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    marye
    Joined:
    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • rockthing
    Joined:
    1970-02-23

    You cats are already on to 1973. I'm still savoring the gentle respite in the oasis of Austin.

    Death don't have no mercy, but there's always time for lunch.
    Thanks for reminding me of LL. I need to see if I can get reinstated over there.

    Grateful Dead Live at The Auditorium, Austin, Tejas on 1970-02-23
    Harpur College was another of my heavy, heavy rotation tapes back in the day, along with the 2/18/71 Capitol Theater show I've already mentioned numerous times. Both were massive inspirations. For what seems in hindsight like a fairly significant period of time, if it wasn't one of those, it was Reckoning.

    I Know You Rider: Lovin' the energy and grit of this Rider. It's almost angst.

    High Time: This is a song! It's a pretty weird song, too, and after attempting it several times, myself, I must say it isn't surprising it wasn't played often. Damn, it's hard to sing. I submitted a completely deconstructed version of this for the February Dead Covers Project a few years back. I made a point of not revisiting to the original before recording, just going off memory and some notes left in an old binder of songs. I'm sure the ever-growing defenders of canon were thinking, "You ain't doin' it right if you ain't readin' it off a teleprompter." It was an "interpretation". Lol.

    Dire Wolf: What a lyric. An electric version, no less. Pretty mellow electric set, almost acoustic.

    Yellow Dog Joke… ah… well way to go for completely screwing up the joke, Bobby… actually, I'm not sure I've ever heard him make it all the way to the punch line. We should all heed Jerry's advice and "Don't encourage him." Everything was so light and positive in these days. Phil could be a bit surly, as we've already heard in this tape.

    Monkey and the Engineer: This was a standard in my old folk-rock duo. My partner played it and I just followed along. I'd have to start from scratch to figure out how to play it again. Such good stories in these tunes.

    Little Sadie: Nice. This wasn't on the Harpur College tape or Reckoning. Another dark story. I don't see how they could possibly be breaking strings playing such gentle music.

    Me and My Uncle: I don't recall hearing an acoustic version. It's a great song and works in any format. At this point everyone hadn't already heard it a million times. Imagine that!

    Black Peter: One of my favourite tunes ever. Doesn't get much darker than a song from the point of view of a death bed. Started doing this one myself occasionally a few years ago, but I always need a cheat sheet for the bridge. Nothing repeats. There are some interesting mnemonic connections between the chords and the words that help. Just have to sit down and do my homework. Ahh… yeah, Pig sittin' in nicely on the organ. This song needs a really delicate hand, but the organ adds a nice little gospel flavour. If only Pig coulda added just a touch more flair to his playing to fill in some lines before Jerry takes his solo. Pig's got the tone.

    Seasons of the Heart: Never heard this before. Great pick! Thanks.

    Uncle Johns: Have heard this one a few times. 😉

    Not Fade Away: I'm gonna call the union! The Galactic Rock'n'Roll Union! That needs to be a band name, or a song, or something! Crazy to think this tune was in their set their entire career. Some good ol' primal energy here. Jerry's "wild" tone. He must've had the amplifier turned WAY up, cause it sounds like he's not in the mix at all. His guitar is just being picked up by a vocal mic, or something. Basically, no drums, either. I can't keep track of which guitars he was playing in the early years. He seemed to play whatever was available after giving up the Starfire. Sounds kind of like a Stratocaster, The Graham Nash Strat, perhaps? Alligator did not come on the scene until later, if I recall correctly. This tone has even more of a stereotypical Stratocaster sound than Alligator, which retained very little Fender electronics by the time it gets heard on Europe '72. Anyone? Oh, cool call and response with Pig. TC has already left at this point? I need to get my timelines straight. Bobby diggin' in with some soulfully aggressive singing, rather than simply aggressive.

    Mason's Children: I can't recall ever hearing this, either. The name comes up often, but it's not on anything I've listened to regularly. Again, thanks for this pick! As you say, not exactly high-energy stuff, but some very rare pieces here. Always appreciate the chance to learn something new about this fascinating family.

  • Forensicdoceleven
    Joined:
    Chances are that the universe neither treasures nor regrets us

    Rockers!

    Lunch time. Death takes a breather. We're in the land of the living, gotta eat lunch.

    The "new, fixed" 2/17/73 was up at Lossless Legs first thing this morning. So, it sometimes pays dividends to get up early............

    So, one can get it there, or I can supply it to anybody who needs/wants..............

    The wise man does not lay up his own treasures. The more he gives to others, the more he has for his own......

    Rock on,

    Doc
    It is by going down into the abyss that we recover the treasures of life. Where you stumble, there lies your treasure......

  • DeadVikes
    Joined:
    2/17/73

    Hey Doc,

    Where is the new Miller for this show? I see a 2020 transfer from Miller on the archive as of this morning, and this one has issues.

  • Forensicdoceleven
    Joined:
    I met her accidentally in St. Paul, Minnesota......

    Mornin', rockers!!!

    For all you completists out there----as well as Row Jimmy fans----the talented Mr Miller just put out a "fixed" version of the fine St Paul show from February 17, 1973. Would make up part of a nice box set from early 1973----2/9, 15, 17, 19............

    Ah well, one can dream..............

    Rock on, happy Friday!

