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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • PT Barnum
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    John Cutler

    RIP John Cutler, a bit of a story, the Grateful Dead sent John ahead of the band and the rest of the bozo's and bolo's to Egypt for the "Egyptian experiment". When he got there (this is in the 70s now) the airport authorities were very skeptical and leary of all of the musical equipment so John had to disassemble every piece so the authorities could inspect it. The fore thought of the band to send someone weeks ahead of the scheduled shows was a brilliant thought and one that saved the show. There was a war going on between Egypt and Israel at the time so it was not real easy for anyone to get into Egypt, especially a hippy with a bunch of "equipment". At the time, Egypt was still quite a backward country and there was nothing on site that could be used by John to set up shop, so he asked for some cable, as the engineers thought they could use the great pyramid as an echo chamber so they brought him some, left over by the nazis in WW2. Of course the bulk of it was unusable and the echo chamber idea was shelved.
    Needless to say, he did it, and the band pulled off a legendary show.
    Fare thee well Mr. Cutler, and thank you, for a real good time.

  • daverock
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    Christmas Hits

    A Gift From A Flower to a Garden- mono vinyl - Donovan
    Lets Go Down and Blow Our Minds - British Psychedelic Sounds of 1967 - various
    Hackney Diamonds - The Stones

  • DeadVikes
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    I bet

    I bet Dennis got a bunch of music for Christmas....…..

  • 1stshow70878
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    Did Anyone ...

    get any new music for Christmas?
    Cheers

  • Vguy72
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    Dolphins are in the playoffs....

    ....thanks Santa.
    Merry Jerry Christmas everyone!

  • nuclearabbit
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    Snakefinger's guitar solo on…

    Snakefinger's guitar solo on The Residents' "Satisfaction" is one of the greatest of all time.

  • 1stshow70878
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    NHL Outdoor Classic

    The Kraken vs. Golden Knights on New Years day.
    PF vs. Vguy? This could be good!
    Hockey should be played outdoors.
    Cheers

  • daverock
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    Calling from the Funhouse

    Crow-that's spot on, what you say about The Stooges and the MC5. I couldn't agree more if I'd written it myself. All manner of British punk bands tried to copy them circa 1977, but no one came close. They just copied the three chord thrash without any understanding at all. "Funhouse" is definitely my favourite Stooges albums. And that clip of the MC5 at Tartar Field is one of my favourite live videos of any band.

  • Danehead
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    Purple..

    I saw them in 1993 - another "reunion-tour", which then turned out to be the final one with Blackmoore and they were still LOUD.. Happy Holidays all..

  • Crow Told Me
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    Calling from the Funhouse

    Stooges were the birth of punk, IMO.

    From what I understand, they were more of performance art thing than a rock band in the beginning, playing homemade instruments and an amplified vacuum cleaner to create an enormous thumping drone as Iggy, dosed out of his freaking mind, slithered around and mumbled and screamed. They didn't know any actual "songs" when they got signed (by the legendary Danny Fields, who had come to Michigan to scout the MC5, who turned him on to the Stooges.) So for their first album they had somehow write and learn songs, and the result was stuff like "I Wanna Be Your Dog": relentless, droning riffs with lyrics that make the Ramones sound like verbose poetry students in comparison. In other words: punk.

    It was a huge break from, well, anything resembling "normal" music, really. And would prove a major inspiration for the Ramones, Pistols, etc. But the really great record is Funhouse. This is recorded about a year later, and they had actual songs and pretty amazing live set, which they just recorded live the in the studio for the album. Just pure, balls out, screaming, animalistic gut level rawk. It's just so incredibly over the top that it's difficult to compare it to anything of that era. Or almost anything since.

    The band got strung out after that, and broke up, and reformed with different personnel, and made Raw Power. Which is pretty great in its own right, except that it does sound kind of studio bound in comparison to Funhouse, and the recording quality is really thin and trebly and even after all this time no one's been able to fix it. But all three Stooges records are worth having, if you're at all sympathetic to punk.

    Nothing in Iggy's solo career ever came close to his Stooges stuff, IMO. Kind of amazing he lived long enough to do any of it, frankly.

