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    Anyone who has ever seen the Dead can testify that one of its shows will add quite a bit of color to the environment here at Stanford. Anyone who has not seen one of these spectacles should have the opportunity to do so. The Grateful Dead are an important part of the Bay Area's cultural history. Those of us who saw them last week can testify that the Dead are alive and well. The Concert Network would be hard-pressed to find an act which would bring Frost Amphitheatre to life as the Dead would. - The Stanford Daily

    As you know by now, we'd certainly have voted aye on this motion, so much so, that we've loaded up DAVE'S PICKS 49 with not one, but two complete Grateful Dead shows from the Frost Amphitheatre, Stanford University, Palo Alto, CA 4/27/85 and 4/28/85. The first shows from '85 in the series, these back-to-back hometown performances couldn't be more different while delivering the same level of passion and precision, five hours of it, in fact.

    In 1985, the band were celebrating "20 Years So Far," a feat that found them on these particular nights confident with invention in terms of both setlists and playing. There are old songs renewed, rare covers revived, undeniably nuanced Jerry moments, and a few surprises from Brent Mydland too. While it's impossible to select highlights, we can say with certainty that the overall clarity of these shows is unparalleled, courtesy of Dan Healy's recordings.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 49: FROST AMPHITHEATRE, STANFORD U, PALO ALTO, CA 4/27/85 & 4/28/85 has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • Oroborous
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    3

    Seems there’s no accountability anymore, anywhere, but when you basically kill someone you should have to pay, HARD!
    This truly pisses me off, and I didn’t even know your Bro.
    What I don’t understand is how there’s not some safeguard or other opinion or some kind of advocate specifically for such situations?

  • Oroborous
    Joined:
    2

    It would be one thing if they did the right thing and something went wrong etc, but to basically kill another human being because of what? Greed?
    I’m all about moving on and not getting hung up on past shit that you can’t change, but this motherf@##$& needs to feel real pain!

  • Oroborous
    Joined:
    1

    My goodness, that’s a horrible story and can’t imagine what your going through!
    I’ll I can recommend is keep busy, long walks, and lots of Dead…if you get confused just listen to the music play.
    Eventually, time may not fully heal, but like all the heavy shit you’ve been through in life, this will pass.

  • Oroborous
    Joined:
    Needful

    Tried to respond but this ridiculous nonsense won’t let me post!

  • Doingtheneedful
    Joined:
    Thank you!

    Thanks vguy and Dave! Your words mean a lot. Kevin was indeed special. Incredible social conscience and extremely intelligent. Never once raised his voice and was always measured and deliberate when he needed to be, and fun and surprising when he felt like it. The fact that we were solid and firm friends since the early 90’s speaks volumes. I tend to piss off most folk within weeks! lol. I’m not nasty at all, but I somehow seem to be a bit obvious when suffering fools… Precious little poppet that I am.

    My wife grew up with Kevin in Carshalton when they were kids. They even dated for a while a long time before I appeared on the scene. In one of life’s funny little co-inky dinks, we probably passed each other all the time when I was living in Putney as a young teen. Turns out we even used the same video store!

    It just destroys me that the coroner concluded he would almost certainly be with us today had he been admitted and given intravenous antibiotics. It’s one thing to be a hoity insecure pillock, but when a life is lost, and it’s not a “mistake”, then surely there’s something that needs to happen there. It won’t bring him back and I won’t claim sheer altruism in the “just so it doesn’t ever happen to anyone else” vein. No. I want the SOB to pay the price out of sheer anger and venom. I wish I could be a bigger person about it. I’m just not there yet. Nor do I expect to be any time soon. Sorry, but a line was crossed when it comes to my ability to forgive.

    For what it’s worth, I genuinely feel good about how my wife and I have picked up his widow and given her the safe space and sanctuary she needs. And she’ll have it forever. We’re even giving the spare bedroom in the place we’re moving to a name… “Julie’s Room”. She’s such a good and kind person. Just like Kevin. It makes us feel a little better that we can at the very least give her our unqualified support and affection and always have a place for her to feel safe in. And, she’s using it, so that in itself shows that it’s needed and that it’s a good thing for her.

