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    What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

    Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

    ...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

    Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

    I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

    We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

    Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

    *2 per order. Very limited quantity available.

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  • Dennis
    Joined:
    Unbroken Jim

    Agree on Unbroken Chain, ALWAYS loved that cut. That long whistling sound that moves from left to right :-)
    Great imagining on that bad boy,,,,, truley great studio work.

    Also hard to beat the studio work on Terrapin.

  • Dennis
    Joined:
    Noah and the Vault

    Thanks for the pointer towards Bill Grahams vault. That's a lot of shit!!!

    I will need time to examine.

  • hendrixfreak
    Joined:
    A Zen enigma: what is two cents worth?

    I'll take the plunge on GD records and re-issues.

    I'm an Anthem thru Blues for Allah man. Never bought another studio album after Blues. Full disclosure: I've made road CD setlists of the very best post-Blues albums.

    Wake of the Flood is a special one for me because I tripped out heavily from fall '72 to fall '73 on the songs from that album played live at -- let's see -- seven shows in that period. Not a big number, but a heavy impact of the band's live prime on a 15-16 year old fan who hitchhiked hundreds of miles for many of those shows. I acknowledge that the production on Wake is not as powerful as, say, Mars Hotel -- wonder if a remix/remaster might put a bit of muscle into the sound?

    In any case, I never get into rankings or desert island choices because the album I'm listening to at the moment is the best and I don't do cruises, and if I did, what would I be doing with records in my luggage? If you're taking records to a desert island, ya bettah have a generator and a killer sound system, eh?

    Also, as pointed out by my fellow sages here, WotF will be re-released this year no matter what we say. The only questions are: will it be remixed? will there be related studio jams released? what will the live companion tracks consist of? And, of course, what's the price tag?

    Here we are, 50 years later, and I'm eagerly awaiting answers to these questions. (As well as, what's in the new box, Dave?)

  • billy the kiddd
    Joined:
    3/2/69 Fillmore West

    Fantastic show to end an incredible run. I wonder when the record is coming out.? Thank God that these tapes didn't get erased like some of the 1980 Warfield tapes did.

  • daverock
    Joined:
    Everything is true

    It's obviously very subjective, our liking of certain albums. For me, the ones between and including the First album and Europe 72 are all massively underrated. Anthem and American Beauty are my favourites - but they are all excellent. Blues For Allah too. Many of those albums have the best versions - or should I say my personal favourite versions of songs that I have ever heard. Live Dead and American Beauty both contain many all time best versions of songs for me.
    But after that, although some albums may contain great songs, they are nearly always surpassed by live versions of those songs. Wake of the Flood - I think all that was better played live.
    Mars Hotel is more interesting for the Phil Lesh songs-especially Unbroken Chain. And I liked the spooky feel of China Doll. But it's also got a couple of howlers on it. I never feel like listening to it. Or Wake, or the post Blues For Allah ones.

  • JimInMD
    Joined:
    Goodness

    I guess we are discussing what albums deserve a special re-release (or 50'th) party? I don't think we get to choose. It's really just marketing mumbojumbo, buy it if you like.. or not..

    But perhaps there is a historical perspective that could or should be recognized.

    They were a live band, but their albums, I think, are historically under-rated and worthy. Some are even classics but rarely did well at the box office on release day. Perhaps their weakness was their leaderless approach.. Keith and Donna both have a song, Brent has several, Garcia and Weir have the most but with few exceptions (Anthem comes to mind) their albums lack a cohesive story because everyone had their finger in the pie. And so it is, that's who they were and why their live jams soared so high, they listened to each other.

    To me, their creative peak was 67 through 69 maybe into 1970, but I think their song writing peak came after that, certainly including WMD and AB, but add all the 'GD records' albums to that list (Wake through Blues for Allah) and I would extend that into the Arista period. I really do like Anthem though; it might just be my fav. I don't know man, Eyes of the World comes to mind, Stella Blue, WRS, Wake might or might not be a great album but it's an album thjta has great songs on it. It's really been decades since I listened to it start to finish, but songs come on the radio and that's enough for me.

    Unbroken Chain might just be one of the best album songs they ever wrote and released. It took them another 20 years to figure out how to play it live (and by then, it was really too late).

    I treat their albums like kids.. no favorites, but from day to day we enjoy some more than others. Even albums I used to loath surprise me sometimes. No, sadly.. (or perhaps gladly), the Grateful Dead did not produce Steely Dan or Beatles type albums. But they sure did make my jaw drop to the ground live and their albums, I believe, are a tad under-rated.

    No offense meant, just a counter point. As you were.

