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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • JimInMD
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    There

    I filled up a whole page without getting heynowed

    None of it good. Now fix this deadnet so we can get back to being not quite normal but at least being ourselves.

  • JimInMD
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    Really Turn This Place Up On Its Head

    Their lips are moving but nothing's coming out. Just type crap, endless crap until they fix this problem. Because anything good that we type gets rejected. They know they have a problem and they seemingly plan to do nothing to fix it.

  • JimInMD
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    I Know You Rider

    Gonna Miss Us When We're Gone

    I think we should all continue to post meaningless tripe here until they fix this crap.

    I mean.. write stuff we would never write or never mean. And give a new meaning to Hey Now.

  • JimInMD
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    But they excel

    At letting crappy negative vibes flow through. That do not seem to get heynowed.

    Which just makes this place sucky suck suck even more.

    Why don't you just fire that hey now ahole.. that put in play this piece of code.. that will end up costing you lots and lots of money in lost sales.

  • JimInMD
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    Using single syllable words

    that do not get heynowed. But still convey the message that this place really sucks. and Rhino is ill managed. So only negativity can get through. When the original thing I wrote sixteen times that was full of positive vibes and carried a positive marketing message was blocked.

  • JimInMD
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    Until these idiots

    Fix the frackin' mess they have made.

  • JimInMD
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    which really sucks

    So now I just post how bad things really suck here

  • JimInMD
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    which really sucks

    Because I had something really good to say.. about GD music and culture.. but their crack IT team heynowed me.

  • JimInMD
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    I cannot

    Post three words without getting heynowed.

  • JimInMD
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    This place

    Suddenly sucks

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3 years 7 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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1 year 1 month
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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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15 years 2 months
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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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