• 8,086 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
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    Repetitive, Sort of..

    With the exception of Copenhagen and London, they hit these cities just once and my guess is most locals had not had any real exposure to the touring Grateful Dead. Copenhagen is the real outlier, two hits at the same venue and similar second set setlists.

    I always assumed they wanted to make a presence in Europe and knowing people were not as exposed in the US, wanted to paint a strong picture for each city.

    So 51 years later listening to the whole tour, there is lots of repetition. But if you were there then, it was all brand new. That's how I digested it. They wanted to hit Europe with a cohesive picture of what they were doing then not knowing when or if they would return.

  • Oroborous
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    RE: repetition

    Yeah they always went heavy on what was new. Guessing partly for their own sanity/interest, and partly for the crowds.
    Not unlike Taylor Swift etc: make an album, go on the road to support it, rinse and repeat…of course like most things, they weren’t that formulaic, thank goodness lol. Plus, they were smart enough to figure out that it’s better to work stuff out on the road BEFORE you go into the studio to record it, especially when you do constantly tweak and re-invent them. So this tour was perhaps a bit of both lol.
    Also, (think we’ve discussed before?) folks didn’t tour so much back then, probably not at all in 1972 Europe?
    So they didn’t have to worry about that like they did later on.
    Sometimes I think they, or someone, just really enjoyed certain songs, so played en more.
    I’d say they played less repetitive in some ways as the years passed and they had more and more songs to choose from.
    Ok, maybe not Bob, he seemed to need to play everything to death lol. Speaking of, why Me&My Uncle every night! I mean they just put it out on the last live album only a year before! With so much new stuff as the Dead, and from WM and AB, AND both Bob and Jers recent solo albums, why Bob, why LOL ; ) Perhaps trying to bring more American “culture”?
    As far as reinterpreting songs, I think they always did that, though some more than others and with various results.
    I guess that’s yet another thing dependent on the listeners taste and chever way yer pleasure tends…
    But I’d bet the biggest factor on this tour was trying to get at least one good useable version of all the new material since they purposely chose this methodology to get the new songs out on a new album. That and mix in some familiar stuff as you never want to do all unknown songs. I could tell ya a story about doing that lol

  • 1stshow70878
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    Bickershaw again

    Finishing up as I write.
    Highlights: Dark Star, The Other One, Lovelight (Jerry!).
    The line-up for this festival is astounding. Woodstock level of mud too.
    DR, guessing you've heard Hawkwind's performance. Good?
    Cheers

  • daverock
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    Repetition

    Is that true, though, that there was more repetition of songs during the E72 tour than others in the late 60's and 70's?
    I haven't checked it out, but listening to shows, I always get a sense that they had a core group of songs that they leaned on during specific tours. It was the same listening to the 1973 box that has just come out. There weren't any shows that were wildly different from any other - possibly 6/10/73. That has a different feel than the earlier ones.

    That's not a criticism - the more they played specific songs - especially the ones incorporating jams, the better they got to know them and the more they were able to re-interpret them. Part of the ongoing mystery - especially from late 1971-1974. Maybe.

  • Oroborous
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    5/13/72

    The make up show.
    Yeah 1stshow, there is definitely a looooot of repetition! Lol
    But yeah, all good, perhaps getting a little burnout, though I haven’t had a lot of good, sit down sessions.
    By necessity, some I’ve been just streaming on crappy work device, (or I’d be still doing this months from now and I’m getting itchy for some other Dead ) I’ve tried to hit those shows multiple times.
    5/13 was one, and another first time show.
    I thought it was a mostly well played show, especially considering it was another cold outdoor show.
    Loved JG joking about a movie and playing drive ins lol
    The PITB seemed a little different, and awesome! Oh, loved Pig making Europe sounding police sirens on the organ during the first spacey part of TOO, another beauty. Nice how their starting to work He’s Gone into the flow of the set.
    Don’t have my info here, but believe this might be the first show without a Good Lovin, which no offense, but I am getting burnt on. Have really been enjoying the other stuff, especially Hurts Me Too and Mr Charlie! And I need to learn the rest of the words to ChinaTown Shuffle as I can’t get the chorus outta my head lol.
    In fact slightly light on the grease, perhaps the chilly cold and being on the road, or maybe time limits? This show was a little shorter by E72 standards, more like a “normal” Dead show.
    Wonder if that was due to having to get back on the road, the cold, or…?
    Overall another great show, though if hard pressed I don’t think I’d include in top five or whatnot…
    Kudos to them though in spite of being less than ideal circumstances and this far into the tour etc

