• 8,109 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
    Joined:
    I'll Play

    5/10/91 if for no other reason than I like the recording. Maybe a bit saturated at times, but it's pretty clear and balanced. Besides Phil was on a tear during this period and it must have been hard to keep his bass in check when he amped things up.

    I think tossed this show out on this forum in the beginning. I like the Cal Expo shows too, but no Bruce for those three shows.

  • DeadVikes
    Joined:
    Official Releases

    Yes, absolutely. Always welcome.

    Can't say enough good things about that hot summer 82 Tour. The Zoo in Oklahoma was another good one. Love these China Riders from this summer. Agree, they are smoking Jim. Nice Playing, Iko Iko, Lost Sailor, SOC. The wheel out of space is always good. Great US Blues encore.

    The 71 Port Chester shows are some of my favorites. Listen to them often. 2/18, is probably my favorite right now, but my favorites fluctuate.

    So for #44, I am thinking we will see a 91 release. Any predictions?
    Enjoy the weekend out there.

  • Dennis
    Joined:
    I'll put it here

    I see no mention of it,,,, Owsley Stanley Foundation is releasing a new "Journal".

    The Chieftians in San Fran..... 1973 and 1976

    A vinyl and a cd.

    Stans site was a little cheaper than amazon.

  • JimInMD
    Joined:
    Thanks

    Yes, thanks Dennis.

    ah.. Blue Crow, I'm with you. I love that 2/21 show, it has really grown on me and man does it sound good. I think I will split my time between that and a revisit of Dave's 43. Nothing wrong with hitting the released stuff from time to time here, right?

  • daverock
    Joined:
    Dennis

    Interesting article. Well worth reading.

  • 1stshow70878
    Joined:
    JM

    on Jerry's style.
    A cerebral description.
    Whatever he's doing I'm OK
    as long as I focus on all those notes.
    I won't get lost.

    Cheers

  • 1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

  • JimInMD
    Joined:
    The Zoo

    A nice little show. I explored this one a little before this thread started, probably late 2019. It makes a good companion to the night before in Austin. Apparently hot that day and Jerry was up most of the night celebrating his birthday. Hot jams in China > Rider.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by JimInMD

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Rollin,
Six Sixteen and eighteen from seventy four
Including awesome bonus material from kind poster here.
Thanks Again, yer too kind!

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That’s one’s a gas!
Phil’s Lovin the new six string.
Must see tv

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In reply to by Oroborous

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Instant classic, and one of my first tapes.

I'm trying to stick with one and two syll a ble words in hopes my post gets through.

Damn you evil IT underlords!

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and I got shut down. Curses! Foiled again!

Starting the morning with a big ole serving of 3/27/88 Hampton Set II. I feel better already. What a great show and great run.

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I just don't know...

38 yrs tonight Rochester War Memorial yeah another of those brutal rainy blustery Ra-cha-cha days waiting in line,
but now out of the rain and smiles all around
Summer is gone, but the time is right

...if I'm going back again

Peace All!
uncle_tripel

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I'm there! It's a warm and dry inside and the music is sweet (4 songs in).

Thanks Uncle T!!

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Nice!
Those were great shows!
Dancin/Midnight and that Let It Grow is RJ fo sho!
Fungus fest times 11
And the hotel nearby we were at was completely taken over by freaks.
It was one of those were there’s a cat walk/balcony with the room doors, so that everyone had their doors open and the place was one giant party!
One of these nights I went first row for first set, but think that was the last time. I had started getting was into the hippie shake, better sound, and less hassles that being by the SB provided. After that, it was GA only at stadiums : (

Or Hampton, good Hampton! Maybe Philly still in 86?

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I'm going to give that a try today.

Cycled through two of the three 83 OB picks last week. Fun. By the end, the kick drum problem that seems to be in some of those 83 shows was beginning to rattle me. Like, you can't unhear it. I really wish someone would have insisted on a separate mix for the tapes and bringing back the reel to reels. Dammit Healy (said with my best Mr. Burns face and posture).

I really like the return of the Dancin in the Streets and Midnight Hour that came in that era. And the recordings cleaned up a bit from 83 and early 84. No disco Dancin's here, or as Phil would later say.. no the GD arrangement not the disco one.

