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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • Vguy72
    Joined:
    Songs from the wood....

    ....by Mr. Tull. Pretty cool.

  • Balance
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    Not received

    Has anyone else not received their #45?
    After the disaster that was the Lyceum release, I am worried it has become a regular thing.

  • Vguy72
    Joined:
    Stimulating conversation....

    ....I said it before. And I'll say it again.
    Drumz -> The Wheel.
    Couldn't you try just a little bit harder?
    Couldn't you try just a little bit more?
    Just a little bit further than you've gone before?
    Damn.

  • Oroborous
    Joined:
    Part deux

    Blah, blah, blah, more of the same etc, good but not top shelf. Similar nice big sound field, vocals again good, but back in the mix. Felt this one was more drums/bass centric than 10/1, but still more even/smooth then some in the past…
    Noticed more misses, especially beginnings, but nothing major, overall solid enjoyable show etc.
    Fun Casey J, but not mind blowing, tame Jack with slippery intro, Great Sunrise! DG is on and sounds generally great on these sets and she does a real nice job here with Jerry laying some sweet gi tar down. Fun Dupree’s, a little different but sounded like they rehearsed it especially the vocals! Decent LIG, but not top shelf.
    Overall good second set, but like the previous, just didn’t give me many hell yeahs…
    So overall more good, if not top shelf GD.
    So I’m sure, and glad for it, that many are, and will continue to dig this release, but these will probably be a couple and done for moi. I usually try to give them at least a few spins just to get the perspective and outta respect for all the love and work that went into them etc. But that’s ok.
    I mean where can you see a top tier band live in concert for $25 bucks, or in this case 12 fiddy a show!
    That’s the way I look at these: my modern equivalent of seeing a new dead show. So even if I only do a one and done, their a bargain at 25 denaros, and I ALWAYS enjoy them and are thankful for them al…BUT!….

    Just making conversation, certainly not trying to be negative, but, would you rather have these or more like these every year instead of say:
    Some killer 68
    Avalon or Ark 69
    9/19/70
    4/8/71, 4/17, all of 4/28, 11/7, 12/5, or 12/15/71
    More 72 Dark Star
    Both Dane 73s, 2/22/73, summer 73, 12/18/73
    7/25/74
    4/11 or 16/78,
    1/10 and 1/20/79, 2/17/79, 11/29/79, or 11/30&12/1/79
    All kinds of 1980, including 11/29
    Tons of 81-83, Frosts, Greeks, Venturas, Veneta 82
    7/13/84 and others
    summer 85
    3/19, 24, 31/86
    Roanoke 87
    Fall 89 multitracks!
    More great 90
    Fall 91 including 10/31/91

    Just to name a few offa the top of my bald pointy little head! There’s more!

    If DaP IS on a twenty year schedule, though it could all shrivel up sooner, that means being in the 12th year, after this year, there could be theoretically only 72 or so shows left! (4 DaP per year, plus average of only 5 shows per box, times 8 years)

    Point being before time runs out, isn’t it time to get some top shelf shows and more variety from other years, rather than perhaps over-saturating 2 or 3 years? Just a thought, not saying these shows are not worthy, just at some point you’d think they’d want to cover just a little more ground? Hope that makes sense and certainly hope it doesn’t offend anyone.
    Just trying to hopefully stimulate conversation 😀

  • Vguy72
    Joined:
    Grate moments in every show....

    ....whole heartily agree.
    The Dancin' from 10.1 is good shit. Into a precursor regarding drumz.

  • Charlie3
    Joined:
    Good Stuff

    Having given both shows a listen, I thought 10/1 was a good show, and 10/2 was even better to my tastes. It also seemed like the mix was better on 10/2, it seemed like the drums weren't quite so high in the mix and it just seemed a little more balanced. Disc 4 was a smoker from start to finish, the Scarlett-Fire was great, silky-smooth transition and a nice mellow tempo with a blazing Fire. The whole disc had a really nice flow from start to finish. Seems like the subscription year is off to a good start to me. Good stuff.

    Last Few Besides DaP 45 -
    Thee Sacred Souls - Thee Sacred Souls
    Allen Toussaint - Southern Nights
    The Temptations - With a Lot O' Soul
    The Supremes - Where Did Our Love Go
    Sugarman 3 - What the World Needs Now
    Smokey Robinson and the Miracles - Going to A Go-Go

  • SPACEBROTHER
    Joined:
    10/1/77

    Jerry's soloing over The Music Never Stopped already makes the subscription worth the price of admission. Upon multiple listens these two shows are growing on me.

