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    Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


    By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


    Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • proudfoot
    Joined:
    Slade

    I found a video of them pre-glam in 1969 outfitted in skinhead garb performing Martha My Dear. With a violin, no less.

    Truly bizarre.

    I of course know Cum On Feel The Noize from Quiet Riot's cover in 1984. I've heard of Slade mostly in passing and as an influence on punk's creation.

    Thank you for the insights, gentlemen.

    PS crapcha images have begun showing up again. Please, NO!

  • dmcvt
    Joined:
    Back from Maine

    Been away in Maine for the last ten days, holy smokes 15 pages of posts to catch up. Fishing, light hiking, nearly off the grid, no television, music from WERU Blue Hill and WMEB UMaine Bangor student station, eclectic mix to say the least. At Lobster Boat Races off Long Island Casco Bay, top speed was 63 mph, that's fast for a lobster boat. A very good friend had offered me lawn tickets to Phish SPAC, but that was a show too far. Did listen to the Friday night on the drive back, the noon Serious day after show, really nice version of Velvet Sea. Back just in time for a reggae concert last night, so Vermont, about 100 people dancing on the grass outside an old barn mountainside with a 5 piece band and local brewery, Thai buffet. LIve street music in Hanover today, Della Mae outdoor show Wednesday. Live music is the best! Hope everyone is having a great end of summer.

  • That Mike
    Joined:
    Slade

    DaveRock- I have a retired firefighter neighbour that is crazy about Slade, one of his all time favourites. He plays guitar, even has a small studio in his home, and has everything Slade ever released legally, illegally, or in between. Except for the early 70s when I was in high school, I have never heard anyone ever mention them.

  • daverock
    Joined:
    John Cipollina - Slade

    Not often you see those two names together. Still. It must have been great to see John C. with whatever band he was a part of - I never knew about that gig with Nick Gravenites. It was probably before I started travelling to London. The closest I ever got to seeing him live would have been that tour he did with Man, around 1975. It was over before I knew about it.

    PF - when I first started getting Dead tapes, around 1987,the guy who used to do them for me was also into The Dinosaurs, and he did a few good tapes of their shows for me. Robert Hunter also performed with them sometimes.
    Much later - 2004 in fact, I have it here, a double cd of The Dinosaurs came out - "Friends of Extinction" - one cd live, one studio.

    As for Slade...the first rock n' roll record I ever got, in Fall 1971 was their single "Get Down And Get With It". There is a version of that on the 1972 album "Slade Alive!" that has to be heard to be believed. It has possibly the greatest rock singing I have ever heard from anyone from any era. Incredible tonsils that man must have had. My Dad thought it was hilarious.
    They were desperately uncool at the time though. They started misspelling titles of their songs, and started to seem almost like a comedy act after a while. I still liked them, but I didn't go on about it. If anyone asked me who I liked, I said Gong.

  • alvarhanso
    Joined:
    Hey Vguy...

    You know who was most pumped about Derek joining the boys? Yours truly. He and Jimmy Herring have been my top living guitarists for 25 years, and I was fortunate enough to catch Derek when he last sat in 7-7-99 in Charlotte. Caught him four days later at the same Blockbuster Pavilion with the Allman Brothers, on his first tour after Warren Haynes and Allen Woody left in March of 1997, Derek was wanted then, but was too young, so they had Jack Pearson for a year and a half before Derek got the job in '99, and held for 15 years. He blew me away that first time seeing him, but Dickey Betts was just as monstrous a player beside him, and pushed Derek as much as he got pushed. No matter what they say about Dickey's last year in the Allmans, all four shows I saw him play '98-'99, he was every bit as good if not better than Jack Pearson or Derek, still sharp, no signs of drinking, or being overly loud. Anyway, Derek shows up to jam with Phish was like a dream come true back in '99 at my second Phish show. They did Funky Bitch and Possum, the first a Son Seals blues tune, the second a Phish original that was tonight's encore, a nice easy blues rocker with tension and release. I already dug the show, but him on the encore was delicious cream cheese frosting on top (hate cherries). Five years later, I got to see him guest with String Cheese at the Jerry Garcia Birthday Bash, and it was just as exhilirating. They did a rocking, Allman-esque original into Wayne Shorter/Miles Davis tune Footprints, where Derek really lets loose. The String Cheese guitarist, Billy Nershi, makes a typical sarcastic remark as Derek leaves, that "He'd be good if he practiced more, jeez", which I recall the crowd didn't take as intended. Luckily, Derek didn't seem to mind, as he came back for the encore (after Cheese debuted Deal) of Way Back Home> On the Road, an African-prog tune that went into a middle eastern jam with Derek into another Allmans-esque song (Southbound).