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…Mr Garcia doing his best John Lennon for this evening. Well, you tell me it’s the constitution, well, you know you better change your mind instead.
GA was always loads of fun, on this particular evening spent Set 1 spent in front of the board. I had not danced out of a building like that night since Satisfaction Hampton Spring ‘83

Last five
JGB: 11/8/81 Rider College Gym (audience cassette); attended and being 12 miles away it’s the closest Garcia ever got to my backyard lol, and then @ 11pm the house lights were turned on which was about ¾ of the way through Deal, if you listen to the recording, at that moment you can hear the band really kick it in!

Elmore James: The Master of the Slide (CD)
Neville Brothers: Live @ Tipitina’s Vol.2 (CD)
The TRIO: Oscar Peterson, Live 1961 Chicago (vinyl)
The James Gang: ‘Yer Album (vinyl)

I can’t get NO, I can’t get NO, NO, NO, NO...

Peace All!
uncle_tripel

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In reply to by JimInMD

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Kicks arse!

Might just as well go 11/8 today since nothing else…
Might as well might as well.

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Just heard that a certain "classic rock band" has tied Sinatra and Elvis for most albums (58) on Billboard's Top 40.

Wonder who that might be?

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I heard that too!
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Rhino will also reissue all eight albums from the Grateful Dead’s tenure with Arista Records (1977-1990) in pairs between now and July 2024 beginning this Friday, November 10th with the band’s final studio album, Built To Last, and Without a Net, the 3LP collection of historic live performances from the late-Brent Mydland era……

There’s more but I keep getting Hey now’d

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better bumper stickers should be issued!

Rock On!

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Just heard some bits of that on siriusxm. Never heard this before. I sense the birth of Fire on the Mountain somewhere in here.

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In reply to by icecrmcnkd

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Clever Androids with a penchant for mind bending music and perhaps a strong dose of whatever Dr. Thompson is having (no offense to our Wharf Ratt kindred spirits)

I also did a twofer of 11/7/85 rolled into 11/8/85 with a sprinkling of 11/9/73 as a jammy middle layer. What a nice little 1985 sandwich. It made for an enjoyable backdrop to a productive couple of days and what a way to break up any monotony that might have otherwise oozed its way into my otherwise sunny couple of days.

I got to thinking, I know I have seen Dancin' openers and Midnight Hour closers before somewhere.. low and behold they sort of did this a couple times, 7.22.84 (but they added a Brokedown Palace encore) and they came close a couple other times which found me listening to 9.16.66 Avalon Ballroom (simply amazing early Dead, Vintage Dead in fact) and yearning for 1.3.70 Fillmore East. Holy cow, it's amazing just how many Grateful Deads there were.. it is not just one band but many similar but different bands rolled into one.

Hola Senor Bolo, welcome back from your travels.

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In reply to by JimInMD

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Okay, how does 5/5/1990 strike you all? I think this would be a first listen for me.

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In reply to by DeadVikes

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I can fit this in. Checking out the pictures of the show now. It was a hot one that day, 102 degrees. I'll add 9.16.66 and 1.3.70 for future consideration. 6.16.66 makes for a nice short little palate cleanser. A well known show, but man Jerry has some smoking guitar licks for such an early show in his career. If you heard just the guitar solos you might think it is the Airplane.

I'm a roll, very few hey nows today

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In reply to by JimInMD

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I think this can be done. At least I'm pretty sure it can be done, figured out or otherwise find a way to force this one through.

The world would be a kinder, gentler place if we could somehow figure out a way to dose the bots and androids that will one day become AI. I realize we are not there yet, baby steps, perhaps we can start with world leaders and work our way up from there.

ok, back to whatever it was we were doing, as It's the Same Thing comes to rollicking end I am shutting down my PC for the day and moving on the getting shit done and listening to music.

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In reply to by JimInMD

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Right date?

I see none,,,, I see 9/16

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In reply to by Dennis

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I’ve heard it, it’s good if not RJ?
I’ll toss it on DV while I’m working.
Vguy was there, maybe he can give us some deets?

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In reply to by Dennis

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9/16/66. I think it's show they sold as Vintage Dead

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5-5-90: yep, good but…
Felt the couple of miscues and vocal flubs kept from RJ status, but otherwise solid and enjoyable!

Vintage Dead, I have that on vinyl, I’ll have to dig it out!

