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    Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


    By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


    Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • Gary Farseer
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    Jimi/Thangs

    Wish they could grab Phil and Friends along with Warren Haynes.

    Been playing around with The Dead a touch. Fired up an old computer and rediscovered a file from 2008/09 with a lot of shows in it. Forgot about that. They had some very good shows with Warren Haynes.

    And the continuation of the drums thread, they had some awesome drum/space during this 2008/09 period.

    Wrote on here years ago about how I felt drums/space was a kind of replacement for Dark Star. As an aside, I think it matches up with "Where's the dog star?" Or, Where is your night time Compass? Many used D/S as a rest room break. In the shows which I saw, I never took a bathroom break at any shows, ever, except one which I plan to write about next year. If I, and we, make it.

    It is interesting that Sirius, aka, Alpha Canis Major, or A CMa, is a binary star having Sirius A & B (to keep things easy). I have spent years reading on this type of stuff and believe with many, that our solar system maybe be binary, or bipolar. Is there a planet x out there, some of the math says so. I believe it could be true.

    So any way, I think the fellas played around a lot with the next psychedelic jam. Where can that dog star be in our shows. Most of the time, in later years, it was that one hour nugget in almost every show centered around drums/space. Now sometimes that was off and the started the show blazing psychedelia from the get go, for me 1982-09-21, MSG, with Playing>Crazy opener. My point, even when you are way over-dosed, and questioning decisions made, the fellas had a guide star. After all, Sirius A is a fixed star, a Compass. They always lead you out of the psychedelia so that you can go back into the real world, and do your best to function/not get caught.

    All of this, points to the true meaning of Grateful Dead, much like the Phoenix rising. Each show day they set-up and take down the System (life/death). They move on down the road and set-up again. Each show, they almost always recreated the Tests, by initiating new partakers to play in the swirling chaos of a show, the chaos of life and death for all of us. Many would come and the experience would overwhelm them, scare the shit out of them. That is, they always maintained the joy and fear of life as we know it. for me, let's say a show with 10,000 has a 5% or 500 new participants, I always believed only 10% of those continued on. Many were just trying to get a bucket list item checked off. Again, the mysteries dark and vast, have never been captured even closely by any other band or other forms of art.

    Have a great friend see his one and only GD show on October 8th, 1989. He had a great time, but he was like "look at the dude in a skirt!" Great friend, but never attached or understood. This same friend I saw a Yes show in Nashville April 1984, one of his closest friends went to Hampton GD, that same weekend.

    She dont lie, she dont lie, she dont lie...Cocaine. If memory is correct, I think it was on Long Strange Trip, Wiz says he left in 1976 due to the increasing amounts of Cocaine. That it was changing the band and the music. I dont think GD could be GD without psychedelics, cocaine, and heroin. All three stages provide me with differing styles and points of entry.

    Have more thoughts on all of this but need to post before computer fouls up and lose it.

    G

  • rasta5ziggy
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    CHUCK

    In the nice little Rolling Stone/Special Collectors Edition magazine, the introduction, by Bobby, includes this quote....."For me, the shows we did in the late Eighties were our peak, our best era." Interesting how the musicians have different interpretations of shows/eras than the fans. I like them all, but since I missed the beginning through late 1973, I only have 1973-1995 as my reference point for the live experience. Would have loved to seem live in the late '60's, but soooo thankful for all the archival music.

  • daverock
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    They were still good, though

    I don't think anyone is suggesting that they didn't play any great shows after 1975, or that they are not worth listening to after that date. Chuck couldn't have put in any clearer - and that from first hand experience.
    I got Dicks Picks 33 on vinyl earlier this year - 10/9 and 10/10/76. They are both great - 10/9 is really good !

  • JimInMD
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    9/3

    An excellent show, I remember when that first came out.. I was in heaven. It's got one of the better examples of the faster tempo Eyes of the World. That outro jam from He's Gone is special too, and who doesn't like the 77 Terrapins.