    MC5 were incredible onstage, as numerous bootlegs demonstrate. None of the official recordings quite make it (Vox are so so, tunes are often run of the mill, IMO.) But man, they were a force to be reckoned with live. Go to You Tube and look up their Tartar Field performance and you'll see what I mean.

    Blue Cheer I only know the one record, Vincebus Eruptum or something like that. It's kind of crude sludgy garage metal, quite enjoyable for what it is.

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"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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10 years 10 months

In reply to by daverock

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Good question, daverock. And a poser, as you Brits might say, when it comes to the Dead. Some of their best songs are clearly defined in the studio, such as Ripple and Box of Rain, which you mention. Others, Jack Straw, Bertha, Sugaree, Playing in the Band, The Eleven, Loser, He's Gone, or poor old August West, the Wharf Rat, never got laid down in a studio for a Dead album (two of those made it on solo records, one with the whole band, but don't count, and that one would not be defined or confined by a studio rendition). Black Peter is not a favorite of mine at all, but I can tell you my two favorite versions are 6-23-74 DaP 34 and 10-29-77 DaP 33. I had a list of other favorite live versions, but was Hey Now'd.

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10 years 10 months

In reply to by alvarhanso

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Playing 11-18-72
China Cat Rider 6-26-74 DiP 12, my first time hearing the pairing on a Dick's Picks sampler, thought they'd all have the intro jam
Scarlet Fire 5-8-77 my first tape, so that's how it "should be" to me
He's Gone 11-18-72, with 11-17-72 my number 2
Loose Lucy 6-9-73 Dick Latvala made special note of this on his notes on the show based on Kidd's thoughts!
Jack Straw 8-27-72 those Phil slides
Sugaree 5-28-72
Weather Report Suite 6-28-74 DiP 12 is magnificent
Ship of Fools 6-23-74 all about intro Jams
That's It For The Other One 3-1-69 "The American version of the Japanese film The Magnificent Seven..." yowza!
The Eleven 3-2-69 (if you know better, please tell me)
Here Comes Sunshine 12-19-73 leadoff home run by Dick

Edited to add: largely agree on those other two you mention, daverock Attics and Brokedown, but I will say that the Brokedown that emanates from the smoking crater of The Other One from 11-17-72 is just gorgeous and moving. That whole sequence from the He's Gone on is astounding.

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4 years 3 months

In reply to by alvarhanso

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I'll take live every time

AB does have a bundle of studio gems, fo' sho'

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4 years 3 months

In reply to by proudfoot

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Is there any significance to the number sequence in your avatar?

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11 years 7 months

In reply to by proudfoot

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Can't post anything, Hey Now. Won't let me add through edits. Still trying, can't post

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10 years 10 months

In reply to by proudfoot

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It's a big thing in the show Lost, where the (really obscure) character name Alvar Hanso comes from. And he's a person, among several on the show (and in its mysterious background offscreen) who ruminate on those numbers. Don't wanna reveal too much and spoil anything. The last number in the sequence, 42, was chosen as an homage to Hitchhiker's Guide to the Galaxy which posits that 42 is the answer to the meaning of the universe, life, and everything. Lost, in its way, tried to answer the question of meaning as well, in a far less humorous way, but just as entertaining and engrossing.

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17 years 4 months

In reply to by alvarhanso

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....acceptable.
Except Cumberland Blues isnt on it. Swap out Casey Jones for it and put Cumberland at around #15.
Casey Jones is overrated. Sorry not sorry.

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10 years 2 months

In reply to by alvarhanso

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Alvarhanso - some of the versions strike a chord, - China Cat-Rider from 6/26/74 is a clear pinnacle, as is everything on 1/3/69 , 5/8/77's Scarlet-Fire - but some don't ring any bells. A useful guide for some exploring.

I've always thought Casey Jones was a bit of a tiddler.

