Pick of the Day, with Discussion

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April 6, 2020 - 9:47am

8,084 replies

marye

Joined:
May 26, 2007

Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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February 22, 2023 - 7:47pm

#1281

rockthing

Joined:
August 2, 2020

5/19/74 > 2/22/69

>daverock>

The vocal dropouts are not evident in the audience tape, so that must have happened on the way to the board tape.

That said, the recording is slightly overpowered by Jerry and Bob's guitars from the taper's vantage point, but a little time with a simple Equalizer was enough to bring more Phil and better presence to the vocals. I do recall a few lyric flubs with the new material, but in the overall mix it didn't really jump out at me. Probably much more obvious in the official release/soundboard recording.

2/22/69>
Oh, my. I can see this is gonna send me on a primal quest. I have all these fall '69 and fall '68 shows that I've never listened to, but I don't have much from the spring of those years. I love this gentle psychedelia. It's really these delicate type of sounds that really trigger the senses. I'm only up to Dark Star at this point, but what a beautiful way to start a show.... oops, "The transitive diamonds?" Haha. I'd probably have trouble remembering my name if I were there, so whatever.

It's such a shame that we're restricted to streaming this show. Imho, if the official release isn't so significantly better sounding than one of these circulating boards that it isn't a no-brainer to buy it, then what's with the classism, eh? I know the boys need a retirement plan... but... --mini rant off--
February 22, 2023 - 10:30am

#1282

daverock

Joined:
September 1, 2014

5/19/74

Rockthing - good notes on this show - cheers! I'm going through it very slowly, but it's the L.P. I am listening to. Although it has the famous vocal drop outs, the sound and balance of the instruments sounds fine throughout to me. I have just played the side with Loose Lucy and Money Money on. A short side. The lyrics are a bit naff on both of them - but I like the music, and they were both played so rarely that when they do crop up, it's a welcome surprise to me.
I presume the version you have listened to has the earlier vocal dropouts too.
February 22, 2023 - 3:51am

#1283

rockthing

Joined:
August 2, 2020

5/19/74 (Part II)

Wrote these notes on Monday morning while drinking my coffee and getting ready to do some work from home. After a while I was mostly distracted by the show.

I'll get to that Feb. 22 '69 show if I can, but I don't have that one handy. Hafta stream it.

The ETree identifier of this source is 115876, btw. I don't have the box set, so these are my first impressions.

It Must Have Been The Roses: Ok. /Now/ I'm awake. Possible tape change? There is suddenly a big improvement in sound quality for this hauntingly sensitive rendition. Jerry's voice is now clear above the guitars. Everything, save Phil, is suddenly much clearer and the sound field feels wider. Up to this point the tape had sounded like the tape the biker is listening to at the beginning of the Dead Movie. Nice harmony work during the refrain, blended well in the house mix.

Loose Lucy: Gettin' in the funk. Jerry's just perfectly behind the beat to make it nice and nasty. If the syncopation isn't just right, this tune can completely lose all form really quickly. Loose Lucy must be a pretty new song at this point. I have no idea when this tune debuted. They didn't do this in concert much, as far as I know. I was lucky enough to see'em do it once, but the performance I saw was almost unrecognizable. Something was wrong with the timing, so it sounded all backwards. I was embarrassed to not even recognize it until Jerry started singing. This is a nice treat.

I Know You Rider? Something seems to be wrong here. The info text says Money Money should be next followed by China/Rider, but we're just dropped into IKYR. Looks like some minor surgery might be needed on the meta data.

Money Money: Ok. Someone's just mislabelled these files. Man, this has always been one of my least favourite songs in the Dead's catalogue. I rarely skip songs on albums, but being the album closer on Mars Hotel makes it easy. I don't think I've ever heard a live version of it, so this is kind of a treat, in its own sort of way. Having not heard it in such a long time, I guess it's not such a bad song. The negativity of the lyric just sems to strike such a contrast to most of the other stuff in the repertoire. John Lennon, for example, has a lot of negativity in his lyrics, but when I listen to him, I expect that.

