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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • icecrmcnkd
    Joined:
    Jay

    Take the refund and the dwnld

  • Jaysspacedhead
    Joined:
    Faulty Discs Here Comes Sunshine Boxset

    I ALSO POSTED THIS IN THE HERE COMES SUNSHINE BOXSET COMMENTS.

    Has anyone else received a similar email about trying to get replacement discs.

    Your email has come to my attention, and I apologize for the tardiness of this response.

    Unfortunately, I have been advised that we no longer have stock for the disc you need replaced.

    I am very sorry that we cannot fulfill your replacement request. We will refund you 50% for this item. (Please allow up to 5 days for funds to post to your account.)

    May I also offer you a digital download of the Here Comes Sunshine box set? (If you would like to pursue this offer, please let me know whether you would prefer your download files in the FLAC or ALAC format.)

    I apologize again for this frustrating experience.

    Sincerely,

    Tashanna
    WMG Specialty Customer Service

  • Slow Dog Noodle
    Joined:
    Stuff

    IMO the filler is the star of the show on this release. Cant wait for the rest of the show to drip out in future releases.

    Its high time the powers that be, such as they are, bring this discussion forum into the 20th century. I know its a lot of work and everyone is busy doing good work, but for a band with this much staying power and this many fans, putting out releases 50 years after their high-water mark (give or take), one might think a user friendly forum would help keep the train a rollin.

  • That Mike
    Joined:
    Craptcha

    I am done posting and purchasing here, both not a fun experience anymore. Happy trails to all.

  • That Mike
    Joined:
    SOS

    Save Our Site

  • Deadheadbrewer
    Joined:
    Posting Blues

    The force field does not allow my usual tagline

  • Deadheadbrewer
    Joined:
    Rex Foundation and Internet Archive

    Today is Give to the Max Day in MN, and I know that there is Giving Tuesday coming up, so please consider donations to Rex and Internet Archive.

    And John Barlow was a driving force behind Electronic Frontier Foundation, who try to keep the Internet in the hands of the people.

  • Deadheadbrewer
    Joined:
    Now . . . HAY!

    We'll see if I can get through the force field . . .

    My notes for DaP33 (10/29/77) ask, "Grate-est show EVER?!"

    Loving this slow-burn "Saint" from Day Six (12/11/79); lots of space for the guys to mess around a bit, compared to the hyper-speed versions of the early 80s where the guys had to just play their set parts in order to keep up.

  • dmcvt
    Joined:
    Hay Now

    Have been on the road for a couple weeks, heard 48 discs 1&2 when they landed but have not listened in deadicated fashion to the third disc at home, REALLY looking forward to it this evening. Heard parts of it at a friends house but so much was going on, not focus on the music enough. Regarding 49 and music from 1985, have gotten over a persistent sense of loss felt with the decline of Jerry's voice, which incrementally began back to 1979 in my humble view. Likewise for changes in keyboards and new songs, fundamentally an old fart who was locked into early to mid range shows. Have always appreciated and now enjoy more 80s as its really all we have, right? And yes a farmer once told me sometime in June, it's time to Hay Now.

  • Sixtus_
    Joined:
    Dave's 33!

    ....now, where's Thin At-AT?

    I personally love that Eyes of the World, it's much slower in tempo from other '77s and for that reason it stands out tremendously. It was a fantastic pick that had been on my radar forever before it was released.

    Thursday in Deadland, and it's gonna be 63 degrees in Boston Today.
    It's November 16th.

    Be Well People!
    Sixtus

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3 years 6 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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1 year 1 month
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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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15 years 2 months
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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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