• 8,064 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • JimInMD
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    More on GD/Amps/US Navy

    I was close... if you google it you will get an answer pretty quick. Here is a quick quote from my first google land.

    Rosie McGee was cracking up at her desk when Dennis "Wiz" Leonard walked in from lunch.

    "What's the story?" Wiz asked McGee, then a receptionist and bookkeeper at Alembic, a California-based custom electric guitar, bass, and pre-amp company where Wiz worked as an audio engineer.

    "Well, the Department of Defense just called me," she told him. "They were asking if we could defer the purchase of our next four 3500s, so they could get four."

    Those amps were in high demand at Alembic. The 3500s, in particular, would be used in the Wall of Sound's vocal array tweeters, drum tweeters, and for Jerry Garcia's guitars. But was it just Alembic buying them up? A rumor was going around—a "urban myth," Wiz told me—that the US military was using Mac 3500s for sonar, specifically to listen for Soviet submarines.

  • Gary Farseer
    Joined:
    Passing the Test

    Isn't the goal here to be lighthearted? I try my best to not let the craziness of the world/media not get to me here? Isn't the goal here to be a kind prankster? They ask, "Are you kind?" Most of the flamers I look like as children, either actual age or not. Many are so deep in social media and issues that result thereof, they cannot see what it is doing to them. They are being handled, manipulated, and unwittingly abused by the profiteers. I try to stay away.

    Jim, had no idea of the McIntosh amp issues. Thanks for that piece of info. As much as I love the music, it is just how they were. So real and fun which someone wrote, "creating their own iconography." The richness of their traditions and internal musical dialog that we love is an unending source of comfort as they lived it everyday for 30 years. I wish I had a shot at hearing even 50% of their music, but as I have written before, my OCD makes me wear out a great jam over and over instead of looking for the next one. Need to work on that for sure.

    So Jim and Oro and many others, thanks for passing the test.

    G

  • JimInMD
    Joined:
    GFar

    You are kind soul.. I appreciate all you provide here. Same goes to Oro. I think it would take a face to face to catch me up on all the technology (old or new) that the two of you bring for me to truly understand. As for old.. and I am sure you both know.. in either late 73 or early 74 (I think 73).. the GD got into a scuffle with DOD over equipment they were ordering that was desperately needed for national security. Apparently, the Macintosh amps they were buying in unprecedented numbers were needed both in general and more specifically by special, top secret subs that needed the clean sound and amplification to either detect enemy interference or better hear and make stealth the noise they were making. So they called the GD and tried to work out a way to either stall, postpone or barter a purchasing arrangement that would not jeopardize national security.

    I think this is well known, and I apologize in advance for going on memory and surely confusing some of the information listed above as fact. ..but what is written is pretty close, if someone can clarify and correct it would not offend me in the least.

    Hope I didn't write anything that was incorrect or in any way interpreted as insulting or offensive.

    As for chainsaws and sawzaws to clear way for our living room WOS.. what could possibly be more fun.

  • Gary Farseer
    Joined:
    Sawzaw

    Ah the sounds of my earliest fun dentist. "You dont need no gas!"

    All my stereo stuff is old, always fussy. Running all old Yamaha into JBL (plus svs). Trying to get stuff cleaned and parts replaced. When it is on, it is quite the stereo indeed. I have an old yamaha eq that I hooked up when Dave's first show was released. Goes into Pre amp, then to a yamaha mx-830. The MX-830 is powering 4 jbl g300's and 2 jbl LX 600's. Running 6 speakers means the amp is running at 550 watts at 2 ohms. It cooks. The speakers all have same tweeters and mid ranges. The 300s run 8" woofers and the 600s have 10 inch woofers. It is old but as you say "in budget." Smile.

    edit:
    Then the svs has a 550 watt continous, 850 watt peak sledge. The svs I picked up a few years back for $399. I had to have a sub with an internal crossover. So out of preamp to svs (rca cables), then back into the preamp, then to amp. Having old yamaha means older connection points. Modern amps control the crossover themself and pump sub out already crossed over. I happen to run my internal sub amp at a cutoff of 82 hz. George Lucas uses 80 hz crossover in his THX sound systems. So I am slightly above that. I did some sampling of the room using the preamp features.

