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    Friend of The Devils: April 1978 (Dead.net Exclusive) [19 CD]

     

    WHAT'S INSIDE:
    Curtis Hixon Convention Hall, Tampa, FL 4/6/78
    Sportatorium, Pembroke Pines, FL 4/7/78
    Veterans Memorial Coliseum, Jacksonville, FL 4/8/78
    Fox Theatre, Atlanta, GA 4/10/78
    Fox Theatre, Atlanta, GA 4/11/78
    Cameron Indoor Stadium, Duke University, Durham, NC 4/12/78
    Cassell Coliseum, Virginia Polytechnic Institute, Blacksburg, VA 4/14/78
    Huntington Civic Center, Huntington, WV 4/16/78

    Recorded By Betty Cantor-Jackson
    Newly restored and speed-corrected audio by Plangent Processes
    Mastered by Jeffrey Norman
    Liners By Author Steve Silberman
    Artwork By Acclaimed Artist Matthew Brannon

    Limited To 10,000 Individually Numbered Copies
    Dead.net Exclusive

    It’s been said before but April ‘78 was an incredible month for the Dead. Like May ‘77, you could throw a dart and guarantee you hit a stellar show. - KyloRensPecs, r/gratefuldead, Reddit

    .... April/May '78 has a lot of the same qualities of Spring '77 but with some extra edge and a much bigger sound from the Rhythm Devils. A really special era that often gets neglected. - viewtiful_alan, r/gratefuldead, Reddit

    Sportatorium - April 7, 1989

    when drums started I thought, oh s*#!, i hate drum solos and Billy and Mickey stopped me in my tracks. Wow, these guys are really good. Little did I know the pervasive influence this phenomena would have on my life. - pearlybakerbest, Dead.net

    Huntington Civic Centre, West Virginia – 16 April 1978

    This is another must-hear concert by The Grateful Dead. The sound and mix are almost ‘absolutely perfect'... It’s difficult to pick out highlights because everything is played so well; the band are tight, Donna is great and the set list is strong. - Grateful Ted, gratefulted.co.uk

    We're hitting the bullseye with the eight previously unreleased stellar shows that make up FRIEND OF THE DEVILS: APRIL 1978. Filled to the brim with peak performances from the Grateful Dead's post-hiatus period, this collection captures the historic tour where "Drums" begat "Space," morphed into "Drums">"Space" and cemented the Rhythm Devils' second-set power move from the music business to the "transportation business."

    Spring 1978 finds the Dead consistently weaving spontaneous magic, showing signs of great promise and potential - from the no-nonsense rock'n'roll in Tampa, where scholars cite the first "Drumz" leading into "Space," to the lengthy communal get down in Pembroke Pines to Jacksonville where the twain emerge fully formed, offering the primordial opportunity for "soul retrieval." It's evident in the dynamic range delivered on back-to-back nights at the intimate Fox Theatre and through the laid-back unity of the band's performance in Durham at Duke, a comfort that carries over to Virginia and West Virginia where the playing is unbridled, bursting with momentum, threatening to carry itself away. And nowhere can you hear that more clearly than through Betty Cantor-Jackson's original recordings, reliably crisp, bright, and vivid.

    Individually numbered to 10,000 copies and exclusive to Dead.net, FRIEND OF THE DEVILS: APRIL 1978 has been mastered by Audio Engineer Jeffrey Norman using Plangent Processes tape restoration and speed correction. Steve Vance designed the collection’s custom box, which features a removable wave drum. (We invite you to unleash your inner Rhythm Devil.) Acclaimed artist Matthew Brannon created the set’s original artwork. The collection also includes a 48-page book with original liner notes by author Steve Silberman and photos by James Anderson, Bob Minkin, and more.

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  • iangillespie
    Joined:
    Special Mixes

    Betty was fed audio - probably pre-mixes of vocals, guitars etc (although I have seen a photo of her with what looks like a 16 track mixing desk) and she would mix using headphones
    A soundboard recording is what is mixed for the venue and output to whatever the recording device is

  • JoeyMC
    Joined:
    Special mixes.

    So, during the Deadcast, season 10, episode 03 (Duke) at around 52 minutes, Jarnow says that the recordings in this box aren't soundboards but "special mixes" Betty made using the soundboard feed.
    He doesn't say matrix either, and doesn't elaborate enough for me. I think a statement like this requires explanation.

    This explains Jerry's vocals at the beginning and maybe, possibly, why some people don't like the sound of the box....

    EDIT: So, having thought about this a little longer I think I understand what he meant, Betty was taking the board and remixing for tape, unlike Healy definitely and probably Bear too.
    But it was strange the way he said it...

  • Obeah
    Joined:
    Awesome Daverock! + 33 years ago...

    A good sentence to be able to utter!

    Myself, I was up at Oakland 33 years ago tonight. Hard to really put that show into words... at least into just a few words. I will say that it does makes me miss Phil all the more thinking about the bass lines he played as Kesey took the stage...

  • billy the kiddd
    Joined:
    Anniversary show 10/31/86. Garcia

    36 years ago I was up at the Oakland Auditorium to see the Jerry Garcia Band. It was the 1st time I had seen him since his coma, He hadn't played with the Grateful Dread yet. They did Forever. Young and it was very cool.

  • JoeyMC
    Joined:
    :)

    Awesome Dave!

    I got through the box one time, pretty slow for me, and was into 4/10 again when Dave's 52 arrived.
    I could not resist, I always have to hear everything right away...
    I can't believe it when some people sit on releases for a while.
    Anyway, box is on hold for a bit. I really did like Blacksburg so far.

  • daverock
    Joined:
    34 years ago...

    I can't say this sort of thing very often, but 34 years ago tonight ( 31st) I saw The Dead at Wembley. And the night before. And the night after.

