Grateful Dead

I'm a dinosaur as Oro describes it and know zero about streaming and how younger folks get their music, movies, and TV but I'm guessing the Dinos are the ones buying hard copy CDs. My question is, if the '80s and '90s scene was populated by more younger concertgoers in huge stadiums in numbers way beyond the earlier shows shouldn't there be a demand for those shows in a format they like? I'd bet lots of folks will buy a show they attended. Mickey's model may fit that some day. That said, I'm ignoring the fact that some earlier shows had attendance in the 100,000+ range (Englishtown?) but there were just a few of those. I know Dave said that the last increase to 25,000 copies per release would be the last increase and maybe that's the limit for profitability for hard copy. I'm guessing the download option would be more profitable regardless of sales numbers (if they could ever get the damn things to work!) as all you need is a bank of servers and a few tech savvy people to run it. Large box offerings could be done as a pick and choose your favorite with quantity discounts for more shows. I know I won't be buying twenty shows from individual years I don't like as much and there is likely some truth in the theory that a good portion of "the good stuff" has already been released. Seems like, as with many things, tech is going to have to save us in this dilemma. Affordability is key either way. I can't afford $500 boxes even if I like the offering. It's as simple as that. So Mickey, let's get digitizing! Us Dinos will just have to figure out how to download and stream.
Cheers
Oh, and the price of the downloads needs to come down. Currently makes no sense if the price is almost the same just without the shipping. No incentive to be green.

I’m not talking about preferences, if I was, I’d be down with Conekids idea.
I’m talking about the reality of only a somewhat limited number of boxes getting released.
Their not going to do this forever!!!
For example, say they only releases 8 or 10 more years at one box a year.
With 3 show mini boxes that’s only 30 more shows. Plus say 40 more Dave’s. (4x10).
There’s still way more than 70 great shows in that vault…
My plan,
25 for primal 67-70
15 for 71
20 for 72
20 for 73 (at least!
? 74 might just be mostly scraps
20? for 76? Maybe
77 is already over represented so he can spit the last few out on DaP
20 for 78
20 for 79 and 80
20 for 81 & 82
20 for 83 & 84
20 for 85 & 86
20 for 87 & 88
20 for 89 including fall tour (alpine should be a stand alone
90 not sure you’d need to do 20 as it’s already fairly represented?
20 for 91 & 92
20 for 93-95
These plus DaP and special separates and one might say we’ve received most of the best!
Take pre orders plus run an extra 10% so your not stuck with inventory but have a few for Johnny come latelies…
You could still make them “limited”…
Release 2 a year, everybody wins cept maybe the finicky heads who probably won’t buy much more anyway…

Voila, all hardcore heads gets represented,

And remember when Mickey made his bold pronouncement about making all shows available (about the same time he said Phil must have got the liver of a jerk) .
But I’m sure things won’t change, sales eventually will make cost prohibitive and the vault will go to waste, but hey at least we will have most of 77…and four versions of October 74…
Think about the cruel reality of only 3 to 5 shows a year for only 8 more years….the horror!
Tic toc…

Yes, next year hopefully - vinyl too. Bit of leisure wear to listen to it in. Nice.

Mini boxes score where you might not want 17 shows or whatever. I wouldn't mind a few shows from Europe 1990, having attended the London ones - but I'm not sure I would want the whole lot !

Hopefully it’s moving into production soon so that we get it for the 50th anniversary next year.
With all the video included.

I’ll take mini-Boxes.
3-show mini-Boxes, released once every other month, and not during a month where a DaP is released. Thus, the DaP’s and mini-Boxes would give us a release 10 months out of the year. The other 2 months would be RSD and Black Friday RSD.
Sounds like a grate plan to me.

Agree..

Can anyone tell me why we did not get a Winterland '74 Box Set? The box design would, of course, been a mini Wall of Sound.

Wars have been fought for less.

Oh, the horror.

Would you like yours in a mini or mega? 1972, 1977, 1978 still ripe for the picking. Added together that equals mega I'd say. Taken alone some fine mini ones there. I think there's a New Year's 1971 available yet to add...

P.S. Currently spinning the space jam from 10-18-1978

Made through 5/4 and sorta first run of 5/7 (on crappy device while working) But got bogged down this week with mucho fuckery and distractions so lost my pace and mojo, hoping I can catch up this WE…
ONWARD!

NO MORE MINI BOXES!
Every piddly little release is one less possible future box! Like most things there’s only so many, nothing lasts as the pranksters say…
We’re running outta time so we need huge boxes with the best remaining 20 shows from each year.
Perhaps more from years they’ve been stingy or ignored.
This ain’t no party, this ain’t no disco, this ain’t no foolin around…
Seriously, sales are flat, saturation for some has set in, old heads don’t want any newer stuff and/or are dying off etc, yeah, this could all go away sooner than later. We need to demand more output for the faithful, and stop worrying about the picky folks who only buy limited things. I totally understand not buying things you won’t use, but if we don’t support these releases, eventually, they’ll just stop!!
They need to quit dicking around, otherwise,…..Smithers, release the hounds, it’s time to quit screwing around and storm the vault! Where the hell is Keithfan anyway? Thought he was getting close? Hear sound of foot tapping…AND,
Hey Mickey, what happened to “everything’s going to get digitized and you’ll be able to order almost any show” (paraphrasing).

Maybe they could do that with vinyl releases, like they did with The Lyceum shows. Although I get the impression it didn't sell particularly well.
I tend to segment them myself, when I listen to them, although I'm glad the cds were released in that mammoth box. I listen to most of them every year - but I couldn't do it consecutively, one show another in one chunk. I take all year about it - then come Spring in the following year...start again.

They're just getting warmed up by the time they get to Paris.

I'm glad they didn't do this, but they could have divvied up the tour into little mini-boxes and it would have worked nicely.

England Part I (Empire Pool, Newcastle & Bickershaw)
Denmark (Copenhagen, Aarhus & Copenhagen)
Germany (Bremen, Dusseldorf, Frankfurt, Hamburg, Munich)
France (Paris, Lille & Luxembourg [close enough])
The Netherlands (Amsterdam & Rotterdam)
England Part II (the Lyceum, London)

The performances by country partner well with each other. By the time they get to Paris they are just getting comfortable in their shoes. 5/3 is the monster and really is a masterpiece, but the second set of 5/4 has a jazzy aloofness to it that really works. The Netherlands shows also partner well with each other.

But one box is better. I like the way the artwork has a central theme and is personal to each show; one box same artist for each show. Plus, as others have mentioned, at least once in your life the tour should be listened to from start to finish. Separate boxes would have resulted in a disjointed experience.

Germany: Some time traveler here once said my favorite show is the one I just listened to. Now it's Hamburg 4-29. They just keep getting better. Jerry mentions in response to an obvious audience call for something, we'll get to that, this is going to be a record, we have to do some new stuff. An awesome archive for Pig's legacy too. The He's Gone finding it's groove, that doesn't have the vocal harmonies worked out yet and so ends like a Bird Song. Priceless. And the Dark Stars. My pages of note are struck dumb. Paris next!
Cheers