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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • Gary Farseer
    Joined:
    Maybe

    given up on that post

  • hendrixfreak
    Joined:
    Grieving is strange

    Proudfoot, I'm with ya. Took two big losses last year -- father and cat (laugh if ya want, we spent 20 years together) -- and grief seems elusive, it comes and goes. Everything is a-okay one minute, the next the tears rain down at the irreparable loss.

    As to "distant figures," meaning people I didn't know, I weathered Jimi, Janis, Duane, Roy, Jerry... then Gregg Allman's and Robert Hunter's passings really did me in.

    Here's to acceptance... though it can be hard to achieve. Sometimes I want to tell my father what neat stuff I'm doing, but I don't have that area code to connect with him.

  • daverock
    Joined:
    I Second That Emotion

    Thinking about emotions, and feelings of anxiety- or any psychological discomfort, reminds me of my own experiences of the same. 10 years ago, just after I retired, I learnt transcendental meditation from this teacher. Unexpectedly, at the same time, I started having slight panic attacks. I wasn't panicking about anything specific - but this wave of anxiety used to come over me with no warning and for no reason. Then it would go again - for no reason. I told this teacher about it, and he told me that I hadn't dealt with a lot of loss and grief in my life, and that because of this I had stored it in my subconscious. And it had been activated by meditating.
    I don't know how true that was. It still happens occasionally, and I just wait for it to pass, which it always does. Sometimes after a few minutes, sometimes after as long as a week. Hasn't stopped me meditating.

  • daverock
    Joined:
    10/19/71

    I don't know when they came on, I'm afraid, but that show would make a great Dave's Picks. As would 12/5/71. As would 11/7/71 I'm slightly surprised that we have had a few Fall 1971 shows released, and yet those have fallen through the cracks.

  • Obeah
    Joined:
    10/19/71 question

    Speaking of Keith's first show: does anyone know what time the band actually took the stage that night? I could have sworn that I read that they took the stage over an hour late, but I can't find a source

  • Obeah
    Joined:
    71 shapeshifter

    It's fun talking about 1971 and the Grateful Dead. I was baffled as a new head when I first started getting tapes from this year bc I didn't have the necessary knowledge to understand why their sound varied so drastically. In short order, I collected 2/18/71, what was labeled 4/29/71 (actually from two days of the run), 7/2/71, 10/19/71 and finally the show I always talk about, 12/5/71. I didn't realize this arbitrary span of selected dates included Mickey's departure... not to mention Pigpen's health and performance situation. I *did* know 10/19 was Keith's first show. And yet 12/5 was already an evolution, and it was only 6-7 weeks later. It still blows my mind thinking about how they created all of this ferociously distinctive music while undergoing all of this change.

  • proudfoot
    Joined:
    9 13 81

    A comfortable show

    The Brokedown made me verklempt

    Not looking for a pity party, but since my Dad's passing in September I have been hit by sudden, random waves of emotion. It's like aftershocks from an earthquake or like brief seizures. The human mind/emotion center is, well, mind boggling. Just out of the blue, about 15 seconds, then back to regular life.

  • billy the kiddd
    Joined:
    Anniversary show 11/3/84 BCT

    Fun show, great Cumberland, but they all are. Some not often played tunes. Next stop S.F.. Civic, New Years Eve Shows.

  • proudfoot
    Joined:
    in stock again?

    duhfuq

  • daverock
    Joined:
    1971-1972

    HF - I agree with that . From the moment Keith joined, the band entered a different era, and these Fall shows are more in line with the great shows to come in 1972 than the ones before in 1971.
    A highlight of the first set for me is Tennessee Jed, with it's great middle section. The Truckin'-Other One is the centre piece though.Totally reshaped from earlier versions to great advantage. From rock and roll to the stars and back again.

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3 years 7 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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1 year 1 month
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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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15 years 2 months
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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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