    Doc
    Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before........

  • Forensicdoceleven
    Joined:
    Music is the best means we have of digesting time......

    ROCKTHING.............

    Check your PMs...........

    Music is the one incorporeal entrance into the higher world of knowledge which comprehends mankind but which mankind cannot comprehend........

    Rock on,

    Doc
    I frequently hear music in the very heart of noise.......

  • Forensicdoceleven
    Joined:
    I have just got a new theory of eternity…...

    Hey rockers!!!

    Pick Of The Day: Austin, Texas February 23, 1970

    I reluctantly discussed this at the end of last year. Here I am again. It appears that I’m stuck in a time warp. The galactic rock and roll union. I have no special talent, I am only passionately curious…..

    It appears that the currently circulated recording of this show is the only surviving audio document from the Dead’s four show excursion through Texas in February 1970. It’s tough coming right after the wonderful, brilliant Fillmore West/Fillmore East shows earlier that month, and perhaps it’s not unexpected that the intensity level might come down a bit. That being said, this is still interesting, enjoyable, and worthy…..

    The band is in 1970 electric/acoustic/electric mode. The circulating recording appears to be missing part of the first electric set, coming in during Know You Rider. For fans of acoustic Dead, this set is nice---Monkey And The Engineer-Little Sadie-Me And My Uncle-Black Peter-Seasons Of My Heart-Uncle John's Band. The festivities are completed with a jammy NFA and Mason’s Children.

    The monotony and solitude of a quiet life stimulates the creative mind. I live in that solitude which is painful in youth, but delicious in the years of maturity……

    Did Bear travel to Texas, and did he record? Banana boxes, reveal thy mysteries…..

    Rock on,

    Doc
    Whoever undertakes to set himself up as a judge of truth and knowledge is shipwrecked by the laughter of the gods……

  • rockthing
    Joined:
    5/19/74 > 2/22/69

    >daverock>

    The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

    That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

    2/22/69>
    Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

    It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--

  • daverock
    Joined:
    5/19/74

    Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
    I presume the version you have listened to has the earlier vocal dropouts too.

  • rockthing
    Joined:
    5/19/74 (Part II)

    Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

    I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

    The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

    It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

    Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

    I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

    Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

    China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

    Set II:
    Promised Land: Yeah. Everybody's definitely up off their blankets now.

    Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

    Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

    Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

    Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

    Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

    ??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

    Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

    NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

    GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

    US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

    Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

    On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

    The vocal drop-outs others have mentioned were not audible to the audience.

  • daverock
    Joined:
    2/22/69

    That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
    The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by Oroborous

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I streamed rest of 6/20 - really really enjoyed it. Big fat old Terrapin > Drumz > Other One at the heart of it. The Other One probably bent a few brains, including mine, back then.

Yes Oro, it was miserably hot and I didn't manage heat well back then (that came when I moved out to the southwest.) Buckeye more of the same. I think Maine was a huge relief for the band and any heads that did the full tour. 7/2 probably show of the tour except for the things that made 6/23 special.

6/23 needs to be understood in context of 6/22 and all that heat. "A gift lost will be recovered." I wrote up my recollections and Gans posted it as part of a gdHour years ago. I'll see if I can find it. Blackbird>Brokedown was a truly remarkable musical gift to cap that night and that run. Totally off the cuff move. It was a thank you from the band and a blessing. Not so much bragging rights but just the feeling of how lucky we were to be there.

Alpine '89 was what it was musically because of Alpine '88.

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Hey Bluecrow, I think maybe this the Grateful Dead Hour show you were featured in? Nice! Thanks!

dead dot net/features/grateful-dead-hour-no-555

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In reply to by bluecrow

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Hey Bluecrow, in fours years of going to see the Dead at Alpine 86-89, I never made it into the Pavilion. We were always in the lawn, which was still a great unbelievable time. Yes. OB, the scene definitely changed after In the Dark, and the fact we could stay on the grounds the whole time. Love Wisconsin. As other spots across the country it was huge party scene.

Yes, the heat was something else. And the shows were so much fun. A true experience. Where did you stay Bluecrow?

Where can we find your write up from Gans BC?

I think there are some newer transfers of these shows from Miller via Pearson.

I will have to check these out at some point.

Oh and enjoyed the 3/30/88 OB, recording was good, always enjoy a Hey Pocky Way, West LA Fadeaway, Big Railroad Blues, Nice second set, from the Shakedown opener to the BMR. Great show. Thanks.

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In reply to by DeadVikes

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I’ll have to check if I have the newest versions of those shows, if not I’ll get them.

My only time to Alpine was my second show, 7-17-89. Was on the lawn. Very cool place. Camped at Bong.

Tinley Park the next year wasn’t as cool. And instead of clogging up a two-lane road in a small town the Deadheads brought I-80 to a complete stop the first day (don’t know about the following days because we came in the back way those days). The small parking lots of Tinley Park filled up early and since the venue was close to the highway people double parked on each side of the highway and walked to the venue. I know someone who did it and he said his car was still there after the show, didn’t get towed. We were on an overpass looking down at the mayhem on the highway. We got to the venue and a cop told us to pull onto the side of the road and park there.
We camped at Kankakee State Park and drove up I-55, then came in the back way. And came early so we could get in the lot before it filled up.