  • Vguy72
    Joined:
    VGK up one after two....

    ....and Go To Heaven is a grate album.
    Where am I?

  • Mr. Ones
    Joined:
    Anniversary Re-Issues

    The bean counters don’t care about releasing “anniversary editions” on time for significant albums. Even when they attempt to do that, it seems something always ‘comes up’ that delays the release. Pink Floyd Animals ring a bell??
    As long as they get their sales, they don’t give a flying crap about a ‘commemorative release’.

    I’m kind of with DAVEROCK about the Dead titles. Mars Hotel & Go To Heaven get NO play in this house. Of course, if they came with a complete concert as ‘bonus material’, the Dead will get my money. I’m all in for Wake, Allah, & Terrapin. I’m 1/2 in for Shakedown.
    Right now, I’m ready to get my latest Zappa release on Friday. Mudd Club/Munich, 1980. No matter how much music I own, I ALWAYS need more!!

  • carlo13
    Joined:
    Transmission Impossible

    I found a grateful dead TI 3 cd-33 track set, shipping is only 4 clams. I'm sure most of you have it already.

  • Crow Told Me
    Joined:
    When I Was 17, It Was a Very Good Year

    I’ve sometimes thought that 1972 might’ve been the Greatest Year in the History of Rock. Several of the greatest bands and artists made their greatest albums: The Stones’ Exile, Bowie’s Ziggy Stardust, Sabbath’s Vol 4, Can’s Ege Bamyasi, not to mention Lou Reed’s Transformer, Neil Young’s Harvest, Rundgren's Something/Anything. Stevie Wonder’s Talking Book, the Allmans Eat a Peach. And of course Europe ’72. And they were all touring.

    But then there’s 1973: Dark Side of the Moon, Houses of the Holy, Quadrophenia, Stevie’s Innervisions, King Crimson Larks Tongues in Aspic, the Stooges Raw Power, Sextant AND Chameleon from Herbie H, Birds of Fire from Mahavishnu, Toots and Maytals Funky Kingston. And Bear’s Choice and Wake of the Flood.

    I mean, holy shit. There’s a reason people say music was better back in the day. And being as I was just then getting into music, I just assumed it would always be that way. Little did I know ...

    I have to admit having a soft spot for Wake. I admit it’s not that great of a record, but man did I love it when it came out. I’m assuming they’ll do some sort of anniversary release, hopefully with a live show. I think Blues for Allah is really the one to look forward to: given that it was basically put together entirely in the studio (and given that it’s one their very best studio albums, IMO) there’s probably a fair number of outtakes and jams they could release.

    And Daverock’s totally right: you don’t HAVE to wait for an anniversary to release this stuff. Other bands and artists with extensive archival release programs (Allmans, Neil, Crimson, to name a few) just release stuff whenever the hell they want. So what I’m saying is: Hey, Dave? Just go nuts, OK?

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What a setlist!... Made me jealous of those who saw this era live. Great sound… like ‘77 was yesterday. @derekb192 on 10/1/77, YouTube

Wow! Just as when you think eyes is gonna go to drums out of the bliss comes dancing! One of my all time fave moments! Not just classic 77 but classic ever dead! - @emrysdavies1215 on 10/1/77, YouTube

...this show was off the hook from the very get go. The Casey Jones is the best I've heard... beginning a jam that goes through each member going off on an instrumental solo. The end has them jamming so hard you can no longer hear them singing through it. Now you know you're in trouble (The Good Kind) when a show starts like that... Weirtheir on 10/2/77, Dead.net

Holy hell, the 10/2/77 Betty Board sounds incredible... I just wanted to pay homage to this unreleased gem, which features the lovely, tight playing you'd expect of a 77 show with some of the highest audio quality I've ever heard ... What a treat. u/monsteroftheweek13 on 10/2/77, Reddit

I told my mother I was going into Portland with friends. I never told her where I went... @jamesmoore3694 on 10/1/77, YouTube

We know where you've been and we're taking you back with the twice as nice DAVE'S PICKS VOLUME 45: PARAMOUNT THEATRE, PORTLAND, OR - 10/1/77 & 10/2/77. Back-to-back complete previously unreleased shows on 4CDs? You betcha! Why? Because we couldn't pick one over the other of these two nights that have been described as "fire," "mind-frying," and "crispy" (bit of a theme here) too many times to count. Witness it for yourself when you dig into the inventive medleys and pristine sound, not to mention the first "Dupree's Diamond Blues" since '69 and the first live "Casey Jones" since '74.