Hit 11/25/73 Friday. Another good fall 73. Perhaps a slightly different approach with no big TOO or DS etc…

Going 4/16/83 today. Have heard often in the past but being at work and only crappy device, gonna fire it up just because…

Onward!

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In reply to by Oroborous

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Man I love those shows!

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First night since the hot shows at the Omni. This one was good, but not as hot as Spring 1990.
Fun first set, with LTGTR, The Race is On, Help Slip Franklins, Queen Jane.
Enjoyed the flow of Loose Lucy when they brought it back in March and a good one here.
Good second set. Will have to take a look at those other shows Jim.and OB.

Did you see the latest Dave L video? What a scene!

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had that KPFA-FM broadcast on cassette since about summer '91 and I seem to remember (only remember because of the placement of help>slip>frank) Brent and Phil dominating the mix in Set One, don’t remember much of the 2nd set, probably should go back to it...

ORO – Ra cha cha nice energy from the boys; Seasons round, creatures great and small, up and down, as we rise and fall, RISE AND FALL! going with 9/15/85 while outdoors today, got lots of maple leaves that need some attention.

Hit 10/19/73 Dick’s 19 on Sunday while working on a cellar cleanout, and continued Fall ’73 yesterday with 10/23/73 Set II (always a good laugh from that 1st Encore).

Peace All!
uncle_tripel

A ight
Didn’t go there but I’ve had a tape of this one fo ever
Good Sheet Mon!
Good one for shitty device work modification!
Wild set list…don’t peak!

10/23, ha, yeah, too funny

EDIT: enjoyed 9/15/85, cool show. Yeah Jers voice occasionally has the rasp thing going on, but not as bad as some, and he plays his arse off while the band smokes on!
Good pick for anyone not familiar.

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In reply to by Oroborous

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No problem!
Hitting 9/9/88 today.
Serendipitously ended up at 9/8/88 (good but not RJ) so figured I’d finally check out the rest of the run…

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In reply to by Crypto Shillers

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Good to see you back! How did you make through Hey Now?

88 spectrum shows. I need to check those out OB.

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When I started to initially post comments back in October, I was being hey now’d to the point of frustration. So it was at that point that I figured something I’m doing it’s not working, maybe it’s not recognizing my I.P., so I don’t log out anymore…and I don’t have to log-in, and their system still recognizes me.

I launch dead.net, and then click next to the pop-up to clear it, and at the top right of the screen is my avatar. I scroll over to the arrow, the pull-down shows various options and I click on "recent posts", and then I chose the “Title” of the posts I’m interested in reading and/or responding to. This process has been working well for me for several weeks, saving me time by not re-typing, or lost thoughts, and no more frustration, so I “jump fer joy”.

Peace All!
uncle_tripel

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Been unseasonably warm here in MN so far this November. Been enjoying the last rounds this weekend.

Where were we

I see the end of the year sale is on. You can grab a copy of Here Comes Sunshine for 140. Wait you can't, because it is sold out.
However the Listen to the River Bo

Just wow. I can't post anything anymore, I keep getting Now Heyed. MDJim got this one through, but Jim in MD.. nothing.

Now I'm all pissed off.

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So long as we keep it to single syllable words and sentences chimpanzees have said using sign language.

God forbid we comment on a show or discuss complex dark star passages, we will have none of that, you will get "Hey Now you can take that post and shove it up your ass"

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Marye, we are loosing posters and customers right and left here. Can anything be done to get us back to where we were? Just seems a shame that folks are bailing out. I miss them.
Cheers

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In reply to by 1stshow70878

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Someone noted they could post something simple, then went back and edited to add more, that did not pull the hey Now. My last post had a couple typographic symbols, did get the hey now until I removed them, so here's my first test with a clean post.

So that went through first try, no hey now, now now hey, here goes
!@#$%^&*()

and that posted fine, no hey now (second edit)

but it did not allow third fourth fifth of sixth edit tries...

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can't post without hay now

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lol

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In reply to by PT Barnum

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Nothing, crickets..
If they at least had the curtesy to let us know what’s up etc, wether this nonsense, or the HCS nonsense.
This secrecy and/or just plain FU decades long loyal fans who give these folks way too much money and they can’t even be cool with us! FFS!

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In reply to by Oroborous

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many of us have spent hundreds if not thousands chasing this music, live and recorded

hmmm... under twenty words no hay now (first edit)