Made it to all 9 Soldier Field shows, on the floor for 7, with rows 13 and 25 the closest, both Jerry side.
I liked Soldier Field because it could absorb the masses, that parking lot was huge, with a big Shakedown Street.
Was back in 2015 for all 3 FTW shows and that place had really changed. The parking lot was gone and a space ship had landed on top of the coliseum.

Been working my way through a lot of torrent files lately:
GD 1982-03-14 139382.sbd.miller.chastain.waddell (playing now)
GD 1976-07-18 pre-FM.remaster.miller (cool Let It Grow)
GD 1982-03-13 set 2 112858.sbd.digitalrbb.miller
GD 1972-03-22 136682.sbd.sirmick
GD 1972-03-21 136670.sbd.sirmick
GD 1982-04-17 set 2 141100.sbd.dalton.miller.clugston
GD 1972-07-22 updated.betty.pcm.composite.dalton.miller.clugston (rough in spots, I can see why only a portion of the show was released)
GD 1976-07-12 150658.cm.cass.miller
GD 1973-02-22 Fries remaster of 111169
GD 1973-02-09 Fries remaster of 150166 (distortion on Casey Jones)

I’ll get Alpine 88 onto my music player soon.

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In reply to by icecrmcnkd

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DV - JeffSmith's post below will get you to my old scribblings, take a closer look.

I camped both '87 and '88. Minimal gear. Lawn tickets '80, '82, '85. Had mail order pavilion tickets '87 but seats for first 2 nights were worthless, way down low and literally on the outside, no sight line, poor sound, so we were up on the lawn, which was just perfectly fine. Never knew anybody who drew any of the true front of stage seats. Seats I had last night '88 were best by far, aisle slightly to outside of Jerry side 5 or 6 rows up.

There are relatively new ultramix uploads for Alpine '88. Healy was definitely f*cking with the sound every night at Alpine, panning the board feed from side to side, wasn't just 6/23. sbds still conspicuously missing for Met, Buckeye, and Pittsburgh from what I see on relisten. Like I said, really enjoyed going back to 6/20 for what was essentially the first time in all these years.

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In reply to by bluecrow

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Listened to:
6-19 UM.151602
Not terrible, not spectacular. Jerry forgot the words to Knockin’, Brent stepped in.
I liked Drums/Space. Good sounding UM.

6-23 UM.142398
Good sounding UM too. Source says UM->DAT.
Got distracted during Dew and had to restart. I can see minds blown then. Blackbird was a nice fit.

I also have:
6-20 UM.151614

6-22 set 2 119780.sbd.miller.
Will need to go get the whole show.

100 degrees is rough. Maybe Jerry was getting close to heat stroke.

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In Taper's this week.
1985, 1988, 1989.
Deadeasy says one is listed with the wrong date.
Only off by a couple days.
Hope they are ones you guys got to see.
Cheers

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In reply to by icecrmcnkd

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Don’t think we’ve hit this one?
I know I’ve never heard it anyway…

Nice write up BC! And thanks to “Mr Helpful” JS!
It totally makes sense that the 23rd would seem like dessert after five days of brutal conditions and some unfortunate stumbles etc. Definitely a solid show with several highlights, but that Believe it or Not was the cream friche for this Randy! Man it’s a shame they didn’t do this song more/longer!
Glad we checked this out, need to hit more 88!

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In reply to by Oroborous

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Its funny that Dave served up Alpine selections from 3 different years in Tapers Section. Hmmm. I need to check out 6/19/88 again - I listened to some of it not too terribly long ago, last couple of years maybe. First Foolish Heart - a song I treasure now but wasn't synched up with it at first. C-Kid and Oro glad you guys got in a listen to 6/23. Yeah - Believe it or Not was a powerful song - wonder why Jerry didn't run with it. 6/23 has some super powerful memories for me - a show that has its own place in my brain compared to other memorable shows I attended. More like a dream than "real life". I have this crystalline memory of the kids hopping on stage during Dew - i was hyperfocused and it was crazy cool.

My youngest brother out of the blue texted me on Saturday night with a photo of musicians on stage and the news that he and a couple of long time DH friends (2 brothers) were at a Phil and Friends show at the Salt Shed in Chicago. "Damn, you lucky dogs!" Salt Shed is a new venue, converted Morton Salt Factory - my brother really liked it. Very cool Morton Salt themed poster for the show. Warren Haynes was the TBA special guest. I just found out over at Steve Hoffman that Warren played the Pretzel guitar that Jerry gifted to Sam Cutler after Europe '72. I'm like what? Texted my brother and he goes I didn't know it had a name but I thought it looked like a pretzel!! he played it like 80% of the time, switched it out for She Said and a couple+ other songs. Just now my brother sent me a sweet photo he took of Warren playing Pretzel - wish to heck I could postituphere.

My brother was with me for Alpine in '82, '85, and '87 (he was all of 12 years old in '82 I think.) I've known one of the 2 friends/brothers since the Alpine days also. The younger one was part of the crew who saved my a** from heat stroke Day 2 in 1988. And it was their tickets that had my brother and I with them 16 row center for 7/9/95. Ran into the younger one again with others from that crowd 1st show of the Dead with Joan Osbourne at Red Rocks 2005 and I ended up hanging with them and did we have a gas.