    Anyway. Thanks again. Sincerely. It needs to be shared so I can lessen the empty anger that the finality of it all brings.

    I’ve been dwelling on the nature of “void” and the fact that I’m terrified of it - and no, the argument that I won’t be around to miss it just makes it worse. Even typing this is making my chest tighten, breathing laboured, and skin feel like it’s slow burning - anxiety to the max. How do you rationalise the unacceptable? All I can take from it is that if I feel this bad about losing life, I must really love it, and I’m trying oh so hard to use that as my “FU” to the reaper…

    Still. One of the terrible compromises that we’re all born with. “I’m going to give you something so magical, that when I take it away, and I WILL take it away, you’ll have never existe”. Jesus. Sorry, but now I’m having a full blown panic attack. Any ideas anyone? I don’t even drink anymore nearly two and half years sober, and thank god because if this wasn’t an excuse to bury myself in a bottle, then I don’t know what would be. So, if I qualify that question to “Any holistic ideas anyone?” Then maybe that’s better.

    One thing I can say with utmost confidence. The music of the good old Grateful Dead certainly helps. One thing I was really apprehensive about with sobriety and “being straight” was how it might alter my relationship with and enjoyment of the music. Turns out, not a jot! If anything it’s better than ever. My playing is improved and I can add thought to my guitar playing that allows for more “play” and less “see what sticks”. I guess the analogy would be the painter who knows how to use texture and layers as opposed to your Jackson Pollocks who luzz stuff everywhere and see what happens. They both produce interesting results and there is nothing to stop the chucking it about but, but having that extra layer in the arsenal gives you more toys to play with.

    How I got here from there I don’t know. But let’s end on a positive… Anyone considering changes around chemical self medication… I will assure you that YOU will still be YOU on the other side. You might do things a little differently, or require yourself to get “there” a different way, but don’t worry about losing yourself. I think it’s a bit of a common thing that folks can worry about when they’ve become dependant on certain addictive behaviours. That loss of one’s self. I’m here as living proof that you’ll still be there on the other side and what’s more, it’ll be earned and more valued, and dare I say, it’s not inappropriate to feel a little smug about it.

    Right. I’m much happier for having let all that out so thanks again all! It’s really, really appreciated.

    Now back to “how do I get my undelivered copy of DP48?” Again, any pointers would be brilliant. I’ve no doubt it was sent, but I’ve lost a few packages in the last six months or so… Never been a problem until recently, and ties up with when Evri started doing the “last to the door” legs. They recently (last week) put a watch in a “safe place”. Well. They threw it in the recycling wheelie bin actually. But hey, could have been a bush, right?

    :-)

  • daverock
    Joined:
    Doingtheneedful

    Great to see you back on here - I wondered what had happened, and am sorry I didn't reach out earlier. You have absolutely no need to apologise at all - it sounds as though you have been to hell and back since we last communicated. Terrible what happened to your mate Kevin. He sounds as though he was a great person to have known and hung out with. What a tragic thing to happen to him. My heart felt condolences to you and his wife.

    Yup- I am still interested in the 1978 Daves Picks on vinyl - I'll send you my address by email - if not now - I am due out in a minute - but later today.
    As you guessed, I have got Dicks Picks 2 on vinyl - but thanks for thinking of me.
    My eyes lit up when I saw Ozric Tentacles in your post - but dimmed again when you talked of Phish. I have never heard them really - I'm not quite sure, but the very idea puts me off. Very unfair -I'm sure they'll survive ! Ozric Tentacles on the other hand - I've seen many great gigs by them over the years. Incidentally - they also sound great on vinyl.
    All the best - cheers - Dave

  • gratefulgerd
    Joined:
    #49 Scarlet...

    This Scarlet... is absolutely top tier. Jerry is taking off and gets 'lost in the ozone'. I think.
    Wunderschön!
    G.

  • Vguy72
    Joined:
    Neil Young & Crazy Horse....

    ....announced their Spring Tour.
    Guess I need to gas up and set my sights for Phoenix.
    Edit. Khruangbin is playing here.
    Nevermind.