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10 years 10 months
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Casey Jones, personally either. Don't know why. And it's funny I can have favorite versions of songs I don't care as much about, like Black Peter or Loose Lucy (bc they stand out as so much better, perhaps), but cannot decide on others. Some more random favorites:
So Many Roads 10-1-94 30 Trips Boston, with Jerry giving his all on the vocals
Greatest Story Ever Told 8-27-72 the Wah and Donna are just about perfect on this fiery version
Tennessee Jed 5-21-77 DiP 29 only one of the era I know of with Jerry doing the solo on evelope filter right after a pair of Jacks (a Roe and Straw)
Cumberland Blues 11-17-72 not sure about favorite, but way up there, love how Phil is rarin' to go and start the set (saw him do just that with Phil and Friends with Cumberland in 2006)
Terrapin 2-26-77 somehow hard to top that first one
Comes a Time 7-17-76 DaP 18 16 min, we shall see if 5-4-77 on 50th Bonus will compare
Crazy Fingers 6-14-76 my favorite show from that June '76 box
Bird Song 3-29-90 as much as I love 6-22-73, 11-17-72, and some others, that wonderful sax of Branford is so sweet and ethereal and pushes Jerry, Phil, and company to ever greater heights

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10 years 2 months
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Had to go to DiP 29 5-21-77 just to see what envelope filter sounds like, lol. What a great release. Six CDs of bliss. Two full shows plus extra. I like this format!
Cheers

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7 years 4 months
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Did Y’all forget?? We already decided you need 2 lists: one live & one studio.

Silly rabbits.

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10 years 10 months

In reply to by Mr. Ones

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And it pretty much stopped at those 4: Ripple, Box of Rain, Attics of My Life, and Brokedown Palace. Pretty fair list, and comprehensive, as I can't think of any other Dead songs where I prefer the studio track. High Time on Workingman's is close, but there are some much better live ones. There are a few tracks where it's choosing the lesser of evils, such as Money, Money or Let Me Sing Your Blues Away.

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12 years 1 month
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It appears as though you and I have very similar taste. I 100% concur with your nominations of China Cat>Rider, S>F, Terrapin, So Many Roads, HCS, and your spot on analysis of Bird Song. My preference for The Other One is 5/3/72.

For H>S>F I would go with either 5/9/77 or 5/22/77. I realize that many folks would go with 8/13/75 (One From the Vault). But to me, if you take out the introduction, it doesn’t hold up to the other two.

Other personal favorites include:

Peggy-O 5/7/77

She Belongs to Me 11/8/85

Truckin 5/26/72 or 5/19/74

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10 years 2 months

In reply to by Angry Jack Straw

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For many years I've thought of 6/9/77 as being my favourite H-S-F. Similarly, the version of The Other One that first comes to mind as a classic is the one from 5/2/70 at Binghampton.
Possibly because of the box set, apart from 5/26/72, I can't distinguish individual shows from the European tour so easily, in my memory, after I have played them.

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11 years 3 months
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I concur with your personal favorite of She Belongs to Me 11/8/85, but I'm biased since I was there in Rachacha.

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1 year 2 months
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About when will the "Mars Hotel Shop" be rolled out.. ?

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1 year 4 months
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The 4/30/77 Scarlet>Fire is funkier with more envelope filter than the 5/8/77 version. Not necessarily “better” but more to my liking. IMHO, the studio version of Estimated Prophet is really good. Again, not necessarily “better” than some live versions with improv jams but always listenable and well done.

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11 years 7 months

In reply to by VirgoHead

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Have not be able to post due to hey now, trying again, cant keyboard much, thumb in a brace. Nominate Unbroken Chain for studio is better... though it was epic when finally played live. Wow, it went through, here's some earlier text to try again. Lost became so mysterious, will have to go back and check it out. Jack Kerouac wrote about The Dharma Bums, maybe that explains it.

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10 years 10 months

In reply to by dmcvt

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Magisterial studio cut, decent song live when finally played, as you said dmcvt. I've seen Phil do it a few times, and they've been magnificent and jammed out.

It's cool some of us love exactly the same flavors, some like it spiced just a bit differently. :)

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12 years 1 month

In reply to by musicnow

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I was there as well. That’s why it’s a personal fave. I tried to leave attendance bias off my list, but that one I couldn’t.

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17 years 4 months

In reply to by Angry Jack Straw

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....aka Boxilla.
Realized it's been a minute since I've listened 🎶 to the Providence '78 offering within.
Let's see what up, shall we?
Half-Step opener it is. Bodes well.
The scroll begs to be framed.
I'll get to it eventually.