    Oh, I think the repetitiveness and lack of certain songs was totally by design.
    Always good to have as many good versions of songs to attempt to choose from. Nothing worse than wanting a certain song badly but only having a so so version…
    They had all those new songs they wanted to get out, or try to, so I can fully understand not doing too many other recently released songs.
    Making the album was a big part of the tour and after hating their studio stuff versus the great live albums, they were trying to make an album, but live in front of grooving people. Same sorta MO they did with In The Dark. Kinda surprises me they didn’t use this approach more often since it obviously worked so well for them.
    And perhaps unknown to some, but even though they played all tracks live, they did go back and clean up and/or sweeten some things in the studio afterwards, so really a sorta highbred album. Same with Skullfuck.
    Ok, on to 5/16/72 and a world radio broadcast!
    Onward!

  • 1stshow70878
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    Bickershaw 5-7-72

    Just started Bickershaw and it occurred to me that 12 shows into the tour there weren't all that many songs in the setlists from either Workingman's or American Beauty. A quick look to verify only found Sugar Mag and Truckin' from Beauty (whoops found a Brokedown too) and five out the eight from Workingman's with two of those played maybe once or twice in the tour. I knew going in to the full EU72 tour I was in for a lot of repetition in the setlists and having glanced at them beforehand saw the order of songs or placements were also similar, i.e. Casey Jones to end many a first set. So maybe knowing they were doing the album they did so many of the same ones to get a better shot at getting one that would be just exactly perfect for the album, more to choose from. Seems a bit opposite to their usual format of no format or you get what feels right that night. These shows are certainly not carbon copies by any means and I'm not complaining at all but just wanted to explore why they all sound a bit the same. Clearly some doing them all in a row impressions happening but not burnout at all. They are all just too good!
    Cheers

  • Oroborous
    Joined:
    Where’s Waldo

    Errrrrr I mean Hendrixfreak?
    That’s just it, he was out and about in Montana and was supposed to be back end of August…
    Hopefully he’s just busy, wherever, and there’s no fuckery about?

  • icecrmcnkd
    Joined:
    MIA HF

    I suspect that he is in the outback freeing his mind and prepping for the Fall equinox.

    Or maybe he went to Burning Man and is still stuck in the mud.

  • Oroborous
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    Motherjumpers!

    #Freethereels!

  • JimInMD
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    Right..

    Just as we are about to poke through the concrete of the basement 6 floors under the vault.. they find us. Coincidence? Certainly not!

    Help, We're Being Repressed!

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

I like long Pigpen songs.
That Good Lovin' on L&G is a good one.

I like Brent too.

And last night I listened to a Vince show, 9-10-93. I was at that show, on the floor with mail order tix.
It has an Attics, sung by old worn out vocal chords.

Ah Paris, what a show. Can't pass this one up.

WTJ, I have a good eighties pick that I don't think we have hit yet. I will be back.

Well, hopefully there are no Pigpen haters on here, or haters of any kind come to that. If such a beast exists, I would definitely advise him or her not to skip the Lovelights from the Europe 72 tour - all very differently styled to the ones played in 1971. Or any of the preceding years come to that.

I'm obviously only expressing one view point when I post on here, incidentally. In no way would want anyone to think I disrespected the opposite view - or that I expected them to agree with the one I expressed. The great thing about being on here - in theory - is that everybody loves the same band - but often for radically different reasons . And the more varied the views are that are expressed, the more interesting things become. The problem is never in seeing things"your" way, but in expecting others to as well.
Anyway - this isn't my natural habitat, so I'll shuffle off now, and leave you in peace. Hope it continues to grow in this space.

