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    Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


    By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


    Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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  • That Mike
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    Mighty Mickey

    Whenever I take an excursion into some “World music”, as I did this week, I inevitably circle back to Mickey Hart’s discography, and I always gain a renewed appreciation for Mickey’s incredible talent and gifts to drumming. Not just his playing - first rate - but his contributions such as his field recordings, and his own wonderful releases featuring rhythms not often heard in traditional Western music. I played both RAMU and In The Groove, and just incredible the drummers he assembles on these recordings, and evokes this marvellous sound from. Usually any “drum solo” in a concert is washroom break for me, but Mickey really brings something otherworldly into drumming. Posters will argue forever if the Dead were “better” with just Bill, or just different, at a time when the stripped down sound of Beauty/Workingman’s called for less. To me, what always drove the Allmans sound was the duo of Jaimoe & Butch, and I think it more true in the Dead with both Bill and Mickey. He has an incredible catalogue, some really interesting stuff that sometimes is exactly what you need to hear. I could never imagine him just being a drummer in some band, playing a twenty song gig, rinse, repeat.
    Recommended - “Drums of Passion” by Babatunde Olatunji, recorded in 1960, a favourite of Santana and Coltrane evidently. Excellent World sounds.

    Closer to home, my “Next due”: Buddy & Julie Miller’s new release. An understated guitarist I saw once with Plant & Krauss, a fan ever since.

    “Timothy Leary’s dead. No, no. He is outside looking in.”
    And he was a poser, and did nothing for the psychedelic movement.

  • jonathan918@GD
    Joined:
    Dave's #47

    I've been spending a fair amount of time with this one the last couple of weeks and to my ears this thing cooks!! I love the fact that DL and crew plan on hitting this era again when the time is right. 1979 GD has plenty to offer!

    Also, I guess the fact that I didn't start getting tapes from my older brother and friends till 1988 has been a blessing and enabled me to "love it all"

    I seen the band 17 times from 91-95 and loved every minute of it! I loved calling the hot line for set list of prior shows on a tour so i could try and call the openers or encores!

    I know 94-95 was a real hard time for Garcia. I remember on night at Philly Spectrum, 3/19/95 (UNbroken Chain breakout) during Crazy Fingers, that I thought Jerry was going to literally fall right through the mic stand and off the stage!

    As a proud member of Alcoholics Anonymous, I understand the abyss of addiction. It saddens me that Jerry was stuck in hotels and Persian was his refief.

    He was trying to get clean but, it was not to be.

    So, I hope I didn't get to heavy on that topic. Just sitting here drinking coffee and spinning Dave's #47

    Hope all is well with everyone.

    Rock on, gang!

  • JoeyMC
    Joined:
    I'm listening to 47 again,…

    I'm listening to 47 again, it's better than I originally thought. The Black Peter> I Need A Miracle is quite something.

    I see the Jerry people are selling Three Hundred Dollar photographs ? I usually credit them with not charging stupid amounts of money for stuff, like a hatchet for instance...

    Leary is shit.

  • daverock
    Joined:
    Beware of believers

    It seems to me that people who are 100% in favour of anything are a bit deluded. Most things have pros and cons. It pays to be wary of people who think they have the answer and try to influence other people to see things the way they do. There was an awful lot of that in the 60's - including people who were either in favour or against acid. As Charlie Watts once said - it's unfortunately very easy to con the young.

    Mention of the 13th Floor Elevators - hugely entertaining if you like that kind of thing, but whether Roky Erikson would have been happier if he hadn't taken psychedelics in the way he did is a mute point.
    In fact, thinking about it, Roky Erikson, and what happened to him serves as a chilling reminder of the negative effects of simple minded evangelism. He appears to have been used as a mouthpiece for non musician Tommy Hall, about 10 years his senior, to spread the gospel according to Tommy Hall. Which seemed to revolve around taking psychedelics 24/7. This had such a profound effect on Erikson, that by the end of the 60's he apparently took to the stage with a band aid wrapped round his head to close his 3rd eye, and dim the hallucinations. Enter what we used to laughingly refer to as "straight society" who incarcerated him and fed him a diet of their medication. Shocking mistreatment and manipulation all round.

  • JimInMD
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    With a tip of the hat

    and a wink to Bear, Skully, Sands and the Brotherhood of Eternal Love. Honorable mention to the Jimi Hendrix, the 13th Floor Elevators, the Grateful Dead, the Jefferson Airplane, Monterey Pop, Woodstock,.. (this list could get long). It would have happened without Leary, once the CIA opened the spigot to the general public, it was game on.