    Tonight's sit in with Phish was the last hour of the show. They could've whipped out a Derek and the Dominoes tune, an Allmans tune, hell, Joe Cocker. In the first set in Twist, I think (after they did a pronounced The Wheel Jam), Trey teased With a Little Help From My Friends, the Cocker version, just the Jimmy Page opening riff. Nice serendipity there. But the whole first set was quite good, from the rocking, classic Free opener to funky Wolfman's to solid Maze, the newer tunes were good, Pillow Jets sounds like a Who song and Sigma Oasis sounds a lot like Runaway Jim at the beginning. But Tube was nice and funky, a little spacey jam with Page on clavinet, then the Twist with Wheel Jam into the Hood I wanted. And I mean that, as it was a delightful Hood all the way through. Second set started nice and deep jam in Down with Disease (my personal first in 20 years, just 11 shows since then), but a smooth as silk segue to Ghost then led right to a major key switch a few minutes in, and thought they were gonna do Sweet Jane, nice jam into 2001, which basically served as an Elvis-like intro to Derek freaking Trucks.

    He came out, they did Golden Age, a TV on the Radio cover, they killed that, then they did the newer Phish song Everything's Right, and had a raging guitargument onstage. It was glorious! A Life Beyond the Dream featured more measured fills by Derek on slide and standard. He was quite interchangeable. Most improbably after he handled two, obviously rehearsed newer Phish songs, they came to the end of the set for a raucous finish with First Tube. Never in a million years would I have guessed this one. They do the first "verse" of this funky, endlessly grooving instrumental with Derek accentuating, they get to "verse 2", and he plays harmony, and the crowd flips out. The encore break after the Jedi Trey feedback and general cacaphony of that crescendo had my ears ringin' somethin'awful in the long, quiet encore break. A lot of people were leaving to beat the traffic, but it seemed as if people were stunned silent. Anyway, they come back, and luckily, Derek is in tow again, and they launch into Possum, which was a fitting capper to an awesome night.

    I stopped seeing Phish in 2003 after a terrible couple of shows in a row. Their breakup in 2004 didn't change that, but I did go to Knoxville 2009, it was great, Trey was sober, and they had obviously rehearsed and practiced the crazy difficult songs, so saw them basically annually when they came to NC. When I moved north a few years ago, thought I'd see tons of shows, but just two. And these are my only shows since COVID started. But since 2009, I've only seen one bad show, and one mediocre show, the rest have been good to excellent to legendary (for Phish). Those legendary would be 8-26-12 and 6-21-19, missing out on 6-17-11 by a Maxwell Smart that much. Just hope it doesn't take more devastation to get more shows.

    By the way search the interwebs for tonight's show, the video may stay up on the youtoobs, last night is still playing, so tonight should be up permanently one would hope, especially since people might still give to the benefit linqs. Check it out, some awesome music tonight. At least, I thought so.

  • Vguy72
    Joined:
    Derek Trucks sat in with that band from Vermont....

    ....outstanding and epic. Golden Age.

  • proudfoot
    Joined:
    Yo British people on this site

    Slade

    Big in the UK back in the day?

    I just flashed on them and am looking up stuff about them. Apparently they were quite a big deal.

    I know just a few tracks at the moment.

  • proudfoot
    Joined:
    I was lucky enough to see John C...

    in 1987 methinks when he played as part of the Dinosaurs. North of Seattle, a place called Parker's.

    He, Barry Melton, Country Joe McDonald, and several others. Maybe Merl Saunders and Peter Albin.

