhh.
BUT…BUT, that Playing suite surely was a treat, especially that drum jam weirdness, PROPER!
Admittedly I was doing chores during the first so I’m probably generalizing? But the first part of the second seemed to step it up, and then from Playing onward was a perfect lay back and groove stress melting slice of goodness that was sorely needed! Good call BC!
Hit 1/17/68 for extra credit. Another fine, fairly tight outing with a mostly good recording cept a few distorty parts, probably old tape as Jimmy mentions? Always like the early alternate lyrics of most songs including TOO here, (and Sailor/Saint from 9/1/79).
1/17/69 I have dug before, probably via doc lol. 1/17/70 is on the list…

Hollander Stadium, funny you mention DV.
I had my cherry popped earlier that year so was truly itching to go. I could have gone with my older DH friends but being “only” sixteen the rents weren’t about to let me go “all the way to Rochester!” with a bunch of hairy freaks, especially after a bogus drug bust landed some of them in the local paper lol.
My poor mother rip, was terrified of all the R&R shenanigans, especially after she heard somewhere that “someone could stick you with a needle and drugs against your will and you won’t even know it until it’s too late” lol poor mom!
Like, if someone’s got drugs they ain’t wasting it on my teenybopper ass lol.
So unfortunately I’d have to wait until 11/9/79 for number 2.
But I heard about it from my friends and they seemed kinda non plussed. The big news was how the promoter or the band? The Good Rats tossed rubber Rats out in the crowd who being unruly Deadheads from Deep Elem, promptly began pelting the band with the toy Rats lol. Literally booed them off the stage.
Considered by many to be the poorest choice of an opening act in Dead history!
I still chuckle thinking about poor Joan Jet opening for Bobby and the Midnights at a theatre in Crotchfester.
So I finally listened to this one in the recent past and enjoyed it, though I wouldn’t call it top shelf.
Hope you dug it DV as you continue your 79 odyssey!

Go Bills, though I if they continue with their recent fuckery their going down.
Last week was pathetic and I felt bad for vguy having to lose in such a way, but no offense the Bungals ain’t the Fish and if we play like the last couple weeks it’ll be over!
Kinda like the way the VIKS went down : ( oh well, it’s ment to be entertainment, and this year it surely was for both teams!
EDIT: oh we’ll touch of Gray…but it’s alright
Upshot, we can listen to Dead shows on Sunday now instead of waisting time on fut ball!

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Sorry about the Bills OB, we were pulling for them at my house.

The good rats, that is a crazy story. Seemed like a lot going on that night and I love this show.

Here is a change of pace for you, 3/30/87 from the good old spectrum in Philly.

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Mornin’ rockers, let’s rock!!

Pick Of The Day: Seattle Center Arena, January 24 1971

Care for a side order of Ian & Sylvia to go with your crunchy main course of hard rockin’ Grateful Dead??? All marrow, no gristle……….

In January 1971 the Dead made a short excursion through the Pacific Northwest, four shows were scheduled, one was cancelled, and one rarely hears about any of this. Sonically speaking, the Davis and Eugene shows are not well preserved. That leaves Seattle as the best currently circulating surviving document from this month.

And what a document it is!! It appears to be one long set. The Dead start off high with Truckin’, and they don’t throttle down. There’s a China/Rider for me, a Cumberland for JimInMD, and enough grease to keep HendrixFreak happy. Hope you’re doing well, my friend, but be careful---this might give you palpitations!!!

In a way, this might even be considered historic, the last glimpse of the band before the seismic changes that would begin the following month in Port Chester and play out through the remainder of the year. And if you believe, as I do, that first and foremost the Grateful Dead were a rock and roll band, then you will probably enjoy this!!

We are never further from what we wish than when we believe that we have what we wished for…..

Rock on!!!

Doc
Passions are vices or virtues to their highest powers…..

That is a fun, energetic, Spring '87 show DV. New to me. Very enjoyable listen. Rocking Shakedown to start - reminded me of a favorite from 7/6 that summer. I saw the first 2 shows at the UIC Pavilion Chicago end of that spring tour. Only non-east coast shows and sort of overlooked cause of that. A joyous time - to have Jerry still with us, healthy and happy and ripping it up! Good to have those fairly recent Charlie Miller ultramatrix transfers for this tour.

Looks like there is some NW '71 coming into view on the horizon.