And if we are doing 5/3 might as well stick around for the jazzy Dark Star from the 4th. Other Ones and Dark Stars and Gargoyle's Oh My!

hey... it looks like the renovation of Notre Dame will conclude sometime next year. A crazy celebration will likely ensue probably without fireworks and assorted celebratory acts.

non fumeur s'il vous plait

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In reply to by JimInMD

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Another monster show. Let's do it Jim.

For Friday I was thinking 2/26/81 from the Uptown Theater. Hopefully this one isn't a repeat.

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and a dollar short. Did DaP20 12-9-81 Boulder today.
My short review would be meh, pretty good.
While many songs were good versions, overall not terribly impressive.
Typical sound issues at first and got worse into second song and then the Jack Straw how does this song go meltdown was almost humorous but as Jer said in an interview, "We cling to each other in moments of horror". Nice long set though. Has both the China/Rider and the Scarlet/ Fire on either side of the set break for those still trying to decide which is their favorite, but again nothing that really had the secret sauce. Seemed to go matrix sounding with audience audible in second set? 7 inch reels and not cassette though.
Just didn't seem to have that ephemeral thing that makes you say, yes that's why they picked this one. Only the second or third 80's release by then maybe? Could be a distracted listen is at fault but any listening is better than none.
Cheers
Edit: Cue the Twilight Zone music, this is post 7006 on this thread, my childhood address in Littleton, CO

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In reply to by 1stshow70878

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I didn't start subscribing to Dave's Picks until the following year, so DaP #21, but when I saw this show was an official release I went and tracked down a copy. Back in the day, my intro to 1981 GD had been 7/5/81 Zoo Amphitheater, and that made me wake up to the possibilities (my collection at that time was mostly '68-'78) so when the next person I traded with sent me his list and he had a bunch of early 80s boards I said, basically, "pick the hottest show of '81 and send it to me" and this night in Boulder was his choice.

Now obviously that's debatable, and when I played the first cassette and heard that Jack Straw, I thought maybe the guy had been having a laugh at my expense. At the time I didn't even have a Deadbase so I didn't know this was the final night of that short winter tour, but I feel like it shows. That setlist looks like a reward for the folks who came out on tour in the cold rain and snow. Personally I love the Drums->Space->Other One->Stella Blue...

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I agree, the best part of the show that I forgot to mention.
They finally caught fire, as often happens, in the crux of the jam.
We need more '80s Dave. Throwing one out there, Santa Fe '83?
Cheers

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Based on choices here, I was able to tune into 9-10-93 and 2-27-81.

I'll be checking out that E72, 5-3, 5-4 and for extra credit 5-10 (dynamite). I also wanted to check out 2-26-81 and Richfield 1991. What's the pick of the litter there? 9-6-91?

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In reply to by wilfredtjones

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Been busy and out in the field. I'll try to work in the 2 Paris shows, at least the deep jams, this weekend. I had the 3 lp E72 album in my early days and it very much informed my listening, but it was an n-th generation cassette SBD from Rotterdam 5/11/72 that had me really and truly grok what the Europe tour was about. Dark Star > Sugar Magnolia > Caution (Who Do You Love verse) > Trucking > Uncle Johns. That's my fave jam from the tour. A mid-summer night listen back in summer '87 or so that will forever be burned in my memory as to how profoundly it influenced my "ear" for the Dead.

Always up for some Uptown Theatre (2/27/81). Before I headed out last week I marveled at the 1st set of 8/6/82 St Paul, which was in the Tapers Section. JOTW as of today is 8/14/71 BCT (haven't gotten to it yet.) Sweet pair of shows 8/14 and 8/15.

Here Comes Sunshine, 5 shows from late spring '73, is a "dream" box for me. I'm sure I suggested it here in the semi-regular what-box-would-you-like-to-see sessions. Never thought it would happen in this purest of forms, all 5 shows!

Take care folks.

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In reply to by bluecrow

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Hey Bluecrow, could not agree more, super excited for Here Comes Sunshine and love the fact we should have it maybe before the fourth of July. Extra bonus we get a MUATM in June and Wrigley June 91!
Yes, the St. Paul show in August 82 is really good, right before those Alpine shows, which I believe you were at. You lucky guy.