    Delving into 3/10/81 and this show sort of has a similar type of energy. It just grows on me after multiple times through. You can find great moments in just about every show.

  • Crow Told Me
    Joined:
    Point of Order

    Kinda surprised nobody has mentioned that the 10/2 show is presented (slightly) out of order, with the Johnny B Good encore programmed at the end of disc 3, as if it were played early in the second set. Or maybe this has been discussed, and I just didn't see it? I assume this was done in order to squeeze the whole show onto two discs, and I'm totally fine with it, just thought it deserved a mention. Especially given that some people made a Big Deal out of the re-ordering of some tracks in the St Louis box.

    Also, I was kind of surprised to realize there's a Funiculi Funicula that wasn't listed in the song titles. One of the better versions out there, I'd say.

    Anyway, I've really enjoyed my first listen to this set. The mix is a bit unusual, for a Betty Board. Betty tends to favor a rather Phil-forward mix most of the time, and both the bass and bass drums are less prominent than usual here. Wonder why that happened? But the trade off is that you get plenty of Bob's guitar and Keith is generally pretty well audible. Performances are good to great in that typically '77 way. The drummers really seem to have an agenda here: listen to how hard they drive that Eyes. Garcia's playing great, everybody's in good voice (even if Jerry seems a little reticent at times), what's not to like?

    I suppose we could make the argument that this isn't an "essential" release, because "essential" is going to mean different things to different people. There's so much '77 out there already. But personally, I'm looking at it like I spent $25, delivery included, for 4 discs and two full gigs of some very very good Dead that I think I will probably return to many many times. So I'm pretty happy. And AFAIC they should issue every last show that's in existence, until they run out. Or I die.

    Also happy to see DaP 23 being reissued on vinyl. By coincidence I had just listened to it the other day, and I would definitely encourage anybody who doesn't already have it to grab that vinyl fast. Hope we see some of the early DaPs that I missed out on get similar reissues. Come on, Dave, how about putting #5 out for those of us who snoozed the first time around?

  • moribundjt
    Joined:
    Digital downloads

    Knowing you're limited to space on the physical media, it'd be really nice for Dead.net to provide digital copies for subscribers. Having the encore at the end of disc 3 is not cool and it's a pain to reorder the files when updating digital libraries. This would have helped on other setlist trainwrecks like Vol 6 too.

  • JeffSmith
    Joined:
    Anybody need cover art?

    My Dave’s 45 landed yesterday. Below is the address for my take on John Vogl’s cover art (along with all the other Dave's and Bonus covers – the list is getting long, so you'll need to scroll down for a while🤪). This time I did a cover for each night. The artwork dead,net’s been including on the “product pages” lately has been pretty good, so only had to do some p-shopping for the dates and a little color tweaking. “Orange” you glad?

    3Ws dot dropbox dot com/sh/qx5j9ydoc7bzm8z/AAD8yK_vCv_kQ-oLkLJQVCEla?dl=0 . . . PM me if you have any trouble with the "address".

    This is a nice one. Let ‘er rip! Onward.

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What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

Just received my package with the Portland Shows.
I eventually paid (in France) like 15 bucks, and it ’s my own fault because I would have paid half on line. Wallet is the best place to learn.
Some of you heard this story: In heaven French do the cooking, the policemen are English, German organize everything and Italian do the entertainment.
In hell English do the cooking, the policemen are French, Italian organize everything, German do the entertainment and …Swiss do the shipping.
Anyway collecting dead shows is no more a merry prankster thing.

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Never enough 77.
(whispers)
Never...

Though more of the under-represented years would be nice (if the PB&J are listening).

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Harem Scarem. RGM reissue from 1991, never been on vinyl.
Never heard of them. Any thoughts?
Some connection with this album and a TV show.
Cheers, eh?

RV3's new series of releases "Brent's Picks"?

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March & December, still some good music left.

Sheik- I like that line about how the English do the cooking in hell. They could also manage the railways and decide what the drug laws should be.

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The Dutch would be responsible for administration.

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In reply to by billy the kiddd

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Winterland 77 March/December would be a nice haul for sure.
Likewise the remaining Palladium 77 run.
A do-over 5/22 full show release would be swell as well.

Also, an October 74 Winterland box.

Also...

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10/9 and 10/10 would make a nice two-fer. Great auds of both days available on the Archive.