    I'm very glad I went to that show.

  • billy the kiddd
    Joined:
    John Cipollina Documentary

    Great John Cipollina Documentary called Recoil, check it out. What a great guitar player!

  • Oroborous
    Joined:
    Will Do NC

    bout due for another binge, dug the 89 stuff I’ve seen so far!

    Need to learn more about ole Batman, another great, and great band that I’m way behind the curve!

    Bob Barker. Ever since I saw Happy Gilmore, I’ll never think of him otherwise again, which is nice!

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Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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4 years 4 months

In reply to by Nick1234

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Charley Patton

Robert Johnson

Leadbelly

Beatles at Cavern

GRATEFUL DEAD AT MAGOO'S PIZZA PARLOR

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In reply to by Nick1234

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It was decades past his peak - one of the last performances he ever gave, I think - but I would loved to have seen Son House at the 100 Club in London during the summer of 1970. He was joined on harmonica by Alan Wilson on a couple of songs. Mesmerising. a great cd of this called "Delta Blues and Spirituals" came out twenty odd years ago.

To me Robert Johnson had more sensitivity, and a more highly developed sense of rhythm than earlier country blues singer/ guitarists. But there are many, many wonderful musicians from the 1920's and 30's that are worth checking out.

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It is hard to nail down just one must-see show, so:
- Dylan goes electric at Newport
- Gram Parsons’ era Flying Burrito Bros
- Garcia & Saunders at Keystone
- Hank Williams (sober)
- Dylan & The Band 1974 Tour

Some great suggestions have been previously listed.

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Nick's choice led me to look up my Hughes Stadium Ft. Collins, CO show.
Apparently I have been conflating my two shows seen a year apart at that venue for years. I thought I had seen The Beach Boys and Bob Dylan on the same day. Turns out that Chicago/Beach Boys show at Hughes was 7-6-75 and Bob's Rolling Thunder (aptly named as it rained for that show) was 5-23-76. How in the world I ever thought Bob and the Beach Boys were on the same bill is laughable. But I have read that Bob claimed to be able to sing any Beach Boys song from memory and was a fan of Brian Wilson so maybe not that far fetched.
The Rolling Thunder Review was panned by some for the different arrangements but that's just "Judas" talk. He was always mixing it up and admired the GD for never playing a song the exact same way twice. My memory of the show is obviously a little mixed up but at the time I thought it was very cool and hip. Very long show with a helluva set list. I had just turned 19 and caught a ride with a neighborhood classmate from high school who was a cute little cheerleader and way above my pay grade and social group but she had a friend we could stay with in Ft. Collins and was willing to drive so away we went with three others. We camped in a side yard and were harassed at midnight by cops who said there was no camping allowed on city right of way (which we were not on) so we all packed back into the party house on the floor. It rained later so it worked out OK. I guess I can check out the show on video as it was filmed for the Hard Rain thing. Not sure I've ever watched it so thanks Nick for the reminder. Highlight for me at 19 was that little cheerleader riding on my shoulders so she could see as we were back around the 50 yard line. The rain had stopped, sun came out and a girl is riding my neck. Not bad!
Cheers

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1st Show - The Rolling Thunder tour would have been great to see. A high school pal got to go and said it was awesome, for all the reasons you listed. I know film of the show you saw exists, but I’ve never seen it, and I’m not sure it is commercially available, save the Hard Rain soundtrack.

I am quite pleased with all the shows I have seen. Still an acid test would be great, especially the one at Big Nig's house. Reading about that one over at (jerrygarcia's brokedown palaces) makes me wish I could have been there. Stones the same night, city on fire, (although Stones near San Jose?)!

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9 years 4 months

In reply to by Gary Farseer

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Great article on Panther, she is quite the work of art! Thanks! I am also on email list for Meyer Sound.

Quote from Article: Company founders John and Helen Meyer, who attended the final shows in San Francisco, celebrated their past relationships but also looked forward to new possibilities. “This final tour closes an important chapter in the story of the Dead in its many forms,” says Executive Vice President Helen Meyer. “But it’s not the end of the book. There’s still more to come, with the people and the music"

I am also on Meyer Sound's mailing list, need to see if Ultrasound has a mailing list.