Limited to 25,000 numbered copies, this release was recorded by Betty Cantor-Jackson (with a boost from Bob Menke, more about that in David's video) and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

*2 per order. Very limited quantity available.

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In reply to by dmcvt

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???

We want DARK STAR!!!

but they didnt ask me

Addendum
Theres the Dark Star
9 10 72
With David Crosby (ugh)

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To my simple ears, Jackson Browne's "Redneck Friend" remains David Lindley's greatest rock moment. It is just so kick ass, that song lifts me up every time and I never tire of it. Sizzling slide lines throughout.

Lazy day. Best kind, IMO. Been plugging a '52 Tele tribute into a Carr Skylark with an MXR Carbon Copy delay into an old MXR script Phase 45 on the front end. Magical... glass like tones that ring for days and the spring reverb on the Carr is to die for.

Last five:

Led Zeppelin - Led Zeppelin III
Grateful Dead - Dave's Picks 45
Sonny Clark - Blues in the Night
Lenny Breau - Guitar Sounds
Beck, Bogert & Appice - Beck, Bogert & Appice

\m/

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11 years 7 months

In reply to by LedDed

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so lucky to see him on tour with Jackson Browne years ago... nice notes Ledded, love that one too, Redneck Friend, a sort of anthem of my late teens. Great music and interview/stories of blues and bluegrass with Peter Rowan just streamed on KPFA, when they asked him to play more, he said let's get back to the music of the Dead... roll right into He's Gone.

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9/10/72 Dark Star> Jack Straw> Sing me Back Home, what a show! 10/31/70 they say the tapes have been found, Viola lee Blues > Cumberland Blues> Uncle Johns Band, lets hope for a release. KPFA, Fantastic Dead marathon.

I didn’t listen but checked out the setlist.
Piece these back together:

cloudsurfing

.gdhour.

com/kpfa-grateful-dead-marathon-3-4-23

Looks like DaP50 with bonus disc should be 9-9,10-72.

The returned reels list indicates 2 reels from 9-9, but nothing from 9-10.

09-9-72 Hollywood CA 1 x 10" REEL = + 1 REEL NOT ON INVENTORY*

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They said on the Grateful Dead marathon yesterday that the reels for 10/31/70 had been found.

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In reply to by billy the kiddd

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I've just had a look at the set lists and noticed that there were two shows played on this date - an early and a late. "Viola Lee Blues" seems to have been played at the early show.That would be worth the price of admission alone. It must have been one of the last times they played it.

Last night was listening to KPFA with the Viola Lee without knowing the show and when it segued into Cumberland I was totally WTF?? is this magic?? Then a killer fall '70 Uncle John's. Went to my very dog-eared copy of deadbase for guidance.

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In reply to by bluecrow

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Sounds like a candidate for a future Daves Picks to me.

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Dark Stars are just mind bending!! The best KPFA Marathon ever, IMHO. Started with 11/24/79 and just took off from there.

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In reply to by wissinomingdeadhead

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....help me find it.
If Halloween '70 gets the nod, so help me.
If they have all of this, good lord....
Early....
Til The Morning Comes
Hard To Handle
Mama Tried
China -> Rider
Dire Wolf
Cold Rain & Snow
Me & My Uncle
Dark Hollow
Brokedown Palace
Viola Lee Blues ->
Cumberland ->
Uncle John's Band
.
Late....
Casey Jones
Sugar Magnolia
Next Time You See Me
Cryptical ->
Drumz ->
TOO ->
Cryptical ->
Cosmic Charlie
Big Boss Man
Mama Tried
Hard To Handle
Drumz ->
Good Lovin'
St. Stephen ->
NFA ->
GDTRFB ->
NFA
.
Sign me up! And don't you dare tease me.
I found my old tape of it. Unfortunately, I need a cassette player.

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In reply to by proudfoot

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It's starting to read like an obituary column on here.
But no disrespect intended - RIP Gary Rossington. I sort of saw Lynyrd Skynyrd at Knebworth in 1976. A massive festival headlined by The Stones. I had never heard Skynyrd before, and I was so high I couldn't tell my elbows from my knee caps. But I heard "Freebird" on the radio a few months later, and immediately dropped back into the zone - even though I had no conscious memory of having heard it before.
I have heard it since, a couple of years ago I got great dvd/cd of their show that day. It's an incredible live performance - no two ways about it.