Be well all.

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Hello once again, rockers!

Pick Of The Day: MIT free show May 6, 1970

What sculpture is to a block of marble, education is to the soul…..

May in New England. The weather was cold, but the music was hot…………

Not much wasted time, or space, here. Opening with Dancin’, there’s decent grease, jamming, and rock and roll. Who couldn’t go for a short, sharp shot of 1970 good old Grateful Dead on a blustery Spring day?

Apparently some smart folks at MIT had the foresight---and ability---to record this little gem, which has circulated since the dawn of time. Much to our advantage, and might even make a nice little official release some day………..

Rock on!

Doc
The love of learning, the sequestered nooks, and all the sweet serenity of books……

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In reply to by wilfredtjones

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Damn - it is a great one!! Love the sound of those early Dancings! Love the later ones too like 10/1/77. Alas, never got one in my GD concert days.

2545 DaP46 arrived this morning ahead of schedule (was due Monday) and right on time for a weekend listen!!

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Mason”s Children alone is worth the trip … (btw, anyone ever notice they revamped the intro on it just after the next time they performed it ?) .. listen to the …Good Lovin’ on… quality prior is mediocre .. the banter is classic, too.. one of my 1st 5 bootlegs

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In reply to by wilfredtjones

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Circling back on this show from last week. Definitely worth a listen. Recording is great. First show of 1981 coming off a banner year in 1980. Solid first set with Feel Like a Stranger, Althea, throw in a Birdsong, Peggy O, TMNS. Start the second set with an explosive China Rider, Samson, He's Gone, Truckin, Black Peter, GDTRFB, and finish it up with JBG and US Blues encore. What a show. I will have to take a look at the other shows from the Uptown.

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I'm going to give a shot to that one and with that I will have completed the opening trio of shows from 1981.

So far 2/26>2/27 for me...

Going with the Seamons matrix on 2/28.

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In reply to by wilfredtjones

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Nice work WTJ.

Thoughts?

I will get the other two going.

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Just enjoying the jams. Hollywood was a nice diversion, btw. Definitely a festival tape.

Up to drums and space on 2/28 now and the sound on the Chappell matrix is fine.

Happy weekend, folks :-)

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Happy Sunday, fellow rockers!!

Pick Of The Day: Merramec Community College May 14 1970

Loss and possession, death and life are one, there falls no shadow where there shines no sun…..

This was such an appealing format. We’ll start you off with some mellow acoustic tunes, and then finish you off with some highly charged, highly amplified psychedelic electric Grateful Dead. And THEN maybe toss in an acoustic encore. A format lost but not forgotten.......

The five song acoustic set is short by sweet. The electric set crackles with energy, with a really good dose of greasy Pigpen (including back-to-back Good Lovin’ and Schoolgirl [one of the last pigpen versions]), substantial country-westernish stoner Americana, the first Attics Of My Life, a fully electric New Speedway that includes a short Nobody’s Fault jam, and a St Stephan. And for all you Lovelight haters out there, short at a mere 17 minutes. And they send everybody home with a lovely Cold Jordan…..

Not as famous as Harpur College or the Fillmore East show the following night, but without a doubt worthy of a serious listen!!!

There's a bit of magic in everything, and some loss to even things out……

Rock on!!

Doc
There's death and there's loss, but there's also celebrations, right?

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In reply to by wilfredtjones

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Alright WTJ, I am in on that great show for tomorrow.

Thanks.

Also, can't say enough good things about that Uptown Theater February 81 run. 2/27 is even better than 2/26.

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In reply to by DeadVikes

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Hey now DV, I went through all 3 Chicago Uptown 1981 shows. I thought they were all strong with the bookend shows catching my ear in a different way on my relistens. It would take several more listens to refine my position, really though all 3 shows are strong and, in my opinion, really benefitted from the matrix treatment by Chappell or Seamons.

As for more show reccos, over on the SHF they are offering up 'Alternative 30 Trips'. Here's an example of a dead freak created list. Some good, and in some cases, lesser known gems in there.