Was just listening to 2015 bonus disc that came with Dave's 14 ('72 Academy of Music run). I think that's Phil in the beginning saying - "Pluck your magic twanger Jerry!" Not sure if it got discussed here ages ago but that's from a 1950s tv show called Andy's Gang. There was a character, Froggy the Gremlin, and Andy would call him out of his hidiing place with that phrase and Froggy would pop out and go "hiya hiya hiya kids" (or something like that.) Watched a little just now on the utubes. Weird stuff like most any early kids show. My apologies if I'm rehashing old news. Anyhow fun bonus disc - band and crowd sound fired up for some magic twanger music on 3/27!

12/30/78 - listened to this late last year and came very close to suggesting it as a POTD and then again just recently when DV said he had '78 on the brain. Same league as the next night, though unfortunately a few tape issues with circulating sources. Very enjoyable.

ONWARD

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In reply to by Oroborous

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6/23/88, 12/30/78, and today 9/24/76 for the first time thanks to a kind soul who hangs here!
Good sheet Mon!

Andy’s Gang, ha, checked it…too funny. Makes sense as I’ve heard “hiya, hiya, hiya kids” before, usually by Phil, most notably at 4/7/85, just before they blew our heads off with Why Don’t We Do It In the Road, always an appropriate Easter Sunday opener; )

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Nice work OB.
Listened to most of 12/30/78, recording was a little rough. Nice integration of Stagger Lee, Miracle and a short but good Shakedown. St. Stephen was a little slow going. Would love to hear a polished up version of this one.
Good stuff Bluecrow, a lot of fond memories about the old days.
Wish I could make it down to Wrigley this summer to see Dead and Co, but just can't swing it. I have a couple buddies that are going to one night, maybe two, floor seats with Hotel, $2000. Not cheap to see this band.

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Hey rockers!!

Pick Of The Day: Hilton Hotel, San Francisco March 15 1969 (Black & White Ball/San Francisco Symphony Benefit)

The Dead step up to support culture!! Start greasy, get all jammy, finish greasy. What else does one expect from early 1969? And, for me, in a way, historic---the first live version of Hard To Handle, which started akin to a pedal steel country western rave-up and ended as a crunchy psychedelic monster mini-jam tune. It’s always been one of my favorite Dead covers, and I’ve always wondered how and why the band added it to the repertoire……….

Miller’s remaster is very decent and certainly worth a listen……

Tones sound, and roar and storm about me until I have set them down in notes…….

Rock on,

Doc
I will seize fate by the throat; it shall certainly never wholly overcome me……

Okay, how does 3/24/91 at the Knickerbocker Arena sound to you all?

There is a relatively new Pearson Healy Miller out there.

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Pulling it down now.. Streaming Phil tonight but will add this to my waterproof device for tomorrow.

Thanks DVikes.

Nice Whiskey in the Jar tonight.. congrats Phil. Viola Lee>GDTR E Whiskey in the Jar. What a way to end a show and a great nod to to the Scots (or wherever St. Pat was born). Wack Fall the Daddy-O.
(hey, I resemble that remark)

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Hey rockers!!!

Picks Of The Day:
Winterland Arena March 18 1967
Fox Theater, St Louis March 18 1971

If a man could have half of his wishes, he would double his troubles…….

A daily double, spaced four years apart, from primal to crunchy rock & roll…..

March 18, 1967: A wonderful, well recorded audio document of the early Grateful Dead. And everything you would expect from this era---great grease, cool covers, and early originals—including The Golden Road (To Unlimited Devotion) and Cream Puff War. Jump in the way back and go way back, it’s worth checking out!!!

March 18, 1971: Four years later finds the Dead still rockin’ hard and still greasy. The covers and original material, now as then, still very fine. AND the only Caution of 1971! What a pleasant surprise when it was included in the 30 Trips box set. Please revisit…………..

It doubles your perception, to write from the point of view of someone you're not………

Rock on!

Doc
I thoroughly enjoy doubles, everyone knows that......

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Seems like most of the Capitol shows are up on the archive. Downloading 3/17 right now,,,, I too am a huge Viola fan.

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and fully dug:

DaP 7 4/22/78 virginal listen: mind blown!
3/15/69 Fine 69 and good era recording
3/24/91: should of gone to these shows, but no easy ways and means at the time, so nice to enjoy now. Think we did the 25th a ways back. We’ll have to hit the first night some time.
3/17/67: boo yah, sweet primal, both playing and recording! See PTB, primal can kick ass. Round out the best four or five shows from each year 67-70 and give us a primal box! PS, we don’t care if their not complete.

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Since we were digging 88 recently and this is another show I coulda shoulda woulda as we went to the Fla shows, but stayed to golf and lounge on Naples beach instead of going to Nola. My friends that went said it was a hell Eva party with Bobbie cruising the streets with the Bangels etc. So since I didn’t go…

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The Dead at the Knickerbocker. Yes. I enjoyed this show as well. Recording is really good and I have to wonder who has all these Pearson Healy recordings as I believe Don Pearson is no longer with us.
Anyway, maybe not as much pop as May and June of 91, but still enjoyable.