    G

  • JimInMD
    Joined:
    Do you have any '74 Dijon?

    Neanderthal's use chain saws.. a sophisticated audiophile attacks their living rooms delicately with a sawzaw.

    I'm totally jealous.. I am blasting with my 20 year old Denon, similar age speakers with no intents on upgrading anytime soon. Budgets be budgets..

  • Gary Farseer
    Joined:
    Yeah

    Can you imagine writing the real equipment book? With the constant upgrading of the system, that book would be multiple enormous volumes. Hope the Meyers have logged a lot of their research.

    No 18's here. Of course not needed.

    Back last year, Oro, you asked if I was running multiple subs. I am not. I have a 12" SVS Systems sub with built in Sledge D amp. It is like the rabbit, it is a thumper. Goes down to 13 or 15hz, so below the 20hz of human hearing. That is, if all memories about frequency response are still good. Starting to get the old enough to question my own thoughts at times.

    I am still hoping for the day when we can listen to WoS through a system that takes us to the "Fare the Well" P.A.. Would have to be software based, but I look at it like 4K upcoding an HDTV signal.

    Wow, FTW PA is now 7 years ago. Bet the Meyers' have gone way beyond that. I almost applied for a job at Meyer 7 years ago. Was in my career field. POTHead.

    That 2015 system had multiple flying 18's. It also had a load balancing system. This was done by having 2 systems, intake and outake. That is, they had 100 microphones throughout the stadium to push into the analytics software. Of course, the output systems was not connected except thru analytics, to the input system to avoid feedback. Brilliant. The analytic input system could then be used to balance the PA by section of the of the stadium.

    Sorry for interruption but I wanted find the article on pro sound web about 2015 FTW PA.

    I did actually find it, but not by searching pro sound web, but by searching internet at large and it found it on the pro sound web site, even though pro sound web could not find it in its own search.

    Let me know, maybe I can send lynk thru PM here, not sure if they cut that off.

    Any way need to do a little work after lunch. I mean a little work.

    G

  • Oroborous
    Joined:
    Ha

    That’s what chain saws are for!

    Gary, I think besides trying to keep up with Garcia, Phil was using that big system on stage to help fill in those near field areas (up front etc) we were discussing, the areas that didn’t get proper coverage from the PA?
    What some refer to as the Phil Zone, though to me that’s was where both his stage sound and the PA sound merged and acoustically coupled.
    But yeah, My spine tingles and can still feel rather than hear those sub frequencies in my DNA. (By sub I mean below the threshold of hearing, not a subwoofer). Those Meyers 18”s in the PA were ridiculous in the right spot, in the right venue etc.
    Plus, it’s the Grateful Fucking Dead so why not go big!

    PS, that Grateful Dead gear book is great, though a little dialed down.

  • JimInMD
    Joined:
    I want what Phil's having...

    Home version. 18"'s and 4"'s. If I move some things around, they should fit.

  • Gary Farseer
    Joined:
    Oro

    thanks for the write-up, input. Need a little time to read again and ponder. Think again we are speaking the same language but as 90% of communication is non verbal, some times the written language let's us down.

    It seems I have the dead's equipment book, need to track that down. Not necessarily for this discussion but just to find it again...

    Should have figured Phil would use Meyer systems. Using 18's onstage, wow!

    Hope all well your way!

    G

  • Oroborous
    Joined:
    Phil’s Rig

    As of late 82 or early 83 Phil was using 4 Meyers cabinets: (4 -18”, 4 -15”), 2 per cabinet powered by custom PIE amps, until they started not using speakers on stage in 92. (Which I didn’t like).