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Fine set of music. Nice sounding board. Pig clearly didn't have it all out of his system after Lovelight (neither did the band) and that launch into Good Loving is great. Awesome grunge version.

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Glad you liked it Bluecrow. My first listen as well. Good show. Recording is good, not mind blowing. Shakedown openers always bring a smile, good Stagger Lee, Box of Rain, Iko Iko, SOC into He's Gone, very enjoyable.
You get a nice Truckin, Other One, Wharf Rat. Close it out with It's All over now. Baby blue. Worth a listen for sure.

Did you get a chance to listen to 10/18/72? Interested in your feedback on the sound.

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Hmmm, I was there.
I’ve heard this …within the last couple years?
But I should give it another go, cept I got, got, got no time!
If this is the show I’m thinking of, there’s an unbelievable story, but not now…
I gotta git down….

Maybe this WE, though I might need something stronger lol
Onward!

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I'm currently tuned in, even though I am also currently working my way through DaP 36 in the car. '87 energy does it for me most times...

1/24/71 has long been on my high list. So, it was fun to tune into that PigPen-fest again.

Keep the hits coming and as always Stay Grateful :-)' :-)' :-)'

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First, I did not make the Spectrum that year and I cannot for the life of me remember why. Pre GPS, much like Washington DC, I was not a fan of Philly driving.. but I should have been at this one. Perhaps I had a test or midterm or something. My memories have faded.

So 1987.. I'm sure I wrote of this before but Wilfred T's post reminded me. I do like DaP 36, an UltraMatrix to the exteme, it's basically a Matrix, and a decent one. I have a love hate relationship with 1987. I think I saw more shows in 87 than any other year. I was a Junior in college, gas was like a dollar five cents a gallon and I had recently bought a used corolla (which cost pennies to drive and almost never broke down).

So I caught a bunch of shows, but man.. the recordings, although they do capture the energy, really..unless you are in the mood for an audience tape, are.. well...

Trying not to be negative, but of all the UltraMatrix years, 87 for the most part (9/18/87 and a few others omitted) sound more like audience tapes than soundboards.

I apologize for this review, but for a high year for me the tapes seem to mismatch my experiences more than other year. I consider this (and some other ultramix years) a lost opportunity of sorts.

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Anyone want to join me in hitting 3-21-94 Richfield? I don't know if we've visited it before, but I remember it having a good and interesting Stella Blue. Yes, I know it's 1994 so it's likely spotty in places, but it might be an interesting change of pace. It looks like there is a new Miller transfer on the archive, too.

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Hey WTJ, if it is a Dead show, I am willing to give it a go. Thanks.

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This is a good one, Moses comes riding up on a Quasar, to start the first set, then A Bertha, a real pretty Peggy--O, a nice West LA Fadeaway, and ends with a TN Jed. And that's just the first set. The second set is nothing but gooey goodness dished up by Jerry and Company. The He's Gone>Jam>Drums>Space TOYL> Stella Blue >TOYL. A great Liberty encore. A great pick, enjoy.

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Ok, they let me out for my daily hour of yard time, so…
Hitting 2/19/73. Only 2nd set available but short works for me currently.
Into Truckin, so far so good. Not the best recording but not too shabby either.
I believe both Dick and Doc highlighted this show.

Will probably look at 1/24/71 per recommendation, and since it’s one of only about a dozen I didn’t catch back in 21 when I did the Pepsi challenge!

Will hit 3/21/94 when time permits! How bout some 93 ideas, not necessarily for right now but for later when things hopefully gain some normalcy?

3/30/87 I’d like to check again, just not sure I’ll have time, especially for more groovy picks lol.

DV, who we rooting for tomorrow?
I’m going with 49ers with the GD connection, and how can you not root for the kid who gets picked last!
Unfortunately, I’m not sure anyone can stop the Eagles.

Rootin for the Bungals in the AFC. A) I think their a better team though the Chefs looked more consistent last week than the last time I saw them, B) the ankle: as one who’s broke and/our sprained badly both ankles several times, it will be interesting to see how/if that is a factor? Guess it depends on if he gets shot up so He’d be able to put weight on to throw, but you have to think it will at least have some effect on his running game?
And C) nothing personal to Chefs fans or even pretty boy Patty, but I don’t like the way the league “massages” things for him like they have for Tommy. Or maybe it’s just the verbal diarrhea ad nausea ala Collingsworth et el, but I’m getting sick of the never ending hyperbole…I mean there are 32 NFL teams a whole lotta great QBs, why do they have to over hype one or two to the point fans get put off?