  • Vguy72
    Joined:
    Rant away doingtheneedful....

    ....doesn't sound like a very good way to go imo. So sorry your friend went through that. Having a life saving surgery delayed twice in a year is unacceptable. Sigh.
    Just remember this. Surround yourselves with kind people.
    Turn away from the people that spew hate and vitriol.
    And drink plenty of water.
    Comicons are awesome. So many cool nerds. And I mean that as a compliment.
    Phish's Ocelot and Scents And Subtle Sounds are, imo, their most "Dead" like songs. I get the lyrical nonsense point though. Until Gamehendge comes around lol.
    I'm still on my Mavis Staples thang.

  • Doingtheneedful
    Joined:
    Daves 48 ALARM! Help from GD CS if possible please?

    Hi. If anyone on the CS side sees this (or if anyone else can point me in the right direction). With 49 arriving on Friday, I literally just realised that 48 hasn't ever turned up. I was looking at the library to double check my naming conventions etc. for ripping, and nada. No 48, no bear on a skateboard. I revisited my physical stash where everything goes immediately after digitising, again nothing. No JPG cover art in my cover art folder. I checked the tracklist again and I guarantee I haven't listened to this release. It occurred to me that I'd just let it be in the knowledge that sometimes they can take a little longer to get here, but I've obviously put it "out of sight, out of mind" too far! It will be the first actual non receipt I've ever had from dead.Net since I first used them in the beginning. I had one cross over where a package was shipped gain and arrived the same day as the very delayed original. Something always turns up in the end. Not this time though.

    I've had some pretty heavy stuff going on back in the real word. No sympathy required, but lost my best friend out of nowhere and way too early and suddenly. Sadly avoidable too if not for the ego and pride of a duty consultant at a south London A&E who failed to recognise sepsis in an otherwise very healthy man my age who was due Gall Bladder removal very soon and who had a recent history of Gallstones and Pancreatitis issues.

    He was being admitted for emergency surgery, but the surgical team were overridden literally on the way to prep by this fool consultant whilst my friend, Kevin, was in the lift being taken to a holding high dependency ward, and sent home with Morphine to wait for the surgery due date ten day later... After being delayed twice by almost a year.

    The Consultant got shirty after being challenged by Kevin's wife who is about 4 foot nothing and very unassuming and quiet, as to why he has overriding what everyone else was calling serious. His response was to say, and I quote "It's not that complicated. I'm in charge and the Surgical Team would admit everyone if they had the chance."

    Genius. Bloody fool. Kevin survived five or so more days in agony at home before suffering a fatal heart attack induced by critical sepsis and organ failure due to multiple internal abscesses and blockages caused by Gallstones.

    What hurt so badly was that at his funeral, there was a huge turnout, and in every other slide projected during the celebration part, my wife and I were with kevin and his wife, doing something stupid and fun. My favourite being myself carrying him across a flooded road in the New Forest like Friar Tuck. He and his wife carrying the hand carved and decorated hiking sticks I made for them back in 1995 or so.

    So, that happened... Sorry to unload, but I still find myself having anger splurges... That and other things like moving and job loss (mutual divorce), I can see why I was distracted on this one. So basically, DP 48 isn't here and I'd like to sort it out if possible please?

    One of the last conversations I had with Kevin, it came up that he'd picked up Terrapin Station. He knew I was a dead head and he had "dabbled"... He was massively into his music. That's why he stayed in Wimbledon when he could have moved out of the city. Right there next to the tube station with easy and ready access to gigs. He averaged at least a show of some type or other a week for the entire time I knew him, and it was pretty normal for him to do 10 on the trot, brief pause, Glastonbury, a few world cinema festivals, more gigs. And a happy marriage. A CD collection the size of small house and a Vinyl stash to rival. I remember myself and a few other fellas meeting up to see Phish at Shepherds Bush then crashing on his living room floor, utterly spent, stoned, drunk and happy. He was like that. Phish? never heard of them! Let's go check it out! I recall the main man of Ozric Tentacles being there and checking it out to his approval. I'm not sure he was into the music so much as appreciative of the musicianship.