Help Slip Franklins into a Wang Dang Doodle! Great start. Jack a Roe, Desolation Row. What a first set. Second set is good as well. China Rider, He's Gone is great into a funky drums.
Definitely will have to check out 3/23 soon OB. Yes, money held me back from many shows as well back in the day and now trying to see Dead and Co seems like a different world money wise.

Listened to Dave's#4 over the weekend from 9/24/76, it has been a while. What a great show ! Fired up 9/28/76 today from Dicks #20, another great show with some good variety. Sort of an underated release. If you don't have it, you should get it.

We are due for some more 76, hopefully soon.

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I like that “good but not quite the pop” as summer, or I’d add the fall.
Still hoping someday we’ll get a fall 91 box.

Yep, cool set list and recording!

I’ve had Dicks 20 since it came out. I didn’t get them all, but several of my older friends said Rochester 76 was their favorite show ever at, so figured I had to get its sandwich buns at least. Same with Ra cha cha 77! As soon as they announced it I knew I had to get it because of the stories I’d heard!
Haven’t spun 20 in awhile. Perhaps a twofer this week?
Definitely going to sneak DaP 4 in again ; )

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I'm an idiot.. St. Patrick was Irish, not Scottish. I must have had Scottish whiskey on the brain, whack fall the daddy-0. Whiskey in the Jar is Irish also. Not sure what I was thinking......

Nice Phil run at the Cap. I think I enjoyed the first two nights better, but a spirited effort all around. Enjoyed the new edition, Katie Jacoby. A child violin prodigy that discovered Rock and Roll and here you have it. Plays a mean electric fiddle and James Casey on Dear Prudence was worth the ticket price alone the rest is cream on the top.

Back to your regularly scheduled songs and discussion.

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Greetings, rockers!!

Pick of The Day: Capitol Theater, Port Chester March 20 1970 (late show)

I do not know whether there are gods, but there ought to be…….

Even the almighty knows that recordings of this show have circulated since the dawn of time. It’s a very nice and little discussed example of the early 1970 electric/acoustic/electric format.

Sadly, a big chunk of the first electric set is missing, but Hard To Handle is there and yes it’s there alright! Although there are a couple of edits, the six song acoustic set that follows is sweet. Which brings us to the second electric set, which while short is crazy good, heavy on the grease and a crunchy Viola Lee Blues.

Hopefully there will be a “new & improved” copy some day, but for now it’ll do nicely……

I have nothing to ask but that you would remove to the other side, that you may not, by intercepting the sunshine, take from me what you cannot give……

Rock on!

Doc
Dogs and philosophers do the greatest good and get the fewest rewards…..

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Tapers 6-27-84 at Merriweather Post Pavillion in MD.
You get to see that one?
Cheers
Edit: That's a great Morning Dew!

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Gave that another proper spin.
First disc still seems a bit sleepy to me, which isn’t unusual.
Boy but by the PITB things are looking up!
That whole sequence, Might As Well, and of course the awesomeness of the Help/Slip>>Drums>>Slip/Franks!
But that ain’t all, the sweetness continues through the last three of the sequence. Proper!
Loving finally getting to know this one!

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I don’t know who has the Pearson Healy tapes but Charlie Miller seems to have access to them.

And it’s Oberon Day today too!

Yes, we need more ‘91 released.
I watched the 6-17-91 Blu-ray about a week ago. Good stuff, we need more video too.

Listened to Jim’s first show this weekend
GD 1982-04-19 89313.sbd.tobin
My dog didn’t like Raven Space very much, he left the room.

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No Oberon or spring here yet in Minnesota. Enjoy it Conekid. Hopefully we get both here by May.

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Howsa bout that Dicks 20 DV was onto?
I don’t have that marked down, and haven’t heard in awhile,
so WTH! Twofer Tuesday.

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Was just eyeing that one as you guys were discussing DaP 4.
DiP 20 has always been a favorite. A two for one for sure.

Hey Bluecrow, what the heck is that GO album? I cannot even categorize it. Some of it is trippy to a level where I would be afraid to hear it dosed! Such a unique group too. Stomu's percussion and piano seems to tie it together. Has a Pink Floyd feel to it. I'll bet I haven't heard it since I bought it god knows when. A bit repetitive on a dark spacey theme almost like a concept album. Then Winwood throws in his Winner/Loser and it's all good again. Wish Al Di Meola had a bigger part. He shines on Man of Leo on side 4. The recording is very average considering it is live (Paris, 1976). Not well defined at all. Certainly interesting and attention getting and fun. Sorry to cross post from the Traffic on DaP 45 here.
Cheers

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Both are fantastic. Finished Capital Center yesterday. These two shows and the William and Mary deliver. Last Cosmic Charlie. Glad they brought it back in 76, sorry it didn't last. What a release from 2001.

I love when I que up a release or show I haven't listened to in a while and I think damn, this is so good. Doesn't happen all the time, but love it when it does.

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1st show. You guys have me all intrigued by this Go album (s)?
“I’d be afraid to hear it dosed”, sounds like a must have to me lol
Had me thinking bout the great Dexter Gordon album, but this is a supergroup I guess.
Shozbit, more things to buy lol.
Onward

Edit: right!
Time for some Orange Tango!