    Good points all around. I'm partial to 68 through 74 also, but I have to admit I like a good show or even good moments from any era or configuration. Listening to the Jam out of He's Gone from Englishtown as I write this. A great piece of improvisation.

  • Dennis
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    Heads Up Stuff

    Two things -

    On the archive there is a user/member - "Top Hat Crew". Guy has great recordings.

    From the guy I've gotten all of his "Terrapin Flyer" stuff. These guys are pretty damn good,,, seem to be out of Utah. Worth checking out in my book.

    PS - Like Jim in MD, I say the 80's hold a lot of gold. I only saw during the 80's. The sound may have changed after 75, but wasn't worst. They seem to turn on a dime in my book. As Jim once pointed out,,, if you stop at 75 you miss a lot of great tunes.

  • Chuck
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    the psychedelic dimension

    Daverock You Nailed it From 1976 onward they lost something. They were still GREAT!! But the shows from 1968 to 1974 were the Best (In My Opinion ) I remember Phil saying something like.......When we came back from the year off (1975) we never got the Magic back that we had before. I saw them 40+ times before 1975 and 60+ after They changed as everything does and they were always Great, but to me pre 1975 was Magical like Daverock says the psychedelic dimension

  • proudfoot
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    9 3 77

    Coke show

    Especially 2nd set

    Deadbase sez they left the stage for a short bit after Samson and then did the monster rest of the show.

    Hmm.

  • daverock
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    Samson

    Yes, that song did benefit from having two drummers. I don't know, but I would have thought heroin, and to a lesser extent alcohol, also led to a simplification in style. Not that I'm saying there weren't still great shows, but they seemed to lose the psychedelic dimension from 1976 onwards. It's not easy to say what that dimension is exactly - it wasn't a formula - but you can recognise it when it's there. And when it's not.

  • billy the kiddd
    Joined:
    Anniversary show 9/11/81. Greek Theatre

    42 years ago tonight I was at the Greek Theatre for an absolute knockout show with the Good old Grateful Dead. This was my favorite Dead show at the Greek, and also my favorite year that the Dead played there. Joan Baez brought a birthday cake out for Mickey Hart and the crowd sang him happy birthday. Where is that Complete Greek box set. Killer Morning Dew, Cumberland, and Other One.

  • JimInMD
    Joined:
    Sampson and Delilah

    Sampson benefited from two drummers.. if they ever performed the whole Terrapin Station Suite, I'm sure that would have rocked with two drummers. They had less of a turn on a dime, jazzy, all for one - one for all feel post haitus.

    No one ever mentions this.. but I suspect cocaine really piled on after their hiatus (pun intended) and this had more an effect than people realize. Not that it was a stranger prior to 1976, but I suspect this substance is more a distraction to the kind of focus it takes to get the full value of having two percussionists, whereas lysergic might have been a better mixer for that kind of sound.

    It's all history at this point, but we got Scarlet Fires, Help/Slip!/Franklins, Estimated>Eyes and a louder more forceful GD post hiatus. Sometimes you take what you are given for good or ill.

    Looks like a damned good lineup in Mexico this winter. Alumni of the GD, ABB, TTB and Goose playing under the billing of Dead Ahead. If I was lighting up hundred dollar bills to pass the time I'd be on that train, especially after the recent Wolf Bros reviews and the high energy of the last D&C tour. I kinda lost interest when the ticket prices went up and the energy and speed declined. Now I feel like I am missing something, which is a good thing.

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Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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Is the the only online purchasing outlet where you pay money for your product, and then have to hope and even beg for your product?

Not receiving my paid-for-product is the norm for most at Dead.net.