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4 years 3 months

In reply to by Danehead

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Yes...50 years ago

Redo with a show? How about it Dave??

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1 year 1 month
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was COOL going into commercial break of the Steelers - Bills game, looked at the wife, and she said was that GD, big grins all around our family room

Peace All!

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8 years 1 month

In reply to by uncle_tripel

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We should be getting a seaside chat soon.

And than bring on the box news!

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10 years
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I turned on the dusty old wireless this morning to a lovely 10-21-71 Dark Star. Highly recommend it with a good coffee. Not quite the rumble of Phil’s hand heard in other versions, but definitely exactly the right tune to start the day. Having just received 48 this week (the first one is MIA), I’ll delve into more 1971 this weekend.

AJS - Jack, what do you think of #98 on the CBH? The real deal, IMHO. Have you ordered the home jersey yet?

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7 years 4 months
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What could be better than spending Wed & Thur Listening to 10 hours, 32 minutes and 21 seconds of "highlights" from the last 4 years of "30 Days of Dead"??

Not much, that's for sure.

Music is the Best!!

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14 years 11 months
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I my past experience, Half step openers are the tops, and the entire show usually smokes. Dig it been listening to some 78 myself lately, Jer was so alive back then, on top of it, all over it, in and out, up and down, round and round, so good, loved the hippy look too.

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11 years 3 months

In reply to by PT Barnum

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Totally agree! That "Half Step" opener on Dave's 37 really smokes, as does the entire William & Mary show.

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12 years 1 month

In reply to by alvarhanso

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Mike,

This censorship BS blows. I am not allowed to post my response.

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10 years
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Jack, I totally get it. The site’s gone wild here, it’s crazy. One of the best forums out there dragged down by the Technological singularity. I’ll watch for your response in the meantime, if you get through, because I’ve been wondering your thoughts on #98, and all thinks ice!

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4 years 1 month
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Luv luv luv reading about all youse guys fave shows and songs. Keep 'em coming!

Hate hate hate the Hey Now Problem. It's almost like they're trying to fill off this forum. Have tried to post some of my own faves, but keep getting Hey Now'd. We'll see what happens with this post.

I'm not a robot!

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10 years 2 months
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Keep getting the dreaded Hey Now.
Make it stop!

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10 years 2 months
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See Recents, f ree s tuff category.
Cheers

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17 years 5 months

In reply to by Crow Told Me

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Good bye old friend 71!
Tanks for the goodness!
Onward!

Howdy Mike!
You and AJS would be proud at how much “best game in the land” I’ve been up to this year! Key, watch with sound down, tunes up!
Good season so far🤞

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17 years 4 months

In reply to by Oroborous

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....good lineup coming to the Brooklyn Bowl. Cumbia Rave tomorrow. $17. Los Lobos would approve. Keller Williams on the 25th. Got tix for that. $30. Pink Talking Fish on the 28th. $25. Probably gonna pull the trigger on that one.
And Lettuce Feb 1st. $30.
Looks nice.

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8 years 6 months
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….Daves Picks #31 was a 79’ performance & the cover artwork was a dragon. The Chinese New Year 2024 will fall on Saturday, February 10th, 2024, starting the year of the Dragon. I’m hoping the next Boxset is “chasing the dragon” of 1979 Grateful Dead’s magic!

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5 years 1 month
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Between this one and Dave’s pick 49, which would yall go for as I can only afford one as much as I’d love to get both

I'd go for Daves 48. In fact I have. Fall 1971 was one of the greatest periods in the Deads career - and any show from that era would trump two from 1985 for me. Not for everyone though - just depends what you like.

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8 years 1 month

In reply to by 1stshow70878

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I think that is a first. He only gets one?

So, which Dave's will sell out first?

There are four currently for sale now.

What will be in that 79 box Love My Girl?

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1 year 1 month
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personally, gonna stand with TN JOHN on this one; gotta believe that different gear & different recordings from two different bands during two different periods of music 14 years apart renders those releases non-comparable, and
DAVEROCK nails it, which ERA do you like BEST?

peace all!
uncle_tripel

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