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In reply to by Cousins Of The…

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In the last 15-16 months, 9 Brent shows have been released.
MSG Box
DaP 40, 44

2 more shows with DaP 36.
And the Giants Stadium Box a few years ago.

There is no shortage of Brent releases.

There is a shortage of Bruce releases.

There is a shortage of video releases.

Edit:
The View From The Vault Series gave us some Bruce plus video.

Dave/Rhino,
Time for more video.
Thanks for 6-17-91 on Blu-ray, but don’t stop there.

We need all the video from:
Oct. 74, Oct. 80, European tours, Alpine 89, Tinley Park 90.

Then some selections from 91 starting with Soldier Field.

Thanks in advance.

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In reply to by icecrmcnkd

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without a shipping issue, I’ve had to endure two debacles in a row.

So DaP45 finally arrived today. I have been listening to it all evening.

Remember the scene in the movie Big where all the executives and Josh (Tom Hanks) are meeting to evaluate the merits of the new company toy. At the end of the discussion Josh meekly raises his hand and says, “I don’t get it.”

That’s how I feel about this release.

....I'm not going to mention any names, but how about some 1991-1995?
Guess most of them wouldn't cut the mustard, but I saw plenty of shows then, and I recall some being pretty damn good.
A Vegas Box would be much welcome.
Throw in some dice and playing cards. Limited to seven come eleven of course.
One can hope!
The Sphere is being lit up btw. Test runs.
Edit....what don't you get AJS? Why it was released at all? 🤔
I'm open to a discourse.

Ha...

I have mine but have not had the opportunity to listen. I reserve the right to resurrect my view on 1977 GD upon my listen. 77 shows remind me of my supermodel ex-girlfriend. Practically perfect yet somehow not altogether satisfying.

I'm sure it's absolutely killer. First world problems to be sure.

As you were.

Edit: I really have nothing against '77 GD. When I am in the mood it does magic.

Saw a few really solid shows between 91-95, with 10/19/94 at MSG being one of the best.

Was psyched that they released the Feels Like>Bertha from that show as part of this year’s 30 Daze line up.

The 10/1/94 Boston gig they included in the 30 trips box is also pretty fab.

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In reply to by BedHead77

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Sir James probably summed it up best. It’s oddly unsatisfying.

There’s nothing bad about it, but there’s also nothing overly exciting about it. I thought that even the sound quality was just average.

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In reply to by DeadVikes

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I'd simply like more '68, '69 and '70.

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In reply to by BedHead77

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A live concert can be enjoyed at the time of being there, but that doesn't mean it would make a satisfying recording.
Actually, that applies to releases from all eras, from all bands. But it was posts from people who enjoyed Dead shows between 91-95, and suggested some of those be released that reminded me of the fact.

It works the other way round, too. Some live shows I have been to I haven't enjoyed - but listening to recordings of them later, I realised they were better than I thought they'd been. Even Jerry commented on this phenomena- I think it's in The Dead Movie he recalls not liking their performance on 2/14/68 and throwing Phil down some stairs as a response. He listened to them later, and found them to be... "crackling with energy" I think was the phrase.

From my vast experience of going to Dead shows, I would say there was hardly any relation between being there and listening to live recordings.

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In reply to by daverock

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"in Hell": this story is very "cliché". I heard it on a richard Thompson Dvd, maybe 2000 years of pop music...
Yesterday I was a bit annoyed cause I spent time on the phone and car to get this package. Things have changed since the elephant administration...4 or 5 years ago? I felt like paying tax for a boxset for two shows.

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In reply to by daverock

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it depends of the mood you are in. But most of gd recordings are great, even the 82 cassettes. (dickP32)
If you listen Dylan 's fragments bootleg series vol 17, you can measure the greatness of gd recordings. I had to listen live cd4 more times to appreciate, but there's nothing like the other studio takes. the Dead has built the best show catalogue of all time.

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Hey rockers.............

My parents used to say, "If you can't say anything good about something, don't say anything at all". That's why I'm here not saying anything about anything...................

Portland? Don't get the buzz about all that, but we got our annual 77 so let's move on. But not on to 91-95. Some February 1973 would hit the spot...........

Heaven is my current wife, hell is my ex-wife, purgatory is alimony.............

Rock on,

Doc
If your parents never had children, chances are you won't either......

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Dead releases are like Texas weather, don't like it, wait, it'll change.

There is something for everyone, but everyone won't like everything.

