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    "Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
     
    Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
     
    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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  • carlo13
    Joined:
    Danny, be the ball.

    It's #48 already? Time sure flies. I can't wait for this one.

  • proudfoot
    Joined:
    Mmk.

    Now we wait for delivery each day until 3.

    Cue "Shipping Blues"...

  • Vguy72
    Joined:
    Disc Three!!.....

    ....three is a magic number.

  • gd1294
    Joined:
    Nice

    It is strange that past releases such as 12.26.69 and the like haven’t been selling out right away. Also the last 72 show as well. I am thinking that the number of releases is at a good number for all those who want one. Me on the other I can’t get enough of that primal dead. Dave thanks these last two years you have knocked me down in the nicest way with 12.26.69 this years 72 and the current number 48. All I can say is wow. I have listen to number 48 on Relisten and it’s great and Keith is on fire. As far as the filler Pigpen like John lee hooker always keeps me moving impossible to site still lol.

  • icecrmcnkd
    Joined:
    We can reassemble it, we have the technology

    I will put 10-24-70 back together when I have all the pieces.
    Thanks Dave/Rhino for the bonus show. Keep the releases, and the bonuses, coming.

    Yes Dave, go make that 2024 subscription video. I’m ready to order.

  • Sixtus_
    Joined:
    re: Curiosity

    Storm The Vault!

    With only solidly gracious intentions of course.

    Sixtus

  • 1stshow70878
    Joined:
    It's 10/24/70

    Dave explains in the seaside chat about this breakup.
    I agree to some extent and am happy with 75 minutes of this show.
    But if there's only the encores or so left for later like the one he did recently I'd say skip it. But at least that one completed a whole show for us.
    That said, the folks who rearrange this stuff digitally in their own files probably want it even if it's not a whole show but that's all there is in the vault.
    Cheers

  • JimInMD
    Joined:
    Re: Billy the Kidd 10/17/89

    10/20/1989 Philadelphia Spectrum

    ...and three days later the Grateful Dead played California Earthquake, the first of two times played. I was not at that one, but should have been.. and certainly wish I had been...

  • daverock
    Joined:
    10/24/70

    I am sure the 71 show won't disappoint - but it's the inclusion of a section from Fall 1970 that is the main draw for me here.

  • Tramjams
    Joined:
    Takes place at the eight…

    Takes place at the eight eighteen mark. I tried to put that in numbers and it won't let me post for some reason because of security.

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3 years 6 months

"Basketball and music have always been alike for me, the celebration of life and all other good things. These two art forms represent the best of teamwork, constant motion, creativity, leadership, communication, focus, execution, friendship, loyalty, cooperation, hope, opportunity, purpose, sacrifice, discipline, honor, and fun. Fun to play. Fun to practice. UCLA and the Grateful Dead embody the highest levels of this celebratory joy. At UCLA, it was endless fun, every day, in every way. We couldn’t wait to get there, to get going — though it was never as much fun as when the Grateful Dead came to play with and for us." - Bill Walton
 
Is there anyone who knows the acoustics of Pauley Pavilion better than Bill "Grateful Red" Walton? We think not, so we signed him on as a liner note scribe for DAVE'S PICKS VOLUME 48, the complete previously unreleased show from UCLA's Pauley Pavilion 11/20/71. He was there, after all, "driftin' and dreamin'" as the Dead shape-shifted through a first set of Americana classics from WORKINGMAN'S DEAD and AMERICAN BEAUTY into their second one featuring truly primal psychedelic jams (a 23+ minute "The Other One"). They peppered in hot takes on tracks from the recently released SKULL & ROSES ("Bertha," "Me And My Uncle," "Not Fade>GDTRFB") and road-tested tunes like "Ramble On Rose" and "Tennessee Jed" that would make the cut on the following year's EUROPE '72. It's all delivered with such precision that we've had to come up with some overtime for disc three. There you'll find 75+ minutes of music from the Kiel Opera House, St. Louis, MO, 10/24/70, with the rest of the show due sometime in the near future.
 
Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 48: PAULEY PAVILION 11/20/71 was recorded by Rex Jackson and has been mastered to HDCD specs by Jeffrey Norman at Mockingbird Mastering.

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1 year 1 month
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...will SELL-OUT first? my money is on 49, let's GO 49; and btw, that is NOT a reference to the fourty-whiners lol

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10 years 2 months
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Pretty sure in the Feb. GD Bulletin email yesterday they said there were only 700 DaP 49 left so I'll go with that selling out before the others. Getting hard to predict what year/era will sell quickest nowadays.
Cheers

Edit: Correction, only less than 700 left of both DaP 48 and 49.

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15 years 2 months
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Too many variables. Only you can decide which to get. If you like both eras then how much of each do you have? If I had to choose I’d probably go for 49, but that’s because I’ve got much more of 71 than 85. Luckily I don’t have to pick one because I subscribe so I get them all (as long as the delivery system works)

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17 years 5 months

In reply to by Colin Gould

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You can’t really compare different eras except according to preference.
BUT! I will say I thought 48 was a good, but not RJ pick, while 49 is one of the better shows from that year.
Personally, there’s no comparison, I’d take 49. It’s one of my fav picks while 48 was a disappointment. Not because of the era fall 71 through 74 is magnificent, just felt there were better shows.
But hey I dig em all and thank Dave and company for all the love and hard work they put in so we can complain LOL

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There are several "picks" which are sold out that I'd like to have. Shows I was at. Dekalb, Upton and Deer creek. Deer creek was fun. Could not remember where we parked and sat in the grass until the lot was mostly empty. The roads were empty of the fuzz by then too.

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3 years 9 months
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R.I.P. rip city Bill! So extra glad now Dave was able to get Bill involved with this pick's liner notes. Especially in the wake of Mr. Walton's passing on to the great beyond.

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