  • billy the kiddd
    Joined:
    Anniversary show 10/31/94. Rolling Stones

    30 years ago I was up in Oakland to see the Rolling Stones play on their Voodo Lounge tour. They opened the show with Not Fade Away.

  • daverock
    Joined:
    Back to the Box

    I also decided to pick up where I'd left off - which was 4/11. Good show - especially the first set and the Scarlet-Fire. Drums is now 22 minutes, though, which dissipates the energy a bit for the last cd.

    Bit dischuffed that neither the 1st or the 3rd cd would play on my hi fi. But they played okay on my portable cd player, so I am hoping that now they have been played through once they will work on the main one. Maybe I'll do copies of them, and see if they work any better

  • 1stshow70878
    Joined:
    Back To The Box

    Finally getting to Duke and having a great time in 1978. The dynamics of this year are so noticeable. The quiet parts are quieter and the loud parts are louder! Almost like they have that group mind thing down pat. Or like there is a master volume control that keeps everyone in balance. So good. The sound quality of this box is superb.
    Cheers

  • Chuck
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    Joined:
    PHIL LESH

    DOINGTHENEEDFUL

    You are correct To me Phil is as much responsible for the "Grateful Dead" as Jerry

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Friend of The Devils: April 1978 (Dead.net Exclusive) [19 CD]

 

WHAT'S INSIDE:
Curtis Hixon Convention Hall, Tampa, FL 4/6/78
Sportatorium, Pembroke Pines, FL 4/7/78
Veterans Memorial Coliseum, Jacksonville, FL 4/8/78
Fox Theatre, Atlanta, GA 4/10/78
Fox Theatre, Atlanta, GA 4/11/78
Cameron Indoor Stadium, Duke University, Durham, NC 4/12/78
Cassell Coliseum, Virginia Polytechnic Institute, Blacksburg, VA 4/14/78
Huntington Civic Center, Huntington, WV 4/16/78

Recorded By Betty Cantor-Jackson
Newly restored and speed-corrected audio by Plangent Processes
Mastered by Jeffrey Norman
Liners By Author Steve Silberman
Artwork By Acclaimed Artist Matthew Brannon

Limited To 10,000 Individually Numbered Copies
Dead.net Exclusive

It’s been said before but April ‘78 was an incredible month for the Dead. Like May ‘77, you could throw a dart and guarantee you hit a stellar show. - KyloRensPecs, r/gratefuldead, Reddit

.... April/May '78 has a lot of the same qualities of Spring '77 but with some extra edge and a much bigger sound from the Rhythm Devils. A really special era that often gets neglected. - viewtiful_alan, r/gratefuldead, Reddit

Sportatorium - April 7, 1989

when drums started I thought, oh s*#!, i hate drum solos and Billy and Mickey stopped me in my tracks. Wow, these guys are really good. Little did I know the pervasive influence this phenomena would have on my life. - pearlybakerbest, Dead.net

Huntington Civic Centre, West Virginia – 16 April 1978

This is another must-hear concert by The Grateful Dead. The sound and mix are almost ‘absolutely perfect'... It’s difficult to pick out highlights because everything is played so well; the band are tight, Donna is great and the set list is strong. - Grateful Ted, gratefulted.co.uk

We're hitting the bullseye with the eight previously unreleased stellar shows that make up FRIEND OF THE DEVILS: APRIL 1978. Filled to the brim with peak performances from the Grateful Dead's post-hiatus period, this collection captures the historic tour where "Drums" begat "Space," morphed into "Drums">"Space" and cemented the Rhythm Devils' second-set power move from the music business to the "transportation business."

Spring 1978 finds the Dead consistently weaving spontaneous magic, showing signs of great promise and potential - from the no-nonsense rock'n'roll in Tampa, where scholars cite the first "Drumz" leading into "Space," to the lengthy communal get down in Pembroke Pines to Jacksonville where the twain emerge fully formed, offering the primordial opportunity for "soul retrieval." It's evident in the dynamic range delivered on back-to-back nights at the intimate Fox Theatre and through the laid-back unity of the band's performance in Durham at Duke, a comfort that carries over to Virginia and West Virginia where the playing is unbridled, bursting with momentum, threatening to carry itself away. And nowhere can you hear that more clearly than through Betty Cantor-Jackson's original recordings, reliably crisp, bright, and vivid.

Individually numbered to 10,000 copies and exclusive to Dead.net, FRIEND OF THE DEVILS: APRIL 1978 has been mastered by Audio Engineer Jeffrey Norman using Plangent Processes tape restoration and speed correction. Steve Vance designed the collection’s custom box, which features a removable wave drum. (We invite you to unleash your inner Rhythm Devil.) Acclaimed artist Matthew Brannon created the set’s original artwork. The collection also includes a 48-page book with original liner notes by author Steve Silberman and photos by James Anderson, Bob Minkin, and more.

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@CmdrDarklighter

The flac files for this box are corrupt. For whatever reason, they're still for sale. Some of us have tried slugging it out with support, the higher ups, and whatnot. Nothing has changed.
The flac files are still full of drop outs and digital stuttering. The alac files, I believe, are ok.

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9 years 5 months
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Just got done listening to the Box set in order, plus threw William and Mary in there to make it like I was on tour. I have to say that it was a very enjoyable experience. All the Box sets are excellent, but this one really brought a smile to my face. There's a looseness to the playing that makes it incredibly easy to enjoy - plus the sound is killer!! Going to need to relisten to July '78 now.

Now, let's scrape up anything listenable for that Fall 1970 Box set.

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081227816759
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https://store.dead.net/en/grateful-dead/special-collections/friend-of-the-devils/friend-of-the-devils-april-1978-dead.net-exclusive-%5B19-cd%5D/081227816759.html