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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • daverock
    Joined:
    10/29/77

    Here's me getting in early about this one. Dave's Picks 33 - a towering performance by Jerry from beginning to end. The rest of the band seems to plod a bit to me during set 1. - but set 2 really takes off. Weird keyboard sound from Keith - sounds like he's playing a harpsichord or a spinet half the time. Sounds quite Elizabethan at times.

  • billy the kiddd
    Joined:
    Anniversary show 10/28/84 BCT

    39 years ago it was show #2 with the Grateful Dead . Great show, great run! I bought a nice poster outside the the show done by Rick Griffin, also bought a nice tye dye t shirt outside the show.

  • Vguy72
    Joined:
    Last Fivers....

    ....well. Let's see what's on the damn rap sheet.
    Supertramp - Breakfast In America
    White Stripes - Elephant
    Bread - Manna
    Love And Rockets - Seventh Dream of a Teenage Heaven
    The 10.31.71 Dark 🌟

  • Lovemygirl
    Joined:
    Re/Dicks Picks #2 New Vinyl

    Primo! Plays & sounds beautifully on my turntable & tube system!

  • Lovemygirl
    Joined:
    Re/ ProudFoot

    Pigpen only plays Keyboard on the 3rd Disc if that helps you. I don’t know which part of the performance you’re referring to being Pigpen or Keith. Unless you’re talking to Daverock.

  • proudfoot
    Joined:
    Yo D

    Is that Pig or Keith on piano

  • Vguy72
    Joined:
    Friends....

    ....I can admit. I watched it. RIP. Pop culture is what it is.
    Perry had drug and alcohol issues. He seemed to have turned the corner. Alas.

  • dmcvt
    Joined:
    48 first disc

    Pleasantly surprised by audio quality, playing while watching WS #2. As Casey J finishes, at the fourth inning, the fade out baseball music is a few bars of Estimated... coincidence? I think naught, Terrapin is up next. PigPen piano on 48 is pretty high in the mix, nicely energetic.

  • proudfoot
    Joined:
    RIP Matthew Perry

    Friends was fun back in the day

    Another gone too young

    You make it to 80, you good. Before that is too young.

    No one here gets out alive, indeed.

  • Vguy72
    Joined:
    Still no 48 notice....

    ....real gone, flaming lips, garcia foundation and king gizzard all seem to have their shit together. And the Grateful Dead is in the rear view mirror regarding orders. There is a definite synapse disconnect here.

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3 years 6 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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1 year 1 month
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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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15 years 2 months
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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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