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RIP Burt Bacharach
What the World needs now is Love as true today as the day he wrote it.
Via Con Dios so many tunes from out yesterdays

Lurking lately, now catching up again after last weekends deep deep freeze here in Vermont. Live about 50 air miles from Mount Washington and was paying close attention to the extreme weather, cause there's new plumbing in my unheated, fortunately below grade marginally insulated basement. It was 21 below zero last Saturday morning with 35 mph gusts that night, very happy to be earth sheltered. But all that pales infinitesimally to the tragic situation in Turkey. So though #45 was here, was not in the mood to begin paying attention until now, have not yet completed a first run. First impression was very good to excellent recording, Donna in a good place, agreed it seems a bit drum forward, seems to be slight emphasis on mid bass such there is slight percussive effect not noticed on most other recordings. This is a very minor observation. Glad to have these shows tidied up, good fun, obviously not peak 77. Easily distracted by other posts, totally agree with Oro that when the Dead went to Macintosh power amps, audio was cleaned up by a factor or at least 10X... love those old Fender tube amps when they are run right but there was tube abuse, those 6L6s, EL84s etc output tubes pushed so hard, ran so hot, their distortion figures must have been above the 1-2% range. Now to video, though the VftV series is here along with other commercially released vids, had never thought to look for the June 21, 1971 Chateau d'Herouville show and was pleased to find it this morning on utu be. House party on the lawn. Bit rough and raw, hand held cameras, for such a location, the audio is good and there's an excellent Hard to Handle, pig in fine form. Worth checking out.

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50 years ago today I wasn't at Maples Pavilion up in Palo Alto. ( I'm sure I was doing something that was just as fun), but my brother was there and he had a blast!. This show would make a great release.

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when Doc and Dennis just handled it all.

Except, what about Jer on Disc One?? He's ripping!

Haven't spun the shows yet. Just dipped toe. More toes tonight.

Arrived this morning. Good to see it in the flesh, as it were, after having looked at it's picture so many times on the board. I have only played the 1st cd, and I did enjoy it - crisp and clear with plenty of energy. It's neither more nor less than I was expecting really. Possibly a bit more. One of the benefits of reading negative reviews is that it lowers the bar a bit, so that when I do get to hear the offending show, it sounds better than I was expecting. When everyone praises a show it sometimes gives it too much to live up to. And when I do eventually get round to listening to one of those, I can then think that it's not as good as everyone says it is.

Curiously the "Promised Land "-"They Love Each Other" openers appear to be soundboard recordings on my old bootleg. The Promised Land suddenly cuts out after a minute, though.

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I have absolutely no idea how May '77 Cornell became so revered. It sounds/plays like the least interesting show in that run. Real good show. No standout.

Just two cents to augment what daverock said.

From what I've heard so far, I'm going to really enjoy the new pick and not worry how it might be assessed by others. As for ranking shows, I don't have the brain cells to spare.

Most likely because it was the first high-quality soundboard recording that was widely available to the masses. It got everybody hooked. Thank you Betty.

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In reply to by Angry Jack Straw

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This part. Exactly.

First tape I ever owned.

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Yes, this time Dave's Picks arrived in Växjö in less than two weeks!

Got it yesterday, on February 8th, and listen right now to the second CD (second set from October 1st). Good music even though shows from 1977 seems to be a little over-done by now.

I would appreciate more bits and pieces from fall 1966 to 1970 and maybe not as a Dave's Picks volume, I would appreciate a release of June 9-10, 1973.
I have a framed poster above my stereo / TV furniture with a photo of Weir, Lesh and Garcia from one of those shows. Bought it in San Francisco in August or September 1986 and have had it on different walls since I got home to Sweden again. The show from June 10 was one of my first tapes I recieved early in 1985 after having a tape traders ad in the last issue of The Golden Road fanzine in 1984.
But I would prefer something much more superior in sound quality by now. :-)

Well, anyway I'm pleased and grateful for a delivery faster than the seven or eight weeks I normally have to wait for a new DP volume! :-)

Micke Östlund,
Växjö, Sweden

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Just for the record, I've only ever had one....................

In regards to Cornell, it was definitely NOT one of the first high quality boards available to the masses. That's a myth, there were lots of other high quality things----including early stuff. That being said, it WAS one of the first high quality 77s to enter wide circulation. But as many more 77s came out---including the shows right before and right after----some of the luster came off Cornell.

I think Cornell is similar to Veneta---it's one of those "you had to be there" types of things. And, like Veneta, good show, but one of the great great overrated Grateful Dead shows.

