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    Golden era Grateful Dead in the most golden city in the Golden State? Yes, DAVE'S PICKS VOLUME 46 features the complete unreleased show from the Hollywood Palladium, Los Angeles, 9/9/72. Loosen that tie, this ain't a red carpet rodeo - it's the after party that legends are made of. Consistently excellent from start to finish, this West Coast groove showcases tracks that would soon debut on EUROPE '72, solo material from both Jerry and Bob, a riveting iteration of "China>Rider," a couple of Chuck Berry doozies, a bonkers 35-plus "Other One" that hits all the psychedelic highs, and wraps up with a "Casey Jones"/"Sugar Magnolia"/"One More Saturday Night" finale that'll have you wondering why you wore a tie in the first place. Hooray for Hollywood, indeed.
     
    Limited to 25,000 numbered copies, this release was recorded by Owsley Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Oh, and it ships next week so you'll wanna grab a copy while you can.

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  • 1stshow70878
    Joined:
    GFR, Foreigner

    I had that album with We're An American Band in high school. Sold off a ton of albums in college as trade ins at a great record store in Ft. Collins. I imagine that's where that one went. I think it came with a giant sticker? Crow's comments reminded me of watching Foreigner on some PBS begging show recently. Never followed them other than recognizing that about everything they played was some huge commercial hit. Tons of them. Listening to that stuff now I was watching the lead guitarist and going, meh. The other striking thing was how the new lead singer, Kelly Hansen who is very good, sounds exactly like the original guy, Lou Gramm(?). I think they even had some of the old band members on that show too. We've talked about such reissued bands here to some degree. The We're Near Death Now Tour types too. What do they do, sell the rights to the name of the band when there are no longer any original members? Still keeping royalties for their families? The hits just keep on rolling, in wheelchairs.
    Cheers

  • That Mike
    Joined:
    (I Know) I’m Forgetting You

    Boy, Rare Earth - a great band that slipped my memory. I remember buying their Motown records singles, they were quite popular on AM radio in the late 60s. I also owned Grand Funk’s “We’re An American Band” on gold vinyl, which I thought was pretty hot stuff at the time.

    Last 5
    Phish - Bittersweet Motel (DVD)
    Frisell - Disfarmer (DVD)
    Charles Lloyd - Forest Flower (great summer jazz, and a first rate band)
    Dylan - Shadow Kingdom (Bob in great voice)
    Nils Lofgren - Nils Sings Neil (better than you might expect for an album of covers)

  • Crow Told Me
    Joined:
    Dunkin' on the Funk

    Grand Funk is another example of that Thing some of us was talking about a little while back, ie how the rock critics of the early ‘70s despised a lot of bands that were really popular among “the kids.” Grand Funk was HUMONGOUS at my junior high school. I think somebody gave me E Pluribus Funk at my 13th birthday party. If you just wanted to boogie, well, they boogied. They had #1 hit singles. They sold out Shea Stadium (and unlike those wimpy Beatles, only took a couple days to do it.) They were Homer Simpson’s favorite band of all time. They were comin to your town, they were gonna help you party it down. They were an American band.

    A pretty shitty one, though, with benefit of hindsight and no longer being 13 years old. Some of the early ‘70s Bands That Kids Liked But Critics Hated have stood the test of time surprisingly well, most notably Sabbath and Zeppelin. Some have earned a grudging respect, like Kiss and Alice Cooper. But the critical disdain for Grand Funk has never wavered. Which is kind of surprising, given that even disco (mindless boogie music if ever there was) has gone through a popular revival or two and gets a fair amount of respect these days. You’d think some contrarian critic out there would make the case for them as a great band, but no. Maybe because … they weren’t?

    Anyway, we know Phil Lesh didn’t like ‘em. On one of the shows in the St Louis box, I forget which, Phil calls out the Funk. I can’t remember what he says exactly but IIRC Bobby is going on with one of his “take a step back”" raps and Phil butts in to say something to the effect that if everybody doesn’t behave the Dead won’t be able to play there anymore “and you’ll have to listen to Grand Funk Railroad.” I think I remember that, anyway. These days I remember a lot of things that didn’t actually happen.

    Anybody else out there listen to the Good Ol’ Grateful Deadcast? At the end of the current ‘season’ of episodes about the shows in the HCS box, Jesse Jarnow says something about lingering for a moment in the spring of ’73 before moving on to the summer. Is that a hint that they’re about to (finally!) release Watkins Glen? Does the fact that the HCS box includes a jam with some Allman Bros indicate they may have worked out the legal difficulties that may have held up a release in the past? Did Jesse Jarnow even say that, or am I remembering another thing that never happened? Is anyone still reading this?

    Last five:
    Lee Morgan: Lee Way
    ABB: Nassau Coliseum ‘73
    Captain Beefheart: Lick My Decals Off Baby
    Little Feat: Valentines Day Massacre
    Jimmy Smith: House Party

  • Forensicdoceleven
    Joined:
    Behind every great fortune lies a great crime.....

    Grand Funk Railroad was a great band? LMAO...............

    Off to morgue, I think I heard the corpses laughing a bit as well...............

    Doc
    When people hear good music, it makes them homesick for something they never had, and never will have.......