China Rider: Yeah. They're keepin' that funky groove going that was working so well during Loose Lucy. The transition jam seems to go almost immediately to an I Know You Rider feel. The guitar tone is very unusual here. It almost sounds like Bobby's Gibson 335 tone. He's playing lots of double-stops, where he plays two notes at a time even while soloing… wait… maybe that /was/ Bobby!? Some very cool interplay between Bobby and Phil before a guitar sound that is unmistakably Jerry joins in just ahead of the trademark unison bit before I Know You Rider. What is now clearly Jerry's tone keeps it going after the unison part, and now there's a Feelin' Groovy jam. I can almost see the smiling faces and twirling homemade sun dresses with flowers in the hair right now. Big, big ovation from the crowd as they settle into the Rider vamp before going into the first verse. They know what they've just heard. That was sweet, breezy, and smooth as can be. I'm guessing Jerry had some sort of equipment or other issue causing him to stop playing for a bit at the beginning of the transition. Oh, yeah, Jer, dig into that "On a north bound train" line. This and the out-of-place IKYR are going to get merged into one track when I get a chance.

Set II:
Promised Land: Yeah. Everybody's definitely up off their blankets now.

Bertha: Got a little "Yee Haw" from someone nearby for "All night pouring, but not a drop on me." It's quite amazing how inobtrusive the audience is, considering this was recorded with a handheld mic by someone just hanging out in crowd.

Greatest Story: Nice wah wah Jerry licks. Jerry's wah is so bubbly and has a rich swell, like the sound of a wave on the ocean. Using the rocking motion of the foot pedal definitely puts the player physically off balance, so I can understand why he seemed to abandon it later in favor of the Mutron "auto-wah" tone filter. Sounds so good here, though. Jerry's volume sounds cranked, though, totally drowning everything out. I ain't complaining. Oh, yeah. A little jam in GSET? They seem to have gone into something altogether different. I'm not sure if this is a set piece, but it feels unfamiliar to me. I know that I've heard occasional jams in Greatest Story, but they seem rare. This is definitely no longer the Greatest Story chord progression, but I don't know what it is, and then Wamp, Wamp-Wamp, right back into it. Now I'm gonna hafta start checking out Spring 1974 Greatest Stories. That was hot and adventurous, like maybe something went wrong and they fought through it… but maybe there was just a jam in this song back then.

Ship of Fools: Giving the manic dancers their first break of the second set. The taper is stopping the tape between songs, though, so who knows how long they spent tuning in between. Very nice harmony work from Bobby and Donna.

Weather Report: Seems a bit tentative in the earlier segments, but the Let It Grow jam is developing interestingly. The whole band just seems sort of in a gentle mood this night. Everything is soft and malleable, and most of all, creative, when they go off into improvised sections. The straight tunes are tight and, well, straightforward, but I'm hearing all sorts of novel ideas coming through during the instrumental segments. There seems to be a completely different confidence at work during this jazzy work out. You can hear Billy getting back to his swing roots and playing off Keith. This is fantastic. Such subtle interplay. Normally when I hear the full suite performed I wonder why they didn't continue to use the first parts, but in this case I didn't feel that way.

Peggy-O: Jerry's picking is quite aggressive, and his tone is very chimey, even behind his vocal. Relaxed tempo, even by Peggy-O standards. In this recording it sounds almost like Billy and Jerry doing a duet, but Keith adds some accents here and there.

??: What is this? A playful little jam and some quiet noodling where the audience's shouts and requests become more prominent. Bobby announces technical difficulties.