My rocknroll fantasy: Work for Meyer or Ultrasound. Both engineering Monsters!

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I'll look for that soundtrack.
Better check my collection first, lol.
Cheers
Just ordered newly reissued vinyl from RGM: Aereo-Plain by John Hartford.
Considered the first "newgrass" album by none other than Sam Bush.
"Without Aereo-Plain there would be no newgrass."
Has Vassar, Tut Taylor, Norman Blake, and Randy Scruggs on it.

Love..."When a Man Loves a Woman." I very much enjoy her discussions on the documentary "Muscle Shoals." "From the Heart of Me" lyrics sound so close to what she described in the documentary. So a huge "Happy Birthday" to you this day. Been a while since I went to Muscle Shoals, wonder if you still live around there or hang around there...also loved her on "In the Ghetto" "Kentucky Rain" and "Suspicious Minds."

Saw the Swampers a few years back (like spring 2016, maybe 17) back when they played kind of ending show for/with Cowboy at a local watering hole. It was really good!

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7 years 10 months
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Heading out to LA to see Metallica at SoFi Friday night. I'm not crazy about Pantera but I'm down to see Ed's kid again. He's a special one. Doing dumb tourist shit like hiking up to the Hollywood sign, hanging out at Capitol Records and getting loaded at the Rainbow. Hitting Norm's Rare Guitars. Say what you will, Hollywood is never boring.

Speaking as a dirty old man, Taylor Swift has really nice thighs. I'm not woke and I will not apologize for that, ever. Go ahead and cancel me I never cared about anyone who does anyway. About the highest backhanded compliment I can pay her. Actually, she seems like a decent human but the disconnect between my reality and her product is ocean-sized. The Swiftie phenomenon is just like Trumpism - there's nothing there but mass hypnosis and needy people needing to belong. That being said, I'd vote for her and her thighs to be President over Dump every time.

There's a "desert island top 5" going around another site I peruse. My biggest hang-up is, can one include box sets? Because if one was a) on a desert island, where does the electricity and playback apparatus come from? and b) I guess this assumes "name only 5 albums you can listen to for the rest of your life."

I think this puts box sets out... I mean, a 17 disc Dead box is kind of cheating, isn't it?

I'm going to cheat anyway, sort of, with my first pick which, by the way, would be the one Dead album I'd choose over all others ever if I could only have one. But it fits in a double wide cd case which is the limit for this exercise.

Desert island top 5:

Ladies and Gentlemen... the Grateful Dead - Grateful Dead
Best of the Doors - The Doors
Aerosmith's Greatest Hits - Aerosmith
Kind of Blue - Miles Davis
Wish You Were Here - Pink Floyd

I think there's enough rock, enough jazz and enough space to get me through... hopefully I'll find a Wilson volleyball and learn to like eating fish before it's all said and done.

Peace.

\m/

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17 years 5 months

In reply to by LedDed

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...."awake to social injustice and
racial persecution". I guess I'm woke. Poor me. How will I survive.
The GOP is too busy butting heads to even care.
Good for them I guess.
Anywho. Walking the dogs on a very nice evening here.
Ledded. I went and saw Metallica streamed live from a Dallas concert at a movie theater this past weekend. They are actually mixing up sets! And they've been practicing. Ignore Lars's tongue. Thank God it wasn't in 3D.
They played Leper Messiah and Orion. Always welcome. Enjoy Hollywood. Buy a flower from the street vendors. I did.

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In reply to by daverock

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Yeah, so lame/limiting…
Over 60 years upon my head, and I’ve come to the conclusion there’s basically only two kinds of people in this world: aholes and folks who give a shit. Race, sex/gender, socio economic status, culture, all boils down to empathy and caring! All that hippie dippy cool GD cultural stuff.
I went to school, even a year of grad school, for Social research etc, and even with all their classifications and stratifications etc, that seems to be it, are you kind? Ole Hunter yet again!
Used to seem like most folks were more of the latter, nowadays, unfortunately, it seems like there’s more of the former?

