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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • Vguy72
    Joined:
    JJC....

    ....my man! Saw videos of the balloon drop from a private suite, a glowstick chain and a reindeer crowd surfing!
    Jealous. Looked really fun. I'll make it there one day.

  • Crow Told Me
    Joined:
    Na Na Na NaNaNa, Heeey Now

    Tried a couple times to say something about the Egypt shows, got Hey Now'd. This is really getting annoying. So strange how one post will go throw and others will randomly get blocked for no apparent reason.

    Any, Re Egypt: pretty hard to do a great show anytime Billy K is playing with a broken thumb. But there are moments. Still one of the coolest, most Grateful Dead things they ever did. "Hey, you guys, you know what would be cool? Let's go play at the pyramids! During an eclipse!"

    I'm not a robot!

  • daverock
    Joined:
    Whoops-hey now!

    Spending too long thinking about what you write, as you write it, seems to be a stumbling block.
    So quickly - I didn't actually know at the time about The Dead planning to play in Europe in 1978. I do remember seeing an advert for them, Santana and New Riders for a Wembley 1976 show that never actually took place.

  • jjc
    Joined:
    Vguy Phish had the Garden…

    Vguy Phish had the Garden bouncing the last two nights, I just love feeling the garden bounce!

  • proudfoot
    Joined:
    More hey now shyte?

    Fyddn

    Pure stupidity

  • Vguy72
    Joined:
    Phish teased Let It Grow....

    ....in the Chalkdust Torture tonight at MSG.
    Oh yeah.

  • Lovemygirl
    Joined:
    *Re/ 12/29/68

    Primo dead !
    Ii would Love A 1979 Boxset! What would you put in it? Any ideas??

  • mark_mumper
    Joined:
    playing London 1978

    daverock, I think the Dead's actual intention was to play London after Egypt. DeadBase's cancelled shows list has dates from Sep 30 through Oct 17 of twelve planned gigs in western Europe, Scotland, and England, but then notes that "when the Europe tour was cancelled the London shows were rescheduled for 09-29-30 and 10-10, but even those were eventually cancelled." I've read in more than one source, I think, that ultimately the cancellation was due to need to get back to the States to finish production for the Shakedown Street album, which the record company wanted.

  • mark_mumper
    Joined:
    How our group felt about the Egypt shows (and around them) - 4

    For me, an indelible lesson which says a lot for me to learn, continuingly: During the set break of one of the concert nights, I wandered to or toward nearby Mena Village by the pyramids, and some villagers invited me to their homes for tea (chai), which would have been hot and sweet, served and re-served in little tall-thimbleish glasses and in good company; but I selfishly TURNED DOWN THEIR OFFER BECAUSE I DIDN'T WANT TO MISS A NOTE OF THE MUSIC performance when it would resume. That was one of the saddest and lamest noncommunal errors I've made in my life, and I grieve how I may've stupidly negated or hurt their plain and really kind Arabic hospitality. (Talking about wanting to conquer before understanding, in my case wanting to conquer a narrow goal of witnessing all of these concerts.) (The villagers may have found some better respondent/s to invite.)

  • billy the kiddd
    Joined:
    12/29/68

    This would make a nice release

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"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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