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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • 1stshow70878
    Joined:
    Marye, Help!

    As Oro says, we are still experiencing censorship at a massive level trying to post. I tried a four sentence post and had to cut it to two. It was about Christmas albums, clearly dangerous stuff. I hope you can help. Thank you.
    Cheers

  • DeadVikes
    Joined:
    Egypt 78

    RIP John Cutler. Loved his recordings.

    Interesting info. Alan Trist has a great write up in the liner notes of the Rocking the Cradle release. They used The Who's PA system from London. Quite the production to make these shows happen.

  • daverock
    Joined:
    Was anyone there?

    I can't remember ever reading a post on here from anyone who attended those Egypt shows. Maybe I just missed it.

  • Oroborous
    Joined:
    Fix this effin nonsense already, FFS!

    Just wasted a half hour and late for work trying to post about the Egypt thing, including quotes from Healy, but it’s all another effin waste as I can’t post it, I’m so over this BS!
    Hey rhino, we’re giving you millions of dollars a year, how bout you fix your lame ass site!

  • PT Barnum
    Joined:
    really

    the Camp David Accord ended all hostilities between the two countries, so technically not at war, just hostile to each other. Thanks for pointing out that little bit of history to us all.
    My previous post was correct, just because one can't find the information doesn't mean it didn't happen. Do you think I made it up? 1979 Egypt was very primitive. I did not use Rock Skullys book, I did research it a bit and I stand by my post, the wire was ancient, probably left over from WW2.
    The main point is that without forethought by the band and them sending John to Egypt these shows might not have happened.
    Thank you John, and fare thee well.

  • proudfoot
    Joined:
    RIP John Cutler

    Y'all be cool

  • mark_mumper
    Joined:
    no war during the Egypt shows

    There was no war actually going on between Egypt and Israel at the time of or preceding the Dead's Giza concerts. (There hadn't been since the October War/Yom Kippur War/Ramadan War in 1973.) What was going on, mostly secretly until signed on Sep 17 1978 (the day after the last Giza concert; also Ken Kesey's birthday), were negotiations mediated by President Jimmy Carter in Maryland
    between (not usually together in the same room) Israel's Menachem Begin and Egypt's Anwar el-Sadat that culminated as the Camp David Accords and led to the Egypt-Israel peace treaty signed six months later. (That treaty made a formal mutual recognition and normalization of relations between the two countries, ended their state of war existing since the 1948 Arab-Israeli war, and led to Israel's departure from Sinai.)

    oh, and I think it's doubtful that the inadequate cabling provided to try to wire up to the King's Chamber for echoing the concert feed dated from the Nazi era; that's probably someone's tale-telling exaggeration (I checked Rock Scully's entertaining but facts-challenged memoir Living with the Dead as a likely source for that, but it's not there. Maybe in Nicki Scully's or Kesey's accounts of the Egypt adventure?)

  • billy the kiddd
    Joined:
    Anniversary shows , 12/ 27/79, 80,81,82,83

    Fun times! Great to be in the Bay Area in December.

  • 1stshow70878
    Joined:
    DiP 2 Vinyl at RGM

    ALERT: Only 150 left an hour ago.
    Oct. 31, 1971. That's a show worthy of vinyl.
    Cheers

  • PT Barnum
    Joined:
    mom always liked you best

    RIP Tommy Smothers tried to show us what was going down, and the censors cancelled him. A true warrior who will be missed. The Smothers Brothers comedy hour was ahead of the times and spoke negatively about racism, the president and the Vietnam war. They also had an incredible list of rock stars on the show, along with anti war folk singers. The Who almost blew up the stage when 3 explosive charges were put in the cannon inside Keith's bass drum and when it went off, caught Pete's hair on fire and sent a piece of cymbal into Keith's arm. All on network tv.
    Thanks for the memories, now over 50 years ago.

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3 years 7 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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1 year 1 month
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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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15 years 2 months
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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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