GARY et el, calling all geeks!
You probably caught these, but I just checked out GOGD podcast fir first time yesterday, specifically the cool Long Strange Tech, parts 1 and 2 I think it was called? Holy guacamole Batman, good sheet Mon!
The Acid test Hug a cop episode was pretty fun too!

EDIT: Our very own Mary E talking with Jer on episode 2 of Long Strange Tech!

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9 years 4 months

In reply to by daverock

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Also uses a huge Meyer Sound sound system. Not sure why...It's not like they are trying to project halographic or as OB called them, I think, psycho-accoustics. Are they becoming a metal jam band?

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4 years 4 months

In reply to by Gary Farseer

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I think of an old commercial jingle from childhood

"When it says Libby's Libby's Libby's
On the label label label
You will like it like it like it
On the table table table"

Advertising is a sinister business, I tell ya

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I am with Vguy. 100% sure my maker wants me to be a decent and kind human being. So yah I am going with that. Thx.

Sweeney Todd says it best

Because in all of the whole human race
Mrs. Lovett, there are two kinds of men and only two
There's the one staying put in his proper place
And the one with his foot in the other one's face

Truth can be dark.

Luckily we're a cheery bunch :-)

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10 years 1 month
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“Time Of The Season” by the Zombies.
Playing it twice in a row didn’t help. A somewhat spacey tune in just over 3 minutes.

“Courage is what it takes to stand up and speak. Courage is also what it takes to sit down and listen.”
– Winston Churchill
There is always two sides to a story, both worth hearing.

I always thought there was three sides to every story: his side, her side, and the truth somewhere in the middle ; )

RIPPLE, in still water, when there is no pebble tossed.
I’ve always felt like folks would go to a dead show or two or six, and then take that loving, peaceful easy feeling and spread it round out in the world, like that ripple in still water. Consciously or not, it always felt like that group consciousness we’d get at shows would be integrated into the world at large. Might be real subtle but it felt real…
Now I know this will sound goofy to some, but it seemed like after JG passed, and those big waves stopped going out into the world, the world seemed to step up its pace down the road that has proceeded and increased into much of the darkness that is prevalent today. It’s not like black or white, but subtle. I mean how many million? people a year (in the nineties anyway) per year, times 30 years experienced the Dead. Obviously not all we’re changed/influenced, but I’m sure the percentage was very high. So it’s not crazy to think that all those folks taking that “it” with them back out into the world, could have helped balance some of that negativity/darkness, even if just a little, then…..poof
Like what Mickey spoke of at the last Fare Thee Well show…

Speaking of ear worms, thanks for putting that in our head all day PF, lol

That song has been in my head today. Did someone post a few days back about it? Did I see some music documentary, like on AXS TV, that talked about the Zombies? I am pretty sure on the second question but will have to go backwards to go forwards on the first question. Meaning, I am pretty sure I saw something on AXS TV.

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In reply to by Gary Farseer

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This place always makes me feel better. Thanks to all (Or almost 100% all)!
Making me Smile right now!

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In reply to by Gary Farseer

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I can only think I heard a snippet on the radio or something, or read something. That’s the thing about earworms - they come and go in their own time.
But very weird we get the same one at the same time. Now, about those winning lottery numbers…

5 28 95

good stuff so far:

Jack Straw
Let It Grow
Crazy Fingers -> Corinna (yes, Corinna) -> Drums -> Space -> (time will tell)

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17 years 5 months

In reply to by proudfoot

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....going with 3.19.90 Hartford Civic Center.
Did not peak at the set list.
Hell In A Bucket raging right out of the gate. Coincidence??
Oh, and the bottom of the box tore on the edges on both sides. First world problems lol. Got glue?
I am a Corinna fan yes. And I was at that Portland Meadows show Stoltz. Chuck Berry bitches! That was the first one. It was the better of the two and the fraying of the edges of the Persian rug was becoming apparent at that point in time. But goddamn if I didn't enjoy the ride.
Damn. They were on 🔥 in 1990. ❤️ the second set Cumberlands. Kudos to whoevers idea that was.
33 years later, Brent's We Can Run....still applies.