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I wouldn't give GO a super high rating. It has a great spacey feel from the fabulous synthesizer work (not an easy thing to master and so abused back then) which is used throughout and Al Di Meola goes very distortion, delay cool and of course some fiercely quick riffs which take the thing to a fusion level. Then there's the female background singer(s?) which are somewhere between Jerry's Jackie LaBranch and the lady on Dark Side OTM. It's that first side that goes way out there, then some cohesive songs, then back to the space jam, Then a Winwood tune, then Winwood sings Stomu's songs, then the best piece which comprises most of side four, Man of Leo, with Al Di Meola getting some focused time. I'd give it a 7/10 and something I will go to again in a more "focused" mood since I did it first thing in the morning. Overall a little darker than what I usually go to. Which gets me back to the Floyd reference. I like lots of Floyd, especially early psychedelic, but in general they are a bit depressing. But sometimes we need to be reminded of what's wrong out there and we can't blame the messenger, LOL. Hope that helps, but you would really have to check it out on the Tube to see if it's something worth investing in. Rare enough I doubt it is even in print, maybe on CD? Good hunting!
Cheers

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Because I had never heard of it.
There’s a Wikipedia page and you can buy it from Uncle Bezos, CD or vinyl.

Edit:
That’s the studio album Go I saw.
After rechecking, the 6-12-76 show is also available on CD from 3rd-party sellers at Uncle B’s house.

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Apparently I have the Live in Paris LP.
It really feels like a concept album, different sequence of songs live.
Not as rare as I thought and appreciated more widely too.
Thanks and cheers

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Just bought the two cd's off amazo, Go and Go Live.

If they suck, it's you's people fault. If their great,,,,can I find great music or what!

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I hope you read my review(s) beforehand.
Where is BC? I'm not taking the heat alone here.
The pressure! Give us a review when you get them Dennis.
Inquiring minds, like Oro, want to know.
Cheers

Firing up DiP 20 Syracuse 9-28-76 now. Only got through Landover 9-25 yesterday. Holding the review until I've got both done. But dang, forgot that disc 4 is one > solid > jam > ? Orange Tango indeed!

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had a long post last night that got shut down because of perceived lynx (there weren't any - booo). below is abbreviated

1st Show - I have the GO studio on vinyl, bought it as a cut out ca. 45 years ago probably same time as Heavy Traffic and undoubtedly because Winwood was on it. I had been confused by your references to a 2 lp release until ConeKid solved the mystery. Turntable is mothballed so streamed it (2x/3x) through the Sennheisers after my post last week (and again last night). first listen in a few years. Really enjoyed it, particularly the spacier passages. Then streamed previous album by Yamashta (no Winwood), Raindog, and dug that also. Where my head was at. I'll get to the live album soon.

Want to highlight again an obscure Wayne Shorter album, Moto Grosso Feio, 2 tracks in particular, title track and Iska. very cool and out there. Turned onto that by aquarium drunkard. Cool discussion there, as always.

Also Dave might be listening in (surprise). After my recent comments re summer '88 and fact that most of Buckeye wasn't circulating in soundboard (just a chunk of Set 1 i think), he has Set II predrumz on Tapers Section this week. Has Set I from next show Pittsburgh on Jam of the Week. Listened to the Buckeye segment last night. Victim (3rd time)>Blow Away (2nd time)>Foolish Heart (3rd time)>Terrapin>Drumz. Of much greater interest to me now (I was sorta/kinda fried from Alpine). Def would like to hear rest of the show. What Dave served up is a straight board, not an ultramatrix. Also none of the panning back and forth across stage that is so prominent on the board portion of the Alpine '88 run ultramatrixes. Buckeye was 1st show for several younger folk that I knew at the time. They had a gas.

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Hit 3/20/70 for a lil snack, now I need to hear some 80s to regain my energy as I’m pooped after digging first round of Sierra cement. Plenty of moisture today brother vguy and you other desert rats.

3/20/70 was ok. Not much of a HTH jam. Weird, no weir acoustic numbers? Cool acoustic set though, lil Jer fest going on with an always welcome Katie Mae! Electric set alright, but not mind blowing. Pig has some extra spunk in LL: “ put your hand in her pocket, take out her Id and make sure she’s 18” etc.
Viola always cool, but so so version? Not the best 70 we’ve heard, but not bad for a 53 year old boot.

10/17/83: another coulda, woulda, shoulda.
Always wondered what this one was about?
EDIT: yep, wish things woulda worked out and I made it to this one, sigh.
So what do you do after 2 Stephen comebacks and a Revolution.
Just the usual GOGD! Nice Sugaree to open a solid first set. Status quo fall 83 second but with the return of Lay Me Down, and the second Revolution for an encore. Really enjoyed this show, mostly good recording though I think levels during peaks might occasionally have been a tad hot. Perhaps not the tape level, but some instruments being fed to the tape? Fall 83, another sorta under the radar excellent tour. Guess that’s why there’s been four shows officially released from it so far. Check it out!

Buckeye 88: I’ve had a tape that I combined the first set with the 3 new songs. I think I did that because I didn’t think (at the time) the second was worth another tape? I’ll have to hear the whole show again…

Yeah Dennis! I NEED to know! tap, tap, tap (sound of foot tapping) lol
Look forward to more GO reviews. Need to acquire some more new music, but only so many spots on the team, so might wait and see. Mostly wondering if I should get the studio or live album?