Hopefully they’ll be good games!

Yep, this 2/19/73 is hitting the spot!
Ok, yard times up…

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That's a Blue Crow special! Loved it for years. It's been here on POTD. It's a Nudie Suit show, with excellent pro photos out there. I keep hoping the missing reels have secretly been returned and Dave's going to spring it on us like he did 2/2/70.

Most recently been listening to October'72 from the FoxBox after DV's suggestion.

I hear you Jim regarding '87 with Healy ultramatrix boards often being more than a bit heavy on the audience. I still enjoy them though, I have the energy from that spring/summer imprinted on my DNA so to speak. The ultramtrix for 4/9 UIC is an upgrade for what was circulating earlier. I think you were at RedRocks and couple of weeks ago I got an '87 Black Muddy River hankering and listened to a good part of 8/11 first night. I was 2nd row center for that one and (to my aging brain) the Miller straight SBD was pretty darn close to how I remember the sound that night. And Park City kicks it.

'94 you say WTJ? - Sure I can do that. I saw some good shows in Seattle & Eugene that year.

Got my shipping notice last night for Dave's 45. Donkey mail should have it here next week.

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Hope you’ve mended up well and are fully able to explore etc!
Sorry about not realizing we’ve hit 2/19/73 per your pick.
Duly noted now and fully dug by moi. Yep, wonder what that first set sounds like?
Looking forward to checking out more unheard 73 this year.

1/24/71: nice short sweet one! Fully dug.
Last third a virtual Pork Roast!!
Recording good cept for occasional distortion, levels or tape condition?

Hoping 3/21/94 next/soon…

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Pretty much mended from the surgery, Oro, thanks. Glad I got it taken care of and other than occasional soreness at the end of the day along the inguinal incision scar all good and fine to hike and scramble out and about.

It surprised me that you didn't have 2/19 on your radar given that you are the primary record keeper after GOGD went radio silent. It's a favorite sequence of mine. I'm a total sucker for those He'sGone/Trucking/Other One jams from those days. Eyes 3rd time played, way jammed out and into China Doll. Perfection. They broke out the Nudie suits for Set I. I think this has to be one of the last shows, if not the last one, where there is no complete set list known. New Riders opened I think. Love to hear it whole. Also, even what we got is missing a chunk at the end of Other One, could be 1/2 a minute, could be 10. Hometown show, though I was still a wee lad at the time and didn't even know who the dead were probably. It's possible that one of my fellow 7th/8th graders went. Many years later a hometown deadhead friend and were i were late night reminiscing about our school days and going over the class photo poster, and while basically everybody is in their sport coats and dresses, one was very much not and we're like "Holy crap, Dan's wearing a Dead shirt??!!" Either a Skull and Roses tee, or maybe a Europe Cone Kid or the Rainbow Foot. '73 or '74. Maybe he was at McGaw Hall later that year. We were totally flabbergasted. Radical move back then for picture day. He was clearly a true fan - heck he might have even gotten on the bus at this show - as a few years ago l learned that he owned Wolf and later donated the proceeds of its sale to the SPLC.

As a somewhat random 3 am aside along lines of gaps in tapes, the DiP18 Eyes from 2/3/78 (my first) is missing about 50 seconds of beautiful Jerry soloing. They did a pretty good job of hiding the splice. Over the years I've seen maybe one person comment on it - they detected the slight tone shift at the splice and were wondering what might be up. You can hear the whole solo on the audience tape (which is a pretty good tape for the era by the way.)

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He's Gone/Trucking/Other Ones (though not necessarily in that order) I been listening to the FoxBox '72 and that Disc 3, Night 3, 10/19 is freaking ridiculous. Phil's entry into the Other One??!! Madness I say! Madness!

Have a great weekend everybody.

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94 is definitely not a go to year for me
However, I enjoyed this show. Nice same thing, Queen Jane, West LA Fairway, New Speedway Boogie, and yes a great He's Gone! Nice Stelle Blue. Fun times. Recording is good. Thanks WTJ for the pick.
What did you all think?

OB, shit I don't like either team left in the NFC, particularly the Eagles. So, let's go Niners!
Routing for the Chiefs, not a Bangles fan. Should be a couple good games.

Great story about your youth BC, love the Skull and Roses tee. February 73 is hot, but shoot, is there a bad month in 73?

