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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • alvarhanso
    Joined:
    That's some strong Owsley, BillytheKidd

    Congratulations, you passed the Test! As you seem to be posting from the future. 58th anniversary of San Jose Acid Test by my calculations. Still pretty darn momentous.

    Last 5: 11/10/67, 10/20/68, 2/22/69, 4/15/70, 9/24/72 from 30 Trips. 2/22/69 is sublime. I've enjoyed it before, but not as much as this listen, this time, having just feasted on Fillmore West again recently, 2/22 would probably be the 3rd best of that set of 5 shows. Don't think I would have said that before. 4/15/70 is a weird, weird show, but so very good (one detraction, not enough Phil in the mix). That Soul Sacrificish Jam is a whole other level of Dead, but then you get It's a Man's, Man's, Man's World AND Hard to Handle and a smoking Lovelight> Not Fade Away snippet> Lovelight, and a Dancin' with a Tighten Up jam. They should release more 30 Trips on vinyl. Think it's been just 7/29/66, 11/10/67, 4/25/77. That '74 show would be a dandy vinyl release at some point

  • billy the kiddd
    Joined:
    San Jose Acid Test. 12/4/65

    63 years ago today, first time the Grateful Dead would play live as the Grateful Dead.

  • nappyrags
    Joined:
    @NITECAT

    Hey Señor! in your vast video collection do you have an MTV special from the mid 80's called "The Sounds Of San Francisco"? It has our boys plus The Residents and others I can't remember...I ask cuz I have brief cameo in it being asked questions at The Greek etc...

  • marye
    Joined:
    Awesome Scott
    Thank you!
  • nitecat
    Joined:
    NEW Robert Hunter Video

    So I finished uploading all eighteen episodes of Dead Head TV to our website,

    dreamswedreamed dot com

    Our John Cipollina Tribute has been very popular...practically 78,000 views!

    Now I've dug into my DTV archive for videos that never made it to a DTV episode. The first one is a

    World Premier of "A Conversation With Robert Hunter - November 1990".

    And there's more to come! All good things in all good time....

  • Vguy72
    Joined:
    I also love music....

    ....and I also love Godzilla.
    The new one is fantabulous. Good job Toho. 👏

  • FiveBranch
    Joined:
    I Love Music

    This afternoon settled into 12/02/1973 (DiP 14). What a fabulous show. Learned that they had much of the Wall of Sound up on stage with them, which explains why it sounds more '74 than '73. Not sonically, but in style. Spacey that way. The second set Wharf Rat opener really sets the tone for everything that follows. I guess the Cold Rain and Snow as well. Not unlike Tivoli '72. Also a beautiful show.

    And can't go a Saturday without a Phish show. Still stuck in November/December '97. Going with Salem (plugged in as I type this......). Such a wicked Black Eyed Katy! Stash too.

  • alvarhanso
    Joined:
    DiP 14

    Working on disc 4 of DiP 14 which is the night before and after Doc's first show. What a wonderful Phil-heavy recording from Kidd Candelario, and what a performance from Phil to match being so upfront in the mix. Wharf Rat melts into a left turn into Mississippi Half Step, which itself melts into a fantastic jazzy 1973 Playing. Gonna enjoy the rest of this bliss. This would be a great Real Gone vinyl...

    Forgot to make the obligatory mention of this being the release that begins with a Morning Dew, and then closes with another Dew.

  • Vguy72
    Joined:
    Today is the 40th anniversary....

    ....of Phish's first show.
    Set 1
    Long Cool Woman In A Black Dress
    Proud Mary
    In The Midnight Hour
    Squeeze Box
    Roadhouse Blues
    Happy Birthday To You. Who? No clue.

    Set break. Someone in the dorm tried to drown them out by playing Michael Jackson's Thriller.

    Set 2
    Scarlet Begonias ->
    Fire On the Mountain

    They used hockey sticks for mic stands.

    Guess who I'll be listening to all day.
    Thanks for all the fine memories you guys. 💓

  • 1stshow70878
    Joined:
    Thanks Uncle

    I'll check those out.
    Billy Cobham - Spectrum
    Any Geo. Duke as well.
    Cheers

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3 years 7 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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1 year 1 month
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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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15 years 2 months
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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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