    Not sure I get all what your saying? I agree that Soundboards do not sound natural for many reasons.
    Perhaps your referring to the phenomena of Microphones not having frequency response to accurately record bass waves combing sub sonic frequencies at those kind of SPL levels?
    Mic location can also make a big difference and was partly why Dan started the tapers section. Unless you have the right knowledge and equipment chances are a recording made too close will mot sound good.
    Plus you have the physics: the lower the frequency, the longer the sound wave. If your too close you’ll not hear the fully formed bass note etc.
    In fact if your too close much of the PA sound will blow right by you. You’ll also not properly experience stereo imaging. That’s why usually, the sound board or just before it was THE place to be. It was a trade off going up front: yeah you were up close and could see and hear their stage sound, but the PA mix was so above and beyond you that you missed a lot of info. Eventually they added little Meyers boxes, usually sitting on the front of the stage to add some vocals etc for those up close.
    Nothing comes for free! Personally, like Bear, I didn’t like the stereo set up because of this. Unless you were in the right spot, you missed a lot of info, especially if you were sitting on the side!
    This was the main reason Reserved seating sucked: nobody could sit where they wanted so if you were a sound nut like us, you often had to endure less than perfect sound/mixes.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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In reply to by Oroborous

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I had just a taste of 2/15/73 as filler back in the day - HCS and El Paso. But that HCS was smoking. Still, I'd more or less forgotten about it until a couple years ago when I read a Latvala quote about how this version of HCS compared well with the one from 12/19. And it just so happened that I had a boring task to do [censored - for some reason I cannot describe my office w/out getting hey now'd] at work. And I wanted a long show to brighten my mood. I thought of HCS and that's when it hit me that I'd never heard the rest of this show.

Wow - it's just so good! I had the entire M aples show back in the day, but I still wasn't prepared for this performance. With all the new material I figured they'd be still working things out, but it feels instead like they must have spent that week rehearsing and listening to each other, and were just in a great headspace. This show just flows.

But this one's not in the vault, is it? (I mean I hope I'm wrong...)

2nd set was one of the first tapes to fall in my lap way back when over 40 years ago. My favorite Here Comes Sunshine - it has a drive to it that I really dig. And Bob's guitar is so exquisitely "wiered" at times, some strange effects peddle? Of course, totally love the Dark Star > Eyes > China Doll. That was an early glimpse into the mystery. And Badass Donna on You Aint Woman Enough. And the merry run around of that sweet sweet TLEO. A tape that was much listened to and much loved, note by note.

Great (or is it Grate?) Dane Box or February '73 box - either one bring it on!

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In reply to by bob t

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No, I haven't seen that documentary. What is it?
The old Dane County Coliseum. Was there many times, unfortunately not to see the Dead.

I hope we get those early 73 shows out at some point.

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It is about the sound system that Owsley and the Dead had and the September to Decembers tours of 73. Newspaper clippings and some interviews. I learned there was supposed to be a December 15th show in Houston. Always wondering why the gap between Omni and Curtis Hixon shows. Youtube..

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Yep, same here. It was one one my most listened to tapes back in the day. Still have it! Here's to an official release someday.

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In reply to by musicnow

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Thanks Bob T, I am going to track that down. Their pre wall of sound system was not too shabby either.

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In reply to by DeadVikes

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Warfield Theater
Pretty good AUD on the archive.
It's been cleaned up by Scott Wiseman, Scott Clugston, and Charlie Miller.
SEVA benefit show

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Oakland Coliseum
Keith & Donna's last show
Campaign for Economic Democracy benefit
Excellent Dave Usborne matrix on the archive
Peace

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In reply to by TN John

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Nice to see ya!
Thanks for the recommendation, that was pretty cool., though kinda weird how it just ended, like Cocaine became prevalent, story over…?
I need to see it again.
f I was only allowed to have one tour….
It’d probably be f a l l w I n t e r 7 3
Good Sheet Mon!

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In reply to by icecrmcnkd

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Prefer gummies over the prescription stuff they gave me. I finally made it home and it's great to see a couple exciting shows to queue up and lively up my next few days.

all in all I'm doing ok. Lots of shoulder work done and still painful but I'm on the other side now. thanks for all the good thoughts.

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Glad it went well for you.
PT is key to full range of motion.
I seldom did my homework and settled for less range, which is OK but now I wish I'd done more. Take it easy.
Cheers

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2/16 &/17/82 two very cool shows I was fortunate enough to be at , would make a great double release. 2/17/79 was a benefit called Rock for Life and was about ending environmental cancer. Another show I was at and should have been released along time ago.

