Grateful Dead

TN John - very cool! (a bc bday show not that I was there.) my FOTDs box set is crossing the Great Basin right now (i think) based on tracking. Hopefully by Tuesday next week.

6/14/94 - iwt and got here listening today via a circuitous route of JOTM (from 3/11/93 Rosemont) drive home last night which has a late period Masterpiece and this morning (gestures wildly) somehow saw the set list here and thinking "wow" I saw a Masterpiece in 94. And from there Set I etc. Very unusual set list Set II and a really fun and fine well played show. Posting now because Set II leads off with 45 second structured drumz intro to Victim and it caught my ears as something I had "never" heard (despite being there!) Victim into Lazy River Road. And then the second Samba In The Rain, which I will unabashedly say sounded great that night, totally new to me, and strong cool memory of Phil/Bob/Jerry/Vince singing the chorus and it rocked. Samba > Trucking > and a super chill That Would Be Something into drumz. Those late era shows in Seattle Memorial Coliseum kicked it.

Sportatorium

Just got back from my walk. Approaching the end of the first set.

Sounds grate on my new speakers and subwoofer.

Whadja get?
And what is powering them?
Cheers

Starting the box today.

At the risk of joining said society, I like the points you made, Daverock. I'm thinking of some live Quicksilver I had on cassette - absolutely ferocious playing, but the recording was not up to modern standards. Eminently listenable, though, and it broadened my mind to what that group was capable of. Or that Pink Floyd stuff from early '72, some early Doors stuff... that early '67 Thirteenth Floor Elevators concert (I think it later got released properly)...

So those Sept 1970 Fillmore recordings, what exists of them, should absolutely be made available to the public after Dr. Norman takes his best shot. "What's to lose / We're NOT confused/ You can call this set / The Fillmore East blues."

RP-500M II speakers
R-120SW subwoofer
12 gauge 99.9% copper speaker wire

Powered by a Cambridge Audio AXR100 receiver.

Live At The Roxy (Hollywood - 5/26/76)

Been thinking for a long while that I need to upgrade my system in certain key points. Slowly making my way to that move. Thanks for sharing ConeKid.

The model I got is over 50% off because it has been replaced with a newer model.
12-inch sub is spectacular.
I highly recommend it as does Vguy.
Grab one while you can.

The speakers were also on sale. They are really nice. I would also recommend them, and they’re still on sale.

Nice at the time

Will listen again someday

I was so glad they were in Seattle (first time since 1983)...Tacoma 88 kinda counts....

8 18 89

Then 8 19 89
Warlocks 89
3 10 81
10 30 73
Europe 90

With April 78 sprinkled here and there

9/18/87 MSG

Before that was 5/2/70 and

February 13 &14, 1970 that I now have in my collection thanks to a kind and generous person! :)

The bonus disc that came out with After Midnight - JGB at Kean College 2/28/80.

Kick ass little disc, 4 songs from next night 2/29 (a leap year!) and 1 from 3/1. I got to thinking how "freaking good" this sounded compared to, say, some 1980 GD sbds and on an old Steve Hoffman forum thread heralding and dedicated to the After Midnight release it mentions that Kean is from 24 track tapes(!!) and I'm like what the heck is going on that a JGB show at Kean is being recorded with a 24 track rig?? And yes I'm very thankful that it was so beautifully recorded. The After Midnight > Eleanor Rigby > After MIdnight from Kean enters a musical space that is crazy beautiful and otherworldly and that pretty much has me with tears in my eyes every time.

They are a strange beast in a way. When I started going to concerts, back in 1972, the music was only part of the experience of going. All sorts of things happen when you go to a live gig - especially when you are young. Live recordings omit all that other stuff, and all you get is the music played, presented in isolation. I wonder if this is partly why late period Dead shows are popular - if you were there you can fill in the gaps. If you weren't, they might not sound as special because they lack that "x" factor of experience.

As opposed to 2/13/70, 2/14/70 and 5/2/70 - some of the best live shows of all time. You don't need to have been there to enjoy those recordings - you just need a pulse.

Do we like 2/28 or 3/1 better?

For some of the later GD shows, you can feel the energy of the room and those are the ones I like.
Maybe its just Healy's recordings but not always...