1966 - 11/19/66
1967 - 11/11/67
1968 - 10/12/68
1969 - 4/22/69
1970 - 6/24/70
1971 - 8/6/71
1972 - 9/10/72
1973 - 12/1/73
1974 - 5/12/74
1975 - 6/17/75
1976 - 10/15/76
1977 - 6/4/77
1978 - 6/4/78
1979 - 12/1/79
1980 - 10/31/80
1981 - 8/28/81
1982 - 4/19/82
1983 - 9/11/83
1984 - 12/29/84
1985 - 7/1/85
1986 - 4/19/86
1987 - 9/8/87
1988 - 7/2/88
1989 - 8/19/89
1990 - 7/12/90
1991 - 10/31/91
1992 - 12/3/92
1993 - 8/21/93
1994 - 10/17/94
1995 - 6/25/95

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In reply to by wilfredtjones

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I would have enjoyed chipping in on that one. As it happens, though, Daves 46 arrived yesterday, and from the early hours of tomorrow I will be spending 24 hours in a music free zone. Its unlikely it will still be on the agenda after that, but if it is..

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1966 - 7/16/66
1967- 5/5/67
1968 - 3/16/68
1969 - 6/7/69
1970 - 9/19/70
1971 - 2/20/71
1972 - 9/16/72
1973 - 2/15/73
1974 - 9/20/74
1975 - 3/23/75
1976 - 6/3/76
1977 - 10/12/77
1978 - 11/23/78
1979 - 10/25/79
1980 - 9/6/80
1981 - 9/26/81
1982 - 10/10/82
1983 - 4/12/83
1984 - 11/2/84
1985 - 11/21/85
1986 - 4/21/86
1987 - 7/8/87
1988 - 9/16/88
1989 - 6/19/89
1990 - 9/14/90
1991 - 4/28/91
1992 - 6/17/92
1993 - 3/17/93
1994 - 9/17/94
1995 - 6/2/95

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wow, now I could go for another 30 trips box, the first one was soooo cool. I got to say this, What about Gainesville? 1980 show that still has not seen the light of day, the one before and the one after but not Gainesville. So that would be my pick for 1980, for 95, I got to go with 4-1 or 2 or the Birmingham show. 94 Spring any. More but that's just off the top of me head. Again, anything from 67-70 would be mighty fine.

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In reply to by PT Barnum

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What about Gainesville? I always thought it was funny that in the 30 trips liner notes from the Lakeland 1980 trip, Dave either on purpose or by sheer coincidence completely ignores Gainesville. Anyway, I always thought that November SE 1980 set ran together better as a group of 4, kind of like 5-5, 5-7, 5-8 and 5-9-1977 FWIW

Also, FWIW just wrapping up 9-26-81 with the Encore on Chuck Berry's B-Day no less. Where'd Weir get that, his trusty almanac? I like the idea of 30 Alternative Trips and I wanted to hear a Shakedown Street, so picked a dead freak curated one for today.

Have a Grateful Day everyone. :-)

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Mornin', rockers!!!

Pick Of The Day: Munich May 18 1972

Just before the supernova Lyceum shows. Quite substantial. Dark Star. Dew. Sing Me Back Home. Underrated and absolutely worth a listen...........

Off to the morgue......

Rock on,

Doc
Whoever you talk to, I'm either overrated or underrated, it's all who you to talk to.........
P.S. I forgot to add:
Last 5:
Dead 5/18/72
Ellington:
1943-12-11 Carnegie Hall
1945-09-24 New Zanzibar
1948-12-10 Cornell. Now there's a Cornell worth listening to!!! LOL...........
1949-02-xx Hollywood Empire
Simply amazing stuff, maybe I was born too late.............

Munich, what a monster show. Yes, I think I will pop this one in today.

WTJ, I am assuming you listened to a audience version of the September 81 show?

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In reply to by DeadVikes

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Went w/ the Chappell Matrix. I'm a sucker for a good matrix and am usually quite satisfied with them. Early 80's benefit most from the matrix treatment imo. Why did Rhino/GDP go with a matrix on DaP 8 and not on the 1980 Lakeland Trip?