Truckin': Nice buildup, but not the major bomb drop I'm used to, and from there things start to get really weird. It's not spacy weird, just, "Whoa, what the heck is this?" weird. Some of the early 70s Truckin's could get totally abstract, so this is just the way they rolled back then. Great stuff. Gettin' that funky groove goin' from the first set again, even as the changes take on some jazzy influences. Bobby is very clear in the mix, and my oh, my it's gettin' Weir'ed. Jerry busts in with a burst of guitar feedback which seems to shock everyone for a moment, but they're still groovin'. This is the gold I look for in any show. It's funny because Mind Left Body actually sounds a lot like Loose Lucy. Billy and Phil getting' into a little funky-drummer exchange. Finally Phil breaks through in the mix with some space for him to hit that Bootsy one. In the info text "Jam" and "Mind Left Body Jam" had been listed separately, but they're actually all included in the Truckin' track, which is my preference. Cousinit made a real mess of this file set, but I can fix it. Rarely are there such glaring mistakes on the Archive, but this one has definitely been put together somewhat carelessly.

NFA: This interesting because I've been listening to a lot of Alligator era NFA's or Bean era NFA's, and that gives a nice context to compare to this Wolf tone… of course, there is a LOT of recording tech affecting the sound here, but even though there's a nice honk, everything seems so nice and round and gently muted. Hey. What's this breakdown in NFA. Pretty sure I've never heard that before… and GTRFB. THAT, was an interesting transition.

GTRFB: Nothing to worry about here. The old standby. Billy's hi-hat figure during the breakdown is, again, getting really funky with a swinging 16th note feel, or something. Very cool.

US Blues: Mars Hotel weighted setlist. What month did that come out? Good, tight version.

Johnny B. Goode: Full colosseum clap along for a high energy reading that does justice to the Check Berry original. Sometimes this can get a bit too languid. This one is rockin' hard.

On repeated listen, I've messed with the EQ some. First of all I bumped up the EQ preamp level, I dunno, about 10db, I guess. I then added a further 12db of 64Hz, and 125Hz on the 10 band EQ to bring Phil nicely into the mix, but also lowered almost everything else about 6db on frequencies that had been flat to make the bass frequency differential greater. The bass still isn't terribly defined, but it at least brings Phil into play. He was completely inaudible without EQ. Got just a touch more vocal by giving the 1KHz and 2KHz about 1db. The tape has a sort of nostalgic cheap car speaker sound, so I actually wanna preserve a bit of that… not that I could really get rid of it. There's quite a nice venue ambiance, especially when there is more space in the arrangements, like during the Mind Left Body Jam.

The vocal drop-outs others have mentioned were not audible to the audience.
February 22, 2023 - 3:28am

#1284

daverock

Joined:
September 1, 2014

2/22/69

That is a great show. According to the cd notes it was recorded, along with shows in late January and the Feb-March shows, for possible inclusion on Live Dead. It probably won't happen - the song lists are obviously very similar, but it would make a great box set to release all the shows recorded.
The shows from 1967-1971 inclusive are the main ones for me in 30 Trips.
February 22, 2023 - 1:16am

#1285

Forensicdoceleven

Joined:
June 17, 2008

You can't blame gravity for falling in love…..

Mornin’, rockers!!!

Pick Of The Day: Dream Bowl February 22, 1969

Relatively speaking, the yang to the yin of February 21, 1969. True art is characterized by an irresistible urge in the creative artist…..

I have the space, you have the time, let’s revisit. Officially released in October 2015 as part of Thirty Trips Around The Sun, one almost never hears about this show, possibly because it gets overshadowed by the blazing white hot glare of the Fillmore West Shows of February 27th to March 2nd. This is very much “of a kind” with those shows, featuring the typically sweet Mountains Of The Moon (always loved that song!), a long exploratory Dark Star, a fierce, crunchy Other One, a deathly Death Don’t, a fine Eleven, and a greasy Lovelight that clocks in at a mere 21+ minutes.

Great music, great sound quality, I suggest you find the time…..

The only reason for time is so that everything doesn't happen at once…..