    I'm a bit like that with Phish. I can dig the sounds and the cleverness and craft, but lyrically they're a mess in my limited opinion. Billy Breathes is pretty spot on, but outside of that album, there' a lot of nonsense waltzing as wit. Guilty of playing "clever" because they can, not because it sounds great, sometimes.

    Anyway, Terrapin. It was coming back from ComiCon London and he mentioned that he liked the idea of a whole album side being one long suite, and really enjoyed it. I of course immediately jumped in and tried to sell him on "Everything Dead Ever" realised that was a disservice (baby steps) and steered him towards the Terrapin suite on the many disc'ed "tribute" from a few years ago that The National were heavily involved with. It's a great recording. played as live in studio I think (certainly the side of that session seems to point that way), the entire suite with percussion as originally intended (I imagine, based on the whole production overdub that Olsen (it was Olsen wasn't it? laid down causing Mickey to go mental...).

    It's a very airy performance. Open space, cavernous, but warm and familial. One of the better and more realised Grateful Dead covers, made great by the "as live" recording and mic placing. I really do need to get that set. It's readily available streaming and it's a bit of a monster. Not everything hits, but there's enough good grist to warrant hard copy in the collection in my opinion.

    Let's face it. if "Ready or Not" can get a place in your home, then this certainly can. Sorry, but firmly in the camp of "Ready or Not" is "Not". In fact I can't listen to it, and when I try, I just can't fathom how the Samba in the Rain on it wasn't thrown in a river in a burlap sack full of rocks.

    I went to an Aston Martin owners' club meet when I was a kid, and we parked up next to a DB6 which looked like an unloved overworked tractor. My dad said it was a joke by a cheeky someone who wanted to demonstrate everything NOT to do with a classic car. That's how I feel about that Samba'. It's almost like it's on the record as a cautionary tale. "Are you sure you want this foks? Cos' this is what you've got coming if you start playing in those particular weeds!" "Grateful Dead. The Poison Ivy Years" or perhaps more obscure a reference, "The grateful Dead. Warts...."

    Be good y'all. Thanks for giving me the space to stream my addled thoughts.

    And oh yeah. DP 48... Can you help me out here please? Thank you in advance!

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Anyone who has ever seen the Dead can testify that one of its shows will add quite a bit of color to the environment here at Stanford. Anyone who has not seen one of these spectacles should have the opportunity to do so. The Grateful Dead are an important part of the Bay Area's cultural history. Those of us who saw them last week can testify that the Dead are alive and well. The Concert Network would be hard-pressed to find an act which would bring Frost Amphitheatre to life as the Dead would. - The Stanford Daily

As you know by now, we'd certainly have voted aye on this motion, so much so, that we've loaded up DAVE'S PICKS 49 with not one, but two complete Grateful Dead shows from the Frost Amphitheatre, Stanford University, Palo Alto, CA 4/27/85 and 4/28/85. The first shows from '85 in the series, these back-to-back hometown performances couldn't be more different while delivering the same level of passion and precision, five hours of it, in fact.

In 1985, the band were celebrating "20 Years So Far," a feat that found them on these particular nights confident with invention in terms of both setlists and playing. There are old songs renewed, rare covers revived, undeniably nuanced Jerry moments, and a few surprises from Brent Mydland too. While it's impossible to select highlights, we can say with certainty that the overall clarity of these shows is unparalleled, courtesy of Dan Healy's recordings.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 49: FROST AMPHITHEATRE, STANFORD U, PALO ALTO, CA 4/27/85 & 4/28/85 has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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Dixon wrote every song he is known for. As for stolen songs the reverse is actually the case. Most 60’s 70’s and 80’s rock bands did at least 1 of his songs and frequently didn’t give credit. The worst were of course Zep and of course Chess Records . He finally got his rights back before he died and set up Blues Heaven Foundation

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I would have to go back to some of the blues biographies in my collection to confirm, but it was pretty well established that Willie Dixon would get new, young players in Chicago Chess sessions and proceed to take writing credits for the songs artists brought in. He knew the real money was in the songwriting credits. This is why he was so prolific. He wasn't the only one doing that in the music industry of the 1950s, but it is pretty well known.