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UPS tracking timely and accurate.
But when they turn it over to the Louis Dejoy circus, crickets.
Consistently this year tracking dies when it gets to USPS.
They have been close to on time for the UPS original estimate though.
And they all get here. My 47 is due today so we'll see.
(Edit: Nope, didn't come on UPS estimated date)
Cheers
Brent songs: a few I like, but not the woman hating ones or his contribution to Little Red Rooster. He seemed to just turn angry somewhere along the line. Uncomfortably unpleasant at times.

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So he mentions this comment in the seaside for #47, he also writes in the insert sleeve of #47 that they were determined to make #47 from the "Brent Era"....does that mean that DaP #48 will not be an 1980s show, I sure hope it is from the 1980s!!
This year has had nothing but 1970s shows released including the Box Set/RSD: 6 shows from 1973 including WOTF bonus live material, 3 shows from 1977 between #45 & RSD, 1972 for #46, and now 1979 for #47. I don't think we'll get 1981-1983 because of the great box set last year, but it's time for some 1980s.
What would TPTB consider a "doozy", my guess is a two show as has happened with the November picks twice before....my guess is it's time for that double shot doozy of 1985!

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1968 or 1970, most likely 1968.

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YES, JGB 5.21.76 Don't Let Go, is my favorite Jerry release. I still remember standing in a Sam Goody (in a mall, 2001ish) and being like "Wha' the wha' is this?" This was when my wife was a stay at home mom and I was BROKE, but I took a chance and threw down the cash, now new copies are $200 on eBay. The liner notes said it was to be the first of three releases from 1976, that never happened I guess. Anyway, get some Don't Let Go in your life today.

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doozy noun
variants or doozie or less commonly doozer
ˈdü-zər
plural doozies also doozers
Synonyms of doozy
: an extraordinary one of its kind
: Examples: 7-18-76, 12-5-71

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In reply to by billy the kiddd

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gotta be from 68 or 69 or 70.

11/19/72? PLEEEEEASE.

the guessing game. We gotta wait until...October to find out.

HCS box is a doozy squared or cubed (like paper or sugar cube). Kezar will be heard on an upcoming road trip next week.

God Bless the Grateful Dead

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For anyone who hasn't heard it: at the end of the Lakeside Chat for Dave's Picks 47, Dave says, "I will see you here in 3 months for the Dave's Picks 48 announcement," and then, "That's a doozy, that's a g... there's a lot to talk about with that one."

I'm just not sure that most of us define 'doozy' the same way Mr. Lemieux does. For me, a 'doozy' would be something that knocks me over - for example, let's suppose that in one of Bear's banana boxes were found the reels from one of the missing shows from the Soto List. For example, 11/22/1970 Edison, NJ. Now THAT would be a doozy.

But that's unlikely. So let's speculate that he's talking about a post-Brent show. Here again, a 'doozy' for me would be a show with some significance. 10/27 or 10/31/91, for example: for the performances, the guests, and the historical significance. (But then perhaps 11/3/91 is even more significant?) Could you go so far as to say the breakout after 20+ years of NSB on 2/19/91 qualifies a show as a doozy? Is 6/20/92 a doozy bc of the first Casey Jones since '84?

My guess: 8/22/93 Autzen. Even though I wouldn't personally call it a doozy, it seems to have a lot of fans. And we know Mr. Lemieux loves that venue...

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Does anybody of you getting shipping information?

All I can see at Dead Net is that I've ordered the subscription by an order number giving me in my PayPal statement. But no order confirmation from Dead Net!

No shipping information, no tracking numbers.

Besides that. The HCS-Box was 70 USD for shipping. Should be qualified for a UPS-fast and secure service but came after long weeks by regular mail, followed by a lot of hassle with the local post- and customs office. Actual shipping costs by regular mail were about only half!

Well, I don't mind paying for a qualified shipping service, but things get mixed up by Dead Net these days. Could it be Dead Net thinks we're addicts?

Cheers
G.