    I blame my brother and my friends.. but Mama Tried to raise me better....

    True, Leary did not help psychedelic research one bit.. nor did Nixon, Manson or Altamont. For good or for ill, the War on Drugs was the nail in the coffin that closed the door for scientific research for more than four decades.

  • Vguy72
    Joined:
    Barnum....

    ....spot on review. Good job.

  • daverock
    Joined:
    Tangerine Dream

    PT - great review, cheers. The last time I saw them was the last time they played in England with Edgar Froese - must be about 10 years ago. Good to read that they are still out there.

  • PT Barnum
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    speaking of psychedelic research

    caught Tangerine Dream Monday night at the Orange Peel in Asheville, Nc. A small to medium sized venue holds 1000 people SRO. There were seats set up on most of the floor and mostly people sat for the show. There were of course several standing as seats were an extra 15 and the standing area was actually a really good view. I ventured back there from my seat a couple of times and the sound was intense but not too loud to annoy, but you could feel the low notes and was said that the room sounded great in E so the ending jam was in E to E flat, some bone shaking vibrations that were tremendous. I hadn't felt anything like it except maybe when Mickey would hit those low notes on the Beam, right through you and could feel it in your chest, so good. There were 2 screens, one on each side of the stage, that had some really cool graphics going on, melting and fractals swirling along with the music.
    The set list was taken from their website as I only recognized three of the tunes that they played. Love on a Train from Risky Business, Raum and Phaedra.
    Improvised intro>Los Santos City Map>Continuum>Love on a Train>Raum. A pause for lots of applause. Then right back at it, No Endings>Betrayal(Sorcerer Theme)>Rare Bird(1st time played on tour)>Portico >Choronzon. More applause as the three members took a slight pause and accepted everyone's love. The band is really jelling now. Logos Velvet (first time played on tour) Tangram Set (another first)>Cloudburst Flight>You're always on Time>White Eagle>Phaedra. Off the three went for a much deserved break as the 400 or so patrons and I voiced our approval of their performance. Right away, not but a minute or two out they came and showered love on us as being an excellent audience who actually listened. Then as is customary with Tangerine Dream, the encore was an improvised session that lasted about 25 minutes, sometimes turning on a dime and leaving the two screens blank or frozen in place. 2 hrs plus a 25 min improv nice show, highly recommended. Check out their facebook page for more info if interested. Quite a trippy show.

  • simonrob
    Joined:
    Personally...

    I never took any notice of Timothy Leary or Ken Kesey when carrying out my own extensive research into the effects of LSD on my grey matter. 🧠

  • daverock
    Joined:
    Psychedelic therapy

    My understanding - which might be wrong of course - was that Cary Grant took LSD as part of what was called "psychedelic therapy" under the guidance of a psychiatrist. He was clearly an advocate, but not a recreational user in the way people were in the 60's and 70's.

    It's curious, reading about the history of LSD, how it became almost appropriated by Timothy Leary, and to a lesser extent Ken Kesey, who went on to define it's culture, and to some extent how it should be taken. There was nothing in the 1950's to suggest it would become a recreational drug of choice associated with rock music and young people. There is a school of thought that says Leary and Kesey were partly responsible for knocking psychedelic research back decades.

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Who's ready to boogie with a little Brent-era Grateful Dead from the Gateway to the West? DAVE'S PICKS VOLUME 47 features the complete unreleased show from Kiel Auditorium, St. Louis, MO, 12/9/79 and you're going to need stamina because this one is high energy from start to finish.


By the time December 1979 rolled around, Brent Mydland had fully cemented his place in the Grateful Dead canon with his twinkling keys, harmonic tenor, and songwriting skills. No more is that evident than at this show boasting 25 songs including soon-to-be classics from GO TO HEAVEN like "Alabama Getaway," "Don't Ease Me In," "Lost Sailor," and the Brent-penned "Easy To Love You." It's also packed with whirling takes on fan-favorites like "Brown-Eyed Women," "Shakedown Street," and "Terrapin Station." And you've never heard a 2nd set quite like this with eight songs before "Drums" including an improvised "Jam" launching from the end of "Saint Of Circumstance." It doesn't stop there though, with a blazing finale of "Bertha>Good Lovin'" and perhaps one of the best versions of "Don't Ease Me In" the band ever did play. We've rounded out Disc Three with an extra nugget from '79.


Limited to 25,000 numbered copies, this release was recorded by Dan Healy and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering. Grab a copy while you can.