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In reply to by 1stshow70878

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To the other side.
Woohoo, he’s back sports fans!
Glad to hear things went well!
Yeah, I think sometimes Advil and weed work better for some pain then the pill mill crap?
Whatevs gets you through the night, is awright. Rest up, be well, and play dead!
Music heals!

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In reply to by 1stshow70878

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Good to hear Jim. Hope you are able to recover quickly.

So much music to choose.

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In reply to by DeadVikes

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Positive thoughts for quick healing!
Peace

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get well soon, play dead and I mean the music, wonder what the outcome would be if you really did play dead? Home folks freak out? then you awaken and say "I'm not Beethoven"

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In reply to by PT Barnum

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HN won't allow anything in my simple original message, like none of it - geez louise

It seems to me that the more time you spend on a post, the more likely it is to be hey now'd. What seems to be working for me is to just whack one out - and then when it's printed, go back and amend it. If you can be bothered.

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was spinning on sirius yesterday. Caught the Eyes>WRS while heading into town.
Everyone is beautifully mixed in. What a recording! Had to check the archive to find out more. Listened to China>Rider to verify the sound quality. Would make a magnificent official release.

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Thanks B.B., that SBD Miller is sweet.
Currently sampling as I don't have time this AM for the whole show.
Cheers

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I concur, gr8 show Eyes is epic, fall 73. Happy birthday Vinnie.

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In reply to by PT Barnum

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check PM.

Thanks

Crap, Hey Jim.

Glad you have gone through the rough part. Every day I am sure it will be better, and the next thing you know, It's Summer.

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In reply to by Gary Farseer

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Sorry man. I always forget to check my messages. I tried to make a lengthier response, but the powers that be determined I used some wrong words somewhere. I would be happy to talk those shows with you. It might be easier on the phone. Hit me a message if you want to exchange numbers. I'm still trying to figure out how to discuss the music on here without getting smacked down.
Peace

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In reply to by TN John

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Revisited this fantastic show last night and this morning. What a show! Damn, love that 3rd set!. We are a lucky bunch out here.

Hope we get a box announcement soon.

Hope you avoid the smackdown TNJ.

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In reply to by DeadVikes

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...yeah man, I'm down with that...that 3rd set has gotten at least 5x the playtime vs. any of the other sets contained in the HCS Box.

Worked-on my 2024 Box Set calculator, and got it installed yesterday lol, estimated release September; now if only I can get it to reveal the contents;)

keep smilin' everyone, it'll be announced before you know it

PEACE ALL!
uncle_tripel

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In reply to by uncle_tripel

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Have hit everything in order through April 30.
Not fall 73 but better overall than I expected!
Some really good shows there, just they all seem to have the same idiosyncrasies. Mainly, misses. Not really any big train wrecks, though JG flubs Althea pretty good on the 30th.

Several times I’d be thinking, this is the show, then they’d have some little miss or Jers voice might be a bit ruff on one song. Just weird random stuff that I’d call normal, except here it just seems like every now and then, from time to time, ?? Hard to explain, perhaps I.e., check out all the HSF as an example?
The tape selection/quality is inconsistent too. I heard several less than stellar SBs, and some awesome Auds, and everything in between.
The first night of Marin sounded like practice, but was a creeper. Ist set sloppy, but eventually got some things going. Awesome Oh Babe it ain’t no lie!
The run seemed to get better as she goes. Again, kinda sounded overall like a tour warm up run… Do try to hear the Blues for Allah hints during the 3/31 space! And the Spanish jam through Rat on the 29th.