Ok, this Sugaree from 10/17 is jumping. Get coffeed up, cop some 83 energy…then probably time to shovel again ; )

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Had lots of time yesterday afternoon and this morning with steady drizzle coming down here. Gloomy the last month or more and no big accumulations but over our average moisture already for this time of year. San Juan basin snow pack at 150% of normal. Best in the state?
The Cap. Center, Landover beats War Mem. Syracuse hands down in my book. Expected more out of 9-28-76 with that set list and continuous 2nd set. Just didn't have the energy that 9-25-76 has. I noticed that in 2001 only two years into Dave L. taking over from Dick there were no liner notes yet from Dave. But that letter from a Deadhead from 1976 was prescient. The idea came from Relix where he read the Dead were "toying with the idea" of the eventual Dick's/Dave's series' which didn't come about until 1993(?). Man, can you imagine how many more we would have had? (edit: wouldn't have worked until CDs came out around 1984, wouldn't have put them on tapes and vinyl would have been economically unviable?) Anywho the start of 9-25 is so up-tempo with Keith well up in the mix and twinkling marvelously. The Travis Bean has such a vocal quality to it on this Cassidy. Not so great on Loser where it didn't have that chippy sound that song is known for. Keith and Jerry so pretty on Peggy-O. Nice long set lists still then. Nice stretched versions of Let It Grow and Sugaree for a solid set closer. 2nd set is just exactly perfect and whoever coined the disco dead slur just isn't reading it right. It's more like Dancin' Dead with Jerry dancing up and down the frets on Dancin' like a wild man. I mean they're a dance band, right? I know I would have been boogying to that! Audience has minds blown when Cosmic Charlie appears and there is so much newly reworked material in this era. Stand alone Scarlet is TIGHT! The drummers seem to be driving the bus by then coming on strong. And where Fire would usually come in it could have gone anywhere. That's the game isn't it? Guessing where they're going in real time? Do they even know? The St. Stephen samwich has Jerry saying "Yes it does" to one man gathers what another man spills. Smooth vocal harmonies and a Phil moment stomping with the drummers coming back into the St. Steve reprise. And a tight Sugar Mag finish. This has the '77 deliberateness but great energy too. So imagine my surprise when I found 9-28-76 a little slower and predictably mellow. Not that there's anything wrong with a great show with those characteristics but I was ready for a mind blower after reading the set list. The true tango was a real surprise though and overall a fantastic two show release. A fair number of repeats only three days apart but it didn't influence my opinion like the tempo comparison did. Glad we are still getting those two show releases every once in a while. Thanks Dave L.! And thanks to the POTD posse for suggesting these. Onward and upward. Got the jones for JGB - Don't Let Go from 5-21-76 now.
Cheers
It's not on us, Dennis will buy anything. Bless his heart!

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Not sure if we did this one, if so, I forgot to mark it down. (and please excuse).
Perhaps I tried/started at work but wasn’t able?
Anywho, looks interesting and I think I might have heard locals at the time who went speak highly off it?
Unfortunately I was still too young, at least according to those who supplied food and shelter ahem—to be going “all the way” to Cleveland lol.

EDIT: POTD MUST LISTEN!
If nothing else, you MUST hear this IIHTWTG!
Really, the whole second set as it’s very unusual, but the Playing sandwich is like a whole separate show, and the meat (Shakedown>World to Give) is simply delicious and should be enjoyed!
World to Give, another of those weird awesome but much too brief Jer tunes, and this one is phuching awesome!

Overall, the show is sorta all over the place. Especially the recording.
1/2 Step>Franks opener is always nice, but this is average and suffers from weird technical anomalies. Next few perhaps underwhelming? It’s all good, just doesn’t seem to have the usual 78 spark. PEGGY O is always welcome but prefer Goldilocks version: not too slow, or not too fast. This one perhaps a tad too slow? Decent Lightning/Supplication to round out the first. NOTE: Bob is present throughout and seems fine thus far.
Why dat? Weeeeeeeelllll, depending on who you ask this was either the worst show or one of the best lol.
Also much todo about Bob being sick, with some accounts claiming: he missed the set opening jams (he did); to he missed jam, came out to begin playing and left again until end of show…
Well, inspector Clue so says you can hear him throughout the whole show on tape, except the aforementioned Jam>Drums>Jam.
The jam sounds more like waiting around then the spectacular inprov mind melt that some describe? Though I bet it was interesting there in real time. Bob is back for the era typical slow Jack a Roe, but then things seem to really step up.
PITB seems more energetic and though not a pre hiatus beast, nice just the same, then…., then they slide into an awesome Shakedown to take it higher, but then! Jer bear breaks out the gold, it’s gold i tell ya! and JG wants to give it to you! The last of three World to Gives is just plain sweeeeetttt!
By the time they segway back into the PITB reprise you can feel the relief? definitely positive vibes, like phew, we made it!
The band, the crowd, even the sometimes inconsistent recording is on when it matters. Though the recording does slip into an extended section of aud, it almost helps this vibe! Plus, sometimes it’s nice to feel that in the midst happy communal energy often missing in boards. So big A&A to end it and the crowd loves it. No encore guessing due to time?
So I wouldn’t call it top shelf, but cool, unique interesting show, which don’t know bout you, but that’s why I come here to explore. Definitely not the worst show, in fact, as often the case, the adversity helps step things up and makes the show. When the going gets weird…indeed.