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There's nothing like it for me, because you can really hear the nuance. For me today it's 6-17-92 (first half of set II virtually identical to 6-28 Deer Creek) and if I have time on deck is, 12-3-92. I swear I'll get back to E72. Isn't Munich Moses Quasar's favorite? Just like Lille is Bolo's??

:-) :-) :-) It's Friday. Make it Grateful today all!!!!

-edit- What the heck melody is it they're toying with before Jackaroe on 6-17-92 set I?

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In reply to by Dennis

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Sounded like it could be a jazz standard to me, but TBH my knowledge of classical music is far greater than my jazz chops. Vinny brought some classical chops back to the dead as I listen back. He was pulling out all sorts of Chopin and Beethoven here and there if you listen for it. And now, to chip away at the list. I know I will not be able to get to it all. The nuggets I've extracted thus far are 6-3-76, 6-17-92, 12-3-92, 9-26-81 and 11-23-78 (a couple weeks ago)

Finding I am enjoying Vince's contribution to the band more than I used to. Anyway, Staying Grateful here. 5-18-72 was nice for yesterday. I listen to 5-19-77 all the time. One I don't is 6-4-77. Hmmm. Something I might remedy later :-) :-)¯ :-)

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In reply to by wilfredtjones

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Yes, 6/4/77, at one point we were searching for the lost soundboard. Not sure if they ever found one or had one returned. The audience is a little rough.

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In reply to by wilfredtjones

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I thought I read (New Yorker? Nick P. article?) is that one big reason for the matrix release on DaP8 was because of the standout quality of the AUD. But that's 10 years ago, and my memory isn't to be trusted.

But speaking of the Fox, WTJ mentions that 5/19 show! Ahhhh. I, too, have that one in very regular rotation. It was like this back in the day, as set II was the very first tape I ever had from 1977. It was probably 20 years later before I ever heard the first set, and when I finally did it was so lovely to realize it was a cracklin' hot show from start to finish. I was glad that confirm that I hadn't placed a sort of 'newbie bias' on the show simply because it was a really early tape in my collection. I have the May '77 boxset that covers the week before, and it's all good stuff -- but I always come home to 5/19.

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I just realized that I have Don't Let Go in my collection (aka JGB 5/21/76 at the Orpheum) and I've never listened to it. Got it playing now. I see it was a Friday night show, but it's working wonders for my Sunday afternoon. Cheers all

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Good morning, rockers!

Pick Of The Day: Newcastle-under-Lyme, England May 24 1970

They'll always be an England, even if it's in Hollywood…………

A year after the Big Rock Pow Wow and here we are at another festival. From West Hollywood Florida to the Hollywood Festival, it’s the Dead’s first live appearance in Europe, and they deliver a fine show.

Decent amounts of grease. Two big jam sequences. A rare Attics Of My Life. There are some audience patches on circulating copies, but still worth a listen!

England is the paradise of women, the purgatory of men, and the hell of horses…..

Rock on!!

Doc
Whatever was the conduct of England, I am equally arraigned……..

Needed a boost today. Decided to fire up 8/13/1975 or One from the Vault.
Who is with me?

A few years ago I bought the remastered version they put out in 2007, man is it good.

Just love that introduction! The anticipation of breaking into Help on the Way.

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It's been a while since I fired up 1ftv. I have the original GDM cds ripped to my FIIO X5. I'm hitting the road tomorrow so I will definitely tune into that since it has been a while since I did. Anyway, yeah that Bill Graham intro. sets the stage nicely. Are the remastered discs out of order, too? I should do something about that in my digital files....

Thanks for the picks and Have a Grateful Day all. :-)

P.S. DV have you ever been to or heard of the Casey Jones memorial trail near Pipestone? That's somewhere I will be visiting someday since I'm just a state over....

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11 years 7 months

In reply to by DeadVikes

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Out for the afternoon, set this up for this evening. Funny yesterday, thinking of this very one for H/S/F. Dan Healy's intro text ends with: "This represents the beginning of the release of the vault tapes". Who knew, the music never stopped.