Rock on,

Doc
There comes a time when the mind takes a higher plane of knowledge but can never prove how it got there…..
February 20, 2023 - 3:08pm

#1286

daverock

Joined:
September 1, 2014

Heads in Mississippi

That's good to read - they opened with Mississippi Half Step - Franklins Tower the first time I saw them 3/24/81. A great start to the show for sure.
February 20, 2023 - 1:11pm

#1287

PT Barnum

Joined:
December 2, 2009

5-19-74

In my experience, any show that starts off with Mississippi half-step uptown toodleloo is usually a great one and 5-19-74 is no exception. That pacific northwest box grows on ya, for sure.
February 20, 2023 - 12:53pm

#1288

daverock

Joined:
September 1, 2014

5/19/74

I haven't played it this year yet, but it has become one of my most played shows from this year - mainly because I bought it on vinyl. But it is really good, too. To me, it's better than its song list suggests - the songs leading up to the Truckin' jam are well played and forward moving, and that final jam is superb. It has been castigated in some quarters for the vocal drop outs. A price worth paying, in my opinion. All three 1974 shows in the box it was culled from are top notch.
February 20, 2023 - 12:24pm

#1289

DeadVikes

Joined:
October 26, 2016

Dave's 13 and 42

Hey Bluecrow, #13 is definitely in my top five. Love this show. Listen to it quite a bit. #42 hasn't resonated with me as much as #13, don't know why. How do you all feel?

I will throw out Dave's Picks #7, 4/24/78, for our old buddy That's Otis. I believe you are fan of this era. Hope all is well out there for you and the rest of the crew!
February 19, 2023 - 2:34am

#1290

rockthing

Joined:
August 2, 2020

5/19/74

I've got a beta-max transfer of 2/24/74... which stayed in heavy rotation for a long time when it first hit my library, but low and behold Portland 74 has collecting proverbial dust in the old hard disk, too. Time for something brand new (to me).

A Pat Lee master cassette passed down the generations.

It's a little hissy, and I'm not getting much Phil at the start, but Jerry and Bob's gutiars are crystal clear. Jerry's voice coming in a close second in the mix with some occasional Keith flourishes wafting to the fore. Billy's cymbals sound crisp, if somewhat thin. Getting a nice Jamaican dub sound when he switches to the highhat. Kick is in there, clear, but with with a soft tone, and none of the hyper-compressed abrasive contemporary festival sound. Donna's harmonies are on, and blended well with Jerry and Bob for the Across the Rio Grande-oh finale of Halfstep. Jerry plays an aggressive outro solo.

Mexicali: The mix and tape quality remain consistent. It's mostly a guitar oriented sound, but Bobby's voice is clear, if slightly too far back. Even in '74 they could do this one in their sleep. Have you ever heard a real train wreck during Mexicali? I can't recall one. A fan let's out a hoarse, "Whao!" apparently feeling the southwest polka vibes.

Big Railroad Blues. Love me some BRB. There are short pauses in the tape where Pat Lee is clearly well aware of the need to conserve footage. Could do with A LOT more Phil in the mix. Might fiddle with the EQ in a bit.

Black Throated Wind: Awkward song that I sometimes really like, and other times can do without.

Scarlet: Crowd gives Donna a big cheer as the song reaches it's finale. Of course they egged Bobby on with some of his crazy antics, too, but it's nice to hear that early 70s audiences appreciated her contributions.

Beat It On Down The Line: Always love this one. Nice double vocal from Bobby and Donna. Some unfortunate microphone feedback during Jerry's solo. Phil's backing vocals are there. The bass frequencies either never made it onto the cassette, or have evaporated through the generations of open reels and cassettes.

Tennessee Jed: Nice bounce to this laid-back rendition. Another one of my favorite tunes, as I've mentioned before. Another nice, appreciative response from the audience who are almost completely unnoticeable for the majority of the time.

Bobby McGee. I picture the audience mostly having a lie-down on the lawn during this first set. Just a nice day in the park with some live music in the background.

Ok, well, that's as far as I'll get in this sitting, but really looking forward to that big Truckin' jam at the end of the show. Now spoilers! 😉 Just kidding.

John Perry Barlow

John Perry Barlow

Forums

Currently Listening To...

Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

Great Danes of Fire

I had just a taste of 2/15/73 as filler back in the day - HCS and El Paso. But that HCS was smoking. Still, I'd more or less forgotten about it until a couple years ago when I read a Latvala quote about how this version of HCS compared well with the one from 12/19. And it just so happened that I had a boring task to do [censored - for some reason I cannot describe my office w/out getting hey now'd] at work. And I wanted a long show to brighten my mood. I thought of HCS and that's when it hit me that I'd never heard the rest of this show.

Wow - it's just so good! I had the entire M aples show back in the day, but I still wasn't prepared for this performance. With all the new material I figured they'd be still working things out, but it feels instead like they must have spent that week rehearsing and listening to each other, and were just in a great headspace. This show just flows.

But this one's not in the vault, is it? (I mean I hope I'm wrong...)

2/15/73

2nd set was one of the first tapes to fall in my lap way back when over 40 years ago. My favorite Here Comes Sunshine - it has a drive to it that I really dig. And Bob's guitar is so exquisitely "wiered" at times, some strange effects peddle? Of course, totally love the Dark Star > Eyes > China Doll. That was an early glimpse into the mystery. And Badass Donna on You Aint Woman Enough. And the merry run around of that sweet sweet TLEO. A tape that was much listened to and much loved, note by note.

Great (or is it Grate?) Dane Box or February '73 box - either one bring it on!

BobT

No, I haven't seen that documentary. What is it?
The old Dane County Coliseum. Was there many times, unfortunately not to see the Dead.

I hope we get those early 73 shows out at some point.

Hey DeadVikes

It is about the sound system that Owsley and the Dead had and the September to Decembers tours of 73. Newspaper clippings and some interviews. I learned there was supposed to be a December 15th show in Houston. Always wondering why the gap between Omni and Curtis Hixon shows. Youtube..

Dane County

Yep, same here. It was one one my most listened to tapes back in the day. Still have it! Here's to an official release someday.

Bob T

Thanks Bob T, I am going to track that down. Their pre wall of sound system was not too shabby either.

2/16/82

Warfield Theater
Pretty good AUD on the archive.
It's been cleaned up by Scott Wiseman, Scott Clugston, and Charlie Miller.
SEVA benefit show

2/17/79

Oakland Coliseum
Keith & Donna's last show
Campaign for Economic Democracy benefit
Excellent Dave Usborne matrix on the archive
Peace

Hey Bob T!

Nice to see ya!
Thanks for the recommendation, that was pretty cool., though kinda weird how it just ended, like Cocaine became prevalent, story over…?
I need to see it again.
f I was only allowed to have one tour….
It’d probably be f a l l w I n t e r 7 3
Good Sheet Mon!

Recovering Comfortably

Prefer gummies over the prescription stuff they gave me. I finally made it home and it's great to see a couple exciting shows to queue up and lively up my next few days.

all in all I'm doing ok. Lots of shoulder work done and still painful but I'm on the other side now. thanks for all the good thoughts.

Jim

Glad it went well for you.
PT is key to full range of motion.
I seldom did my homework and settled for less range, which is OK but now I wish I'd done more. Take it easy.
Cheers

2/16 & 17/82/ , 2/17/79

2/16 &/17/82 two very cool shows I was fortunate enough to be at , would make a great double release. 2/17/79 was a benefit called Rock for Life and was about ending environmental cancer. Another show I was at and should have been released along time ago.

Break on through

To the other side.
Woohoo, he’s back sports fans!
Glad to hear things went well!
Yeah, I think sometimes Advil and weed work better for some pain then the pill mill crap?
Whatevs gets you through the night, is awright. Rest up, be well, and play dead!
Music heals!

Jim

Good to hear Jim. Hope you are able to recover quickly.

So much music to choose.

Jim

Positive thoughts for quick healing!
Peace

jim

get well soon, play dead and I mean the music, wonder what the outcome would be if you really did play dead? Home folks freak out? then you awaken and say "I'm not Beethoven"

Great News Jim!

