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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • daverock
    Joined:
    Sabbath

    Mr Ones - there's a lot more going on, musically, on Sabbath Bloody Sabbath than the earlier ones. I didn't actually get that one till I was a bit older, so it never quite sunk into my body and mind like ones before it. I loved the bassy rumble of the first three. Amazing live around that time - riffs that could destroy a factory.

  • Mr. Ones
    Joined:
    Sabbath/Dead

    I JUST played Sabbath Bloody Sabbath 2 days ago. It is still a fantastic album (to these ears anyway)

    I'm past ready to get info on Dave's 50. I hope it comes soon.

  • daverock
    Joined:
    Sabbath Bloody Sabbath

    They were many years past their peak by 1978. 1972's "Volume 4" was dedicated to "the great COKE cola company of Los Angeles", according to the cover. It was all a blur after that.

  • Vguy72
    Joined:
    I can get that....

    ....1978, Van Halen were brand new and full of spit and vinegar.
    Black Sabbath were coked out and Ozzy was on his way out.

  • uncle_tripel
    Joined:
    that 1st VH show

    VGUY72, won't be purchasing any of that vinyl, but thank you! I attended the Black Sabbath show at the Spectrum in PHL '78, turns out this opening band (Van Halen) literally blew Black Sabbath out of the arena and almost the roof off of the venue. The crowd was booing The Sabs, they were so awful, no way they could match the energy and youthful enthusiasm of the opening band which many in the crowd had not yet even heard of. Rock On!!

  • daverock
    Joined:
    Altamont

    "Gimme Shelter" remains one of the most shocking films I have ever seen. Fascinating to have attended an event of such historical importance, though. It probably didn't seem like that at the time. All things considered, I would definitely have rather attended any of the indoor shows played by The Stones in 1969 prior to Altamont.

  • Vguy72
    Joined:
    RIP Denny Laine....

    ....also, RIP to those who lost their lives at UNLV today. Dammit.

  • Vguy72
    Joined:
    If there are any Van Halen fans out there....

    ....Rhino is having a sale. First six records vinyl remastered for $90.
    Note. Not Van Hagar. The REAL Van Halen.

  • nappyrags
    Joined:
    Anniversary date of...

    54 years ago me and 300,000 of my closest friends were at Altamont for a little shindig....

  • daverock
    Joined:
    Pre- primal

    Alvar - yes, I feel like that about them concerning shows from 1966. I like them well enough, but to me, they didn't really become The Dead, as such, until Micky Hart joined. Up until then, they were still The Warlocks, in spirit if not name.

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3 years 6 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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1 year 1 month
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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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15 years 2 months
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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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