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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • wissinomingdeadhead
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    49

    I've narrowed it down to 2 real good possibilities based on DL's 1st of the year selections so for DP 49, I am guessing it'll be 7/25/74 or 6/22/91 of course I could be totally wrong. As of I am going with 7/25/74.

  • rasta5ziggy
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    Albums for Rolling

    The undisputed best album for cleaning/de-seeding/rolling is Bob Marley's "Rastaman Vibrations". It even gives you instructions. If you turn the album sideways while it is open, on the edge it says "This album jacket is great for cleaning herb". My other favorite is the Live/Dead album, which on the back, the words "acid" are sort of highlighted. Looking forward to Dave's 48. After my first boxset purchase (HCSS), I still prefer the individual releases.......not as much repitition. Not sure if I will go the boxset route again, but I DO LOVE it as Fall '73 was the beginning of my GD journey.

  • proudfoot
    Joined:
    posting on this board has gotten difficult

    looks like I can post again

  • daverock
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    Vinyl

    Doing - I'd definitely like to take you up on that - thanks very much. I have just typed a typically long PM, only to be told "Hey now we are going to block your message" or something. See if this message gets through. I'll try with the PM again either later on or tomorrow.

  • daverock
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    Vinyl

    Doing - that's very kind of you, thanks - I'll head on over now!

  • Doingtheneedful
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    DP2 Vinyl

    Do not fear Dave! I’m fortunate in that I hooked up with an American acquaintance who inherited my Mother’s house over there, and they have kindly agreed to be a “proxy” for me on this one. Hopefully that’s taken care of but I’ll consider it done when it’s in my hands! At least the Band Camp option will be useful in the future.

    I’m all set for DP’s original CD releases up to the early 20’s (I think) at least, but here’s something about vinyl being cut from the original reels and not the digitised masters that really floats my boat. DP 2 is delicious and deserves to be heard as close to source as it’s possible to get, along with a meaty cover to slobber over!

    Thanks for thinking of me though. I’m sending you a DM re another Vinyl release that might tempt you. I ordered two to cover my bases (well actually, by dint of a snafu from dead.net shop at the time) and decided not to cancel or return the dupe as I had you in mind…:-)

  • JimInMD
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    I'm pretty stoked too

    All three discs. They do take quite a bit of criticism for not always picking the exact 71 show we want. I bet 71 takes a bigger role in future releases and they begin to improve.. think of it as a 1971 Wack-a-Mole. Eventually they are going to begin hitting more 1969 too. I had a banana this morning, great source of potassium and the boxes make great storage containers for 10" reel to reel tapes.

  • Angry Jack Straw
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    DaP 48

    Dave played a portion of this earlier today. Count me in as prematurely excited. Joke all you want. Love the 71 sound. TOO sounded awesome.

  • Gary Farseer
    Joined:
    Reflecting on this week.

    How many joints are in a lid?

    60...I was going to a Blue Oyster Cult concert in 1981. At this point we were getting high quality home grown. So there were a few seeds but not like the Mexican brown. After I cleaned the few seeds and one large stem I was left with nothing but pure smokeable. (Hmm spell check doesnt get it) Any way at that time, I had one of those automatic joint rollers, you know with the 2 horizontal wheels with a piece of material to load into. Roll the wheels to get it tight! Then take a paper, once area between the wheels was packed full, and twist one wheel one rotation, you were ready to lick and then finish the wheel rotation to seal it shut. The night before the concert I sat in my room and cranked out 60 beauties. Now remember this was a so called lid, probably more than an ounce, maybe 1.5. I took all 60 joints into the concert. It was smoke fest in our section, balcony, right in the dead middle. I ended up selling about 30 of those for $5/each. So, paid for my ticket and my smoke, and went home with around 20 of those for later.

    So much more to tell about the guy who I bought smoke from, and my home town arena which had incredible sound for a hockey, as Bob always called them. More l8tr.

  • uncle_tripel
    Joined:
    wanted to post earlier, but REJECTED for inaccurate vernacular..

    must say I thoroughly enjoyed all the posts this week:) from comments about Pauley #48+filler to lids (double-albums with stems & seeds lol) to 3CD vs 4CD releases to Jessie “Lonecat” Fuller to being surprised at how much “hippiedom” in BTV to comments of DL's Relix's interview
    All great reading!

    Last weekend, thought I'd move out of the 70's for a stretch, did a ton of shows from
    '73, '74, & '77 SO FAR this year, and as #48 will arrive in a couple of weeks, I decided to move on for a couple of weeks to…

    6/14/85: GREEK, at the end of drumz> "Do you call that music?, Yes, I fah king do!"

    Robbie Robertson: Storyville

    6/15/85: GREEK

    8/14/94: JGB: Warfield

    6/16/85: GREEK

    5/10/91: Shoreline, still prefer the 5/11 show

    last week's 5 & followed those up this week with the next 5:

    Beatles: Abbey Road

    7/14/85: VENTURA; man, forgot all about this one, so glad its' back on my "hit parade"

    Buddy Guy: Damn Right, I've Got the Blues

    4/5/82: Spectrum (attended with friends, some no longer with us, great memories), and chose it because I was inspired by Garcia's playing at Nassau 4/11/82 especially on Let it Grow from "Tapers Section"

    10/20/90: Berlin, Dark Star is the reason I went back to EU'90

    hmm..at some point, when St Louis’s well has run dry, which locale’s well will they to tap next?
    Buffalo, Rochester, Providence, Worcester, Miami
    or tap the well of a venue:
    Avalon, Boston Tea Party, CalExpo, Capitol, Electric Factory, Frost, Greek, Kaiser, Shoreline, SPAC…………….

    Peace All!
    Uncle_Tripel

    Almost forgot...Garcia did an interview, believe it was '84, where he mentions the band's intent, and how everything they do is done "intentionally". Gotta believe that still holds water.

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"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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