HN won't allow anything in my simple original message, like none of it - geez louise

Good luck with the recovery Jim

Wow, even good wishes get hey Now’d

Tips for trips

It seems to me that the more time you spend on a post, the more likely it is to be hey now'd. What seems to be working for me is to just whack one out - and then when it's printed, go back and amend it. If you can be bothered.

11/25/73 Tempe, AZ

was spinning on sirius yesterday. Caught the Eyes>WRS while heading into town.
Everyone is beautifully mixed in. What a recording! Had to check the archive to find out more. Listened to China>Rider to verify the sound quality. Would make a magnificent official release.

Tempe '73

Thanks B.B., that SBD Miller is sweet.
Currently sampling as I don't have time this AM for the whole show.
Cheers

11-25-73

I concur, gr8 show Eyes is epic, fall 73. Happy birthday Vinnie.

TNJohn

check PM.

Thanks

Hey Now Jim

Crap, Hey Jim.

Glad you have gone through the rough part. Every day I am sure it will be better, and the next thing you know, It's Summer.

Gary Farseer

Sorry man. I always forget to check my messages. I tried to make a lengthier response, but the powers that be determined I used some wrong words somewhere. I would be happy to talk those shows with you. It might be easier on the phone. Hit me a message if you want to exchange numbers. I'm still trying to figure out how to discuss the music on here without getting smacked down.
Peace

6/10/73

Revisited this fantastic show last night and this morning. What a show! Damn, love that 3rd set!. We are a lucky bunch out here.

Hope we get a box announcement soon.

Hope you avoid the smackdown TNJ.

deadvikes...

...yeah man, I'm down with that...that 3rd set has gotten at least 5x the playtime vs. any of the other sets contained in the HCS Box.

Worked-on my 2024 Box Set calculator, and got it installed yesterday lol, estimated release September; now if only I can get it to reveal the contents;)

keep smilin' everyone, it'll be announced before you know it

PEACE ALL!
uncle_tripel

Spring 84

Have hit everything in order through April 30.
Not fall 73 but better overall than I expected!
Some really good shows there, just they all seem to have the same idiosyncrasies. Mainly, misses. Not really any big train wrecks, though JG flubs Althea pretty good on the 30th.

Several times I’d be thinking, this is the show, then they’d have some little miss or Jers voice might be a bit ruff on one song. Just weird random stuff that I’d call normal, except here it just seems like every now and then, from time to time, ?? Hard to explain, perhaps I.e., check out all the HSF as an example?
The tape selection/quality is inconsistent too. I heard several less than stellar SBs, and some awesome Auds, and everything in between.
The first night of Marin sounded like practice, but was a creeper. Ist set sloppy, but eventually got some things going. Awesome Oh Babe it ain’t no lie!
The run seemed to get better as she goes. Again, kinda sounded overall like a tour warm up run… Do try to hear the Blues for Allah hints during the 3/31 space! And the Spanish jam through Rat on the 29th.

Ist night of Vegas was meh, second ok.
The tour proper starts in Hampton. First night sorta status quo for opener, nothing really stuck out. Second night I enjoyed and sounded like they were finally gelling.
CROTCHFESTER. I was at, front row, perhaps highest we ever got, so no surprise I didn’t remember much. I do recall feeling non plussed BITD but I think that’s because I had some song expectations that didn’t pan out? Always seemed overshadowed by NF the next night (same mo for us).
This time, I did dig NF as they jam hard and things can be very psychedelic musically at times, but this time Rochester really stood out for me. One of my favorite shows of the tour, definitely worth a listen!
I’ll skip Philly for now…
New Haven I liked the first night better, great Jack Straw, only Only a Fool ever played, which was meh?, nteresting anyway, nice Spanish jam and space.
Really all the drums out into space etc we’re cool on this tour.
Both Providence shows were solid. Decent Shakedown, but I’ll take the powerful Angry Shakedown from 4/16 over em all.
The second night of P town is another I recommend and another tour tops!
Nassau shows were good, but perhaps a little on the downside by this point?
Philly probably was the peak, but I didn’t feel it was obvious.
I listened to some of these shows several times trying to decide.
I remember feeling DL had gone to the wrong house with 35 being 4/20?
I still think the 21st might be a tad better, but perhaps missing a bit on HSF (they don’t quite get any of em perfect) factored in?
The 19 is ok, sorta tour status quo, 20 and 21 are definitely in the top five.
So I’d recommend not necessarily in order because these shows were all very similar in many ways, so can’t pick a definitive favorite.
4/21, 4/20, 4/16, 4/27 tops, extra credit 4/17, 4/26, 4/14.
Again, really pleasantly surprised at the overall quality and consistency of the tour. Yes if you pay attention you’ll hear some Oopsies occasionally, but perhaps no more than most tours?
Going to cleanse a bit, then hit some more spring 89…
ONWARD!