Just one man's opinion.......

Rock on,

Doc
He who can no longer pause to wonder and stand rapt in awe, is as good as dead; his eyes are closed......

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Does anyone else hear a muffled voice, like someone on a phone or behind glass say "He's just talking to 1A, come on back." during Black Peter, right at 6:45? Did it come from the disc, or did my computer pick up a nearby call or something.

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Who cares? It either moves you or it doesn't. If it moves you listen again, if it doesn't then move on to something that does. I like some of these picks more than others, but I want them all. I don't have any list of desired releases, and although I love to see shows that I attended released, they are not necessarily the releases that I go back to most often. Really, I just want shows with good sound quality, songs presented in order, and beyond that it is all subjective. One person's good release is another's ho-hum release, which is pretty clear from this thread. I like to listen to a wide variety of music, with a good chunk of it Dead, but there is so much music to listen to, and my enjoyment depends not a bit on how folks rank it.

Burt Bacharach had a ton of great stuff, including some fantastic stuff covered by Isaac Hayes that really hits the spot - Walk on By from Hot Buttered Soul, The Look of Love from ...To Be Continued, and They Long to Be from the classic Black Moses album, some really classic stuff best played a little loud on a good system. Or maybe a lot loud.

Yes, I've just heard it on "Black Peter" too. I think this show, 10/1, is pretty good overall. Some great guitar playing throughout.
I wonder also if shows like Cornell and Veneta gained a reputation because of strongly expressed and publicised opinions affirming their superiority in earlier times. And those opinions became reinforced by others until they became perceived as fact. John Dwork wrote pages and pages about Veneta in The Taping Compendium, whereas some shows on the European tour were summed up in a few paragraphs. Granted, they may not have had the full tapes for some of the European shows, but the impression given is that Veneta is the greatest show of the year - if not of all time. Maybe articles like that, blow shows..like that...out of all proportion.

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Oh, it's there on the disc. It freaked me out when I first heard it in my car zoned in on the commute to work!

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This release to me felt like an old broke in pair of jeans the first time I listened to it. It feels comfortable and makes me feel good. I've listened to it all four or five times now, minus Let it Grow and Cassidy which I generally just do not care for. Bah! Humbug! How dare he.

I have a Nash T52 Telecaster which arrived, brand new, heavily relic'd. I liken this release to it. The guitar played like butter right out of the box like an old friend I just met. I had never heard this show before, but it's what, 46 years old? Older is usually better with cars, wine, whisky, guitars, Dead shows. Hell, my wife is 50 and I wouldn't even trade her for a 20 year old. ;-p

Just a matter of taste I guess. Love this release and can't wait for the next one.

Peace everyone... well, almost.

\m/

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In reply to by LedDed

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Ho
Lee
Phuc

I give up on y'all

I really gotta quit coming to these posting thingies....

Cornell

Great sound and the greatest orgasmic Morning Dew of all time

"You told me goodbye
How was I to know
You didnt mean goodbye
You meant please
Dont let me go"

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In reply to by proudfoot

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....I like the '83 Santa Fe shows. Like. A lot. Definitely whatever rated lol.
I'm just here hoping for a Dave's that is numbered under four digits. One day.
And LedDed. I wouldn't trade my 50+ year old wife for a 20 year old either.
She's hotter and smarter anyways.

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Hey, Nineteen
No, we got nothing in common
No, we can't dance together
No, we can't talk at all
Please take me along, when you slide on down

Yngwie Malmsteen - Relentless
The Flaming Lips - At War With The Mystics
GD - 10.2.77 Portland, OR
The Cult - Love
Deep Purple - Deep Purple In Rock
List works imo....

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In reply to by Vguy72

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....Yo La Tengo just dropped a record. Like, forty minutes ago.
Yessssss

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In reply to by proudfoot

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It always strikes me as ludicrous when people think they have nothing in common with others who disagree with them. The commonality lies in the fact that people understand each other, not that they agree. If I told my neighbour that I thought Veneta or Cornell were overrated, she would neither know nor care what I was talking about. If I said the same thing on here - I'm not assuming anyone would care - but at least a lot of people would understand what I was saying. Whether anyone agreed or not would be interesting to me - but not divisive.

Ledded - that Nash tele sounds alright. I wouldn't mind seeing a picture of that.

I am sure the 50 year old wives find it reassuring that they wouldn't be swopped for 20 years olds. What about when they are 60, though? With a 30 year old ?

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