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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • alvarhanso
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    The Numbers

    It's a big thing in the show Lost, where the (really obscure) character name Alvar Hanso comes from. And he's a person, among several on the show (and in its mysterious background offscreen) who ruminate on those numbers. Don't wanna reveal too much and spoil anything. The last number in the sequence, 42, was chosen as an homage to Hitchhiker's Guide to the Galaxy which posits that 42 is the answer to the meaning of the universe, life, and everything. Lost, in its way, tried to answer the question of meaning as well, in a far less humorous way, but just as entertaining and engrossing.

  • dmcvt
    Joined:
    testing

    Can't post anything, Hey Now. Won't let me add through edits. Still trying, can't post

  • proudfoot
    Joined:
    Yo alvarhanso

    Is there any significance to the number sequence in your avatar?

  • proudfoot
    Joined:
    Live vs. Studio

    I'll take live every time

    AB does have a bundle of studio gems, fo' sho'

  • alvarhanso
    Joined:
    More faves

    Playing 11-18-72
    China Cat Rider 6-26-74 DiP 12, my first time hearing the pairing on a Dick's Picks sampler, thought they'd all have the intro jam
    Scarlet Fire 5-8-77 my first tape, so that's how it "should be" to me
    He's Gone 11-18-72, with 11-17-72 my number 2
    Loose Lucy 6-9-73 Dick Latvala made special note of this on his notes on the show based on Kidd's thoughts!
    Jack Straw 8-27-72 those Phil slides
    Sugaree 5-28-72
    Weather Report Suite 6-28-74 DiP 12 is magnificent
    Ship of Fools 6-23-74 all about intro Jams
    That's It For The Other One 3-1-69 "The American version of the Japanese film The Magnificent Seven..." yowza!
    The Eleven 3-2-69 (if you know better, please tell me)
    Here Comes Sunshine 12-19-73 leadoff home run by Dick

    Edited to add: largely agree on those other two you mention, daverock Attics and Brokedown, but I will say that the Brokedown that emanates from the smoking crater of The Other One from 11-17-72 is just gorgeous and moving. That whole sequence from the He's Gone on is astounding.

  • alvarhanso
    Joined:
    Studio v. Live

    Good question, daverock. And a poser, as you Brits might say, when it comes to the Dead. Some of their best songs are clearly defined in the studio, such as Ripple and Box of Rain, which you mention. Others, Jack Straw, Bertha, Sugaree, Playing in the Band, The Eleven, Loser, He's Gone, or poor old August West, the Wharf Rat, never got laid down in a studio for a Dead album (two of those made it on solo records, one with the whole band, but don't count, and that one would not be defined or confined by a studio rendition). Black Peter is not a favorite of mine at all, but I can tell you my two favorite versions are 6-23-74 DaP 34 and 10-29-77 DaP 33. I had a list of other favorite live versions, but was Hey Now'd.

  • proudfoot
    Joined:
    1 17 79

    Black Peter

    Slowest one I have ever heard

  • daverock
    Joined:
    Studio v Live

    For the most part I would agree - Live Dead is where it is at. But for me there are a few exceptions - I can think of 4 from American Beauty - Box of Rain, Ripple-Brokedown Palace and Attics of My Life. I don't think I have ever heard any live versions of those songs that I prefer to those studio cuts.
    American Beauty as a whole is amazing, of course!

  • proudfoot
    Joined:
    I personally cant choose one best song

    Listening currently to 1 17 79

    The recording starts with Bobby saying Garcia is sick and on a respirator and the show is cancelled and will be made up later. (From the cancelled Fall 78 shows )

    Then the recording switches to 1 17 79.

    Interesting.

  • icecrmcnkd
    Joined:
    A more informative list

    Studio songs that are better live.
    Probably all of them.

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"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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10 years 2 months

In reply to by mark_mumper

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There is always a considerable difference between listening to a live recording and what you actually experienced if you were there. But, I get the impression, never more so than with those Egypt shows. Great to read a first hand account of them - cheers Mark.

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In reply to by mark_mumper

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I actually use xACT on older Macs, so I don’t know if it will work on current Macs.
Toast Titanium 20 is the current version, but it is not compatible with OS 14 apparently.
I’ve used Toast to make FLAC files but not to convert FLAC to another format, I use xACT for that (and VLC may do that too).

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17 years 3 months

In reply to by icecrmcnkd

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Check your PMs page.

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10 years 2 months

In reply to by mark_mumper

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They were going to play a few nights in London in September 1978 until some bright spark had the idea of playing in Egypt. Not everyone was overjoyed at the news.

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3 years
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This would make a nice release

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17 years 3 months

In reply to by DeadVikes

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For me, an indelible lesson which says a lot for me to learn, continuingly: During the set break of one of the concert nights, I wandered to or toward nearby Mena Village by the pyramids, and some villagers invited me to their homes for tea (chai), which would have been hot and sweet, served and re-served in little tall-thimbleish glasses and in good company; but I selfishly TURNED DOWN THEIR OFFER BECAUSE I DIDN'T WANT TO MISS A NOTE OF THE MUSIC performance when it would resume. That was one of the saddest and lamest noncommunal errors I've made in my life, and I grieve how I may've stupidly negated or hurt their plain and really kind Arabic hospitality. (Talking about wanting to conquer before understanding, in my case wanting to conquer a narrow goal of witnessing all of these concerts.) (The villagers may have found some better respondent/s to invite.)