When I was coming up in the ranks of the Dead world in 85, most of the guys at my school were big metal heads, being a Dead fan was definitely not cool. By the time I graduated in 89, those same metal guys turned into dead heads.

I will have to get to 10/19/72 tomorrow. I got through the first set of 10/17/72. Smoking hot!

#45 shipping notice received a couple days ago. Still sitting in the shipping label created stage since 1/25.

Be well out there.

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I can't believe I just read a positive review by one Brian Dyke!! 3/21/94 in the Taping Compendium.

Well I'll be....LOL :-)

Onwards and Upwards...

P.S. Just happened to check out the "Fox Box" (edit- well almost) recently and was sampling the 72, too!! :-)

How bout a double shot?
These are both on Dicks list of recommended 73s and I don’t think we’ve heard them here, at least I’ve never heard em.

BC, I’m sure I’ve missed some picks, GOGD I am not lol. (Even though he’s a stinking quitter; )
Perhaps part of the problem is when several of us toss several things out at once, or like your recent mention of some 72 stuff: we’re those picks, or just stuff for discussion/suggestion?
In those cases, say where four shows are brought up, I’ll mark the one or 2 things that others seemed to actually listened to and or commented on.
Like how I’ll mention something related to a days pick as a suggestion for furthur listening, but I wouldn’t call a “pick”

I’ve been trying to go through at least once a week and note the shows picked and who picked em in my Deadbase, but I don’t keep track of when etc. I’m sure there were times between GOGD and when I became more diligent about keeping track that I’ve missed, SLACKER! LOL

3/21/94: I need to discuss these shows sooner after I listen as I’ve already forgotten some of the nuances I wanted to discuss, yeeesshhk.
I thought this one had good energy for 94 or in general, though Eternity was a bit of a buzz kill. Didn’t used to mind that one so much but it’s shelf life might be coming up? Really dug the second set! I’ve always liked the rocking vibe of Picasso and how JG can rip it up sometimes even if I have no idea what it’s about lol. Cool Speedway, and I usually like a good Victim, though I know it’s not everyone’s cup of tea. Sweet He’s Gone, great harmonies, lil jam into another trippy 90s rave space, followed by a a nice LL/Stella/LL samitch and a Liberty encore for some variety.

3/30/87: I’ve found these spring 87 shows more enjoyable then I recall?
I like the matrixes and this one didn’t seem too bad though I agree that some of them are not balanced so well. I think part of my weirdness with this tour stems from being there, and being disappointed because if certain expectations we had more than the music itself?
The way things were progressing vis a vis breaking out oldies and the old psychedelic energy, 87 was like a step backward (to us perhaps versus reality?) the jams were fewer/tamer, the vibe was much more dialed in, settled, and lacking that element of danger we were getting used to before the first health hiatus.
We had gotten the whole tour ticket package (perhaps for a discount?) though not intending to do the whole thing. Probably figured extra tix on tour are gold Jerry, gold i tell ya!
Whatevs, we did hit the first 8 but by Worcester I think a combination of burnout, tour colds, rapidly diminishing funds, and most of all, feeling underwhelmed? It’s all such a blur, don’t recall much of that spring or more so 86?
So we sold the Wooster tix, hindsight being 20/20 wish we’d gone… (think we got rid of Chi town and Jersey already?)

Anywho, my point being at the time we had a blast, dug the shows as always, but we’re a little disappointed.
So unfortunately, like many things, once I’d made a judgment that was that and I’d sorta wrote em off.
But through going furthur these most recent years I’ve grown to like them, even if not perhaps top shelf?
So This go round of 3/30/87 was quite enjoyable for a lazy day in the comfy chair.
Shakedown not the goat but no slouch and a good opener! Nice well played energetic songs with a good set list.
Second set builds up nicely, including another good He’s Gone. I believe it was this one that has Phil hitting these big single notes on the backside outro section. I remember it really stuck out and I was smiling etc.
Perhaps like much of 87 no really stand out stuff, just good clean safe tight GD! I’ve come to think of 87 as 77s younger cousin in that sense of the band really listening and playing consistent good clean music together as a unit, even if lacking the big jams and fireworks?
Anyway, glad I got it in abd hey, it’s got a Baby Blue ; )

Wish I would of continued with more music yesterday instead of more poorly played football.
Onward!

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Okay, those sound good to me OB. I will get those started. Champaign Illinois let's go.