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Here in the Netherlands I have not received a shipping mail for Dave's 47 yet. I think this is the first time I haven't received such a mail. Maybe I've just been lucky in the past. The fact that dead.net says that they will send a shipping confirmation when an order ships is pure fantasy as many of us know. Checking the order status is a joke as no useful or relevant information can be found. Without a shipping notice one doesn't have a tracking number.

My HCS box reached Dutch customs pretty quickly but from then until PostNL delivered it to my door was 22 days. Are they all on holiday? Of course the $70 shipping on GD boxes has nothing to do with reality. They know that the box has to be bought from the store so they can charge what they like for shipping. I hate such greedy money grabbers. With the shipping and duties levied by customs the box cost me almost exactly $300.

What will come first? Dave's Picks 47 or Oktoberfest?

Here in the UK I’ve had a shipping notice on 28th July . UPS finally got the package on 1st August. I’m not getting any UPS updates at the moment but it’s presumably moving. Anytime in the next 2 weeks will do for me.

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Disappointed with the quality of the recording of this Pick. It's dominated by vocals and keyboards - the guitars are dull and quiet. Not sure why this show was chosen. Surely there are other equally as good shows from this period but with better recordings. Are we just scraping the bottom of the barrel now?

7-27,28-73
or
12-18-73 with filler from the next night to complete DP1.

Dave’s gotta keep the ‘73 ball rolling so that we’re at full speed for the 50th anniversary of ‘74.

DaP 47
I think that it sounds really good for a cassette master.
I haven’t done any side-by-side comparisons but I think it sounds better than 10-27-79 (my favorite Brent ‘79), which I listened to about 2 weeks ago.
Can’t compare with 12-28-79 (my 2nd favorite Brent ‘79) because I think that is a Betty reel or multitrack.
My 3rd favorite Brent ‘79 is 12-1-79, so yeah Dave, when do we get that show?

Only been through 12-9-79 once but I liked what I heard. I liked the Shakedown.
People been asking for a Shakedown in the DaP series, and they finally got one.

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In reply to by icecrmcnkd

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Don't forget #39 Conekid. I think there is a Shakedown on this release.

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Still no notification of shipping for 47. Logging in is a waste of time, "order history" does not work, then the search function insists the order # does not exist, despite cut/paste from original email for 23' DP via GDS.
So lame. Last time I subscribe for DP yearly.

Listened to this one all the way through and it really felt like a let down. I just don't understand why this one was picked. I love early Brent era and I'm happy they're dipping into these shows but why this one? There's nothing special about it and the quality of the recording isn't good. The vocals overpower the instruments. I listened to it this once and I'll probably never listen to it again. I don't get it.

I know...

A GREEK SHOW!!!

10 20 68 notwithstanding, there have been zero Greek shows released.

The time is nigh, brethren and sistren!

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My first Dave's Picks and it's been great to have in the car this week. Been starting to pick up older ones and a couple Road Trips, as well. Fun to be digging deeper with the Dead for the first time...

Second set in the car soon.

The thing is, I'm not particularly picky.

I sense that I will like it. Time will tell.

"Sorry that you feel that way", FMR. Hopefully another listen will be better.

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1968 very cool, but hopefully 9/19 & 20/70

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In reply to by billy the kiddd

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If we don't get a doozy, we can always make do with a floozy.

Welcome!
Don't ever pay too much for the older stuff, be patient. You can probably get copies from someone also.

I absolutely love all the speculation about the next pick...

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1979
Give it a listen, it's a keeper.
Happy Friday to all of the good citizens out here in DeadLand.

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got a shipping notice with a tracking number, does not say who has the package, ups? usps? fed ex? where would I go to type in the shipping number? ok, where's my package?

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it's here, lovely wife says it was here yesterday, where did yesterday go? somehow I missed it.