My intention was not to demean VT in any way. I love Vermont and get back there quite often. I actually spent quite a bit of time outside of Burlington. My point was simply to illustrate the volume of traffic. When you’re hitchhiking on the New York State Thruway you have access to about 100 cars a minute. When you’re hitchhiking on the back roads of Vermont, you’re lucky to get one car every couple of minutes, often interspersed with farm equipment. That’s all.

My apologies for any misunderstanding.

Thanks for the warm welcome back. I spent several weeks down in Margaritaville. So away from net for the most part and phones. Holding close to my 5 oclock somewhere attitude; as well as, 420 somewhere attitude. Had some friends come down to visit at various times. Mostly welcomed the year blotto. Gulf Coast is lots of fun off season.

And yeah, i needed a break from hey now. Think it actually raised my blood pressure. But yeah, feels good to be home again and home here again.

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In reply to by estimated-eyes

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There's a documentary on and with Buddy Guy, in which he states that Willie Dixon routinely amended other peoples songs, changed a word here and there, and then claimed authorship. In the same film Muddy Waters agrees that such behaviour was common practice around the blues scene in the 1950's. And he should know - "Rollin' and Tumblin" is often credited to him - yet it was first recorded by Hambone Willie Newbern in 1929.

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Thanks HF and others. A little knowledge is a dangerous thing and I should check my sources better. That GD cover of Same Thing from 1967 is sure rough and ready.

Edit: I was unaware that they did that song way back in the primal era. I do remember an interview with Bob about working with Willie. I liked the song Eternity in the later era. Was that Rat Dog or GD?

Cheers

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In reply to by 1stshow70878

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First hand evidence suggests you were actually right. I do like that version of "Same Thing" from 1966 that is either on "Vintage" or Historic" Dead.

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Play at the S.F. Blues festival, he put on a great show. "I'm Ready and Hoochie Choochie Man" two great songs Willie Dixon wrote done by Muddy Waters.

....my last fives have been blocked.
Lets see....
Taylor Swift - Red
Pink Floyd - Obscured By Clouds
Pink Floyd - Meddle
GOGD - The Second Frost Show
Blue Oyster Cult - Tyranny And Mutation
Hey now!! He likes it! Hey Mikey!!

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D>Beautiful S>Wheel!
Truckin'>Other One transition!
Black Peter!

Just for starters.

Team Dead firing on all cylinders!

The recording, the recording!!!

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Shared love for the transition out of Space into Wheel. Very fluid.
Also nice to see BÖC in the comments. My first concert was them with Aldo Nova opening, 1982. I was 15.

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In reply to by ronmarley1

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....Imaginos.
I have it on CD. Worth a little bit apparently.
Then again, peeps are selling Dead tapes on Instagram.
Not. For. Sale.

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In reply to by Vguy72

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A song JGB should have covered

Rock and Roll with Me - David Bowie

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In reply to by proudfoot

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have virgin listen of 49 on road trip later this month

I feel like Newman with his jambalaya

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songwriters, and well, those musicians, guitarists, vocalists and arrangers from the 1930's thru the 1960's, man, oh man they greased the skids for the future of rock n roll! thanks everyone for talkin' about the artists willie dixon and chester burnett, gonna have to cue -up some of those classics!

Rhythm and Blues had a child, and it's name was Rock n Roll!

peace all!
uncle_tripel

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It's all good, just wanted to comment about changing cultural demographics and highway system as relating to hitchhiking. Transition to Vermont from Maine in late 1980, soon after the Lewiston Dead show, had a car then, but did hitch hike late 60s and through the mid 1970s up and down the east coast from Virginia to Maine. Some great rides, some sketchy. Hitch hiked around Maine locally from Portland to Augusta and along the coast in the 70s, easy with significant population. Long a music lover, saw an incredible range of music in Maine in the 70s, after moving to Vermont, Burlington was big beacon, the only urban city in the state, though Rutland, Montpelier, Brattleboro came close. We went up to Burl for much music, mostly at Hunts but did see Miles at The Flynn in 1986. What continues to impress me is the amazing amount of hyperlocal high level performance thats out there, I had written more detail but got the hey now, so...