Ist night of Vegas was meh, second ok.
The tour proper starts in Hampton. First night sorta status quo for opener, nothing really stuck out. Second night I enjoyed and sounded like they were finally gelling.
CROTCHFESTER. I was at, front row, perhaps highest we ever got, so no surprise I didn’t remember much. I do recall feeling non plussed BITD but I think that’s because I had some song expectations that didn’t pan out? Always seemed overshadowed by NF the next night (same mo for us).
This time, I did dig NF as they jam hard and things can be very psychedelic musically at times, but this time Rochester really stood out for me. One of my favorite shows of the tour, definitely worth a listen!
I’ll skip Philly for now…
New Haven I liked the first night better, great Jack Straw, only Only a Fool ever played, which was meh?, nteresting anyway, nice Spanish jam and space.
Really all the drums out into space etc we’re cool on this tour.
Both Providence shows were solid. Decent Shakedown, but I’ll take the powerful Angry Shakedown from 4/16 over em all.
The second night of P town is another I recommend and another tour tops!
Nassau shows were good, but perhaps a little on the downside by this point?
Philly probably was the peak, but I didn’t feel it was obvious.
I listened to some of these shows several times trying to decide.
I remember feeling DL had gone to the wrong house with 35 being 4/20?
I still think the 21st might be a tad better, but perhaps missing a bit on HSF (they don’t quite get any of em perfect) factored in?
The 19 is ok, sorta tour status quo, 20 and 21 are definitely in the top five.
So I’d recommend not necessarily in order because these shows were all very similar in many ways, so can’t pick a definitive favorite.
4/21, 4/20, 4/16, 4/27 tops, extra credit 4/17, 4/26, 4/14.
Again, really pleasantly surprised at the overall quality and consistency of the tour. Yes if you pay attention you’ll hear some Oopsies occasionally, but perhaps no more than most tours?
Going to cleanse a bit, then hit some more spring 89…
ONWARD!

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In reply to by uncle_tripel

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Has Jeff checked in on 49 yet? Like scanned artwork. I may have missed him.

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Hey Gary, Hope this works. I tried a while back and got major Hey Nowwed. Here’s the cover art for Dave’s 49 that Copperdomebodhi found. Scroll down to 49:
dropbox dot com /sh/qx5j9ydoc7bzm8z/AAD8yK_vCv_kQ-oLkLJQVCEla?dl=0

If y’all PM me with your email, I’ll send future covers to you directly.

Onward

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wow, what a run hey, during the soundcheck for 2-22-74 I believe there is the first hints of an estimated prophet Jam, and 3 sets too.

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17 years 3 months

In reply to by PT Barnum

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February 74 is where I been cleansing this WE.
Good Sheet! Great minds ; )

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In reply to by Oroborous

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How did you get your post past the HN police OB! Nice work. The longest one I have seen in a while.
I haven't listened to much spring 84 in long time, with the exception of Dave's #35, which I always enjoy. There have been a lot of Philly shows released by Dave. Will have to poke around a bit.

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In reply to by DeadVikes

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sent PM

Thanks

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In reply to by Oroborous

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...yeah Oro, that was a strange night... and with the home crowd and the technical gremlins, it really does kinda sound like practice at times.

But that second set has a lot of mojo. The Oh Babe is a lovely one-off - first time since '81 and the last time the GD would play it onstage. The China Cat->Rider is remarkable, I just love the color Brent puts on it. They take their time with it, too; it's nearly 15 minutes long. The Playin' gets to some haunting spaces, and it's too bad Garcia wasn't a lil more patient bc I'd have loved to see what else might have happened, but I guess he had business backstage. Instead we get the debut of Don't Need Love. Again, it sounds almost like rehearsal, but it's still my fav of the 16 times Brent would eventually play it. I love this version.

Drums doesn't really go anywhere for me, but Space is excellent (Garcia must have found what he needed backstage, Weir's a monster here and Phil is so high on Jill in '84 that he seems to be livin up to his old nickname, Reddy Kilowatt) with a notable jam. And the transition into the Wheel never gets old. The Truckin->Spoonful isn't remarkable but it's solid. My tape didn't have the encore and I wasn't always in the mood for a double helping of Chuck Berry, so I sometimes pressed stop here... but sometimes I'd just press fast forward and then flip the tape to hear that beautiful Oh Babe It Ain't No Lie one more time...

Decided to que up this beauty from the 30 Trips Box, 10/27/79. Why, because I am channeling a 79 Box for this year. Will it happen?

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2/17/79 & 4/22/79. I hope would be a part of it.

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No, but there will be a 1969 box set this year. It'll include the complete Vegas show from March, as well as the early April Avalon Ballroom run. As well as a couple of other surprises.......

Those whom God wishes to destroy, he first makes mad......