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1989

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In reply to by wissinomingdeadhead

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:)))))))))))))))))))))))))))
:)))))))))))))))))))))))))))
:)))))))))))))))))))))))))))

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What would yo mama think
Pretty Peggy-O

Acid Mothers Temple

"Pink Lady Lemonade"

I discovered this walking Green Lake yesterday after a snack

Veeeeerrry nice

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Did I beat BTK to the punch with this one?
Two great shows I was lucky to attend. 76 was just exactly perfect. 1982 is the last year I really enjoyed, just couldn't take Jerry's voice, health and appearance going downhill after that.

Last 5(all vinyl):
Caravan: For Girls who Grow Plump in the Night
Misfits: 12 Hits From Hell
Jefferson Airplane: 9-30-66 boot
GD: 10/9/76
Motown Chartbusters Vol 4

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Good choice Cousin! I forgot that had been issued. RGM?
10-9-76 set 2 with a 10 song jam. And what a jam.
Cheers

It is indeed possible (and quite quick 'n easy) to download the JotW @ForensicDocEleven

However, I cannot seem to post instructions, nor even DM it to you; I tried my level best, removed all l1nks etc but it just kept saying that the site won't allow embeds or lnks and it even flagged me when I tried to send you my emial addr (misspellings deliberate). UPDATE: I finally got a DM sent w/ my contact info

Oro - what a great tape to get practicing on! I love to hear how 12/5/71 has stirred people, their hearts and minds or their souls or their ears or their hands. Or all of it. There's just some powerful magic radiating from that night's efforts. God Bless the Good ol' Grateful Dead

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41 years ago today I was up at the Frost to see the Dead put on a fantastic show. This was the first time the Dead played at the Frost and it might have been my favorite. This one is a must release, if they ever release any shows from the Frost.

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Mornin', rockers!!!

I was able to capture that 1/21/71, anybody who needs/wants, you know where to find me.............

Do not underestimate the determination of a quiet man................

Rock on!!!

Doc
Determination becomes obsession and then it becomes all that matters...............

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10.22.83: Carrier Dome

Chet Atkins: Almost Alone

11.23.73: El Paso

Howlin' Wolf: The London Sessions

10.23.73: Bloomington, MN

...leave nothing but footprints; yet in a digital world, one man gathers what another man spills...

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10.22.83: Carrier Dome

Chet Atkins: Almost Alone

11.23.73: El Paso

Howlin' Wolf: The London Sessions

10.23.73: Bloomington, MN

...leave nothing but footprints; yet in a digital world, one man gathers what another man spills...

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Per Reddit, Dave's Picks 48 is 11/20/71.

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In reply to by viewtiful_alan

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I'll withhold judgement until I hear it in full processed form.

I listened to 11/17/71 over the past few days...it was OK, but no wood.

I hope 11/20/71 remedies that.

(I love ya Dave....1968....1968....1968....1968....1968....)

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Alan I haven’t rechecked but looking at my subscription order a few days ago the date you mention was shown as DaP #48. Unless this is a cunning plot by deaddotnet to throw us off the scent it would seem that it is more than a rumour.

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43 Years ago today, 2 rocking Grateful Dead shows! Casey Jones encore on 10/9, these 2 shows burned! I'm really glad that the acoustic sets for these 2 shows were released, hopefully we will see all these shows put out in one BIG BOX SET. Fun times !!!

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… received my Grateful Dead vinyl box set,
Over 5 Lp’s recording of the Madison square garden concert from 3/9/81 and it sounds awesome! Great job on this first pressing. Really nice performance & audio quality is primo! Any one else purchase a Boxset??!

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In reply to by icecrmcnkd

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Enjoy hoisting the banner.

Connor Bedard initial thoughts. Young and skilled, but smaller than I expected.

Thoughts and prayers go out to Barry Melrose. Tough news. I wish him well.

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In reply to by Angry Jack Straw

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....the pre-game was extra over the top. Hey! It's Vegas!
Melrose. Ugh.
Not good news regarding Mary Lou Retton either. But I guess that's on her.

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Where's forensicdoc when you need him?

Doc??

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Around comment 62 or so when it first leaked.
Not a full review but it'll do.
We said his name 3 times fast and he appeared.
Good health to the Doc & wife.
Cheers

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Anyone else order this disc? Was supposed to release over a week ago,,,, I've had no word, see no tracking on order receipt.

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The 4th pick of the year is generally good but not grate, seems this year is no exception.

In Burlington, VT visiting my daughter for her 21st and leaf peeping, she's at UVM. Was at Nectar's last night for "Dead Night." It rocked, I was one of the oldest guys there, mostly 20's and 30's. Also, this town is FULL of Dead stuff, Phish music, flags, images, nowhere to be found. Cracking me up

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Good morning to HF and all you other rockers!!!

