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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • uncle_tripel
    Joined:
    still sitting here in limbo

    got some time to search my soul

    Last five
    Chet Atkins and Mark Knopfler: Neck and Neck (CD)
    Led Zepplin: Prescence (vinyl 1976); Nobody’s Fault but Mine and Tea for One
    Oscar Peterson Trio + One Clark Terry (vinyl 1964)
    Bob Marley: The Reggae King Box (3 CD Trilogie)
    The Miles Davis Quintet: Workin’ recorded in 1956 by Rudy Van Gelder (CD)

    Completed the 7/13/85 Ventura, late set 2 had some tech issues, you can hear one of them saying it’s the bass. Moved on to 11/21/85 Set1 Kaiser last night, bit of an echo on the vocals, like that Rooster though.
    Now back to Spring Tour, and will be doing a first time listen to 3/25/85 Springfield.

    Peace All
    uncle_tripel

  • Forensicdoceleven
    Joined:
    We die only once, and for such a long time......

    Hey rockers!!

    Yes I'm alive and yes I like 1970 Dead.

    LOL been trying to post for about 3 weeks now...............

    Rock on!

    Doc
    Because I could not stop for death,
    He kindly stopped for me;
    The carriage held but just ourselves and immortality........

  • carlo13
    Joined:
    Dane

    Huh?

  • jonathan918@GD
    Joined:
    #48

    Big Railroad Blues through OMSN to close the first set is absolutely ripping! I'm also enjoying the 1970 offering on disc 3. Great stuff!

    Rock on, gang

  • daverock
    Joined:
    If music be the food of love, play on

    Deadheadbrewer - I've never noticed that, so thanks for pointing it out. There must be many literary references that Robert Hunter slipped in that have passed us by.

  • Deadheadbrewer
    Joined:
    Two Bards

    I'm reading Shakespeare's Twelfth Night to ready myself for my teen sons' high school production of a musical version of the same (one kid does sets/lights/sound, the other plays trumpet in the pit orchestra), and lo, and behold, here's THIS line as a character is sworn to secrecy . . .

    When my tongue blabs, then let mine eyes not see.

    ANOTHER bard we all know and love wrote, "If I tell another what your own lips told to me, let me lay 'neath the roses and my eyes no longer see"

    Just checked the Annotated GD Lyrics book, but David Dodd did not mention this connection.

  • Vguy72
    Joined:
    Hey now, hey now....

    ....Aiko Aiko all day.

  • iangillespie
    Joined:
    Faulty Discs

    I have had a problem playing Grateful Dead releases for years and would suggest that they change their manufacturer

  • 1stshow70878
    Joined:
    Kingfish

    Had a little time after the easiest 30 days of dead search ever and had been thinking of Bob songs that didn't make it into the Dead canon like It's So Easy To Slip and found some Kingfish from the Beacon Theatre on April 3, 1976. What a great boogie band! Mystery Train > Mule Skinner Blues to start. And away we go on a Sunday morning.
    Cheers
    Edit: Robbie Hoddinott on the telecaster, Wow! RIP Robbie

  • Vguy72
    Joined:
    F1 in Vegas....

    ....vroom, vroom.

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3 years 7 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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1 year 1 month
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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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15 years 2 months
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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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