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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • carlo13
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    Snakefinger

    Real cool.

  • carlo13
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    Third concert

    Deep purple around 1984. Pretty *ucking great but deaf afterwards.

  • daverock
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    I Love the Night

    Good to know you are there, Chuck. Happy Christmas, solstice and all permutations to one and all.

  • daverock
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    doing, not doping

    In the last line of my post. I'm not going to try and edit as I might get hey now'd.

  • daverock
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    1969 OK

    I haven't heard as much Blue Cheer, but the MC5 were a great band too. I get the impression The Stooges were more a break from the past than other hard rock bands of their era. I don't think anyone else committed such a full on assault on the audience and was so visibly in tune with the music than Iggy Pop in the early days. Reading about them in this recent mammoth book that has just come out, throughout 1969 a typical set lasted 20-30 minutes, after which they had played everything they new and Iggy had gone up to and completely over the edge .
    Maybe early Alice Cooper were the closest doping what they did.

  • Chuck
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    Holidays

    Happy Holidays to ALL Merry Christmas and Happy New Years to ALL I do not post much but I am always here . I love reading all your messages, it keeps me Happy..........Chuck

  • proudfoot
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    Blue Cheer? MC5?

    Just asking

    The Stooges rock but Iggy creeps me out big time

  • daverock
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    Changing perceptions of bands

    That interests me, too. I the 70's "history of rock" type books tended to focus on Jefferson Airplane and Janis Joplin when they touched down on San Francisco bands of the late 60's. The Dead were lucky to even mentioned. The Doors, along with the Velvet Underground were hugely popular in England from the late 70's on into the 80's. Maybe less so now, then
    Mention of Iggy and The Stooges - I have just started giving the "Funhouse Sessions" box set another listen. Ludicrously repetitive if you don't like them - but what an incredible set if you do. No one else on God's earth approached rock music like this in 1970.

  • jjc
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    Under a week until four…

    Under a week until four nights with Phish! Anyone else going to the Garden?

  • Crow Told Me
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    If the Doors of Perception were Cleansed

    I'm low-key fascinated by the way the critical reputations of various bands rises and falls over the years. The Doors, who IIRC were very well respected in their time and a major inspiration for not only Iggy and the Stooges but also X and other LA punks, seem to get no love from contemporary critics. I guess Jim's Lizard King persona is just too much handle for the kind of music writers who like boygenius or Sufjan Stevens. (Not picking on them in particular, just giving examples of what contemporary critics seem to like.)

    And meanwhile no band has risen more in terms of critical reputation than the GOGD. They were pretty much considered a weirdo cult band beloved by (us) shroom munching dirt twirlers when I first encountered 'em back in the '70s. And of course they're (rightly) considered icons now. Who'd a-thunk?

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3 years 6 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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1 year 1 month
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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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15 years 2 months
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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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