So looking at the cover, I see a phoenix among all the cardinals, speculations on the meaning of that? Also, not having been to St. Louis since I was a small child, what is the statue of? Is that a bear?
Haven't listened yet but I see 2 that's right Virginia, 2 Space jams. Love it, more space the better.
12-4-79 is the filler, a Stella in there.
Never been a fan of 79, but 1980 hits the spot and this is close to that so I will check it out, I'm sure we shall enjoy it.
Can't say it enough, Happy Birthday Jerry
Happy indictment day too! :)

I just now did a search. Apparently it's a reference to a bear statue at Kiel Opera House in St. Louis. I like how they gave it a GD dancing bear collar.

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My copy arrived yesterday, following the usual shipping notice confusion. Got a shipping notice on July 28, which was after some people here had already received their copies. No tracking information available from USPS for 8 days, then it suddenly just shows up in my box on August 3. Weird, but pretty much what I've come to expect.

Listened to disc one and was mildly disappointed in the audio quality: Vocals very high in the mix, Jerry and Brent very prominent, but Phil and Bob much too low for my taste. Performances in the first set strike me as merely pretty good: they fumble around in Cassidy, Minglewood is pretty low energy, good Candyman. But things perk up considerably on disc 2. Is it just my imagination or is Phil much higher in the mix (thank ye gods) in the second set? Excellent sequence of Shakedown, Samson, and High Time, very nice Saint/Jam. Never been crazy about Brent's tunes, but his singing on High Time and his playing behind Garcia's soloing on this Terrapin are really nice. Hope to get to disc 3 today.

Interesting to read in the liner notes that #47 started with the premise that it would definitely be from the "Brent era." Kind of confirms the notion that Dave feels obligated to represent all eras. And it's long been obvious that he loves unusual set lists, as is the case with 47. Pluses and minuses to all that, but all in all an ethos I'll support. Variety is the spice yadda yadda. I'm not the biggest Brent fan (sure wish he'd played an actual piano instead of that toy Casio or whatever it is he uses here), but I'm enjoying this one.

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44 years ago today I was up in Oakland for another rocking night with the Good old Grateful Dead.. Fun show! After closing down Winter land the Dead would be calling the Oakland Auditorium their new home. The Dead delivered the goods. Fun times!

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Joey - yes, another good one. A much tougher, r'n'b feel than "Don't Let Go". Although "Imagine" reminded me of Jeff Beck a bit.
For what it' worth, I would imagine the next Dave's, for the sake of symmetry, will be from near the beginning or near the end. Which makes it a 1968 or a 1990's show with Bruce and Vince. Hey - I know nothing.

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I’m guessing that this is a clever allusion to the St. Louis Cardinals NFL franchise that relocated to the Phoenix metro area several decades ago.

There is a good energy to this show but the recording is a bit flat. Vocals are high in the mix but not much definition to the instruments, which almost sound like they were recorded in mono. This might be attributed to Dan Healy at the board. I am not a big fan of anything beyond ‘77 anyway, so this one is getting a second listen and then I will return to the Spring ‘73 party.

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I was listening to Ringo Starr's first solo album last night (covers of 'standards' mostly '30's & '40's) and I was thinking the same thing. When I bought, I was a Beatles collector, so I HAD to have it. But damn if I didn't have a different set of ears on last night. A couple of the tunes are ones that mean MUCH more to me today than ever. So what did I do then?? I played his second solo L.P. (you know, the country & western one). I always had a bit of a soft spot for that one, but the cd that came out in '95 has a couple a fantastic extra tracks, and hearing the Jordanaires on backing vox, well it's truly a trip down memory lane. Going to see my Orioles tonight and tomorrow, so not much music for me until Sunday.
Belated thank you to Jerry, for EVERYTHING!!

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In reply to by Mr. Ones

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Arrived Tuesday. Opening Soon Cant Wait.

Still havent digested HCS.

But Onward!

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I'm with ya Proudfoot ... when are we gonna get a multi-year Greek boxed set? Can't see that venue and all the wonderful shows it produced being overlooked forever ... perhaps in July of 2024 for the anniversary of that incredible Friday 13th Dark Star? I will it to be so!!!!

