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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • jonathan918@GD
    Joined:
    I'm confused

    I thought the saying of "Hey Now" was quite common in and around the Dead scene. It appears some folks are surprised or even pissed off about it! Oh well, just wondering...

    Rock on, gang

  • JoeyMC
    Joined:
    Shipping

    Am I wrong for expecting them to arrive on or at least around the "release date". I know they used to, and now they come later and later...really, am I wrong about what this means?

    Otherwise I think getting this pick out on time is the best incentive to renew the subscription.

  • Colin Gould
    Joined:
    Hey Now

    I noticed Dave started the subscription chat with a Hey Now. Perhaps it’s all an insidious plot to confuse us all.

    Not managed to hear much music lately as the house is full of workers rearranging the kitchen and bathroom. The last couple, from my very old iPod were:

    Velvet Underground and Nico. This is a stunningly inventive record.
    as heard on radio soulwax vol 2 - 2 many DJ’s.

    I’ve just got the hardcover version of the updated ‘Be glad for the song has no ending’ which is about The Incredible String Band, another of my favourite groups.

  • daverock
    Joined:
    Hey now!

    I've just had the "hey now" treatment on the subscriptions board. Hardly surprising, perhaps, given what I'd written !

  • carlo13
    Joined:
    Sub Now

    Sub or no bonus disk.

  • Vguy72
    Joined:
    Lewiston, ME....

    ....the Dead played a couple of great shows there in '80.
    So did Phish. '89 & '91.

  • icecrmcnkd
    Joined:
    Spread it around

    I listen to all eras, and I like 85.
    Started playing 6-24-85 in the car today.
    Playing 5-3-86 right now.

    Hope DaP51 is a ‘91 or 3-30-94.

    As Dave says in the seaside chat, it’s the subscribers who keep this series going, not the ala carte sales.
    Giving the subscribers a bonus disc as a thank you is not an injustice to those who don’t want to subscribe.

  • SPACEBROTHER
    Joined:
    Vegetables are good for you

    These 85 Frost shows are amazing. Get it. You'll never regret it. Btw it's all "the good stuff".

  • daverock
    Joined:
    Tough love

    A bit cruel of Dave making people hack through not one, but two 1985 shows before they can have the good stuff. A bit like when you were little and you had to eat your vegetables before you could have any ice cream.

  • ronmarley1
    Joined:
    In for Another Year

    Got my subscription. Always counts as an early birthday present. Graduated high school in ‘85, so there’s that connection.

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3 years 7 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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1 year 1 month
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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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15 years 2 months
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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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