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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • 1stshow70878
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    Good Info John

    Acoustics would have been SO much better!
    Songs missing from the setlist seem to be in the middle of the one set show.
    After Hurts Me To it should have gone:
    Me & My Uncle
    FOTD
    Cold Rain
    Attics
    Then the other skipped one was Casey Jones which was between Good Lovin' and St. Stephen. Could have been recording problems early on in the show? Wonder which of these Dave has for us later. Hope Attics and FOTD are there.
    Cheers

  • snafu
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    How many joints in a lid

    2 of course. Silly Rabbit

  • johnjellis
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    The bonus disc for Dave’s Picks 48 was at Kiel Opera House

    In the track info, it lists the 10.24.1970 show as taking place at Kiel Auditorium. They actually played at Kiel Opera House which is adjacent to the Auditorium. They played at Kiel Auditorium in February of 1969.

  • Dennis
    Joined:
    Keller

    Saw him at lockn,,, loved him.

    and he's funny.

  • alvarhanso
    Joined:
    Jesse Fuller

    Has been gone for almost 50 years. And I know Les Paul was actually the first guy to create tape loops, but Keller Williams was, and still is, a pioneer of being a solo artist who, through the use of looping pedals, guitars, effects, a bass, and vocalizations, creates the sound of an entire band. I doubt anyone is paying 25 bucks to see Jesse Fuller anytime soon, so, until then, Keller is available as a substitute. And, Bob Weir has played with him, and I don't think Jesse Fuller rolled over in his grave at that. Now I don't know if they did BIODTL, that would have been great, but their paths have crossed.

    ETA: looked up some vids of Keller and Bob and forgot about Grateful Gospel. A black gospel version of Dead songs on a Sunday at Lockn starting in 2013. Did you happen to catch that at the Lockn you saw, Dennis? Kadlicek was in that, and Weir came out for Samson at least once. Just went down a rabbit hole watching the performance that comes up if you search Grateful Gospel Ripple. Not a 26 min Ripple, the whole set is about that.

  • rasta5ziggy
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    Keller Williams

    The only one-man-band is Jesse Fuller. Just ask Bobby.
    Ready for 30 DoD.
    Love the JOTW this week. Not much there but still enjoyable.

  • jonathan918@GD
    Joined:
    Keller!

    Yes, if you get a chance go see Keller Williams! He always puts a great show and his enthusiasm is contagious.

    Also Larry and Jenny Keel with or without Keller are a great time too! Bluegrass/Jamgrass type tunes

  • alvarhanso
    Joined:
    Keller Williams is a killer

    Love Keller. Great voice, great songs, was one of the first guys to do looping. He got a big bump opening for and playing 'tweener sets for String Cheese Incident for much of 1997-99. They recorded an album of Keller's songs called Breathe in 1999, still play several of the songs with Keller guesting, but Best Feeling is one of his that is probably his best known song and Cheese plays it about every 5 or 6 shows regardless of him being there. He added bass to his looping show after learning Cheese's repertoire Fall '99 while the bassist was worrying about his pregnant wife back home. He's also played a lot of projects with Larry and Jenny Keel, the McCoury Brothers as Grateful Grass. He's definitely worth seeing whether it's him doing his one man band thing, or in a group setting. He has a great voice for songs like Bird Song. Amazing talent.

  • proudfoot
    Joined:
    Lid Zeppelin

    nyuk nyuk

    Keller Williams? I have never heard of that person.

  • Vguy72
    Joined:
    Keller Williams is coming to town....

    .....twenty-five bucks. Anybody ever check him out?

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3 years 7 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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1 year 1 month
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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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15 years 2 months
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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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