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#5248 via Donkey Express in the Red Rock Southwest. This DaP is a good un no doubt.

Gary - crossing threads, glad you dug the Dead and Co 7/1 show. I keep coming back to it. It was a great/grateful night.

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No shipping notice.
Just showed up in my mailbox.
First time that’s happened.
Ripping it now. Gonna give it a spin after this edible kicks in.
Between Dave’s 46 + bonus disc, the new box set, and this little darling, I’ve got a lot of listening to do.

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…DOAH, stooooopid Dejoy (even Homer don’t like him)

47 was moving along nicely, then didn’t seem to make the handoff from UPS to USPS in Denver.
Was supposed to originally arrive Wednesday the 2nd, then Thursday, then…but tracking had stopped before the handoff, a week ago! Scary, because this is where some folks often seem to lose theirs. Gulp….
So was starting to get worried, when all of a sudden tracking shows it at the PO yesterday, but not ready for delivery, which usually means the passive/aggressive fucks at our PO will sit on it for a day or two, so you have to try and make it in there on a Monday, or they’ll at least wait until literally 5:01, after they close, and then put the slip in the box, requiring a return trip and wait in line with 40 or so other folks all crammed in the 10 X 20’ Covid incubator lobby!
So what a wonderful surprise when just a few hours later tracking showed “delivered”! So awesome to not only get it, but they actually put it in the box so no having to go wait in line etc! Thank you, thank you, thank you!
Whooohoo, so ripped it last night with no issues and checked out the 12/4 bonus material along with the stuff from DaP 31. Sounded nice!
So, TOO is working today, so as soon as proper protocol is followed, this place gonna be rocking!!
Hope others get yours soon! Now where did I leave that lighter?

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Well Alfred may not ever worry but I was worried too Oro.
I think ours travel the same ridiculously circuitous route through Denver USPS.
Zero tracking after the UPS handoff on all of this year's releases.
Big number 20787/25000 was a couple days late.
Warming up the solid state transistors and capacitors.
Cheers and enjoy

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I think this a pretty good show. I was checking out some ticket stubs from back in the day, and remembered 6/5-6/6/93 giants stadium. I don't remember which one, but I remember we were in my 71' Chevelle on the N.J. turnpike sitting in traffic, because an 18 wheeler full of honeybee hives turned over, and the fire department had to hose down the truck. Anyone on here remember that? Traffic was so jammed that we all just turned our cars off , started to mingle around with other heads. I completely forgot about that till yesterday. Once we got to the stadium everyone was talking about it. Talk about getting a buzz. Dave's 47 Shakedown is pretty groovy. Brent's tinkling shines through.

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Back at ya.
And muchas gracias Pedro!
Cheers

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In reply to by 1stshow70878

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....yup. It's still here. My step-daughter and her family caught it again for the third time.
Daves shows delivered but I'm out of town until tomorrow.

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The PO Box Wednesday, but so far behind on music, crazy with floods and storms this summer, only half way into the HCS box. I did check that there was no glue and no scratches on any of the DaP 47 discs.... hmmmmm. K.I.S.S. packaging, what Oro said.

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Tired of boring, ordinary television? Don't care what happens on Dynasty? Then check out Dead Head TV! There's plenty of light-hearted fun to be had! Tune in, turn on.

This week new videos on Dead Head TV ( find it at dreamswedreamed dot com):

The Greek Theater, Berkeley, CA August 17-19, 1989 Report
Creating Our Future: a Rex Foundation Beneficiary
Dead Head TV Promo 1990
Dead Head TV Host Open Episode 015 August 1989

So "Hey hey, hey, come right away, come and join the party every day!"

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https://store.dead.net/en/grateful-dead/music/daves-picks/daves-picks-vol.-47-kiel-auditorium-st.-louis-mo-12979/081227834616.html