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Being a transplant to Florida back in 72, Lynard Skynyrd was huge back then. Their first lp released on Sounds of the South records was all over the radio and Free Bird (worn out) was the Florida national anthem. These guys knew how to party and most of them loved to fight. Knock down drag outs that would usually end up with everyone bloody and laughing. Ronnie was their leader and a hard drinking fist fighting rebel if there ever was one. The first time I saw them was their welcome home tour back in 74, right after second helping had been released. Jo Jo Gunne opened the show. That's another story as they were the most professional rock band I had ever seen to that date.
The stars and bars was lowered and the William tell overture starts to play. As it reaches its' peak, Skynyrd comes out playing the opening song to their first lp, I anin't the one with that killer guitar sound that only Gary Rossington had at the time. Laid back and never flamboyant Gary could play the prettiest solo's you ever heard. After the plane crash that sidelined him for over a year, they regrouped as the Rossington-Collins band, released a lp and had a chick lead singer because they felt that no one could replace Ronnie. They did Freebird as an instrumental with a lone spotlight on the empty mic.
The story goes that Ronnie and Steve might have survived that plane crash if only they hadn't been up in the cockpit choking the shit out of the pilot for taking off without any fuel. RIP brother Gary, play it pretty.

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Will be playing Pronounced and Second Helping.
Recent new copies of the LPs replacing my long lost originals.
Pronounced was pressed in Czech Republic. 2nd was USA.
Songs of the South and MCA label on both.
Here's to Gary. Cheers

Edit: Listened to the new copy of Pronounced from Czech Rep. and was totally unimpressed with the pressing. Only heard it once before. Very dull sounding albeit clean. While getting that album out I also found an MCA reprint from BITD of the same album. Doesn't have the gatefold with the lyrics/notes inside like the original. Must have found it thrifting and didn't remember that when I bought the two new ones last year. Lo and behold the old MCA reprint totally killed the new one! Way more dynamic, louder, and so much clearer in the mids and highs. Just goes to show. The new Second Helping is much better. 180g and impressive sound from Analogue Productions pressed in USA by Quality Record Pressings from original analog masters and authorized by the record label. Got Needle & the Spoon cranked right now. What a difference!

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2nd helping, nice and clean for sure. Another one I pulled out of the back is Gimme back my Bullets, another great record. Ronnie didn't mind fighting, he liked to fight, but he did not like hand guns, worthless pos he used to say, always ruined a good fight,

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Available for pre-order.

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I love vinyl but I've got good tapes and the box set that has it. Gotta be better than the 4 LP boot that's missing songs at least. What else ya got? We need an announcement.
Cheers

Edit: So the resupply pre-order sold out in one day? How many? Stealth announcement too. Keep the presses rolling, at least so Kemo can get one.

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… how about another “New Years” performance release?! That would be very grateful!

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In reply to by wissinomingdeadhead

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...JFC. Buffalo is better.
Yawn.
Yeah. I said it. PM me your discord.
The jerking over a show that never happened is....interesting. jk

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In reply to by Vguy72

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They are all overrated, lets face it. Still, at least something has sold out pretty soon after it has gone on sale. Even if it is a recording of a show most people have already had for years. On the positive side, it bodes well for re-releases of other shows that in the past have only been partially released. Like Fillmore East February 1970 and Winterland October 1974.

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Mornin', rockers!!!

I had intended to post this yesterday, but got caught in a massive traffic jam and didn't have time. So here we are........

Was driving to work and cranking 10/31/70 and smiling............

Decent recordings of both Stony Brook shows have been around for a long time, and the top notch DeLuca-Miller remasters of both shows (including the NRPS sets) have been around for several years, and are highly recommended. For anybody who needs/wants and doesn't feel like waiting until they're officially released, you know where to find me...........

Although they don't capture the over-the-top craziness of the Port Chester shows of a few days later, both Stony Brook shows are solid and perhaps the most complete audio artifacts from the Fall of 1970. Everything you expect from the Dead in 1970---rock and roll, Bakersfield, greasy Pigpen, jams, occasional oddball tunes woven tastefully into the audiuo tapesty. I would prefer that both nights be offically released as one issue, and it would probably sell out fast........

Also noticed that the GEMS remaster of 9/10/72 just hit general circulation...........

Music is the best means we have of digesting time...........

Rock on,

Doc
Music comes from an icicle as it melts, to live again as spring water........

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You mean like punching and kicking and gouging eyeballs? Never enjoyed it much myself. Maybe that's why I never really got into Skynnrd. But don't tell Skynnrd cause they probably come kick my ass.

Interesting that a reissue of Cornell, a show that I would've assumed everybody and their moms already owned, evidently sold out in a couple hours, while meanwhile the new DaP which offers not one but two new very very good '77 shows for a fraction of the costs hasn't sold out yet. I guess Cornell is just that much of a THING now. Even tho Buffalo's better. (Yeah, I said it, too.)