I am here, but in serious lurker mode. One only has to ask............

IF 11/20/71 is the next Dave's, I think people will enjoy it. I'm guessing it's a returned tapes type of deal, if it's an upgrade I'm thinking of quality comparable to Albuquerque/Ann Arbor. Solid show, especially the second set. The question is, what to put on the third CD? Maybe the recently exhibited 1/21/71? Ah, one can only hope.........

Don't really wanna get into details about health issues just yet, but here's a clue.......H/O.............and I don't mean trains..........

You can find the entire cosmos lurking in its least remarkable objects.......

Rock on!

Doc
There's something about shadows because you make your own mind up about what's lurking in them.....

Maybe it would be as well to ignore the Keith era for the next couple of years. Unless something truly different can be found, like the Fall 73 shows with horns. Otherwise there's a risk we could be getting slightly inferior versions of shows we've already got.
And 10/12/68 would be brilliant way to start. No Dave's Picks released so far is remotely like it.

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… on the subject of future Dave’s picks , how about the performance at Tacoma Dome 10//20/85 ?!

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Billy's getting enough love and playing enough incredible stuff that we kinda thought he deserved his own thread.
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I'll see what's up with that...
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but hey, I'm a mod, so if you and/or others continue to have this difficulty I will pass it up the line. Sorry for the trouble! And if you have problems, describe the error messages you're getting and anything else that seems to be going on...thanks!
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In reply to by proudfoot

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10 8 81

From my Craig collection

Worth a listen

Also, another reason why I don't look at setlists: 9 25 81

A few nice surprises in that show

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In reply to by proudfoot

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I've been listening to a lot of October 83 and now I have Day Job stuck in my head... :(

Why hasn't 10/15/83 ever come out? Maybe Dave doesn't bother if there are already good boards around?

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I was at this show, lots of fun, th4e sun dome is a great place with a floating dome, place sucked you in and spat you out. Second set here is awesome, with a great Drums>Space into Jerry doing a great reading of "Comes a Time". Gimme some loving too, First time hearing the band doing that one. Good times had by all.

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In reply to by PT Barnum

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...30 seemed so old.

Just reflecting back over the last few weeks and posts I had not been able to post.

Someone posted about Hampton 1988, specifically 1988-03-27. I went to the Atlanta and then Hampton shows. They were all very good, but the March 27th shows was spectacular. It had the first Space to open a set since 1985-10-31. That one was space>Werewolves of London. Know everyone around here knows that but just thought I would post just in case.

Then was discussed the 1988 Cap. Center shows. We did that run, so I was extremely happy to see the Ripple. One of my favorite songs. Although, it was sad why they played that Ripple. Did those shows, then hit Miami, Tampa-St. Pete, and New Orleans.

Someone posted about Eric Clapton 24 nights. I have the dvd and cd's. Watched the dvd a couple of weeks back. It is very good but has its flaws also.

Seems like there was one more but it slips me.

I also in the last few weeks listened to Chicago's first 2 albums remastered on cd, both are great. The first album is still my favorite.

Oh well, enough for now.

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are relatively brief. But fun.

Ripple....they played that in 88 immediately after the two blechy shows in the Northwest, Tacoma (actually, kind of OK with Touch of Grey out of Space) and Eugene (still annoyed by that show in 2023)

I like the idea of it. I am half way through Paris 9/18/74, so I will be having my brain drilled by Seastones later tonight. That opens set 2, as it did for a few other 74 shows, so maybe that was a sort of precedent for the set opening Spaces.

Too busy lately, whats happened to our daylight. Thank goodness for GOGD. Have been trying to review much of E72, including the couple shows never heard before like Newcastle and loving every minute. As much as I have banged on the primal drum and would love to have more 1968, 71-73 is such peak period too, E72 monumental. Just had the extra fun and unlikely experience of running into John Scott of Deadbase fame a few minutes ago in a place so close to my home as to be almost next door. John is a friend of a friend but we had never met, a student at Dartmouth, where I later worked. Quickly traded stories, both at the 1980 Lewiston concert, recent music etc. Am certain I made him late for something. This crazy world can be such a small place, we must keep love friendship and peace in our hearts, madness and hatred out.

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I just received my email about Vol 48, on sale next Tuesday the 17th...it is 11/20/71 at Pauley Pavilion as we all knew...faintly remember it...they had two lines...one for the floor and one for the upper level seats...some fun...

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