TN John

Back atcha!

Onward

Has Jeff checked in on 49 yet? Like scanned artwork. I may have missed him.

Dave's 49 Cover

Hey Gary, Hope this works. I tried a while back and got major Hey Nowwed. Here’s the cover art for Dave’s 49 that Copperdomebodhi found. Scroll down to 49:
dropbox dot com /sh/qx5j9ydoc7bzm8z/AAD8yK_vCv_kQ-oLkLJQVCEla?dl=0

If y’all PM me with your email, I’ll send future covers to you directly.

Onward

2-22,23,24 1974

wow, what a run hey, during the soundcheck for 2-22-74 I believe there is the first hints of an estimated prophet Jam, and 3 sets too.

Shazam!

February 74 is where I been cleansing this WE.
Good Sheet! Great minds ; )

84

How did you get your post past the HN police OB! Nice work. The longest one I have seen in a while.
I haven't listened to much spring 84 in long time, with the exception of Dave's #35, which I always enjoy. There have been a lot of Philly shows released by Dave. Will have to poke around a bit.

Jeff

sent PM

Thanks

The first night of Marin...

...yeah Oro, that was a strange night... and with the home crowd and the technical gremlins, it really does kinda sound like practice at times.

But that second set has a lot of mojo. The Oh Babe is a lovely one-off - first time since '81 and the last time the GD would play it onstage. The China Cat->Rider is remarkable, I just love the color Brent puts on it. They take their time with it, too; it's nearly 15 minutes long. The Playin' gets to some haunting spaces, and it's too bad Garcia wasn't a lil more patient bc I'd have loved to see what else might have happened, but I guess he had business backstage. Instead we get the debut of Don't Need Love. Again, it sounds almost like rehearsal, but it's still my fav of the 16 times Brent would eventually play it. I love this version.

Drums doesn't really go anywhere for me, but Space is excellent (Garcia must have found what he needed backstage, Weir's a monster here and Phil is so high on Jill in '84 that he seems to be livin up to his old nickname, Reddy Kilowatt) with a notable jam. And the transition into the Wheel never gets old. The Truckin->Spoonful isn't remarkable but it's solid. My tape didn't have the encore and I wasn't always in the mood for a double helping of Chuck Berry, so I sometimes pressed stop here... but sometimes I'd just press fast forward and then flip the tape to hear that beautiful Oh Babe It Ain't No Lie one more time...

Cape Cod

Decided to que up this beauty from the 30 Trips Box, 10/27/79. Why, because I am channeling a 79 Box for this year. Will it happen?

79 box set

2/17/79 & 4/22/79. I hope would be a part of it.

Our inventions mirror our secret wishes.......

No, but there will be a 1969 box set this year. It'll include the complete Vegas show from March, as well as the early April Avalon Ballroom run. As well as a couple of other surprises.......

Those whom God wishes to destroy, he first makes mad......

Rock on,

Doc
When all of your wishes are granted, many of your dreams will be destroyed.....

1969 box

Hopefully it will include, 10/31/69, 6/27 & 28/69.

Who hears music feels his solitude peopled at once.....

Yes, we need an upgrade on that Halloween 69 show, that would be very nice. Maybe even throw Crockett in there as well, another show in need of an upgrade.......