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Any 1968, 69 or 70 box set is gone in a heartbeat. The complete Oct. 1974 Winter land shows, audio & video is gone in a flash., Dave that hint wasn't to subtle was it?

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With the Cornell 5-LP. Lots of confusion yesterday.
What is up with the "store" side of deadnet?
Typical don't have their stuff together roll out.
Would be helpful to know how many will be pressed this go-round.
Just another grateful day. Cheers

On the Cornell vinyl board I posted in 2018 that I wasn’t impressed with the vinyl release.
That’s because when I opened it the side with Scarlet->Fire had a huge smudge across it.
I eventually got it clean.

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"what's this fetish and obsession with vinyl????"

If I had a great sound system and the house to myself on a consistent basis...but I am frequently away from home when I am listening to the GD.

They tried to kill vinyl back in the day and I gave up on it. Besides, vinyl has NOISE and DUST and TIME LIMITS and you CAN'T TAKE IT IN THE CAR.

GRR.

RELEASE SOME FUCKING 1969 GD ON CD, YO!

Grumpy Grumpkins recedes back into his (descriptor of your choice) hole...

....it's actually very surprising to me. Never thought I would see them come back the way they have.
But 180g is nice, as is the larger artwork.
....must. resist....
I have been revisiting a lot of my old records since my wife got me a turntable for Christmas. Probably have over 500.
Tonight is a Dead Kennedys night methinks.

....classic record.
Followed that with In God We Trust Inc.
Realized a song in that it's a 45 rpm LP.
Thought I was having a stroke.
No offense Doc.
You got me DK.
Last five. In a roundabout way, I'm showing my hand.
Peter Gabriel announced his tour today by the way.

If you can get FW 69 shows on vinyl for a good price do it. It’s not just the CD’s copied to vinyl. The vinyl says Plangent which the CD’s don’t say.
A few months ago 2-28-69 was still going for around the original price, but last night I saw it for a lot more, so you may have missed the bus on that one.
11-10-67 also sounds spectacular on vinyl.

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Got my Dap 45 "glass" today. Ok, sure it's my vault, I'm a terrible reader. I guess I was expecting a "rocks" glass, NOT a shot glass!!!

I'm sorry Dave (though I'm sure Dave has no say), but 35 bucks for a shot glass?!?!?!?!?! Nice though the glass is. And it is a very nice shot glass. But 35 bucks. I felt like an idiot buying a rocks glass for 35, but a shot glass!

That picture on the left, that's what an idiot looks like. Sorry, super idiot because I'll probably the next 3 glasses!

Should have gotten the axe.

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In reply to by Dennis

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RIP Ron "Pigpen" McKernan (September 8, 1945 – March 8, 1973)

fifty years ago today me and a buncha other weirdos were driving down from our forestry camp in Big Sur to our main HQ down in Los Osos (in between Morro Bay and San Luis Obispo) when the DJ on the radio station we were listening to announced Pigpen's passing...I was stunned...I had no idea how poor his health had turned and I also had no idea that seeing him perform with the band the previous year at The Hollywood Bowl would be his last public performance...

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Rhino has a 40th anniv.
Anything new in this?
Cheers

Yesterday I asked is that all ya got, we need an announcement. Voila! Bear's Choice 1LP (and maybe a digital download option?). Pigpen lives on!

...The Workingman's Axe is one of the All-Time Greats that I did not pass up on this website; the satisfaction of each chop is deliberate and ever-present.

Long live jerry's 10th finger.

- Paul Sixtus Bunyan

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How is this not yet sold out? I love 10/2 ... 10/1 is nice to have but man that 10/2, especially the 4th disc!!! hottttttttt
25k copies, maybe getting close to a sell out>|? I have never seen a dave's sit this long ...

You are 100% correct.

I buy the vinyl for only stupid reasons. My Collection. I always have this vision that someday my son will either love it or get a small fortune for it.

I too seldomly sit and listen like that anymore. Mostly in front of the computer while working or in car or while cooking.

I think in our old age we look to collection SOMETHING.

Vinyl, cheaper than guns, smaller than cars!

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50th Anniversary download now available for per order!

Based on the continual screw ups by Dead.net over digital downloads, there is no way I'm ordering this until at least June!

We return you now to your regularly scheduled madness.

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Dead & Co. at Barton Hall.
A tie-in to the vinyl release, LOL?
Will they play the same setlist?
March GD Bulletin in email.
Cheers

product sku
081227834586
Product Magento URL
https://store.dead.net/en/grateful-dead/special-collections/daves-picks/daves-picks-vol.-45/081227834586.html