  • Mr. Ones
    Joined:
    Hands Across The Water

    The Groundhogs are a perfect example of a band that didn’t make the leap from U.K. to US.
    A great guitarist, and a great band. I only knew a small handful of people who knew/liked the band. But only because of a lack of exposure. And that goes west to east also. These bands just didn’t quite make it in a ‘world’ context. The only album I owned was “Split”, and I loved it.
    I would put Family, Taste, Bonzo Dog Doo-Dah Band & many, many others in this category.
    Going west to east, Grand Funk Railroad, Rare Earth, Molly Hatchet and hundreds of others.
    This even is the case just going from one country to another.

    I guess my point is that we miss out on a LOT of music just because of where we are born.
    Now this crowd I say is MUCH more aware than your average music listener, but we still miss out on a lot from one side of the Atlantic to the other. I’m always going to lack exposure to a LOT of great bands, but it doesn’t mean I HAVE to. I just gotta poke around.

    After all, Music IS the Best!!

  • daverock
    Joined:
    RIP Tony McPhee

    Very sorry to read about Tony McPhee. Split was my favourite album of theirs by some distance. Curiously I felt like playing it last night - I didn't, but I'll put it on later today. The Groundhogs were great live, too. I was amazed the first time I saw them that Tony could play all those extraordinary guitar sounds heard on Split on stage. He was also more earthed in the blues than most of his more celebrated contemporaries, backing John Lee Hooker, with The Groundhogs, in the mid 60's. A great and underrated musician.
    I don't like it as much as"Split" but "Thank Christ For The Bomb" has always been one of my favourite album titles.

  • Nick1234
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    Joined:
    RIP Tony McPhee

    I love Split

  • 1stshow70878
    Joined:
    I'd go to that church

    Billy has it spot on.
    Cheers

  • That Mike
    Joined:
    When Smoke Gets In Your Eyes

    Everyone OUTSIDE of Toronto up here hates the Leafs (and Toronto) passionately, so that hazy smoky sky we are experiencing is from anywhere but here.

  • Angry Jack Straw
    Joined:
    Mike

    Are you guys up there burning Leafs jerseys again? Please cease and desist. We don’t need any more smoke.

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Golden era Grateful Dead in the most golden city in the Golden State? Yes, DAVE'S PICKS VOLUME 46 features the complete unreleased show from the Hollywood Palladium, Los Angeles, 9/9/72. Loosen that tie, this ain't a red carpet rodeo - it's the after party that legends are made of. Consistently excellent from start to finish, this West Coast groove showcases tracks that would soon debut on EUROPE '72, solo material from both Jerry and Bob, a riveting iteration of "China>Rider," a couple of Chuck Berry doozies, a bonkers 35-plus "Other One" that hits all the psychedelic highs, and wraps up with a "Casey Jones"/"Sugar Magnolia"/"One More Saturday Night" finale that'll have you wondering why you wore a tie in the first place. Hooray for Hollywood, indeed.
 
Limited to 25,000 numbered copies, this release was recorded by Owsley Stanley and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Oh, and it ships next week so you'll wanna grab a copy while you can.

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has a Space>NFA>Stella>Sugar US Blues tacked on at the end. That looks like 12/04 Uptown Theater in Chicago.

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In reply to by bigbrownie

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BigBrownie - Estimated > Franklins > Jam from 12/4/79 was filler on DaP 31 Uptown 12/3/79. The Shakedown that opened Set II on 12/4 appears to have a gap in SBD so not usable. (Edit - oops, my mistake, Shakedown opened Set II on 12/5).

I'm all in on this pick from the Kiel. Completely unfamiliar with it but I know that I really dig Fall '79. There are some very favorable reviews on archive, including one from the "legendary" capn doubledose. I know DaP 31 doesn't get much love, but it was my second show and its always a fun listen for me - spun it on a drive just last week. Just gonna say that the Jack-A-Roe is my favorite outside of those early '77 versions - Jerry's solo is exquisite. It is a puzzle that 12/1 hasn't been released but so be it. I mean, what about Gainesville? One thing's for sure, basically every release is a surprise to me. Sometime its something that's on my wish list, sometimes not, but always a surprise.

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Gave #46 a spin tonight and was absouletly blown away!

Fantastic sound. Fantastic performance.

It's releases like this and the current #49 Frost show, that gives me faith there is plenty more gold to mine in the vault

Rock on, gang

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In reply to by jonathan918@GD

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It's truly astonishing when you stop and think about all the live shows that have been released over the last 30 years. I never expected all this when I started collecting their official releases back in the 70's. No other rock band could stand such a schedule.

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I agree!

It's truly amazing, and you're right, no other band can provide this kind of enjoyment for fans, or build a legacy like this.

I was a little late to the party. I started getting tapes in 1988 from my older brother, but didn't make a show until 1991.

I always thought more would come out, especially after One From The Fault was released, but i never imagined it would be like this!!

A lucky bunch, we are!!

I was reading the latest issue of Mojo magazine which has an article about Pearl Jam. They have, apparently, issued around 500 official bootlegs of their concerts. Who knew?

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Yes, they have released a bunch of shows, maybe even a few tours.

Fantastic band to see live!!!

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In reply to by jonathan918@GD

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Thinking about it, King Crimson have also had quite a few of their live shows released over the years, too. Mainly tucked away in era defining box sets.

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