Ha, told myself only one show today but I’m already into the next night in good ole Crotchfester. 11/21/78
Sounds like typical crazy Rochester scene, kinda like the Spectrum lol. But they sure sound more like usual fall 78 so far (Big River…) recording too, not a Beatty, but so far so good.
If only I’d been just a wee bit older, this might of been my first?
That’s ok, I’ll take the first I did get lol.

Ok, onward, must be fired up after sleeping with the Elk! Literally, several slept within feet of us just outside our bedroom window last night! Cool sheet Mon!

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Hey OB, I don't think we ever hit this one. I will check it out tomorrow. Thanks.

Nice review on Dicks 20 Firstshow. I liked both shows quit a bit, but yes, that second set of Capital Centre is hot!

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Sorry 1st show, forgot twice, ha! Thank you, Yes very nice DP 20 review and I concur: all is very good, but perhaps the first shows playing trumps the second shows sexy set list? And is that not one of the best (for last) Charlie’s?
Great song, but being difficult sometimes it could be a bit Sloopy, but this one shines.
So awesome we have all these gems to contemplate, hopefully, for years to come!
Onward

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To 1985 - Dick Latvala starts work as the GD archivist.
It must have been an overwhelming task.
The new music format called compact disc is here.
He has his list started, likely from memory and his own tape collection.
What would we tell him is THE most important, or best, way to start the releases?
Assume it's all there in the vault and good enough to release, just to make it easier.
I'm ready back then as my wife just bought us our first CD player. Quite expensive and so are the CDs. $17.99 for a single when LPs are still under $10.00. I'm still a GD novitiate and have no clue having only attended seven shows ('78-'80).
Cheers
Oh, and is there a list (Dave L.?) of Dick's potentials that have not been released? Or is that now part of the Dave's list that Oro cites from time to time?
(Oro - I vote for the live GO since it's the one I know)

Edit: Only three of those If I Had The World To Give. First is the Aug. 30-31,1978 that I keep asking for. I'll check that out Oro. Was the Standing On The Moon of it's era.

Perhaps the hardest part was convincing Phil some of this stuff is too good to fret over sound imperfections.

I have to imagine giving Latvala reign of the vault was akin to giving a kid the key to the candy store. We have Dick to thank for most of what's out there that was not officially released (more important 30 years ago than today), but sometimes I wonder what things would be like if he wasn't as generous a head as he was. We would be enslaved, waiting for the next release. ...but imagine the elation of the great surprises that await....

Anyway.. super busy which puts me in lurking mode, I check in when I can. Sorry for that. My extra credit has been a bit of Dec 73. Such a long, long time to be gone and a short time to be there.

Big rain event here now.. a hard rain's gonna fall.

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Hey hey hey rockers!!

Pick Of The Day: Winterland March 24 1971 (Benefit for the Sufi Choir Of San Francisco)

Code Seminole, check 3 check 3 check 1, Red Dog over……………

The yang to the yin of March 3. The band may have started the month off low, but they ended high. Yes they may have forgotten an organ, but this fine and underrated show is much crunchier and more expansive than what came three weeks previously.

The Skull Album Johnny B Goode, so early in the first set. Top notch grease, especially the crispy Hard To Handle. A big jam sequence in the first set highlighted by an excellent Other One. How and why did they end the set with such a hard rockin’ Beat It On Down The line? Solid NFA suite to close set two, followed by a nice Uncle John’s Band encore.

I know not everybody digs 1971 shows, but this one is worth a listen, and would make a nice official release some day……..

Is it weird in here, or is it just me?

Rock on!

Doc
Where's your will to be weird?

I wasn't able to find a good source for this show. What source did you listen to guys?

December 73. Another fine month Jim.

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Miller 95660, it’s an SB, but it has flaws and several patches. I didn’t mess with the others…
11/21/78: went with Carpenter SB, recording overall better than 11/20, still has some patches.
11/21 is a hot show! Only hiccup I recall is Black Pete…hell did they ever play bad in Ra cha cha?
78 nuts will want to hear 11/21 and at least the Playin Sandwich from 11/20!

December 73. What a month!
Not sure about 1985 1st show. With no net, Deadbase etc, all we were focused on was trying to get to as many shows as practical, and hopefully later getting tapes of those shows. Never dreamed of the riches that have been mined since!
Years later when I did start to consider these things, besides shows we were at it was all about those magic last ten shows of 73, featuring just the guys.

3/24/71: I like 1971, but sorry, just did like 96% of 71 last year so not ready for rehash yet. I will say I really enjoyed this show though.
That JBG off of Skullfuck was the lightning bolt that changed me from interested, to whoa, I have got to see these guys!
It was April 78 and I was at my buddies. We listened to Skullfuck a lot sans not much else live Dead to listen to. Live Dead was still probably too weird for us to fully engage. Steal Your Money was cool, but it was all about S&R.
Being a Hendrix freak in HS, I was really into JBG, and I’d heard this version many times, but for whatever reason something happened that day and JBG just blew me away. I made him replay it over and over and from then on the scaled tipped and I started becoming more into the Dead then the other stuff.
The final straw was finally getting to see them in January. The rest as they say is history.