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10 years 3 months

In reply to by proudfoot

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It seemed to me at the time - 1975-1995 roughly, that listening to The Dead had a very positive effect on my life, and did influence the way I worked in my own very different sphere. But that influence came from listening to their records - on my own. Specifically, Anthem and Live Dead for the emphasis on improvisation, mind expansion etc, and American Beauty - for obvious reasons. I don't think seeing them live influenced me a jot though.

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12 years 1 month

In reply to by Vguy72

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Hate to disagree, but the Tim Burton/Johnny Depp version of Sweeney Todd sucked big moose dick!!!

I don't and never will understand why you make a musical with people who can't sing!!! My Fair Lady anyone?

Just for arguement sake I saw the original cast twice on Broadway. Johnny who?

And the very worst part, the unforgiveable part, is that they cut the first act ending song, A Little Priest!!! Arguably the BEST song of the show.

Now take this Burton/Depp abortion of a movie and never darken my doorway again with this kind of talk!

:-)

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10 years 1 month
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Rex Reed has got nothing on you, Dennis!

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17 years 6 months

In reply to by Dennis

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Ha, I knew Dennis was gonna say that lol
Don’t be messin with D trains musicals ; )

DR: I think it was more about the group consciousness obtained from being with all those like minded people, especially when so many were in a “heightened” state of consciousness, all extremely focused on the same thing, and the emotional influences of the music, and how it was taking place in that particular time and space…
It’s a sociological phenomena that can be experienced in similar ways among any large, like minded crowd.
A football stadium full of rapid fans for instance, though their group consciousness is probably not expanded in the same positive way exactly. From what you’ve described of your limited show experiences I fear you missed some of that? Getting snockered on depressants in the balcony and passing out probably didn’t facilitate this experience, but I’m sure many people go just to listen to music, not experience it on another level.
Like, it doesn’t matter what you ware, just as long as you are there …it’s a about tge overall experience as much as tge music, if that makes sense?
OK, this isn’t coming out right, it’s too early to think this much lol, somebody who “knows”, please help us out here, or DR is gonna take this all wrong and we don’t want that…

How bout,

My baloney has a first name
It’s O S C A R
My baloney has a second name it’s
M E Y E R …
Ha take that PF! ; )

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In reply to by Oroborous

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Oro - yes, I think I know what you mean. I have experienced being in large crowds of people at celebratory events, although the 5 Dead shows I saw didn't quite affect me like that. When I was very young, still a child, seeing Manchester United, when George Best and Denis Law were still playing was amazing. I had never been amongst such a large crowd, and had only seen football on a tiny little black and white television-so the colours and sound of the crowd, even before the players came, out was amazing.
In my mid teens, the early rock concerts I saw had an energy about them - again incredible volume, power, songs I liked, and a sense of having found "my people". Of all bands, Black Sabbath were maybe the most like that -a truly joyous occasions. You'd never guess it, just listening to the albums. Seeing The Stones had that vibe for me, too.

It can also go badly wrong, of course, this group mind thing, as I am thinking about it. Gangs of people have committed all sorts of crimes and atrocities that individually they would never have done otherwise.
I also often have a tendency to stand outside things I am a part of - and maybe that happened when I was on my own at the Dead shows. When I wasn't on my own, I was falling out with my girlfriend or some damn thing. I really enjoyed the shows - but the most pleasure I have had listening to the Dead wasn't actually at live shows, but has been at home. Long may it continue !

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17 years 6 months

In reply to by daverock

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Yes that’s it. And I didn’t mean to insult you or sound elitist, it’s just your descriptions of your live Dead experiences, compared to as you say other concerts etc, made me think you unfortunately didn’t get to enjoy the full Monty.
Again, no offense but I imagine seeing them under less than ideal circumstances in England, probably was not the same as tripping in the dust with several tens of thousands of dancing freaks all peaking simultaneously with the band and song, at say Hampton, or Philly, oye all that positive energy…
The example that immediately pops into me noggin is the Shakedown from 6/30/85.
I can still see and feel the multiple peaks that rolled through the dust stomping crowd completely being driven by the music. Basically, like 30k people having a simultaneous orgasm!
But you understand the point, and it’s awesome that you get some of that from just the music, but I’m bummed for you that you may not have gotten the full Dead experience.