Not sure about Santa Rosa. Good and definitely interesting, but a bit uneven. Would much prefer the Ark shows, or maybe Philly from February.........

Music is the melody whose text is the world.....

Rock on my friends!

Doc
Ladies and gentleman, I've suffered for my music, now it's your turn......

Spring 1969

I hope there is a box set of some shows from around then. That would be the creme de la creme. I always get a bit uneasy when people start enthusing about 1979.

Music turns the world upside down.

Hey rockers!

OSF has confirmed that they have the original reels of the March Vegas show and the early April Avalon Ballroom run. Although it appears that the 4/6 recording is still incomplete......

People come to music to seek oblivion: is that not also a form of deception?

Rock on, and off to the morgue,

Doc
Music is essentially useless, as is life.....

1979

Really Daverock?

1979 was a great year for the band. If you don't like it that is fine.
If they stopped playing after 1969, this site would not even exist.

1979 okay

Deadvikes - I used to rate 12/26 and 12/28/79 very highly indeed - but I haven't been moved to play either of them for quite some time. It's a year where I'm happy with what I've got, but don't particularly want anymore.
I guess the exception would be the final show with Keith - but that's not really what people mean by "1979" I don't think.
The last show I played - part of it anyway, was the Road Trips featuring jams from 6/18/74. Now that is solid gold! Nobody else I heard in 1974 was playing anything like this. Not really jazz or rock - I think they had made up their own genre by this stage

79, 74 and 69

Menage a trois

I did hit the beginning of the second set of 10 27 79 yesterday doing some PT. High energy and interesting jams. If I could only set the time machine back a week before and get Betty out there to record it, well.. the world would be a different place.

As to Louisville 74, I've always had a lot of respect for that show, it never gets old even the spooky discordant pieces. The transition from Eyes of the World to China Doll could be my favorite one.

Now a 69 Banana Box Set you say? Bad shoulder or not, I am dancing a jig in anticipation.

It's good vibe Saturday all day here at dead net. Not sure if I am tossing out a suggestion, but I am going to put on the acoustic set from 12 26 69 to start my day and kick off the weekend with some of the best vibe GD that's been released in the last few years. I thought 7 13 84 would pair pretty well with the Frost shows that were just released too.. they do a scarlet>something>fire I think?? sort of pairs with the Scarlet > Eyes.

Let's see if this post makes it through Hey Now

Hey Doc - new 2/5/70

read that previously uncirculated DS > Main 10 > DS > O1 > Aliigator from 2/5/70 Fillmore West is up at LL

Good Vibe Saturday - I woke up on that side of the bed too Jim!! And to echo Cone Kid, hope the w i n g is healing smooth and steady. Have a great weekend everybody!! Onward!!

Good healing vibes Jim

Enjoying a cup of super dark roast Colombian Supremo that I roasted and some 1974 Little Feat on vinyl.

Supposed to be 62 and sunny tomorrow, think I might roast a batch of beans.

Thanks Man

I have managed not to re-injure it while it's in a delicate state. That counts for something, right?

I'm roasting this weekend too. I tried to send a big bag off to people I know that like coffee around Christmas and New Years. I am still working my way through that list. After about three batches I lose interest and end up putting it down.

I am doing some sticky full roast Kenyan right now mixing it up with a smaller batch of Sumatra. I always had a soft spot for those earthy Indonesian beans and have been on a Kenyan kick for a couple years.

How this tie into the GD? Not sure.. I did see one of the few GD shows that started off with Casey Jones and certainly the only one post hiatus. That's gotta count for something, you've got to watch your speed that's for sure.

I'm beating my 1969 drum too while listening to our last banana box release.

The Good Vibe

Must be spreading. Maybe it's because we passed meteorological Spring. Louisville '74 you say?
Cheers
Edit: Did the SBD on archive. Killer show but now I see why the RT 2.3 version is chopped up. Sound issues early but this Sacks-Hollister sbd has very dynamic sound when it settles in. Mind bending Let It Grow.