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I base my (possibly half-assed) view of Willie Dixon on the turns of phrase in "his" songs. That and I guess I just flat-out revere the man. The turns of phrase in the tight glove of chord progressions and turnarounds sure seems to me like a unique signature belonging to the man.

But others here say otherwise. I therefore propose that all differences of opinion get a fair hearing, a little mutual head-nodding, and then progress to the bar after the pause that refreshes in the parking lot.

1stShow, I will henceforth listen first, do a cannonball into the pool second.

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Mine was a generalization based on comments read elsewhere and was wrong. I think the key is that this was a common practice in the era and I sure can't judge the man. His writing stands up to the scrutiny and is a brilliant style all its own. Jump on in, the water's fine!
I do like Eternity, which is likely not everyone's favorite 90s GD cover but I never really cared for The Same Thing for some reason. Spoonful is a classic no doubt.
Cheers

HF - absolutely. None of us were there at the time, and it's curious why we believe what we do. Apart from the Buddy Guy documentary, I read a great biography of Howlin' Wolf last year by James Segrest and Mark Hoffman. "Moanin' at Midnight" it's called. The references to Willie Dixon suggest he was quite astute in his business dealings and approach. Drummer Francis Clay says that Willie was basically a lyricist and the music was constructed by the bands who made the records.
"Spoonful" is a case in point. Is he credited with that one? It was based on a Charley Patton song, and the incredible power of the original Howlin Wolf record is down to Wolf and his amazing band. Jimmy Rodgers also states that Willie took ownership of many songs that were actually band compositions.
But this is only what I have read - and those people mentioned above may be wrong. But the more you read, the more a picture builds that all wasn't quite what we have been led to believe.

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Hello all - today the 3-cd set Sing out landed at my door. Disc 3 - the Garcia/Weir (with Kahn and the drummers) set is soo sweet.. The sound is wonderful - Owsleys last GD recording.. Get this while you can.. BW Danehead

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I love that album. Been a LONG time. I had this on LP - which I think was made in Germany - but at the end of college I bunged a lot of my stuff into the garage at my parents' home and left it there for a few years. When I went back to retrieve my stuff, a fair amount of it had been 'thinned out' by my brother's friends.

All the Hendrix and Zeppelin was gone; most of the Marley, Tosh, Bunny Wailer... and ofc the Pink Floyd. They left Dark Side of the Moon, but I'm guessing that's bc nearly everyone had a copy. Same with the Marley "Legend" album. However, they didn't realize the value of the SST collection, so I still have all of my Black Flag vinyl xD

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In reply to by Gary Farseer

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I was thinking about GD covers, when I thought 2 Pink Floyd covers would have been good for GD.

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In reply to by Gary Farseer

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Wish You Were Here. Great encore song for after a very strong show, and capping off what those off the bus for that date missed.

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Saw a killer WsP show in 2000, where they did Wish You Were here as a 2nd encore, really a great bonding experience for the hippies. Had VW Vans, quite a few, from states out West like Colorado and California.

I spent a ton of time at Hunts in college. I loved that place.

I had more to post about it, but the censors are back. Wtf.

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So the censors are back? Booo.

edit: yes, they are most certainly back. In trying to type this, I found that the word k.e.y.w.o.r.d is blocked. So is the name of a famous venue, W.interland <- well, I guess that's a way to get around it

What I really wanted to post about was Wish You Were Here, but this is just... it's dispiriting.

....was wrong.
That being said, 2.11.69 vinyl is up on pre-order.
Triple gatefold. Three records. $125. Gonna pass unfortunately.

True, I haven't been able to get anything by for months with that word in it, especially when I use to talk about the 2024 box set.

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In reply to by Vguy72

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Phil and Friends covered it a handful of times. I saw them play it at Red Rocks in '99. Very beautiful and moving. An otherworldly, instrumental, Stella Blue proceeded it. Kimock and Haynes on guitars.

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9 years 3 months

In reply to by DeadVikes

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2 copy and paste the hey now comment but would not let me post it. It is on their site?

hmmmm

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Experience Vinyl seem to have the best price. They say very limited.