EDIT: I guess what I’m saying is, take what you felt at those other powerful large group experiences, and multiply it logarithmically….tripping on the floor at a smoking GA Dead show back in the day was like a playoff football stadium all tripping, at tge peak of the game…. times 11! And even Nigel can’t go above 11 ; )

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In reply to by Gary Farseer

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Little Willy, go home now...

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It depends a lot on the group. Audiences in England are far more reserved than their American counterparts. As a result there is far less of a sense of being part of a group. That doesn't mean that English audiences don't appreciate the music, rather there is less of a vibe from the audience to pick up on.

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In reply to by simonrob

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I would definitely agree that American audiences are more expressive than British ones, going off those 3 Dead concerts at Wembley in 1990. It was quite surprising to me how vocal many of them were in there appreciation of the music. Nothing wrong with that at all, either - just different.

There are also, of course, exercises in group consciousness that have nothing to do with sport or music. Group meditation sessions can give you a feeling of being at one with the other participants. Whether that is imaginary or not, I couldn't say. One of my friends recently told me he once went on a Buddhist Retreat, in which all the residents were completely silent for the week they spent together. He reckoned that after a few days, he could tell what people were thinking without talking. Again, I don't know how true that was.

Oro - no offence at all in what you say. Always good to chew the fat, as they say.

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Yeah, that was my guess as I’ve unfortunately never been to England.
Just thought from all I’ve heard/read that it’s definitely more outwardly reserved there, but of course jumping around like an idiot doesn’t mean yer getting “it” lol In the old days it was definitely more inward. As the crowds grew, that wasn’t necessarily the case. More doesn’t mean better lol.
I guess I mean that as our friends across the pound didn’t get to see as many shows, or travel around with the touring city, (we are everywhere is probably something folks here understand) and deal with redneck ahole cops who wipe their arse with the constitution, or experience days or weeks at a time camping/partying etc, massive Shakedown streets etc, the WHOLE GD experience, experienced from the ground up, versus “going to a concert”, you might not have been able to fully “understand”.
Now I’m not suggesting you HAD to experience all that to understand, just think there’s a socialization that perhaps was different and not as prevalent over there? Just a band/music, and not as much a way of life , and so all the years, milage, adventures, good and bad, perhaps might foster a different kind of knowing?
An Experiential knowledge perhaps, more than just a interested fan, or someone with only unbridled enthusiasm!
Perhaps more like the knowledge obtained from being in a war on the front lines, versus just studying it, or being on the periphery?

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In reply to by Oroborous

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The current Burger King commerical.... don't know how they get away with it....

BJ have it your way....

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In reply to by Dennis

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Brilliant, never put that 2gether!!! Except its BK isnt it??? "You rule!"

haha got me.

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In reply to by Gary Farseer

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He’s a rascally rascal ; ) one might even say a menace yuck yuck. Get it? ; )
My gutter mind didn’t catch it at first either lol
See what you started PF!

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Like a wart, it grew on me. My fav is 5-26-93, but admittedly I rarely dive deep and compare.

Going in to check out 5-28-95; you always steer me right Stoltzie!

How about your fav? Any recommendations?

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I always dug the version on The Other Ones’ release “The Strange Remain”. Like a pot simmering and boiling up…

I am pretty sure in the last 2 weeks I saw a documentary on psychedelic music on AXS tv. I think they may have said that Time of the Season was the first psychedelic hit. To me that doesn't sound right, I mean Magical Mystery Tour was already out. This show is done by a group out of England. They are interesting to listen to, but I question them some. On their show about psychedelia, they followed ELP, the Moody Blues, and one other, maybe Zombies. But yet, no mention of the Beatles, Grateful Dead, Pink Floyd, and for me the Allman Brothers Band. But it is odd, that we had the same song going thru our heads at the same time. According to my Chinese take-out the lotto numbers should be 07-11-67-64-69.

Edit: Sgt. Peppers brain fog

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