Rock on,

Doc
When all of your wishes are granted, many of your dreams will be destroyed.....

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Hopefully it will include, 10/31/69, 6/27 & 28/69.

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Yes, we need an upgrade on that Halloween 69 show, that would be very nice. Maybe even throw Crockett in there as well, another show in need of an upgrade.......

Not sure about Santa Rosa. Good and definitely interesting, but a bit uneven. Would much prefer the Ark shows, or maybe Philly from February.........

Music is the melody whose text is the world.....

Rock on my friends!

Doc
Ladies and gentleman, I've suffered for my music, now it's your turn......

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Hey rockers!

OSF has confirmed that they have the original reels of the March Vegas show and the early April Avalon Ballroom run. Although it appears that the 4/6 recording is still incomplete......

People come to music to seek oblivion: is that not also a form of deception?

Rock on, and off to the morgue,

Doc
Music is essentially useless, as is life.....

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7 years 10 months

In reply to by daverock

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Really Daverock?

1979 was a great year for the band. If you don't like it that is fine.
If they stopped playing after 1969, this site would not even exist.

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In reply to by DeadVikes

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Deadvikes - I used to rate 12/26 and 12/28/79 very highly indeed - but I haven't been moved to play either of them for quite some time. It's a year where I'm happy with what I've got, but don't particularly want anymore.
I guess the exception would be the final show with Keith - but that's not really what people mean by "1979" I don't think.
The last show I played - part of it anyway, was the Road Trips featuring jams from 6/18/74. Now that is solid gold! Nobody else I heard in 1974 was playing anything like this. Not really jazz or rock - I think they had made up their own genre by this stage

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In reply to by daverock

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Menage a trois

I did hit the beginning of the second set of 10 27 79 yesterday doing some PT. High energy and interesting jams. If I could only set the time machine back a week before and get Betty out there to record it, well.. the world would be a different place.

As to Louisville 74, I've always had a lot of respect for that show, it never gets old even the spooky discordant pieces. The transition from Eyes of the World to China Doll could be my favorite one.

Now a 69 Banana Box Set you say? Bad shoulder or not, I am dancing a jig in anticipation.

It's good vibe Saturday all day here at dead net. Not sure if I am tossing out a suggestion, but I am going to put on the acoustic set from 12 26 69 to start my day and kick off the weekend with some of the best vibe GD that's been released in the last few years. I thought 7 13 84 would pair pretty well with the Frost shows that were just released too.. they do a scarlet>something>fire I think?? sort of pairs with the Scarlet > Eyes.

Let's see if this post makes it through Hey Now

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In reply to by JimInMD

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read that previously uncirculated DS > Main 10 > DS > O1 > Aliigator from 2/5/70 Fillmore West is up at LL

Good Vibe Saturday - I woke up on that side of the bed too Jim!! And to echo Cone Kid, hope the w i n g is healing smooth and steady. Have a great weekend everybody!! Onward!!

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In reply to by bluecrow

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Enjoying a cup of super dark roast Colombian Supremo that I roasted and some 1974 Little Feat on vinyl.

Supposed to be 62 and sunny tomorrow, think I might roast a batch of beans.

I have managed not to re-injure it while it's in a delicate state. That counts for something, right?

I'm roasting this weekend too. I tried to send a big bag off to people I know that like coffee around Christmas and New Years. I am still working my way through that list. After about three batches I lose interest and end up putting it down.

I am doing some sticky full roast Kenyan right now mixing it up with a smaller batch of Sumatra. I always had a soft spot for those earthy Indonesian beans and have been on a Kenyan kick for a couple years.

How this tie into the GD? Not sure.. I did see one of the few GD shows that started off with Casey Jones and certainly the only one post hiatus. That's gotta count for something, you've got to watch your speed that's for sure.

I'm beating my 1969 drum too while listening to our last banana box release.

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Must be spreading. Maybe it's because we passed meteorological Spring. Louisville '74 you say?
Cheers
Edit: Did the SBD on archive. Killer show but now I see why the RT 2.3 version is chopped up. Sound issues early but this Sacks-Hollister sbd has very dynamic sound when it settles in. Mind bending Let It Grow.