I couldn't pass up :-) I'm still passing on the Barbie box that is out, 10 years out maybe very desirable to Barbie Heads.

You (and a few others others) are always on the top of your game.

Is Barbie Heads, like Dead Heads, or is it Barbie Heads, like will learn on the Pickers show, the head of something is almost always the most valuable part of a collectible?

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9 years 1 month

In reply to by Gary Farseer

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Furthur 4-3-11 set 2

Iko Iko
The Last Time
Wharf Rat
Born Cross-Eyed
Dark Star
Time
Breathe (Reprise)
Dear Prudence
The Eleven
Terrapin Station

Phil doing Water’s bass part on Time was awesome.

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In reply to by icecrmcnkd

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With Vince in the band, should have done The Tubes “White Punks On Dope”

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This is my seventh attempt to post. I keep being told the recraptcha answer was wrong but I’m not getting another set of pictures.
I hope other European customers are getting theirs.

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I threw Barbie heads together on my own :-)

For people that collect everything Barbie.

In any event, if you missed. VMP is offering a "box" of Barbie. Two lp's in pink, a driver license for Barbie (that's actually a cardboard single), a picture of Ken and a pink pocketbook, that I assume holds the albums.

Only reason I thought about getting was Barbie-Heads. 10 years from now might be worth a few bucks. I'll go out on a limb here, maybe BH's don't watch LP releases and you could have one of the few for sale someday.

I bet they get a good buck for a beach house!

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9 years 3 months

In reply to by Gary Farseer

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U s & T h e m. W o u l d h a v e m a d e a g o o d E n c o r e a l s o, o r u s e b e f o r e o r a f t e r D / S. A g a i n, j u s t s h o w i n g t h e b i g p i c t u r e d i f f e r e n c e b e t w e e n s o c i e t y a t l a r g e a n d t h o s e t h a t d r o p o u t, o r p u l l b a c k f r o m b e i n g s o i n t e g r a t e d w i t h t h e m.

S t i l l m o r e.

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Still no 49. Monique at Deadnet no help at all. UPS supposedly gave it off to Mail Innovations (what a bs name) in Denver (?) but no tracking for that handoff or a USPS tracking number. USPS won't help without a tracking number, which I have always gotten after the handoff. How much is that better shipping option for next year's subscription? Likely worth it!
Cheers

I’ve had the same thing happen a few times: makes it to Denver in good time, then no one scans at the handoff to usps and then it seems to disappear?
Fortunately, it has always eventually showed up, but at least a week or so after it should/could have arrived, bastids!
Just what us old timers need, more unnecessary stress!

I still cannot understand why we can’t choose our shipping method, so what if it costs more!

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Songs the Dead coulda done? Woody Guthrie all the way. Pretty Boy Floyd, I Ain't Got No Home. And then More Woody.

Finally a double Bob/Jerry encore played as a reminder of our shared humanity, relevant to today's times: What's So Funny Bout Peace Love and Understanding. (Followed by crowd call and response like knockin hopefully?), then a 2nd encore, "Deportee (Plane Wreck at Los Gatos). We exit the venue with tears in our eyes, as Jerry's last chords continue to play in our heads.

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10 years 2 months

In reply to by Gary Farseer

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If the Dead had covered a Pink Floyd song, I would have preferred something a bit more open ended, with less vocals. Set The Controls For The Heart Of The Sun by the 1969 version of the band for example.
And how about Careful With That Axe Eugene in 1974 ? Donna could have done the scream...

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Well, I could imagine a cover version of "White Bird" by: It's A Beautiful Day.
But on the other hand, this song is in it's original version a 100 %er.
Nevertheless I wonder what the Dead would've made out of it.
Cheers
G

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Just finished my first listen to 49. Love the mix, Thanks Dan Healy! Thanks to all who worked on this release. I can hear all the instruments so clearly.

I was thinking when I listen to 1974 period, its like listening to jazz, very intellectual and improvisational. When I listen to this 1985, it's more powerful and yet still improvisational, but more edgy.

I like all periods, to be clear. This release is easily one of my favorite Dave's. I will listen to it often.

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