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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • snafu
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    48

    I really really like this one. I’ve listened to it every day. The juxtaposition with the 2 periods is fantastic. Thanx Dave Mark and everyone!!

  • 1stshow70878
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    Wall Of Sound

    Listening to Pacific NW. Tech question.
    Do wall of sound recordings sound better because of the amazing soundboard Owsley built? They do have some separation and balance not always there. I read somewhere it was hard to get all those eleven channels back to two.
    Cheers

  • proudfoot
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    Proudfoot looks down and spits on the ground

    every time Hey Now gets mentioned

  • icecrmcnkd
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    I like ‘79

    And have listened to DaP47 a couple of times so far

    But currently am listening to DaP48 set1

  • icecrmcnkd
    Joined:
    Oro

    I get hey Now’d every time I mention hockey

    I was just trying to convey my enthusiasm for that team from the motor city beating that team from B-town

  • icecrmcnkd
    Joined:
    Getting Hey Now’d

    I copy and pasted the hey now message as a comment, but then got hey now’d after passing the reCRAPTCHA quiz.

  • hendrixfreak
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    Finished listening to # 48

    For my money, this is a great release. A bang-em-up, late '71show from early in Keith's tenure, sans Mr. Pig, pre-72 with new songs getting a workout. Great sound, energetic show.

    And the '70 artifact from a year earlier, with Pigpen in fine form and that crazy, swirling energy of '70 and earlier years when you can fairly hear the LSD in the collective bloodstream with a crescendo at the end of Lovelight that made the silence that followed absolutely deafening. In short, I'm a happy camper with 48. You folks who haven't rec'd it yet are in for a treat. Sorry to rave and stoke your hunger, but this one gets a hearty endorsement.

  • Oroborous
    Joined:
    Nitecat

    Nice job on the Brent tribute!
    Enjoyed like all the rest…

    Yeah PF, was hoping they’d help out Bu faf, but none of my teams are whining today.
    Got no chance of losing, THIS time!

  • proudfoot
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    C hawks got destroyed today

    Ouch

  • Oroborous
    Joined:
    Hey Puck Heads

    Calling c a n a d a, eh!
    Mike, how’s it?
    Getting worried about ya…
    No posts, hockey or other?

    Good game last night, except sorry for your loss.
    Sabs actually looked like a team and didn’t give up!

    And the Golden Kiniggits, fo get about it!
    Made the AVs look like minor leaguers.
    To quote the late great RJ “these guys are good, scary goid”

    Twice through 48 etc…
    Feel same as coming in: good but perhaps not RJ.
    Love TOO space!
    The 3rd disc helps makes the release though
    Ok, I’m getting greedy, let’s see if…

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3 years 7 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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1 year 1 month
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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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15 years 2 months
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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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