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In the top 10 of all-time Dead shows.

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Still hits the spot. Such a unique show and the recording is so good. Thank you Don Pearson and Dan Healy.

When I discovered the Dead in 85 and eventually picked up Blues for Allah, I remember thinking, wow, this release is definitely out there and at the same time so good. I used to have a Blues for Allah tapestry, loved it. I think it was thrown away during our last move.

Anyway, enjoyed the revisit today. Hope you all enjoy it as well.

If you don't have the remastered version, it is worth picking up.

WTJ, I didn't know the song order was off?
Never been to the Casey Jones Trial in Pipestone, but it looks fun.

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This was possibly the first live Dead I heard apart from the Dark Star from Wembley 4/8/72, on the Glastonbury Fayre triple album. About an hour of it was broadcast on the radio, which I taped. I think it was this recording that was then circulated as the bootleg "Make Believe Ballroom." I'll dig it out later - the official recording I mean. It's lasted the distance better than most music from 1975, that's for sure.

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My friends!!!

Pick Of The Day: Lyceum Theater, London May 26 1972

The wise man must remember that while he is a descendant of the past, he is a parent of the future.......

The last show of the great and powerful, best ever Dead tour, and the last classic show with Pigpen still on board. Every show on the tour was a gem, but somehow the band really kicked it into overdrive for this one. Sides five and six of the original release were so intensely burned into our memories during those Saturday night tripping parties in high school, starting when it originally came out in November of 1972. It's been my favorite E72 show since forever, and yes I revisit it frequently. You should too!!!

In fact, I'm going to crank it up, way loud, on my morning commute today..............

The distinction between the past, present and future is only a stubbornly persistent illusion...........

Rock on, rockers!!!

Doc
Fear not for the future, weep not for the past......

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According to my DeadBase X after a cursory look, the set break should be after Stronger than Dirt. Around and Around opens set 2. Not sure if there are other differences, but I might sleuth it later.

Stay safe all and Best Wishes. :-) :-) :-)

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In reply to by wilfredtjones

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Have it going now, how could you pass it up. Disc 3 is some of the best Dead music you will ever hear.

Interesting WTJ, I have never owned a Deadbase.

Enjoy the weekend out there. Finally nice here in MN and plan on enjoying it to the fullest.

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A great sounding show, and one that has grown on me over the years. It doesn't really sound like any other show to me. The first set - second set structure doesn't seem to apply to this one, with Help-Slipknot-Franklins being maybe the highlight of the show, as well as the first numbers played. Great bass on Eyes of the World, and that's only the 5th song of the first set. I'll listen to the rest this evening.

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The Great American Music Hall.
The very first peak into the vault, truly a mysterious wonder in those daze…
Hadn’t heard this in forever. It really doesn’t sound like anything else does it?
Not like WOS 74, and not too much like post hiatus 76? So, in other words, cool sheet Mon!
Fully dug, especially the aural bliss. This one’s so clean extreme volume is easily obtainable lol.
Yassss, the H/S/F is magnificence. The other newbies are clear, precise, and fresh, if not the fully formed transporters they’d grow into. The old standbys are same mo as above, good but…?. After such a long listening absence, fresh perspective noticed the somewhat lack of extension on many of the songs. Remember thinking this would be top shelf if there was only a big, then…then, we get that sweet awesome Allah!!! This is the GD at their finest, matching the spaciest Other One or the scariest DS! I’ve felt and said all along, though they have so many great songs, everybody has songs, only the Dead can pull this otherworldly goodness off, and, not have it just sound like noodling.
Cool pick, fully dug!! And hey, it didn’t require a calendar ; )
Now where did mama hide those cookies up here?

EDIT: oh, can’t forget to mention 2 of my favorite Dead songs here, Stronger Than Dirt, and Sage and Spirit!
Boo yah!

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Yes, I like Stronger Than Dirt and Sage and Spirit a lot, too. Pity they got retired off so soon. I might dig out the cd with the acoustic Sage and Spirit on later - 2nd disc of the cd of "Reckoning". 10/31/80 Radio City, New York. I've got it here, in my hand.