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In reply to by daverock

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daverock, I think the Dead's actual intention was to play London after Egypt. DeadBase's cancelled shows list has dates from Sep 30 through Oct 17 of twelve planned gigs in western Europe, Scotland, and England, but then notes that "when the Europe tour was cancelled the London shows were rescheduled for 09-29-30 and 10-10, but even those were eventually cancelled." I've read in more than one source, I think, that ultimately the cancellation was due to need to get back to the States to finish production for the Shakedown Street album, which the record company wanted.

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Vguy Phish had the Garden bouncing the last two nights, I just love feeling the garden bounce!

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10 years 2 months

In reply to by mark_mumper

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Spending too long thinking about what you write, as you write it, seems to be a stumbling block.
So quickly - I didn't actually know at the time about The Dead planning to play in Europe in 1978. I do remember seeing an advert for them, Santana and New Riders for a Wembley 1976 show that never actually took place.

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4 years 1 month
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Tried a couple times to say something about the Egypt shows, got Hey Now'd. This is really getting annoying. So strange how one post will go throw and others will randomly get blocked for no apparent reason.

Any, Re Egypt: pretty hard to do a great show anytime Billy K is playing with a broken thumb. But there are moments. Still one of the coolest, most Grateful Dead things they ever did. "Hey, you guys, you know what would be cool? Let's go play at the pyramids! During an eclipse!"

I'm not a robot!

....my man! Saw videos of the balloon drop from a private suite, a glowstick chain and a reindeer crowd surfing!
Jealous. Looked really fun. I'll make it there one day.

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14 years
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Just finished reading the 33 1/3 pocket edition of Workingman's Dead by Buzz Poole. An interesting read, he breaks down the background of each song on this historic album with lots of references and interviews. Made me want to play the CD.

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17 years 5 months

In reply to by Vguy72

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....because I posted the F word on my last post. Took it out and the post went through.
Don't get all PG-13 on me dead dot net. I'm a grown ass man who throws the F word around when it's applicable.
I'm a Simple fan. And they didn't disappoint on night one.
They will play Antelope tonight.
I have some shroom chocolates saved for New Years.
Dolphins have Baltimore tomorrow as well. Sorry JiminMD.

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3 years 4 months
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The more the merrier brother! The show the streets it is all a part of the experience. NYC would love to have Ya. drop me a line if you do. Happy New Year!

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4 years 3 months

In reply to by jjc

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Road trip earlier this year

9 sixteen I think it was on ark I've

Nice

Is a good set. 4 cds of music from Boston 11/30/73 and 12/2/73. The first cd opens with Morning Dew and the 4th one closes with it, which gives a nice sense of completion. The "Playing - Jam" as it is described on the cover, from 12/2 goes from being very calm to raging. Put me in mind of Seastones at times. Also a Mind Left Body jam that isn't credited as such on the cover. Definitely worth checking out if, like me , you haven't done so for a while.

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17 years 5 months

In reply to by daverock

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Is da shite mate!
So how’s bout 12/18 tap, tap, tap, (foot tapping sounds) ?

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9 years 1 month

In reply to by proudfoot

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They deserve Plangentization and the Full Normanization.

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9 years 1 month

In reply to by Vguy72

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Allman Brothers 12-31-73 (playing now)
Blues Brothers 12-31-78
Santana 12-31-76
Phish 12-31-91

...somebody here mentioned my name, but I can't quite put my finger on the post.

:D

What Cone Kid said regarding 12/73. In fact, give the Full Norman and Plangentasize the entire month.

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The night that Bob Weir met Jerry Garcia, as Garcia waited for some of his music students to show up.

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11 years 10 months

In reply to by proudfoot

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was 12-31-68 to see headliners Canned Heat...at Midnight The Bear rode out from the back of the Shrine Expo Hall on an elephant that had been dusted pink...it carried him to the stage and we then realized he was wearing a diaper with a sash that said 1969...

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11 years 10 months

In reply to by nappyrags

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since christmas I have ha about eight or so postings not be allowed...huhhh...anyway I think I found the issue for myself any way...I turned off my VPN and voila! I can post...

HAPPY NEW YEAR EVERYONE

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17 years 5 months

In reply to by nappyrags

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....Llama taboot.
Incredible shit. Taboot.
I needed that after the shillacing.
Phish brought out the smoke machines and jumped the shark.
But, then there were trampolines.
And it all evened out in the end.
They call me the sloth.
Merry Easter!! And Happy Living Another Day Day!

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17 years 5 months

In reply to by Vguy72

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To post my old chestnut of the 1977 NYE show and meeting Jerry two months later to discuss art.

Guess the new system is tired of the tale.

Search for it if interested, sorry, I tried.

The truth is realized in an instant, the act is practiced step by step.

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11 years 4 months
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Happy New Year everybody!

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3 years 4 months
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What a night. I have been caretaking my 91 yr old uncle and last night was a tad rough. I got to the garden as the lights went down missed nothing. God bless the dead and God bless Phish! Happy new year ya’ll

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11 years 3 months
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Happy New Year to all the beautiful heads out there!

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17 years 6 months
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send me a PM and we will get that posted if I have to post it myself. It's a classic! Also happy new year, everybody!
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14 years
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Happy New Year all you deadheads out there. This forum makes me happy. Thanks for all the good thoughts and ideas this year. Hope this gets posted, got heynowed all yesterday.

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